“cliché’s principle” exhibits the two-sided aura of an artist long familiar with the cultivation of diy ethos: an effortless expulsion of playful immediacy and the unfolding of a musician well versed in unpretentious composition. lucy cliché’s five track ep for fleisch records is a jacking romp through 120-125bpm electro/new-beat, swooning through downcast ambience, lobotomised vocal samples and sweat-drenched hardware rhythms.
lucy’s musical oeuvre piles high, as a figure in the sydney underground for the past 15 years she has always explored sounds that playfully antagonize the status-quo, the dysfunctional no-wave approach of her band naked on the vague and the manipulated tape ambience of half high echo throughout cliché’s principle in the form of chorus buzzed synth chords, abstract drones and ethereal evocation. while there is the strong presence of a live veteran at work behind the machines, cliché’s principle holds five tracks produced purely with the intention of paving the dance-floor.
one of the top drummers in the israeli scene, tel-aviv based songwriter and producer beãtfóøt launches his solo project with the powerful new ep de vibez, a fanciful gutter-glam cross between stoner-acid-pop and 90s-garage-punk. side a contains some stunning originals alongside a surprising cover of a melancholic oldie by the legendary german singer nico. side b be the remixes: the first, a colorful club-driven remix by garzen records head honchos & electronic duo red axes, followed by a groovy down tempo drone version by the mesmerizing smagghe & cross.
a hiatus is always something needed to experience, silence is a process in which one can value and have a closer perspective within sound. an-archon come to brake that silence, hermes is on duties for it delivering two massive harsh noise weapons, samuel kerridge and caos + inmediatismo complete the ep on remixing labors. no one can escape from the an-archon.
pressing on 180g vinyl, housed in a printed sleeve.
comes with a huge 22x28 newprint poster in japanese sealed poly sleeve. chicago s beau wanzer returns to the label with his signature sound of crunched out bizarro electronics. tip! unmistakenly, wanzer has carved his own niche through the years as this ep rightly reflects the vast range of styles he works in. from the hypnotic head nod of wick hunny to the juicy back alley electro wave of the grim whim or the nasty metallic stomp of he spilled my drink we get wanzer in top freak form, mangling the drum machines and pushing the synths to the edge. a welcome return to say the least.
emotional rescue returns to the music of dark ambient pioneers o yuki conjugate (oyc) with the reissue of their debut album, scene in mirage released in 1984, it s post-industrial, cold wave overtures mixed with an ambient oeuvre created a compelling album that has gained cult status.
nigh/tmare’s most recent ep, entitled “hypnagogia” on thrènes records, is the perfect example of the artist’s uncompromising attitude. the integral work on this project is the perfect sublimation of experimental overtones, rugged beats, and techno punch, making for a candid, outstanding, and diverse approach with a lot of edge.
the metallic compilation danzas electricas is back for a second volume ! curated by sacha mambo, it presents only artists from nowadays and takes distance from the edits to push original and weird electronic music of close artists friends from dresden, copenhagen, berlin, prague, lyon and hamburg. some of them are already relatives of macadam mambo : konsistent, wosto, heninspace eva geist or sacha himself and it introduces new acts : ekstern (nixxon & spacelex), service, houschyard or sauerstofff to present a good mixture of kraut, punk, industrial tracks, which never fall into dark.
through the cortex sees fixmer gravitating toward a different kind of industrial-tinged electronics, led as much (or more) by analogue sequencers, melodies and ultra-saturated sounds of synthesizers than drums and percussion
it was like a bird of rarest-spun heaven metal or like silvery wine flowing in a spaceship, gravity all nonsense now – anthony burgess, a clockwork orange after their lps “ike yard” (also known as “a fact a second” factory america, 1982) and nord (phisteria and desire, 2010) ike yard delivers their last album “rejoy” on noiztank, 2018 as the culmination of their recent years reinvented sound. as the perpetual flag bearers of the cutting-edge post-punk spirit, the nyc- based band shows muscle in a lp fully loaded with abrasive synth pads, scrap metal percussions, and whispered vocals. following the previous criteria of “sacred machine” 2017, it is worth to remark the inclusion of external vocals in the pieces “sister m” and “beyondersay”, which feature yuki osaki and maya. the nine tracks move through different atmospheres, tensions and moods that would perfectly represent a new contemporary soundtrack of the s. kubrick film “a clockwork orange”, a major influence and source of inspiration for the group this time around.
