nothing more than a diary filled with sound fragments that reveal a soundtrack for a surreal story. the emerald ep is a journey lived by a time traveler through eerie ambientscapes, started from the vintage sci-fi frenzy from the late 50s’ immortalized on side a with romeo poirier’s dysfunctional robotic bleeps, continued with boris hegenbart & david moss’ distorted broadcast tape and ended in christopher james chaplin’s atmosphere created by an analog choir.

inits music has the rare quality of transforming bleakness into a soothing experience. in the duos new ep, wildcard, this mechanism is more intense than ever. and that might be because of the particular circumstances that surrounded its inception. two years ago, nadia dalo and benedikt frey decided to move from darmstadt to berlin. adjusting to a rough area of a big city when coming from a quiet town necessarily brings a change of perspective. for nadia and benedikt, that meant experiencing the city life as outsiders while trying to figure out what they wanted from it.wildcard is the sonic result of this process, and proof that changes always bring growth. recorded in their new home studio during winter, the six tracks on the ep are as haunting as their previous lp for hivern, but with a rawer approach and enhanced power. take cover and solver, an approximation to the kind of moody psych-techno they display in their live-shows and two of the most dance floor oriented tracks init have recorded to date. but its the title track which best expresses the mindset of this work. with its skeletal rattle and undulating synths, wildcard feels as desolate as a berlin street in a winter night, but possesses the kind of focus that turns uncertainty into hope. in a similar way, cuts such as copycat or half baked perfectly capture the sort of estrangement -daunting yet hopeful- that comes when moving into a new place, with its slow tempos mirroring the cautious pace of a foreigner and the intoxicated atmospheres calmly distilling the essence of a new environment. nadia and benedikt describe this new habitat as small kids on big bikes, eating dry instant noodles, playing with whats to find on the streets, static aircraft traffic closely over our heads and constant running engines. listening to the music that arose from it, its obvious that, once again, they&# 39,ve been able to overturn apparently hostile elements into a place were youd want to stay forever

after more than a decade of deep, expansive productions on labels such as detroit underground and cpu, annie hall arrives on musar for a record typically rich in texture and understated grooves. indebted to vintage electro and idm, halls music is no throwback, always looking forward and moving dancefloors in the most unexpected ways.

elegant universe a full-length album by matthew hayes and joel trigg is a must listen for fans of the celestial jazz sound of ecm. their soft, seductive duets are incredibly inviting, in a way that seems to encompass and enliven the space around you. unsurprisingly, itd be sure to add warmth to cold winter commutes, and dull the edge of even the fiercest hangovers. the wintry downtime is a tour de force of the duos sense of restraint and the importance placed on individual sounds that swell together and drift apart with organic ease. on light through edinburgh leaves, the sounds themselves seem so three-dimensional, ringing out like ripples on a lake. its hard not to be captivated by such beautifully formed music.

ryo murakami is based on osaka entered the world of music playing piano at an early age, then was devoted to synthesizers and drum machines. his productions contain alternative dance music and classical contemporary music, a combination of atmospheric ambient, noise and drone. his production history had been varied up until his album released on his own imprint depth of decay in 2013 since between releases on bug’s poker flat, the dessous label and the more recent releases on german outlets baud and styrax.

enter into a meditative, dream-like state with this heart-melting 7” from leipzig-based australian talent, and one half of senate, carmel. let the soft, melancholic synths pull you in like the heavy tide as you drift further and further into a lucid haven.

manchester s ourtime music return with something of a electronic masterpiece ! after a 14 year hiatus, salford s elusive cosmic composer returns to his sonic insomniac guise with a debut lp of the finest underwater electro & crisply rendered electronica as always, super limited !!

lost - minimal-synth-wave - gems have been rescued and now compiled on - nihon no wave-.

recorded in 1987 as promotion for a luxury air conditioning line, takashi kokubo s balearic gem a dream sails out to sea gets first ever official release from lag records, complete with previously unheard music. originally only available as a sought-after promo by the name of get at the wave, takashi kokubo s mini-masterpiece of halcyon mastery finally re-emerges for the first time since 1987 with a remastered vinyl edition courtesy of uk label lag records.

