the sound of young dÜsseldorf. in the last three years, lucas croon, nikolai szymanski and martin sonnensberger have created a cosmos of driving bass lines, danceable rhythms, floating pads and shimmering electric guitars. using repetitive lyrics with double meanings, analogue synths and icy cold clackering computers, stabil elite revive krautrock and the avant-garde moments of the german new wave.
comes with code for free mp3 download of this release.

still in its infancy, swiss dj and producer rippertons personal imprint tamed musiq returns with its fourth offering in the form of, lets hope. maintaining the tradition of the labels previous releases, ripperton once again takes us on a journey of epic length, one that masterfully builds, swells and diminishes, as we make our way through a flurry of playful piano hooks, subtle synths and deep bass drops.the flipside comes courtesy of the hottest property in house right now, bicep, who continue turn on the charm with another deep and seductive, on-point dance floor bomb.

celsius bring the sounds of chartstalker to the table with this next release all my love ep. even though chartstalker might be a new face to the drum & bass scene he already produced music for notable artists like wiley and the roll deep crew. kicking off with all my love chartstalker shows his diversity as a producer combining hip/glitch-hop breakdowns with powerfull drums, raging basslines and soothing vocals.

ideal audios latest offering is served up by remain & electric rescue.erma finds the duo in sinister form.their mysterious machine opens with a broken beat before its thumping kick-drum breaks through and powered by a rocky electrified bass riff marches on through two huge breakdowns. marc houles remix unleashes a snarling bassline and spritely melody before the snare roll announces the the arrival of the synth line.

having first come to prominence in 1999 when he was signed to ltj bukem s good looking label, makoto has steadily, consistently carved out his own groove in the world of drum and bass, with his trademark expansive jazz and soul-inflected workouts garnering critical praise from all corners. having worked with a veritable who s who of the scene, with releases on zinc s bingo beats, fabio s creative source and numerous collaborations with dj marky, makoto now releases his first ep on apollo records.

continuing their reign over deep and technical drum and bass sets everywhere, the inimitable spinline are back with a pair of incredible remixes from two of the scenes most wanted individuals. from the drum and bass extremes of tar-black bass and granite-heavy rhythms, both clarity and stray have brought the goods for this release. but what did you expect?

rome is the new four-track ep from 22-year-old electronic producer kashii. his style resonates twangs of many current genres including uk bass, house, tech-house and garage. currently signed to southern fried, kashii is releasing an exclusive ep with madtech, with remixes from up-and-coming producers south london ordnance and lakosa.

ever wondered what untold jamming with gang of four after a night at rage might sound like? of course you havent. neither have we. but it will give you some clue to the sound-clash he’s cooked up for the final part of his change in a dynamic environment trilogy. kane picks up a nagging post-punk baseline and drives it like marty mcfly through three decades of club music. while overdrive simmers with punk attitude before spitting right in the face of melody and exploding into a raucous, drums & bass jam.

trevino aka marcus intalex has been wowing all and sundry with his tight detroit / chicago / whoknoswhere take on uk bass music. his early tracks like >chip< on martyns 3024 and >derelict< on naked lunch, showed tough, melodic, techno and electro were back on the menu, but filtered thru the mind and ears of a man who was been releasing fresh uk music since 1994. appleblim was amongst the first to hear and start playing trevino’s new cuts, and has seen him go from strength to strength.
eearly dj / radio support already from: martyn, loefah, 2562, scuba, mary anne hobbs, oneman, rob booth, rob da bank, ben ufo, pearson sound, axel boman, distal, objekt, synkro ...