known for his strong live performances, swedish producer celldöd creates music for the body as well as the soul: his influences range from punk, industrial and dub music over to acid house, techno and ebm. that new five track banger ep is dealing with subjects such as sadism, masochism, unhealthy relationships, and the fact that the good never prevails. but if the world is going to hell, we can at least dance on the way down. let us move, together. in darkness.
following up on their acclaimed 2016 album, “pitch black mirror”, the canadian duo return to sonic groove with four new tracks based on their improvised live performances. these are dance floor tracks with an experimental edge and a pervasive sense of dread, emphasizing the project’s decades-long commitment to fusing techno and industrial music in unique ways. elements of ebm, electro, and rhythmic noise blur together as serpentine basslines twist through shifting layers of percussion, and modular dronescapes morph into agonized voices of suffering and defiance. another powerful weapon from the orphx arsenal.
dark entries are honored to reissue the 4th full-length from carolyn fok / cyrnai, an asian-american female solo artist from the bay area. in 1990 ‘to subtle-drive’ was re-released with 2 songs from the 1988 release and 4 new compositions. this reissue adds 5 bonus tracks recorded during the same period spread across a double lp set. each copy includes a double sided insert with lyrics, photos and notes by carolyn. all songs have been remastered by george horn at fantasy studios. old-soul beat tracks on cassette with time and techno-guilotine songs.
industrial metal visionary author & punisher delivers his sixth full-length recording and relapse debut beastland. drawing inspiration from his career as a mechanical engineer, tristan shone (the creator and sole artist behind author & punisher) forged a relationship with design, sound, and fabrication that ultimately yielded his hand-built “drone machines” which mapped the journey away from traditional instrumentation towards custom made -precision machinery.- a robotic experimentation in industrial metal, noise, doom and drone, author & punisher recalls nine inch nails channeling godflesh, traversing through dark, uncompromising, and often disturbing soundscapes with occasional detours into rich melodies and splinters of light. armed with newly built “drone machines” and a new label, beastland is author & punisher’s career-defining statement and a powerful listening experience that further blurs the line between man and machine. the vinyl release includes a download code.
dark entries are honored to reissue the 3rd full length from carolyn fok / cyrnai, an asian-american female solo artist from the bay area. originally self-released in 1988, this reissue adds 3 unreleased bonus tracks recorded during the same period. each copy includes a double sided insert with lyrics, photos and notes by carolyn. all songs have been remastered by george horn at fantasy studios.
dark entries are honored to reissue the debut album from carolyn fok / cyrnai, an asian-american female solo artist from the bay area. the 6-track 12” ep was released in 1985 by mind matter records with a 48-page zine featuring carolyn’s poetry and drawings, re-printed here. for this reissue we’ve added 8 unreleased bonus tracks recorded between 1980-1984 and included a 6-page press kit with photos and notes by carolyn. all songs have been remastered by george horn at fantasy studios.
dark entries are honored to reissue the 2nd full length from carolyn fok / cyrnai, an asian-american female solo artist from the bay area. originally released by ladd-frith in 1986, this reissue adds 4 unreleased bonus tracks recorded during the same period. each copy includes a 16-page zine with lyrics, photos and notes by carolyn. all songs have been remastered by george horn at fantasy studios.
in our 4th ep release from omen recordings, we bring you “detox”, written and produced by russian artist, draag, an amazing discovery with unique and astonishing style. to complement the release, we added remixes by our very own signature artists: berlin-based, ayarcana, and axkan from los angeles.
mannequin records presents the first of a new serie of compilations underthe death of the machines serie, the dancefloor/experimental oriented side of the label, dedicated to new artists. connecting music producers from all over the world, this new compilation will unearth names who are already building strong grounds for the future. the future inspire us. we keep our research always open.
