having already debuted on the pinkman main label. identified patient now steps up for the pinkman broken dreams series for your stripped back content. the whole ep is furnished with the sinister and commanding vocals of sophie du palais. also known as vrouwe fataal. creating an infectious vortex of panic and scare to abort your dreams. throughout the release. hazy percussion is carefully seasoned with the bitter synth lines and guitar riffs from lasznkioff. the first track. peaceful panic is in full seduction and fetish mode. setting the scene for the better corners. sleep without rest violently tightens up the leather and gives you your kicks for thrills. the ep ends with frenzy: messed up intermezzos with lasznikoff. mixing up an 808 with his destructive guitar rig and. as he states. everything is done. throughout the release. hazy percussion is carefully seasoned with the bitter synth lines and guitar riffs from lasz nkioff. the first track. peaceful panic is in full seduction and fetish mode. setting the scene for the better corners. sleep without rest violently tightens up the leather and gives you your kicks for thrills. the ep ends with frenzy: messed up intermezzos with lasznikoff. mixing up an 808 with his destructive guitar rig and. as he states. everything is done.
suction records is proud to present the 4th and final volume of rx-101’s “ep” series of vinyl releases. showcasing a selection of standout cuts from dutch producer erik jong’s vast archive of previously-unreleased techno. idm. acid. and electro. recorded to cassette from 1997-1999. roland’s cover-star instruments. the sh-101 and juno-106. play a prominent role in ep 4’s sound - a playful mix of joyous. sometimes haunting synthesizer melodies. and raw. crunchy percussion. from the early-squarepusher melodies of opener themis. to the eerie boards of canada-like nostalgia of transmission. ep 4 delivers 6 tracks of classic late-90s electronix. with rx-101 affirming himself as an unheralded master in the rephlex/warp/skam domain.
this october will see canada’s mathew jonson join forces with visionquest co-founder ryan crosson for a two track ep in the shape of ‘robots of dawn’.
canada’s mathew jonson has quite the impressive career under his belt having co-founded the revered wagon repair label and heading up itiswhatitis recordings as well as performing under his own name and various guises such as cobblestone jazz. the modern deep left quarted. and his new project units & measurements alongside hreno and the mole. here we see the synth aficionado joining forces with visionquest’s very own ryan crosson. who’s carved out an equally impressive career to date and will soon drop his second long player alongside cesar merveille focused on intricately musicality and an intriguing approach to electronic music via the visionquest imprint.
as you’d expect from such a pairing this collaboration packs a bunch. opening with ‘tempelhof’ named after the now defunct airport in berlin and laid out over thirteen minutes of gradually unfolding and retracting acid swells. resonant synth whirrs. mind bending arpeggios and dynamic. baroquely evolving rhythms.
title track ‘robots of dawn’. featuring added help from cesar merveille and new upstart artist isis. captures an old school electro feel via an 808 drum workout. vocoded vocal murmurs and funk-infused wandering bass lines whilst modulating synths spiral through the depths of the composition.
super rhythm trax boss jerome hill is back on the label with 3 otherworldly tracks cut loud for maximum dancefloor devastation. beginning with the wistful acid pump of back & forth moving through to the alien jacking of weird language and leaving you wide eyed in the grip of close encounters.
the sound is short and dry. like a fist colliding with leather or other flesh. but the repetition and reverberation transcend such violence and lead the listener to a heightened state by the time the parade is cancelled. a point of consideration. stick around because at least a few folks will still march and it could be a gorgeously lonely thing to witness
american electro rap legend kyper checks in with the german label ground control.
produced by the brazilian bass connection (bbc) aka heliobranco and tom oliver. the new song let the bass come out clear delivers a shameless old school miami bass orgy with heavy 808 beats. 80s style rapping. vocoder vocal bits and fresh scratching.
the perfect choice for a remixer comes with miami bass heavyweight debonaire. who also produced classics with legendary groups maggotron and dynamix ii. taking the song to the next level of bass boom. turn up the bass!
the new zealand - detroit connection. electro empire presents the auckland based duo go nuclear and three new versions of their hit song techno world off their debut ep on bass agenda recordings.
despite the undenieable influence from early detroit electro classics by the likes of model 500. cybotron or aux 88. this well and originally crafted production offers catchy old school vibes with a powerful modern twist. go nuclear!