ltd edition 12 inch vinyl in innentaschen in procédé heliophore-kastentasche mit silberfarbener alufolienprägung (4 tracks), inkl. download-code (5 tracks) ... die -collapse ep- ist aphex twins erste neue arbeit seit der -cheetah ep- aus 2016. das klangbild aus hyper-editierter electronica, durchsetzt mit seinem typischen acid-sound, spuren von footwork und schwerem bassbrummen zeigt den zwilling von seiner modernsten seite seit seinem meisterwerk -syro- (oder vielleicht auch seit -druqs-). parallel mit der offiziellen ankündigung erschien auch ein atemberaubender videoclip seines langjährigen kollaborateurs weirdcore zum opener -t69 collapse-

der wiener produzent & synthie-zauberer dorian concept veröffentlicht sein brainfeeder-lonplayer-debüt!
seit der veöffentlichung seines albums „joined ends“ im jahr 2014 trat dorian concept überall auf, von glastonbury über sónar bis hin zu moma ps1 s warm up, und bewegte sich fortan bewusst unterhalb des radars. seither hat er die zeit damit verbracht, sich von seinem eigentlich wunderbaren produktionsprozess zu verabschieden und stattdessen einen brandneuen sound zu entwickeln, mit dem so niemand rechnen kann. inspiriert vom eklektizismus zahlreicher musikgenerationen (60er-jazz, 70er-fusion, 80er-neo-prog-rock, 90er-electronica), versuchte dorian concept, -moderne- musikelemente mit altmodischen methoden zu replizieren, live zu spielen und täuschend digitale klänge im dienste einer ironischen -parodie der nostalgie- aufzunehmen. erwartungsgemäß ist das ergebnis - aller kalkulierten und konzeptuellen Überlegung zum trotz - erfrischend unprätentiös: schwindelerregende crescendi, kakophone brüche und formidable rhythmen sind sowohl fachkundig produziert als auch kindlich, hyperaktiv und hyperfokussiert.
die vinyl-lp erscheint inklusive downloadcode.

ceremony in the stillness is the new album from a-sun amissa - released september 14th via gizeh records and consouling sounds. for its fourth full-length, a-sun amissa plunges deeper than before. guitars come to the fore. heavy, distorted chords are present from the off, complemented by desolate ambient passages of sound. the claustrophobic atmospheres remain but combine with a new density and sonic experimentation to present a huge leap forward in structure and composition

ismo laakso s very well produced and spaceously mixed ofelia (from 1996-99) is a blend of industrial, avant garde, modern classic, bleeps and clicks. the narrative of this album sometimes undefinably blurs the lines between recorded material & samples, and also juxtapose the main grooves with highly psychedelic sound effects and (beautiful) melodies.

second edition of the peace feast industries 20 year releases - with tangling & whirling synths run over arpeggio based themes and dynamic compositions (as well as sound level!). a-side runs with bongo percussions on a disco tempo and the b is up-in-tempo, for a heftier ride - (slightly xmas-sounding arpeggios, if santa was on acid that is).

debut double lp album from blakk harbor the greek berlin based artist and sound designer behind native instruments, angelos liaros. soaring drones, dark ambiences and expertly crafted sound design. “madares” title derives from the actual dune mountains of crete. this moonlike landscape a sacred land of ancient ceremonies and the main inspiration for the album concept, cover and artwork. percussive samples and drones are created from traditional custom cretan instruments (lute, skin drums, lyra, tsabouna) & world instruments (tibetan bowls, gongs, dungchen horns) granulized to death drones through modular synths and hardware samplers. a black hole soundtrack that sucks you in tearing the fabric of space and time. enter a ritualistic occult trip to the unknown. limited to 250 copies on double vinyl with download code included, no separate digital release.