PREVIOUSLY UNDISCLOSED RITUALS (VINYL EP + POSTER + MP3)
12" Vinyl D28.09.18
12 inch vinyl + poster & download ... previously undisclosed rituals is the first various artists release on veyl — an experiment in noise & body music. years of denial, cassegrain’s rhyw (under his poison green alias), downards affiliate autumns, rnxrx, exhausted modern and label mainstay maenad veyl contribute one ritual each for this grimoire that is guaranteed to keep everyone angry and confused throughout the rest of 2018. the record comes with photography by tomaso lisca, download codes and a poster of a death metal festival that never was and may never be.
rich oddie (orphx) and dave foster (huren/teste) return under their punk/industrial/scum electronics moniker o/h. these 5 tracks are an amalgamtion of dense, yet somehow stripped down heavy industrial punk electronic madness. open filter feedback drenched ms-20 and punishing 909 beats crash head-on throughout with foster s jello biafra-esce vocals through a meat-grinder stylings fight with a ranting homeless man as he raids your uncles s 80s porn vhs collection. controlled chaos written recorded and put to tape as modern society falls apart in front of our eyes. absolutely what the world needs right now (according to us).
ruben montesco s new ep comes loaded with the purest, full-effect nineties sounds.
this throbbing 12inch is the artist s tribute, as well as a complete review, of some of the musical icons of this golden decade in electronic music.
ebm, new wave, techno and electro are the main styles blended in the four tracks included in this release.
a further listening reveals a clearly dancefloor-oriented ep that caches the essence of these styles and subtly brings them back to the present with elegance and savoir-faire.
rezonal proudly presents its second release, delivered by the mysterious eastern renaissance. this 5-track ep combines deep grooves and relentless rhythms to push the listening experience past the regular, club oriented sound. five thematic tracks melt together as one consistent work. eastern renaissance presents his credo, which is disturbing, crude, dark and tense, but has beauty hidden deep within.
nikolajev hits hard with his new 12 inch release retta on päästevest. tallinn lekker club co-founder robert nikolajev channels raw grit and pulsating energy in retta (dance mix). the flip side houses an internal dialogue of unnerving tension. limited 300 press. all tracks produced by robert nikolajev. mastered by alex gordon. pressed at deepgrooves.
kump is delighted to release the first ep by hlm38 (ou hlm38’s first ep), the naughty half of duo ricco and member of the notte brigante crew from lyon. the three original tracks, a mix of ethnic looting and industrial racket in slow motion, feel like steel wrapped in turkish delight. front de cadeaux’s take on “illicite cong” is reminiscent of an erotic rave flavoured with oriental spices. last but not least, kris baha slices up “exit” like a tablier de sapeur (local lyonnais dish) served on a julienne of syncopated samples and noisy beats.
off-kilter broken beats from a collection of up & coming artists from around europe and beyond. a1. twelon - quad twelon heralds the start of the ep with a builder track perfect for openings and breakdowns mid set. industrial creeps and hisses, spliced with intricate percussion. a2. nollern - sitar pro nollern s eff_el & dan beaven burst forth to bring an upfront, yet minimalistic, glitch-rife drum track - perfect for the players wanting to layer an element of sparse, brutal breaks into the mix. b1. tlk - in your shadow tlk brings us a beautiful, emotion filled arp track. one of my goals when making a track, is to only use one sound: to make one synth sing. - linkwood. this is the inspiration that tlk used for in your shadow. b2. xantrax - xtk a trippy, jazzy combination of atmospheric synthesis, acoustic drums and a heavy bass-weight underlay, giving the ep a raw, yet balanced finish.
body sculptures is a contemporary project that brings together five unique voices in european experimental electronic music today. the formative element is the collaborative pact between sweden’s northern electronics and denmark’s posh isolation. last year marked both body sculptures debut live performance - a highly notorious set at berlin atonal festival 2015 - as well as their debut recording, “the base of all beauty is the body”. the disparate elements that have come to inform the project thus far are further refined and encoded in their new lp, “a body turns to eden”.
“performance”, drenches industrial-infused techno in high definition details, divining a cracked bump & flex from the condensation of a joyride. with a handful of tapes on posh isolation, as well as an album on luke younger’s alter, kristian emdal and simon formann have developed a project whose momentum and reputation has steadily escalated, finding common ground between electro-acoustic methods and quantised club nights.