bringing the remix here is detroit s filthiest (aka dj nasty) - a true detroit talent who has been keeping it real since the nineties. his name alone is a seal of quality.
formed in 1997. and inaugurated that year with a split 12inch from new-comers and label founders. solvent and lowfish. this year suction records celebrates its 20th anniversary with the re-introduction of their famed snow robots series of compilations. while originally started as a north american answer to uk electronix labels like rephlex. skam and warp records. a sound that is still a staple of the current suction records catalog. suctions sound has also swerved into new territories. reflecting our love of dark 80s electronic music synthpop. ebm. and beyond. snow robots volume 4 features an international array of artists. fromsuction records mainstays like digital poodle. june. celldoed. and ceramic hello (with their much sought-after 1982 vocoder anthem). to label-favourites appearing on suction records for the first time: beau wanzer. morah. and one of skanfrom/sleeparchives lesser known aliases. civil defence programme.
re-mastered by bernie grundman mastering in hollywood
• available for the first time on 180g vinyl
• high quality audiophile download card included (24bit files)
for fans of dj shadow. roni size. roots manuva. unkle. j dilla. rockers hi-fi. alex reece ...
los angeles based natan h and malta based artist owen jay return as gauss with their first ep of 2017. entitled resonator it offers more deep music with an electronic soul and is their fifth ep for their cultured label gauss ltd. the title track opens things up with a crunchy and impactful mix of weighty dub drums and spangled techno chords. it s a heavy track that builds in momentum and is sure to mangle minds with its skewed stabs and wiry electronics. shifted is a more fierce techno track with urgency in the kicks and a sense of anger in the coarse little snare explosions. more gurgling synths add weight and this one is a real stomper as a result. cutting ever more loose. odyssey is a mix of idm sound design. soulful synth smears and percolating electro tinged drums that are slick and futuristic. least squares completes this techno picture with spitting hits and claps. underwater chords and acidic sonar pulses that soothe the mind. this is an expansive ep that marks an exciting evolution in gauss s sound.
alvin toffler war überwältigt. als er am morgen des 4. oktober 1988 – es war sein 60. geburtstag – mit noch etwas abwesendem blick in eine schale cornflakes starrte. glaubte er. in der oberflächenstruktur der gelblich schimmernden milch. die mit ahornsirup eine emulsion bildete und die knusperkristalle der maisflocken langsam. aber unumkehrbar immer weiter zersetzte. wie durch ein fenster in eine zeitlose dimension schauen zu können. toffler. zu jener zeit auf dem zenit seines ruhms als zukunftsforscher angelangt. war von dem blick ins extratemporäre guckloch nachhaltig verstört. in keinem seiner bücher – „future shock“ war soeben in einer weiteren auflage mit dem stolzen zusatz „more than 5 million copies in print“ auf dem buchtitel erschienen – sollte er das erlebnis jemals erwähnen. auch nach seinem tod ende juni 2016 konnten im nachlass bisher keine ausführungen zu dem vorfall gefunden werden. die von toffler in später geschredderten notizen so getaufte „flake dimension“ bleibt ein geheimnis von opaker. schwer zu fassender strahlkraft.
a new transmission from the pasadena oceanlab by versalife. the start of a new saga where he explores the boundaries between electro romantic sounds and glitchy idm percussions. tracks that have already been highly sought after since his live performance at boilerroom in doornroosje. nijmegen earlier this year. a few people might have heard this release in an already legendary dj set by objekt during the freerotation festival this year. more parts are on their way.
shedbug and rudolf c return to their imprint for the first time since it s debut release. breakbeats from the rainforest meet synths from the sky on this split 12” ready for all types of nightclub environments.