solar phenomena continues a high quality and high rate of releases after eps from the likes of stl and fluxion with a new one from mystica tribe - the musical alias of tokyo-based producer, taka noda. here he draws on everything from dub, soul, bass music, rhythm and blues and will always freak you out with his unusual sounds.
this excellently absorbing ep starts with “love is all right”, a fusion of asian percussion and reggae drums that is high tempo and funky. the bright steelpan sounds offset the razor sharp percussion and make for a sunny dub that will get any crowd going. the same fusion vibes continues but in more blissed out and slow motion fashion on “lawn track”, the beautiful cosmic psyche-out that is “ash” and supple space journey that is “voyage” with its intoxicating melodies and loose, tumbling percussion. this is unusual but essential music from an exclusive talent.

planet jarre - 50 years of music from the godfather of electronic music. 4x 180gr vinyl in deluxe hardcover vinyl-book with downloadcode included. contains 41 tracks, including brand new “herbalizer” and “coachella opening”.

auf seinem neuen album -r.u.r.- lässt der berliner produzent djedjotronic den kalten maschinen warme herzschläge folgen und umgekehrt. aufgenommen in einem basement in südfrankreich, besitzt -r.u.r.- eine techno-futuristische thematik über moderne isolation, robotik, ki, simulation und cyborgs, während es musikalisch hinweise auf ähnlich gelagerte produzenten-legenden wie cybotron, if, the hacker und ivan smagghe (zu seinen glorreichen dj-tagen im pariser pulp) gibt. der aggressivste dancefloor-moment ist zweifellos -take me down- mit douglas mccarthy (nitzer ebb) on vocals, ein industrial-arpeggio-monstertrack.

next on noorden is white afghani with his debut release »kaleidoscope ep«. the up-and-coming producer from cologne drops a dancefloor focussed five tracker between leftfield flavoured breakbeat and ambient leaning big room techno.

schwarzes 12 inch vinyl in bedruckten innentaschen in bedruckter kastentasche (4 tracks), inkl. download-code (5 tracks) ... die -collapse ep- ist aphex twins erste neue arbeit seit der -cheetah ep- aus 2016. das klangbild aus hyper-editierter electronica, durchsetzt mit seinem typischen acid-sound, spuren von footwork und schwerem bassbrummen zeigt den zwilling von seiner modernsten seite seit seinem meisterwerk -syro- (oder vielleicht auch seit -druqs-). parallel mit der offiziellen ankündigung erschien auch ein atemberaubender videoclip seines langjährigen kollaborateurs weirdcore zum opener -t69 collapse-

krikor is back on the label with a new six tracker. following up his pacific alley lp from last year, we now get pacific alley in dub, taking tracks from the lp and re-working with ample echo and new riddims strictly made for the dancefloor. spacious pads and linn drum claps are run through the board as voices ping back and forth in the chamber, equally blissed out and trippy turning these tracks into completely new freaked out compositions. summer jams guaranateed. includes download card.

07042016 (live at st.paul s anglican church, athens) is the debut album of modal analysis, brought by the greek experimental band of mmmd (also known as mohammad). nikos veliotis and ilios are currently performing as the mmmd duo, with further focus on deep monolithic sounds, low frequencies, inter-modulations, dark textures, and distant folk nuances through custom made instruments (cello & electronic bass) and software. the release carries parts of the mmmd live performance at st.pauls anglican church in athens, recorded on the 7th of april 2016. the concert was hosted by fasma festival, on the opening day of its 2016 edition.

the 1975 live album from tangerine dream back on vinyl.

this first installment in the sonic poem series kicks off with all new compositions by td based upon poe’s short work “the island of the fay”. froese & co.’s musical accompaniment is fittingly dark and ambient without losing the melodic sounds td fans love!

an introduction to zru vogue’s world. a percussive no wave, minimal and funky electro. oscillating between psychdelic rock and modern postpunk. “assembly for body movements” regroups tracks composed in 1981, 1984 and 2011. m.e.a tends to develop an interest to music that never seen light, through the most large electronica spectrum. here’s mea-0002.

from the mind of the prolific genius legowelt (under the alias rising sun systems) comes this amazing space ambient longplayer. originally released digital-only in 2015, the album finally comes to vinyl with 11 tracks spread over two discs of musical tranquility in a picture cover, featuring brand new artwork by legowelt himself! using special quantum frequencies, this release will alter your brainwaves to make you a smarter and better human being. limited edition of 300 copies!