“the spiral” is frederikke hoffmeiers third solo lp for posh isolation under her puce mary moniker, and follows where last year’s critically acclaimed “persona” left off. working more precisely than ever, “the spiral” binds the listener in a tight web of sharp synthesizers, hammering percussion, obscured vocals, field recordings, and blistering noise. puce mary manages to at once honour the history of industrial music and noise, as well as transform it.
brand new label from new york, feat l. sangre and silent servant. limit-xperience limit-xperience is a culmination of formative experiences as well as present of evolving influences of silent servant & l.sangre. the two tap into both their distinct shared points of view, as well as integrating of the space where their individual inclinations lie. a joint expression of driven electronic music, and eras since passed filter thru and draw from electro, techno, industrial, and more of their musical fundamentals. in similarities as well as differences, their coming together allows for a permutation that is their own.
erste reissue des 2001er albums -dread- des detroiter post-industrial/noise-trios wolf eyes (hanson records, american tapes, bulb records). ein freak-klassiker aus verzerrter elektronik, brodelndem dub und dystopischem proto-punk á la cabaret voltaire und suicide mit ausgeprägter us-midwest-sensibilität. 4 tracks zwischen 4-14 minuten, plus dem 21(!)-minütigen bonustrack -sandpapered eyes- als hidden track (cd) bzw. mp3-bonustrack (lp). lp mit download-code und doppelseitigem a2-faltposter.
die form is the legendary post-industrial electronic project leaded by french artist philippe fichot and active since the late 70 s. -tears of eros- was originally released by the german imprint hyperium records in 1993 and shows die form on it s most intense and productive years. sexual deviations, sadomasochism, fetish and domination set to danceable beats with a dark atmosphere. this mini-album is re-issue for the first time on vinyl including all the original songs plus a different version of -doctor x-. limited to 333 copies with die-cut jacket silk-screen printed on deluxe black paper, printed inner sleeve and numbered card
lords of acid returns with pretty in kink. the new album features all the best of lords of acid, the raw techno-carnality of the debut lust, to the experiments & electro-thrash later albums like voodoo-u & farstucker. on pretty in kink, stunning new singer marieke bresseleers, the legendary lords mastermind praga khan & longtime collaborator erhan kurkun create an electro-industrial-techno classic!
90 s electro-punk project based in chicago after janis sils emigrated from riga, latvia. self built instruments to create an trash and solid industrial sound. influenced by label wax trax! & bands like laibach, nine inch nails, front 242 ... the world of u.s.o.c.a. reflects a strong talk to military minds. something straight with no breathe. a uniting calling for masses
botanic presents camo: a four-part new release from kuala lumpur-based adam kasturi. among adam’s most melodic and thematic work to date, the release comes to you as an introspective 12-minute voyage through tense urban landscapes, punctuated by relieving arpeggios, meticulous percussive details and inescapably laced with the enigmatic producer’s signature industrial undertones.
from behind a wall of public discourse, focus groups and corporate memos, strahinja arbutina moves out onto the streets, with four cuts of croatian electronics pulled from man hunt techno, hood funk and industrial waves.
first lp by visballa (also part of atelier records adopo) is a long avaited lecture in real industrial funk. hard edged & rhythmical, but sometimes also as if recorded underwater or getting stuck in between two charging electrons. where some tracks bare the quality of dub rhythms others are fast forward 80s - and there s also the psychotic ones - either way it s 100% excellent.
having worked together as -thrinax- in the past, prague s duo exhausted modern & aliver collected their solo material for endless illusion s second white label series. their complimentary sonic languages speak in slow, percussive rhythms, sadistic, industrial sounds, and uptight bass lines transmitted through a chain of pedal effects. the track -project germs - cuatone- is another one of aliver s collaborations.
NOT WHAT YOU SEE, NOT WHAT YOU FEEL (VINYL EP + POSTER + MP3)
12" Vinyl+mp3 D02.07.18
includes poster & download! second release on veyl. an experiment in noise & body music. specialist maenad veyl returns with six tracks of relentless electro-influenced heat full of broken 808s, ai-generated polyrhythms and indecipherable vocals.
inner surface music is proud to present its next release from jk flesh, justin broadrick needs no introduction fans of hardcore, metal and industrial music will know him from napalm death, godflesh, techno animal, jesu and pale sketcher to name a few. limited pressing on grey marbled vinyl.
tresor is glad to announce the release of manni dee’s first album the residue , on june 15th. based in london, manni dee is held in high esteem by many for his spotless production and relentless dj sets. the gleaming rendition of manni s creative vision stuns. he knows sounds inside-out, making his studio a favorite stop for many to receive manni’s expertise. the production of the residue’ was inspired by the city of london and its general living conditions. more particularly, how social cleansing, inequality and the political situation generally - and on a holistic scale - informs internal and external locus of control. the residue’ is disconsolate, and with such heart-wrenching tracks as “in communal solitude”, “vicarious living” or “submit. breathe.” or the mutinous “at mercy of the muse” and “paroxysm” manni dee clearly cuts out his insurgent statement. in parallel to his regular dj schedule, manni dee will also take his sonic proclamation in its live pa form out to the most advanced stages starting this summer.