der londoner produzent o’flynn welcher four tet. gilles peterson & bonobo zu seinen fans zählt veröffentlicht sein ninja tune-debüt! oflynn ist ein junger produzent aus london. der von den machern des boiler room als einer der vielversprechendsten newcomer im dance bereich geadelt wurde. eines der hervorstechenden 12inch-releases des jahres 2015 war o’flynns debütveröffentlichung bei blip discs. zwei tracks voll pumpender. perkussiver und afrikanisch beeinflusster house musik. tyrion entwickelte sich zum tool für four tet. ohne das er in seinen sets nur selten auskam. während das fast schon hymnische desmonds empire von musikgourmet gilles peterson aufgegriffen wurde. der es beim auflegen während des festivalsommers mit beeindruckender wirkung zum einsatz brachte. beim nachfolger oberyn/ spyglass packte er noch eine schippe klappernder perkussion drauf. die in noch stärkerer energie resultierte und airplay bei radio 1 & rinse fm zur folge hatte. seine jüngste veröffentlichung glow worm/ aloha ice jam bekam großes lob von bonobo und wurde von phonica records als eine ihrer besten singles 2016 bezeichnet. mit remixen für faltydl und addison groove und seiner kommenden 12inch für ninja tune in der pipeline. zeigt o’flynn. dass er auch in 2017 nicht daran denkt. das tempo zu verlangsamen und arbeitet stattdessen weiter daran. einen aufregenden neuen namen in der elektronischen musikszene zu etablieren.
interdimensional journeys lay ahead as volruptus lands on т....р....и....п.... with a 5-track tour of his alternate reality. androids navigate their way through deep space. determined to find more. one minute they’re floating. the next. racing through a continuum at twice the speed of light. sharp broken beats create a framework for immersive pads. glitchy inflections and acid bass to wander.
volruptus holds a state of the art lens to classic electro. exploring its form with the meticulous detail of a true audiophile. this one’s for the psychonauts.
after a 10 year silence. the frequencies of radio mars are back on the line with a mini lp from the enigmatic the observer. the release features 6 tracks serving up a space journey oscillating between cinematic interludes. irresistible electro rhythm bass lines. and cosmic arpeggios. you will feel like you are traveling through an unexplored landscape. lost far and away. deep in the galaxy.
limited series 06 drops on banoffee pies records. this time with some saucy pink legs showcasing a predominantly bristol based representative of leftfield house and uk inspired productions from jazz to electro and 2 step.
gallegos’ “save your love for me” quickly engages your focus with melody rich tones and enticing vocals pushing on to an interestingly themed a side with the electro infused “hanging gardens” from local seka. and the complex drum patterns of 2 step themed “dreams” from jay anderson. another artist to recently join the labels affiliates with an appearance on the second banoffee pies black label imprint.
the b side is pleasantly introduced by a more head nodding groove full of pads from owain k with “touched “. and as with many of it’s predecessors. this limited series installation is rounded off with a beat and a mood from a smoky lounge this time from embezzlement society. another record with diverse uses for the dj and listener. music for prancing. love and dancing. banoffee x
xan is a moscow-based producer originally from the town of votkinsk – the birthplace of pyotr tchaikovsky. xan then moved to st. petersburg. and eventually to moscow where he became part of the johns’ kingdom community. there. he began solidify himself as an established electronic music producer and dj. his dedication allowed him to fuse new influences with his own musical background as well as single-handedly organise a unique underground festival in hometown votkinsk. later he becomes a resident of the main diy club in moscow. rabitza. and a frequent guest at other notable events such as arma17. boiler room or nts.
this record is dedicated to the entire rabitza team people — Р..а..б..ы.. Р..а..б..и..ц..ы.. (slaves of rabitza).
roma zuckerman returns to trip with his debut ep. which emerges after 2 stand-out appearances on the label compilations in 2015 and 2016. that present terminal blends murky textures and sinister vocals across 4 delusional tracks. glitchy percussion and scuzzy frequencies march with intent whilst uncanny voices mumble to the beat of their own insanity. unnerving tones test our limits whilst underlying grooves offer mild relief. that present terminal condenses a broad sonic palette into 4 truly bizarre cuts that. once tested. are hard to put down.
cititrax is excited to present the first in a series of 4 song samplers showcasing the talents of some of the most innovative producers of the moment. cititrax: tracks volume one features amato. an edgy new project brought to you by the hacker. tzusing. a young producer from china known for his hard-hitting l.i.e.s. releases. our beloved berlin based former new yorker an-i. and oliver ho’s stunning broken english club. the overall sound can be described as modern. uncompromising and guttural. each artist reinvents dance music by bringing their own unique vision to the floor. artwork designed by veronica vasicka and sourced from polaroids shot in nyc clubs in the 1980s. cititrax: tracks volume one is pressed on blood red clear vinyl.