gregor schwellenbach hat einen radikal einfachen ansatz für die musik zum tanzfilm-essay >the body as archive< gewählt. mit seiner filmmusik hat er eine art katalog von klängen geschaffen, die klar und deutlich geordnet sind, die in ihrer schlichtheit, ja: nacktheit präsentiert werden.

future sounds of jazz vol. 14 - compiled by permanent vacation benjamin fröhlich & tom bioly! 28 tracks by move d, roman flügel, slowdive, isolée, cobblestone jazz, luke abbott, remixes by avalon emerson, russ gabriel, kassem mosse, i:cube a.m.o. including 3 exclusive and previously unreleased

russian producer valya kan debuts on spencer parkers work them records with a four track sampler from her subterranean album dust and haze . leave opens up the sampler with tantalising synths and dubby effects before you re lead into ‘promises featuring valya kan s voice, uttering the track title whilst syncopated percussion and ghostly atmospherics work their magic. flip it over and you re hit with the whirring sci-fi elements and rattling samples in smoke in the cockpit. rounding off the sampler acid hotel is a more up-tempo, demonstrating rolling arpeggios and snappy snares.

hailing from sao paulo, brasil now currently residing in the outskirts of europe, fernando may be better known for his more floor oriented releases as innsyter or seixlack. fans of ppu take note! crazy one. includes download code.

limited edition of 400 copies on silver coloured double vinyl.

omega , new freund der familie album comes with a great musical range ... from ambient soundscapes to dubtechno .. massive tip , it s (o)mega

2016 fand in santiago de cuba das manana festival statt. es führte zu einem intensiven dialog zwischen vertretern regional-karibischer musiktraditionen und internationalen independent-künstlern aus dem spannungsfeld von dance, avantgarde und jazz. mit der gründung des labels manana wurden vor ort geknüpfte fäden aufgenommen und weitergesponnen. daraus resultierten bereits zwei außergewöhnliche tonträger. -soundspecies & ache meyi- ist der dritte dieser reihe, er fusioniert auf aufsehenerregende weise folk aus kuba mit britischer elektronik. hinter soundspecies verbergen sich zwei als djs und produzenten aktive brüder aus dem englischen dorset. in ihrer musik loten sie die verbindungen zwischen den klängen und formen elektronischer tanzmusik einerseits und den repetitiven mustern von traditionellem folk andererseits aus. die formation ache meyi hat sich hingegen afro-haitianischen rhythmen und stilen wie bembe, vodu, gaga und merengue verschrieben. und das auf eine ziemlich dynamische weise, was angesichts des bandnamens wenig überrascht. die yoruba-begriffe -ache- und -meyi- bedeuten so viel doppelte power.

“phase” sees a debut outing on vinyl from err rec label head gilles mate’s dialectric project.
impressed by the wealth of wonderfully varied analogue electronic music being released by this small, fiercely independent french label, it was surely a matter of time before py & errs’ likeminded paths crossed- and following a “cold wave” styled small run cassette release, gilles releases a full length on py for august.
“phase” is a timeless, minimal electronic record, heavy on hypnotic, emotional tonal arpeggios and sequences. dreamily crafted introspective pieces, and short “broadcastian” interludes, using a semi-modular system. comprising of various analogue oscillators, effects and sequencers (pittsburgh modular, moog, arturia, yamaha, korg to name a few…).

last years (2017) edition of convenanza festival featured swedish band fontan, who have released material on hoga nord rekords, and that set the ground for a collaboration between the record label and one of the most interesting festivals around. the joint forces has resulted in the compilation album convenanza 2018 containing this years (2018) acts.