an astronomical conjunction has cropped up. arpanet is back after a long interstellar hibernation and 30drop comes up with its particular vision of the abstract elektro for the very first time. “phases ep” takes the primal warp’s heritage blending hypnotic melodies with rhythmically complex patterns. arpanet, which keeps the exquisiteness of its previous works for rephlex, among other labels, gazes into the black profoundness of its own and unique universe. 30drop’s two cuts, ostensibly touched by the aphex twin spirit, are a spellbinding exercise of style. “phases ep” is experimental, atmospheric, rhythmic and, above all, flawless. this enthralling ep is presented in electric blue vinyl. a special shape for a very special alliance.
next up on tel-aviv s parallax record is matushka s debut ep meta . meta is a varied minimalist techno ep showing matushka s range of production styles, with bits of braindance polyrhythms on top of industrial techno grooves, yet always understated and subtle in it s development.
every day they order alix to wake up, and he wakes up. they order him to eat, and he eats. they order him to get up, and he gets up. they order him to enter the white room, and he enters. they order him to lie down, and he lies down. and then, as they tie his hands and feet with some of the many ironworks, ribbons and straps that are in the room, alix, who is not aware that he was released, falls asleep. it is the moment in which his brain registers each and every one of the words that were said to him, and he does it so avidly, unconsciously, but avidly. however, the darkness rapidly falls, stifling any hint of brain activity in a few seconds. again the impenetrable blackness, again the night. wake up.
wats records crew is happy to announce its next release. four industrial techno tracks composed by one of the most talented polish djs and producers, concept of thrill. first track of b side “materia” is a trippy track with broken beat and ambient synths instead the other three tracks are simply fire for the dance floor with hypnotics sounds and heavy bass lines. a really nice masterpiece of pure techno.
already supported by: laurent garnier, dvs1, petar dundov, benjamin damage, johannes volk, etapp kyle, oscar mulero, dimi angelis, arnaud le texier and many more.
a new heart-stopping piece of work by visonia in which sadness, happiness, hopeful and desperation are in a continuous battle. as a result of this distress and ad nauseam the chilean artist has asked himself about the sense of life and figured out how to look on the bright side. doubtless, if we talk about -fake wings- we could point out that this one is an epic and thought-provoking album composed of 6 wicked tunes and released on lovely pinkwhite vinyl.
grinding walls is the soundtrack composed by dirk ivens in collaboration with sigillum s for a film created by the visual artist petulia mattioli aka koma. originally released by daft records in 1995, this work is pressed for the first time on vinyl including all original tracks plus some bonus songs taken from -no pain no game- and other old compilations. limited edition of 550 copies on double green vinyl, gatefold sleeve, printed inner sleeves and numbered card.
limited edition of 550 copies on double green vinyl, gatefold sleeve, printed inner sleeves and numbered card
gaining traction, gaining speed, the primaeval ritual reaches its boiling point, melting the borders of mind and flesh: a turgid vortex of unstable potential, constantly mutating and morphing itself. unformed and unstructured morphogenetic flows of matter-energy-information, self-organizing processes constituting a veritable non-organic life: the body without organs, that glacial reality where the alluvions, sedimentations, coagulations, foldings, and recoilings that compose an organism occur, a motherly womb detonating hydrogen bombs in her prefrontal cervix, atomizing the doors of perception with sheer gargantuan sonic tremor.
ground tactics arises with a transformative release, building bridges between sonic fields. immaterial breath ep raises energy levels by creating peculiar momentums of inner reflection. spanning from idm to conceptual techno, every single element in his sound is hand crafted, transmitting intimate feelings through grainy textures and subtle distortions. immaterial breath projects disorder in construction, inducing a chronic loss of established conditioning, extending the mind to unfamiliar perspectives.