modeselektor und die puppen bangen und boomen und rappen und rocken wie hip hops feinste ghetto blaster-götter. wer jetzt sagt: >na und ?!< .der hört sich gefälligst den 2000 and one mix an. spätestens hier sollte alles klar sein
new moderat album !! moderat are sascha ring (aka apparat) and gernot bronsert and sebastian szary (aka modeselektor) triumphant gathering of modeselektor and apparat. expect more than just an high class electronic album. moderat operates like a band and invited several guest vocalists to their studio
journey through vivid sonic currents and states which might as well be regarded as rashims magnum opus: the 006 release on arr is a new height delivered as a mini album. the more basic and primal spirit of this release encapsulates rashims music in a way which makes total sense. bound over six tracks. they all display a different perspective of this dramatic colossus.
black tokyo sessions 2 leads off with legendary other half of lfo gez varley the g-mann remixes the aux 88 classic shadow dancing. g-mann mix is a certified club banger with nonstop effects over the pulsating basic channel type string layered with those ohhhh so beautiful detroit strings.
track 2 side a gives us a taste of japan via andrez bergan. he gives us electronic underground. his beats add a more glitchy minimal style to aux 88 familiar electro side. side two electronic cinema remix and original mix scotlandís own arne weinberg gives us a taste of his moody side mix which is very hi classed cafe style mix.
aux 88 gives its fans yet another treat the original mix previously not available on vinyl!
very hot plus8 output
from my mind to yours
special remarks: embossed generic sleeve for the plus825 series with innerprinted sleeves! richie hawtin reveals from my mind to yours. a new series of seven 12 inches via his own label plus 8 recordings. for which hawtin has revived some of his most revered aliases - plastikman. f.u.s.e.. robotman.. circuit breaker. 80xx. childsplay and r.h.x.
office recordings introduces trux with office 07. an extended ep tinged in a smokey blue hue of low-fidelity candour and aberrant compositions. blankets of white noise and distortion. lap over renditions of hazey house. stripped synth arrangements. jungle breaks. and queer patterns.
trp makes his long-awaited solo ep debut with the insanely epic pano ep. rolling n pumpin’ jams scraped from the brain of the mpc with a rusty iron. battered. bumpin and cracklin in all the right places.
over seven years of grounded theory and a clutch of celebrated releases to his name. henning baer has already proven himself one of the finest berlin has to offer. with the launch of his manhigh imprint. he takes the jump to full control of his own output. freed of the constraints of collaborators and outside artistic direction.
in 1987. series-a recorded the single evolution5 technology at spectrum sounds studio in st. clair shores. michigan. their set up was a vocoder. e-mu emulator iii. roland 909 drum machine. and an otari 24-track recorder.
london’s alex warren. aka kiwi presents “throwdown”. a cover version of carmen’s cult and in demand 1986 electro funk hit. it comes in two versions. a 4/4 club mix and at the suggestion of jd twitch. an updated take on a latin freestyle mix. both versions feature full vocals from ciara haidar and have “summer hit” written all over them.
beautiful deluxe artwork. limited ot to not to is an experimental rnb project by va native ian mugerwa that combines low fidelity electronic recording techniques with unconventional song structures to produce music that serves as homage to dusty old blues recordings.
!! coloured vinyl !! killekill sublabel
„umwelt’s 12inch “… city” from 1999 was one of the most impressive 12inches i had at that time and i played the shit out of it. it was dark and very emotional. it was abstract but also driving at the same time. this was 1999 though. before discogs and before facebook and all the other platforms people have now to do research on artists they like and follow their work. at that time it was the record shop – and that was it. nobody knew this guy though. and i didn’t get my hands on any of the following releases. so in my world there was no follow-up to this record ever and i thought it would remain a one-off gem in my record box. until by some coincident i recently discovered he was still around and had actually released numerous releases in the meantime. i was very excited and contacted him straight away and ended up booking him for krake festival in the same year. undoubtedly his set was one of the best of the whole festival! he took the roof off the place with his mix of raw electro. industrial and rave and everybody was talking about it afterwards. saying it was the highlight of the festival! talking to him i learnt. that most of the tracks he played were his own. mostly unreleased. he produces without computers. all his tracks are single takes. there is no editing. no mixing afterwards. he only has a stereo track recording which is what it is. he owns a cutting machine which he uses to cut dubplates from his tracks. which he then plays out during his sets. this whole information about this very unique artistic approach just killed it for me. and since working with him was so nice as well. i asked him for a demo for killekill and its labels and was hoping for tracks i could make a great 12″.. of. i got 14 tracks and after weeks of trying to pick the best. i finally realized i held one of the best electro albums ever in my hand – banging beats and the balls to go big and epic. subtle melodies. drama. funk – this album has got it all. and what’s most important. the music on it is the exact opposite of so much other music nowadays: it is emotional. it tells a story. it is easily recognizable and it is not interchangeable. it’s just umwelt.“ nico deuster
jann arrives on pinkman with a soundtrack of breathless panic. an ode to a blighted world of diesel fumes and indifference. rhythms are grizzly. gored and torn. thick chords judder. revving like a clapped-out engine as metal slashes at savaged snares. acid scorn is poured on this inhospitable world. amplified by the haze of distortion that clouds jann s hard and cold vision.