“all the same dream” is the third album from kyo, the enigmatic product of hannes norrvide and frederik valentin’s compact. for this record they have collaborated with american vocalist jeuru, a recent recruit into the city of copenhagen. pressing on white vinyl.

plazmot are yovav (known for his past productions on malka tuti and correspondant records as well as being part of the infamous shame on us trio) & assaf bloom, another upcoming talent from the city that doesn’t want to sleep - tel aviv. with their debut release plazmot brings forward 2 very different tracks, showing the versatility in their productions (and amazing live shows!).

the long now is a duo featuring richard norris and finnur bjarnason, with special guests. they mix piano, voice, string section and electronics with the sound of the icelandic breeze. the music sits within the post ambient, electronic, contemporary classical genre, with a strong sense of landscape, mood and melody. richard norris one half of the grid, alongside soft cells dave ball, one half of beyond the wizards sleeve with erol alkan… richard norris has a thing about working as a duo.

a-ton is proud to announce panama / suez, the first ep by trio oren ambarchi, konrad sprenger and phillip sollmann (aka efdemin). the three multi-instrumentalists collaborated with the goal of creating subtly shifting musical passageways: sonic routes that run between continents of musical category. the results are two variations of kraut-y, groove-based post-techno that unfurl through mutating polyrhythms and chiming, ethereal guitar play – a rare moment of guitar and techno in deep embrace. with a potential to sustain energy on experimental dancefloors, panama / suez lives from ambarchi, sprenger and sollmann’s diverse input while reflecting a common penchant for both pop and the hypnotic.

the first studio barnhus compilation, studio barnhus volym 1, is coming out at the end of august.
the 19-track release will feature music from the stockholm label s three founders—axel boman, kornél kovács, petter nordkvist—plus various associates, ranging from local newcomers to superstar friends of the label like dj koze, john talabot and superpitcher.

realistic monk is the new performance project from carl stone in collaboration with artist and composer miki yui. carl stone is one of the pioneers of live computer music and has been composing electro-acoustic music almost exclusively since 1972.

limitierte reissue des erfolgreichsten album des us-produzenten john beltran, eines klassikers des ambient-techno, erschienen im original 1996 auf peacefrog. -ten days of blue- ist ein zeitloses meisterwerk aus filigranen strukturen und herzergreifender romantik, dessen töne und rhythmen wie gemalt wirken. vergleiche mit tangerine dream und kraftwerk blieben entsprechend nicht aus. b-stock - covers are with a kink / crincle

classy, diverse ambient techno set

peak:shift (simon flower) returns with a new ep on furthur electronix after two years since his last release on temporary state. furthur electronix are excited to release -standard candles- on the label, with four tracks of the deepest kind. all cuts were previously unreleased, and limited to 200 copies.

die heutige tangerine dream-besetzung aus thorsten quaeschning, ulrich schnauss und hoshiko yamane legt traditionell bei jedem konzert eine 20- bis 30-minütige improvisationssession ein, die besten von ihnen werden jetzt nach und nach auf tonträger veröffentlicht. -the sessions 1- enthält zwei aufnahmen aus konzerten in budapest und hongkong anfang 2017. zusammen ca. 60 minuten. pressung auf transoarentem 140g vinyl.

it is said that every generation casts its mind back to a previous era in times of crisis, the resources that will allow us to decode the questions of our moment may lie in the myths of another era. le renard bleu, the new musical and cinematic collaboration between lafawndah and composer midori takada, and filmmakers partel oliva, takes a cross- generational echo as ground zero for recovering a crucial myth for uncertain times: the blue fox. as transmitted by takada, the fox appears in both ancient senegalese and japanese folktales as the trickster archetype, belonging both to the heavens and to the earth, the fox is the agent of chaotic good, shaking the world up when its energy has become stagnant. above all else, the fox is famous for its cunning nature.

shortly before the turn of the year 2017/18, my friend jan müller wrote me an e-mail: »dear martin, i ll send you the new album of my band ›dirty dishes‹ now. the album is titled ›kabinett von papen‹. it is a concept album, which has the third-last government cabinet of the weimar republic as a subject. so, please tell me how you see it – whatever your verdict, i ll use it as an incentive to put my mind and body in the service of global pop culture even more so in the future«.