10th edition of apersonal music series of single released on vinyl. first split v/a release from the spanish imprint featuring long time label resident trujillo, from barcelona club scene dj and producer pablo sanchez and new comer from st petersburg ilya decado. most notable on the release taking all side a is trujillo delivering his latest send me away, taking to the max his known editing skills plushis original keyboards and bass, also adding to the mix guest vocals from bernardo risquez, the result is a superb house-disco edit pop track filled with beautiful chords and lovely vocals. a sure enjoyment for all ears! side b is split between pablo sanchez trippy slow mo house theme our closing circle and ilya decados massive party tune sweet street moments. a sure shot pack of tracks suitable for any occasion. not to miss!

factory floor offer up a substantial distraction while the band put the finishing touches on their debut album, due out on dfa records in early 2013. their last single two different ways is remixed by two different electronic music leaders. richard h kirk, co-founder of both cabaret voltaire and sweet exorcist, puts his own warped spin on the single, while perc aka ali wells, takes the original and piles on his signature throbbing bass for the main remix. perc also offers up a noisy mix taking avant waves of feedback and noise and shaping into something unexpectedly beautiful.

first release on black wall comes from yuri shulgin, including remixes by alex danilov and wasserfall.

italian based producer roberto clementi. a warm, analogue dub house feeling immediately rolls through his tracks with deep, techno orientated sub bass permeating layers or rich synth work and crisp evolving percussion. having previously released on ny based producer brendon moellers steadfast records, roberto continues down the path to sonic delight with 4 tracks forged in the underground.

nice price deal !!! nice price deal !!! slams rtm project starts with a bang! the pimp convention is packed with the swinging percussion that slam do so well. winding around this rhythm is a hypnotic hook and swaggering vocal sample that adds a delicate touch of uneasy tension, while chest thumping sub bass underpins all. slam are back in the house. the sides collide slows the tempo and darkens the groove. an underlying disco influence can be heard in the track, but is brought back down to the undergrowth by a super heavy bassline and creepy, pitched vocal.

aux 88 makes there anxiously awaited follow up two there black tokyo project. the first track >magic< is a true melodic synth groove driving 4/4 track that takes you in to there dance driven world of black tokyo featuring the cool soothing vocals of ice truck. >magic< uses those detroit emotional string chords that works the crowd in a frenzy and then drop in those base driven beats that only aux 88 can program.
side two >astral projections< featuring ice truck and erika tele. >astral projections< takes you in to the more ethereal woven techno culture of japan and detroit. the bass line is unmistakable aux 88 while keeping the baseline as the main intro. this track takes you there. with ice trucks mind soothing vocals and tribal type drums pulsating this track is sure to be a favorite on the dance floor. interlude mix b2 featuring erika tele is a more harmonic sedative mix type interlude that great to use for any intro dj set.

the first release from swedens random island recordings offers three tracks of pure-bred techno from label owner inter gritty. nihad tule provides a stunning remix that turns the raw, chicago-esque pounding of kiska into a dramatic, flowing techno builder. and finally, huemul drops the pace and sets off to explore the deeper side of techno, drenched in drones, chords and deep bass.

vinyl only!. professor inc gets around in paris and it was natural for rue de plaisance to welcome his project very detroit oriented. label manager, producer & executive producer of amour, wbttu & reve, all vinyl labels where he releases under various nicknames & anonymously presenting his influences. varoslav welcomes 4 of his tracks: natural evolution magnifies tweaks & complex grooves, sfx like haute couture. the machines speaks and even lyrics embrasses the concept with computer generated voice. telegraphe stalingrad is a collaboration with the young producer modstand living near telegraphs subway station. professor inc used the sound sources he plays usually with the horses and live gigs to make a complete new track, very tracky & dj tool, usa style & strong beat. detroit baby once again, an absolute delight of complex puzzle and chess. >heavy drum, bass duty, this is detroit< says derrick thompson from detroit and label owner of soiree records where he reads a text written by inc himself. pmax, expartner of inc in their band phuko plays the keys while the other arranges them. very catchy & state of the art of the genre when it is digitally produced. hoes this is where it ends and it is for the best. as detroiters in late 80s got influenced by the house sound of chicago parties and created techno, the frontier was little, thats what the professor is bringing here on the today style. this b face remines ds classic key pads for sure.