dj t-1000 drops 4 classic hard-edged cuts of pure detroit techno on third ear. born and raised in detroit and based in berlin dj t-1000 is alan oldham. owner of detroit labels generator and pure sonik. and a gifted techno dj. also an accomplished graphic illustrator. known globally for his iconic artwork for djax-up-beats. +8 records. transmat. astralwerks and many other electronic music labels. including third ear. alan did the artwork for the defenders of the deep house world ep curated by mike huckaby. and he has done the artwork for his third ear ep also.
yellow colored vinyl - deluxe gatefold sleeve - limited to 200 copies
this new album is the longest and more ambitious work they had produced to date. including up to 14 new tracks where find their usual eclectic amalgam of dance oriented darky styles. from ebm to synth pop. passing by electro beats. pure coldwave. italo disco or classical synthwave. all tracks has been recorded using only analog synthesizers captured on a external recorder without make use of daw digital conversions. excepting on the final process of digital mastering . all tracks has been mastered and remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).
early pioneers of the german new wave music scene. din a testbild were formed in 1978 by mark eins and gudrun gut (former member of einstürzende neubauten. mania d. and malaria!). din a testbild played a significant role in defining the avant-garde music of berlin. legendary is their partecipation at the festival genialer dilletanten- in 1981. programm 4 is their fourth album. mixed and auto-produced by mark eins near the wall in west/berlin in 1983. the album was rejected at the time by innovative communication. considered too much synth/punk/techno. while the new label managers were looking more into new age stuff. in fact schulze eventually sold the label in 1983. which started to release a plethora of acts loosely grouped around the nam genre.
plaza’s first physical release features 4 tracks from an all local lineup of atripat. consulate. lanngman and mike midnight. this one comes from a special place. a place where raw electronic excursions go head to head with heavy machine fuelled jams. conceived in the north western coast and commemorated from the depths of the city.
pupil dilations - new ep by russian producer kausto (real name kuzma palkin) for roots united records. 5 tracks was produced in 2004 - 2007 in kausto’s hometown severodvinsk on a vintage pc using jeskola buzz tracker and old vst plugins. main source of inspiration - music of that time: baby ford. humanoid. 808 state’s newbuild. as well as analord series by afx.
anthiliawaters has set out to explore the cold and almost isolated unknown with their stunningly lush detroit-influenced album. warm. jazzy synth pads supplying a melodic counterpart to the softly crunching. electro-tinged beats. a solid home listening fare for the living room that draws parallels to the beautiful and mysterious world of drexciya and almost continues the journey of the highly popular the other people place -lifestyles of the laptop cafe-.
hand-picked selection of tracks by uk s negative response in this initial limited run of 300 discs. negative response is a diy minimal synth project that formed in 1980. they self-released 3 cassettes from 1981-1983 as well as playing a number of gigs from 82-85. the tracks embody a very melancholy atmosphere reinforced by their arsenal of early electronic analogue equipment. this collection will certainly appeal to fans of early bedroom synth artists such as john bender and other diy home recording moguls of the era. all tracks remastered from cassette by martin bowes at the cage. uk.
once again. perm has turned just the right knobs to give you the perfect soundtrack for your personal journey into techno wonderland. the leipzig based wizard simply knows how to leave dancers both dizzy and beatific. when those strings in -03-viii- come together to its climax you re more than ready to embrace the night. the focus in -03-iv- is more heavy on the drum work with just the right amount of subtle tripping hazards. -03-iii- builds and builds without ever bubbling over while the mighty -03-viii- comes with a boom-tschak-electro feel to it. the artwork comes courtesy of carl-johannes schulze.