for russian electronic music, mikhail chekalin is not only a major character, who has affected the scene’s establishment and development, but also a kind of symbolic figure. his music has been praised by many in the west - from journalists and critics of all kinds to frank zappa and karlheinz stockhausen, while in moscow chekalin’s name was excluded from the official cultural agenda for a long time: he was accused of propaganda of foreign pro-western aesthetics and up until the end of the 80’s wasn’t allowed to release his works or travel abroad. this, however, didn’t interfere with him recording dozens of innovative electronic compositions and contributing greatly to the development of unofficial soviet art in general - for example, providing sound design for the famous exhibitions of twenty moscow artists on malaya gruzinskaya or arranging the first audiovisual performances on a specially constructed light organ.
however, just like all great artists, mikhail himself prefers to focus not on personal achievements, but on creativity. i don’t have a biography - only a discography - this quote of the author may become an entry point of sorts into the compilation presented. this archival collection of works recorded within the period from 1978 to 1987 are chekalin’s multigenre experiments ranging from spatial music (in essence, ambient’s precursor) to more contemporary synthesizer and post-symphonic compositions.

limitierte reissue des erfolgreichsten album des us-produzenten john beltran, eines klassikers des ambient-techno, erschienen im original 1996 auf peacefrog. -ten days of blue- ist ein zeitloses meisterwerk aus filigranen strukturen und herzergreifender romantik, dessen töne und rhythmen wie gemalt wirken. vergleiche mit tangerine dream und kraftwerk blieben entsprechend nicht aus.

as portrait with firewood is felix’s most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. by putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point.

a compilation of minimal wave from around the world (1980-1991), the bedroom tapes features rare, unreleased, and licensed tracks all the way from belgium to australia to japan. the bedroom tapes excitedly marks minimal wave’s 66th release and is a follow up in the series to the lost tapes, the found tapes, the hidden tapes and of course the minimal wave tapes.

zum 20. jubiläum präsentiert das nachtdigital festival sein erstes doppelvinyl: nach sechs split-eps und mini-compilations in den vergangenen jahren macht das zum festival gehörende label nun den nächsten schritt. -nachti xx- versammelt beiträge von kollaborativen projekten die auch teil des festivalprogramms sind. die erste platte bestreiten giegling und klm (ein speziell für diesen anlass zusammengestellte formation aus kassem mosse, lowtec und mix mup), die jeweils eine ganze seite bespielen. vinyl nummer zwei vereint pandt und cologne tape mit einem beitrag aus der crew des festivals. das ganze kommt in einem von hausgrafiker manuel birnbacher gestalteten gatefold-cover, ist wie immer streng limitiert und wird ausschließlich auf vinyl veröffentlicht.
klm = kassem mosse + lowtec + mix mup
pandt = perm + talski

vinyl only, strictly limited, no repress.
gatefold cover, design by bus.group, artwork by reiche.
this year s nachtdigital record follows the path we started to explore in 2017: to combine artists who are close to us, each given the specific task to tell a story in up to 24 minutes (which is pretty much the maximum you can press on one side of a vinyl record) - with complete artistic freedom.

obscure producer from newcastle, the jaffa kid in full emotional dnb-jungle motion. ace! for fans of uk jungle golden years, dj guy, boards of canada etc..

progressive industrial to cinematic ambient, via new beat synth explorations.

following his collaboration with nicolas jaar s clown & sunset label, cruz has self-produced and self-recorded this landmark album. limited edition clear vinyl release plus cd, housed in a gatefold sleeve.

in search of the sublime, contemporary electronic musician steve hauschildt has designed grids and panoramas of sound across multiple releases through the rise and dissolution of his former band, emeralds, an american touchstone of 2000s home-recorded psychedelic noise music. consistent with his solo work is hauschildt’s ability to coil his craft in precise, varied, and distinctly physical forms. gently spinning arpeggios converse with post-industrial decay. sonic fibers sway like pendulums from static melancholy to motorik bliss. dissolvi, the artist’s first full-length with ghostly international, engages sublimation from an ontological perspective: by dissociating the self. hauschildt steps out from the singular path, for the first time in a traditional studio, to compose and arrange contributions from friends. as a result, his most collaborative work to date extends a vast, vibrating framework in which to consider the state of being. the vinyl release includes a download code.