argots second release is the finally single by chicago-based producer olin discovery, wazi wazi, forem. splashed with exultant synth stabs and nudged along by a persistent bass line and hooked vocals, the title track is well placed to kick a party into next gear. b-side tomorrows news is unabashedly playful, creating a space where dotted melodies chase after each other and dancers rush the booth to figure out whats playing

here is the debut release form new yorks subbass. first up is a collaboration between marshallito & dj spider! prepare to be beaten up by bass heavy, deep, techno. each track is layered with warm synths & driving beats! this is one for the dance floor. note - vinyl record to be played on a turntable

as re-mixers, they have already made two fine contributions to schallbox-releases, now they finally get their own track on the swiss label. 12 most definetly belongs to the smalltown collective!
the name of the track is tiefblau and it speaks for itself: you are transported by a pushing, bass-generated pressure capsule down along a hypnotic groove line and into a deep blue ocean. the smalltown collective really exploit the merits of the acoustic stage here, pulling together a compelling and diverse set of notes and tones carefully arranged to amount to a track you just cant shake.
in his interpretation, dj le roi stays true and to the deepest blue dive atmosphere of tiefblau, yet manages to make it completely his own. unmistakably tieflblau, unmistakably le roi.
the page logo belongs to berlin-based producer david keno, whos signature lies in lacing floor-oriented beats with a distinct melodic aspect. with his unique and secret recipe, keno tweaks/ treats this track as he does with so many stomping house tracks with a laid-back vibe. guaranteed to work on any dance floor in the world!

nice price deal !!! with the mindblowing melancholic tech house ballad >blink of an eye< asem gives us a taste of his forthcoming debut album >mndctrl<. mz sunday luv s intriguing vocals melt with an intense string sample to create a warm, light blue atmosphere. for >carneval<, he teams up with alejandro castelli, who brings a mexican vibe into asem s hynotic bass-groove-mechanics. finally a zither which has been misused in all thinkable ways tells the weird story of >die försterin vom zitherwald<. this three tracker catches the electifying vibe in the 2012 summer air. support by davide squillace, steve lawler, m.a.n.d.y.,stephan bodzin, laurent garnier, ray okpara,someone else and many more

>the fall of the empire< is a tough and unyielding release that continues both pfirter and mindtrip s run of form. >the fall of the empire is imminent< is raw, powerful and tightly wound. it holds an almost familiar sound, something that brings memories of techno from years gone by, but with the added depth, intricacy and attention to details that juan pablo pfirter lends to all his productions. markus suckut remixes on mt-02 and brings his stripped sound to his rework of >multiverse<. keeping things simplistic and functional, markus finds the groove, toying with bass throughout the track and letting the loop run for near seven minutes, gently tweaking fx and eq in the light-handed and tender manner he become known for.

dropping his debut ep adapt as a second release on the upcoming dandelion lotus label, west-london producer and multi instrumentalist j. holmes, a.k.a. danglo, is proving to be a refreshing addition to the ever-adapting post-future-uk-bass-garage-footwork scenery. collaborating with him on adapt, danglo swiftly works his beats and tunes around some smooth-voiced vocalists, including: ivan franco, marcia bellamy and abi wade.
limited hand numbered white vinyl edition is cut & mastered by sam john (mount kimbie, fantastic mr. fox, little dragon, aphex twin, ...) and wrapped in a full colour 12 cover. free digital download code (flac, wav & mp3) included!

on this 12inch we get two very different songs, the lead cut being driven by 727s, jx-3p bass, and some sampled horns which make this a driving and funky excursion bring you back to another time and place. sketch iii clocks in at around 110 bpms and drives on and on and on, plodding through the depths of your mind while conflicting voices (mis)guide you through your trip. strictly for the freakz.tip!