the brooklyn sessions bring together old and new pinkman friends. annanan returns. this time with maroje t. for three pieces of ny darkness. acid tainted torment opens the 12inch. pain and rejection catalogued in the barren confrontations in terms of sexuality. i saw you maintains that cold edge. militaristic percussion is dipped in industrial grease. lost samples circling in a haze of distortion. the pair explore reduction with tracks being boiled down to leave only distilled dread behind. the breathy vocals of i am close. drum patterns looped into machine groan and the aching abyss.
this summer path records launches its 2017 campaign with freshly recorded material from reade truths fate 258 moniker. the games with blades ep delivers an epic dose of material once again deeply rooted in the mysteriously seductive sci-fi themes the artist and label are well known for. games with blades visits the dystopian subject matter of the ultra-classic bladerunner and furthers reflection upon its themes of immortality. empathy. and the femme fatale. much like 1999s highly sought digger-classic why 2k this ep provides an enticingly varied mixture of flavors. deep and heavy techno. raw and rhythmic house and funkier electro styled breaks are all on display alongside fate 258s heavy bed of intricate sample-work. path records are leaders in the left field. providing dance floors with unique. conceptual future-classics that sublimely push a futuristic vision.
ausgekoppelt aus ihrem album -sagittal future- (chp recordings ltd.) praesentiert sich der electrobass-clubhit -rezonation- hier in drei neuen versionen. inklusive extended mix. instrumentalem bonus beat mix und und einem vocoder-acapella. die die herzen von fans des neuen wuchtigen miami bass sounds ala jackal & hyde. dynamix ii or code rising hˆher schlagen lassen werden.
imagine apollo 13 mission commanded by mika vainio and erp and you might get an idea of the intergalactic atmospherics crawling from the new phi chapter. slovenian minimalism afficionado evano returns to phi with an icy pulse that starts the electro romanticism on the first track and soon turns to hypnotic four to the floor pace. atonal minimalism intensifies with the last two tracks but manages to make the vacuum of music space sound incredibly human.
artwork by maja poljanc.
the new album of dj hell zukunftsmusik keeps bringing us good news. the latest single to drop from the album. car car car. arrives with remixes from some of the scenes most enigmatic producers. roman fluegel presents his own eclectic and diverse interpretation in a playful and artistic vibe. while phil kierans autobahn remix is a straight. deep and dark version of the original track. which is featured on the vinyl too.
my favorite robot welcome the collaborative outfit of rodion & local suicide for their next ep. which comes boosted by remixes from los mekanikos. moscoman and fairmont. as well as artwork that is made up 3d prints of the act.
the new album of dj hell zukunftsmusik keeps bringing us good news. the latest single to drop from the album. car car car. arrives with remixes from some of the scenes most enigmatic producers. after the first vinyl with remixes from roman fluegel and phil. now is the turn of fango. metropolis and bentonkunst. fango turns the track into a proper techno banger. powerful instrumental with noises from outer space. dark and raw techno remix comes from the german producer metropolis. the third and rarest remix from betonkust. keeps the esence of the original track but adding his touch with those melancholic and powerful melodies characteristics of his sound.
tripping pieces from the the incredible nts sessions aired live in 2016. . last year. hieroglyphic being (producer of astral electronic explorations touching house. techno. industrial. avant-jazz and noise). percussionist and producer sarathy korwar (who fused traditional folk music of the sidi community in india with jazz and electronics on his debut album “day to day” released by ninja tune in collaboration with the steve reid foundation). and shabaka hutchings (the highly respected british saxophonist and co-founder of sons of kemet. mercury-nominated the comet is coming and shabaka & the ancestors) - recorded a 100% live improvised session at the iconic lightship95 studio moored at trinity buoy wharf. london. they recorded over 2.5 hours of music across 2 sessions. with 90 minutes streamed live via nts.
we got cuthead on rat life number 12. you probably know this guy. he is respected worldwide for his one of a kind house and hip-hop productions. lately he said. he got a bit bored with all the soulful jazzy sampling. the groovy shuffles and the catchy hooklines. so. he decided to do something a little different for rat life records. well. thank you sir! happy to present these five variations of banging sounds!