max essa - lanterns is a brand-new artist album from the japanese based producer & dj and his first release on copenhagens music for dreams label. tranquility, alone in a taxi riding through empty streets, neon fades into sunrise. a refuge from the disorientating energy of the night. the sleeper train to izumo. an okinawan beach at dusk.

this is really limited so please dont order more than 1 copy and expect more than 1 copy

one of the most exciting young producers to emerge from japan in recent years is yunosuke senoo, aka lycoriscoris. with a knack for fusing organic melodies with futuristic electronic production, his distinctive output has been supported by the likes of dj koze and michael mayer. senoo now readies the launch of his latest album ‘flight’ on anjunadeep.

brill soundscapes - deepest ambient, recorded by will long around 2015 - 2016

currently the rediscovery of long forgotten japanese electronic, jazz and new age music is at a peak like never before. but although many re-issues already flood the record stores around the world: the large, diverse musical culture of japan still got some gems in store that are really missing.

lp + dl code

the subject of music from memorys latest compilation focuses on suso saizs output as part of the group orquesta de las nubes, formed by suso saiz and percussionist pedro estevan when the two met whilst studying a course on techniques of contemporary composition in madrid.

romain azzaro comes back on his own imprint with a rouge mécanique extended play compiled with cinematic shaded instrumentals and a heady mix of post-punk, ambient and noise. bringing acoustic life to electronica, his signature sound rolls over the ep with elegance and versatility

tc80 gives his second album after “vestiges of fools” from cabaret recordings. “play”!!

now available for the first time on vinyl, one way static records presents the first volume in our new archival series ‘la vie electronique’. this volume (1.0) focuses on the years 1968-1971 and is spread over two glorious lp’s containing +78 minutes of klaus shulze rarities. this deluxe vinyl set also comes with an insert containing extensive liner notes. available as a limited classic black vinyl retail edition (700 copies) with obi strip.

double vinyl lp in tri-fold sleeve, with a2 poster and 4 glossed behind the scenes prints. where s the drop? recorded with the 73 piece cmg music recording orchestra in hollywood s famous east west studios, deadmau5 and musical composer gregory reveret are happy to bring you the full 15 track album on a limited edition double vinyl package. based around joel s -7- ep and including classic deadmau5 records such as -strobe- & -hr 8938 cephei-, -where s the drop?- was performed live at the wiltern and is now a must-have for any vinyl fan. only 500 copies available

one half of the kwc 92 (who has previously delivered two top notch lps for l.i.e.s.), swedish producer max stenerudh aka maxxx bass steps forward with a 9 track solo effort titled gone fishing. right off the bat we hear stenerudh immersing himself in a world of chilled out and narrative fm electronic explorations that call to mind places past. the untitled tracks leave it to the listerner to create a story on their own, as voice pads, hand drums and dare we say pan flutes push and pull their way through the album creating dreamlike textures and otherwordly escapes. ideal music to fall into a late afternoon summer siesta to. lp comes come with full color 22cmx28cm color poster and download card

in the 1990s the collaboration between influential german artists klaus schulze and pete namlook led to the famous the dark side of the moog series. it’s an hour-long journey into space territory with a mixture of modern and classic electronic music. droning sounds flying all around, before the different parts are kicking in. the futuristic music marked them down as true innovators and it’s another great trip through their musical world. pressing on audiophile 180 gram vinyl, with the front covers of volume 1 to volume 4 form one image together.

limitierte nachauflage als goldenes vinyl!

in the 1990s the collaboration between influential german artists klaus schulze and pete namlook led to the famous the dark side of the moog series. it’s an hour-long journey into space territory with a mixture of modern and classic electronic music. droning sounds flying all around, before the different parts are kicking in. the futuristic music marked them down as true innovators and it’s another great trip through their musical world. pressing on audiophile 180 gram vinyl, with the front covers of volume 1 to volume 4 form one image together.