limitierte 4-track ep von jah wobble und keith levene. diese 12 inch ist ihre erste amtliche kollaboration seit ihrer zusammenarbeit bei public image, ltd (pil) ende der 70er. neben jah wobble am bass und keith levene an der gitarre ist noch jonas persson als engineer, keyboarder und backroundsänger am projekt beteiligt. die platten stecken in einer handgestempelten und handgemachten hülle.

nice price deal !!! remix time! alignment present 2 remixes from artists right at the front of modern drum and bass, octane & dlr and dub phizix.octane & dlr are on the cusp of unleashing their debut lp >method in the madness< on dispatch recordings, they have taken on the 3rd release from the label – gerra & stones dance floor damager >droneheads< and have delivered a remix of devastating capacity. already gathering steady dj support and featuring on dj hazards fabriclive 65 cd this one is set to blow!on the flip to this double a side remix ep we find manchester man of the moment dub phizix switching up the flow on the first release, judda and treos >6th element< true to his style dub phizix has flipped the original completely on its head for a truly original sounding remix, masterfully intricate drums roll steady throughout a serious system testing sub bass as only he can.
dj support: hazard, break, basher, octane & dlr, skeptical, ulterior motive, dub phizix and many more to boot…

while pushing out to all avenues of drum and bass, ill haze are starting to mould their own sound within the genre but still keeping it fresh and current. with a load of releases set for this year and beyond ill haze is definitely a name to watch out for!

>the real me< is a collaboration between deeper shades recordings artists salvatore agrosi (coming of the very successful spirit ep) from italy and florida based vocalist dennis baker (featured on the >hypnotize you< releases). the four remixes selected for this 12 inch are ranging from a driving and bass heavy peak time dub by label head lars behrenroth (which btw. has been one of lars secret weapons and created a lot of anticipation for this release) via salvatores stripped down interpretation as his alter ego toto to an emotionally charged atmospheric builder by marco fracasso.

(brendon moeller / echologist rmx) we welcome inhale records with a bang. heavy bass music with 2 great reworks by brendon moeller

recorded in dears home studio and mixed at nicolas vernhes rare book room studios in brooklyn, beams evokes a day-lit dreamworld at once strange and familiar. while the albums dancefloor-ready tempos, major keys, and sun-warmed synths signal beams as the lighter, brighter response to its predecessor, closer inspection reveals a squirming mass of oddball details. dears latest productions on beams creak and groan like anxious organisms, with slivers of guitar, electric bass, and drum kit darting in and out among the synths and samples. beams is the latest transmission from one of pop musics most fascinating creative minds. tour dates coming in nov and dec after recently performing live in may this year in select key cities.

the 2nd in future classics 7inch cover series. cadillacs cover of daft punks >too long< pulls the tempo down, brings out the tropical mallets, brings the same catchy bass lines and crooning vocals that you remember from the original. new navy have stripped out all the electronic elements of the telepopmusik original and replaced with their signature clean bright guitars,island percussion and ben mcinerneys rich vocals.

for the momentous crosstown rebels #100, one of electronic musics great innovators makes his long-awaited comeback as tiga. the montreal avant-gardists first original work in four years the picture is big, bad and heavy in every sense. factor in an outstanding remix of pleasure from the bass from wonder boy subb-an and you have a very special landmark release indeed.

onster - this track is being played by the dread djs big bass line an anthem chords, i see the future - minimal roller with a haunting string hevey low bass tine, galaixian warrior - is for the dread fans this will destroy any dancefloor wordwide, tronik - supported by toddla t on radio 1 this choon is another anthem from the dread camp

nice price deal !!! nach der erfolgreichen veröffentlichung ihres fantastischen albums >electric cables< im april diesen jahres, erscheint am 27.07.2012 eine ep mit dem track >silver & gold<, welcher schon auf dem album enthalten war plus drei weitere, wunderschöne bisher unveröffentlichte stücke. die neuen songs wurden in der selben session wie der vorgänger von dave mcgowan (gitarre, teenage fanclub), dave mcgowan (gitarre, teenage fanclub), brendan o hare (schlagzeug, teenage fanclubs erstbesetzung), tom crossley (flöte, international airport & the pastels) und bob kildea (bass, belle & sebastian) aufgenommen.