bicep (matt mcbriar und andy ferguson). das aus belfast stammende und in london lebende duo. freut sich. sein selbstbenanntes debütalbum ankündigen zu dürfen! eine platte. die wahrhaftig ihre geschichte sowie ihre liebe zu musik und clubkultur seit ihrem ersten release im jahr 2010 einfängt. am 1. september 2017 erscheint -bicep- via ninja tune. seit beginn ihrer mittlerweile zehn jahre währenden karriere haben sie der musik. die sie inspirierte. auf ihrem blog feelmybicep gehuldigt. der 2008 gegründete blog. der anfangs bloß ein ventil für ihre intensiven plattensammelgewohnheiten war. erfuhr in folge einen rasanten erfolg und ließ das gleichnamige label sowie eine regelmäßige clubnacht entstehen. durch den blog wurden auch die musik-produzierenden macher dahinter weltweit immer bekannter und verließen bald die insel. um rund um den globus heißbegehrte dj-sets zu spielen. die aufgabe war. die vielfalt zu repräsentieren. für den ihr blog immer gestanden hatte: eine tadellos ausgewählte mischung sehr direkter tracks und exklusiver edits. gemixt mit rarem house und disco cuts. die sie wiederentdeckten. entstaubten und neues leben einhauchten. heutzutage sind sie angesehene und zuverlässige kuratoren in sachen elektronischer musik. ihr album -bicep- ist die perfekte zusammenfassung der bisherigen karriere des duos - es ist eine klangliche reise durch ihre geschichte. die deutlich eckpunkte der untergrund-clubkultur referenziert. matt und andy haben eine einmalige elektronische platte produziert. die einerseits auf klassischem house. techno. elektro und italo-disco fußt. andererseits aber den typischen bicep-sound in sich trägt. entstanden ist ein prägnantes album: frei. rau und dynamisch genug für den dancefloor. gleichwohl raffiniert. kunstvoll komponiert und besinnlich genug. um es auch zuhause zu hören.
dalmata daniel s next up is a collaboration with the bristol-born „weirdo disco guy- antoni maiovvi and also a contribution of heinrich dressel who is an unavoidable column of rome s electronic music scene. maiovvi s pleasure model project is all about youth – replaced by blade runner-esque replicas. his first release under this moniker was „kendo dynamics- on 100% silk in 2016. it aimed for presenting a persuasive world of fiber optic paranoia and technoid effacement. dd006 is the next level of the concept and the first time on vinyl. the tracks are driven by the characteristic haggard drum machine s sound on side a with a melancholic or dark synth themes what becomes a dreamy melody in the „prism riot- on side b. the remix by heinrich dressel is a turn back directly into the darkness. but it is faster and more like a film soundtrack with his own characteristics. of course. the whole ep has a strong vintage mood and sound. it can be said that update 1.1 is definitely dystopian. coming from the future of our past.
im kellar - im kellar ep moustache records 033. 4 tight ebm nowave techno electro tracks made in a concrete bunker in the old city of bern in swiss by the infamous im kellar high energy dark and total underground. non compromised just be cool sound. if you ve been listening around you may have heard it already at festival or club played by moustache labelboss david vunk himself. casper tielrooij. intergalactic gary. nuno dos santos. marsman. mark du mosch and many more. you know the deal.
new deeptrax release by g.w. hailing from london. this is the new fifth deeptrax ep from the mysterious ruffien. immensely diverse sounds from the caverns of south-east london. hypered house. dungeonesque taped techno. dirty filthy electro and lo-fi dubby idm. all combined with that delicate grimy touch.
parallel zum reissue des uk techno-klassikers electro-soma von b12 aus warps legendärer 1990er artificial intelligence-serie. erscheint electro-soma ii. eine kollektion ultra-rarer tracks diverser früher b12-maxis. erschienen unter mysteriösen pseudonymen wie musicology. redcell und cmetric. ebenfalls komplett remastered. nach einer streng limitierten. ersten. transparenten vinylauflage erscheint nun die standardauflage auf schwarzem vinyl inklusive poster & download-code im gatefold.
spirit of music manitou this time chose mysterious artist -616- with 3 classy tracks. driving mid 1990s. with fresh oldschool - not - oldschool. elegant and mind blowing in the same time. the b2 is an uk broken beat vibes with an incredible stunning voice. that will stay in your mind forever.