colin potter is a sound engineer and musician currently based in london. he has worked within the fields of electronic and experimental music for over 35 years, collaborating with the likes of current 93, the hafler trio, organum, andrew chalk, and most notably as a key part of nurse with wound alongside steven stapleton. he started the esteemed icr (integrated circuit recordings) label in 1981 releasing a clutch of wonderful home recordings of his own, over half a dozen small run cassette only releases. ‘the where house?’ was recorded in 1981 at ic studio, a converted wash house in sutton on the forest in north yorkshire. the album was self-released on cassette that same year via icr. this expanded double lp edition features all 13 tracks from the original tape on vinyl for the first time plus 4 bonus tracks. ‘the where house?’ is a prime example of early uk post-punk/industrial electronic music. “combining dub, electro, and krautrock rhythms with psychedelic, kosmische noise in multiple mutations ranging from almost pop-wise songcraft to horizon-scanning motorik flights,” says boomkat. most of the damage was done by colin using guitars, synths, sequencers, drum machines, percussion, and modified toy keyboards with fairly primitive 4-track recording equipment. he was assisted on some of the tracks by stephan jadd-parry (guitar, percussions), jon caffery (guitar, bass, e-bow, percussion) and nick jackson (synth). all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. the record is sleeved in a replica of the original cassette artwork by jonathan coleclough. every copy includes a double sided postcard insert with notes from colin.
your dystopia, my utopia is the first album produced by fulber for sonic groove and an impressive follow up to his highly celebrated 12 realism released last year. this album consists of nine expertly crafted tracks calculated and arranged in a sequence to communicate ever evolving moods for the dance floor. the opening track cognitivia is a cerebral journey composed of superior orchestrations of sound and industrialized cryptic vocals personified by symmetrical broken beats. the tracks that follow exhibit some of the most compelling industrialized and ebm infected techno ever put to vinyl. the tracks my church and you can kill are imminent future anthems, deconstructing the rules for techno and reinventing them with future ebm potential
person of interest returns to l.i.e.s. with a sleazy three tracker weaving in and out of the edges of house and techno. lines are blurred in only the best way as p.o.i. expands on the sounds of his last eps, refining his style with broken beats and darkside tribal leaning driving techno pressure. top shelf stuff from the brooklyn producer.
hogg returns to scrapes with a full-length recording made at electrical audio. self-extinguishing emission captures the physicality and energy of a hogg performance over the last several years, while the song-writing and production show a refinement and development that is uniquely hogg. the songs are built around a spare foundation of heavy electronic pulses punctured by occasional stabs of distorted guitar, floor tom, and biological samples. dueling vocals of diverse sonic and emotional quality render each song into a pleasurable exploration of internal conflict within a brutal psychological atmosphere.
the franchise goes one cut deeper as parasols aka ali renault and antoni maiovvi team up on this dark as hell during an eclipse set of grime soaked grease sleazers. parasols throws forth two sharp as blades numbers with a guest appearance by the one and only unit black flight with his first ever remix. antoni maiovvi closes things with something from the vaults, the 808 and sub bass sleekness of shivers, remixed by black metal ebm overlord equitant. guaranteed nightclub nightmares as we put on the gloves one more time...
new ways, rooted in the techno-blueprint swings between playful, skittish bass lines, hazy distortion, chthonic voices and melancholic synths to create an atmosphere that is at times unnerving, uplifting and mindless. buoyed by a genuine sincerity, new ways expresses a narrative element of the maturation of an artist, of the transfusion of self, achieved through sound. limited to 300 black vinyl.
2 cuts from enrique for the bank 7inch series. downtempo syncopated tracks echo the bleak industrial zone where he resides. surrounded by the noise of garbage trucks and waste treatment facilities this music is a backdrop for the constant noise of police sirens resonating through the city. great music for a midnight stroll. say a prayer for your local club and raise a glass at your local squat.
lxrc33 is the second installment of the unsung and defeated series. music comes from Ｓ, Ｓ, Ｓ, Ｓ,, another local act, based in lucerne. five industrial cinematic soundscapes, eerie noises building alarmed state of minds. from most subtle to crushing and pounding. a systematic suspense that transforms itself into a systematic destruction. mixed by robert grimmer at phonetia studio mastered by andrea merlini executive producers cosmo & faber pressed at record industry
fantastisches, drittes album des münchner produzenten scntst aka bryan müller auf boysnoize records. scenes and sketches from the lab ist ein amtliches werk, das die makellosen skills, reife und musikalität des jungen produzenten, kombiniert mit einer fülle an frischen ideen, offenbart. die 14 tracks hüllen techno, ambient, bass, idm und electronica in neue, kunstvolle und hochdetaillierte formen, die sowohl auf kopfhörer als auch im club perfekt funktionieren.