new to the mathematics roster, deviere brings this 3 track ep that opens with lessons learned in the tears of deceit, a deep cut with a driving rhythm & sick bass sounds & synths. my kingdom for a time mach is a sick percussive joint with elements of acid & the title cut brings it back deep.

this is the second track taken from lewis parkers forthcoming album the glass ceiling. walking on a razor part 1 finds lewis demonstrating his skills on the mic over a raw, hard beat with those classic sounding lewis parker drums. meanwhile, on walking on a razor part 2, lewis called in two legends of the game, sadat x & shabaam sahdeeq, to lay two hot verses in among his own. this extended 12inch also includes two lewis parker remixes, plus instrumentals to all the tracks and an accapella. limited pressing so act fast.

focus on cosmic club !!! for this 12th release, we give you the opportunity to grab 4 fantastic trax done by one of todays hottest producer: june. tasmpikos fronas has been signed this year on argys label these days & delivered one of the most astonishing first album weve heard for a while called cytheria. he has already been remixed by dj sprinkles. he sent us his brand new tracks & we felt it was so good that we decided to release them straight ! his sound is firmly rooted in proto-house and acid. a whirlwind of crystalline electronics , sunshine-bright melodies and playful synthesizer riffs (with a dash of original chi-town jack thrown in),it comes on like a particularly cosmic jam session between plone, daniel wang, claro intellecto and larry heard. on the moon. on this evidence, fronas is clearly one to watch. and to add to the magic, we got an amazing remix done by the great & super talented italian producer: simoncino. this is surely going to be one of the biggest releases this year, stay tuned!

new yorks premier experimental drum & bass imprint, offshore recordings, teams with londons left of centre 170 bpm music tastemaker, organic, to present the osrorg series. the two combine mutual musical vision with a joint exploration of the subversive sounds. the creative essence of both new york and london are captured in this transatlantic collaboration- showcasing true urban breakbeat culture. osrorg002a daat - >orange line< newcomers daat bring a serene piece of music just in time for summer. one half of the duo, jason os, is no stranger to lush pads and beats with releases on modern urban jazz and counter intelligence. a catchy lead line and moody atmospheres are rooted atop a heavy 808 kick drum. think of the musical marriage of david lynch and 170 bpm, with a brooding baseline to keep it all grounded. for fans of synkro and indigo. osrorg002b daat - >orange line (deep blue remix)< before you ask, yes, its >deep blue<, deep blue. the legend has come out of retirement to bless us with this amazing remix. he completely deconstructs the elements from the original and filters them through a completely different style. deep blue combines a collage of smooth glacial textures with hypnotic driving beats re-arranging the dna of the original track. techno nuances at 170 bpm.

bristol born hench newcomer tim roberts aka temo is a rising star in the dubstep scene. his relentless determination to spend every waking hour in the studio is paying dividends. temo is already gaining support from radio 1 and 1 extra along with club support from the scenes leading djs. these tracks have been smashing hench sets everywhere, expect to hear more from this rising star very soon. set them alight ft. buggsy: set them alight finds a perfect balance between killer vocals and big drops. temo has a long standing relationship with dubstep pioneer joker who introduced him to the insanely talented buggsy, which lead to the recording of set them alight. the marriage between buggsys infectious vocals and temos searing bass lines works perfectly, making set them alight a must have for dubstep fans across the globe. tracks ft koast: tracks is a no messing straight to the point club banger. koast from central spillz & hench resident steps up to deliver a slick 8 bar hook to prepare you for this high impact bass line driven monster.

foreign sunrises are always inspiring an artist. festival gigs with amazing music and extraordinary people making you feel the real magic of electronic music. einmusik packed all those things and made a dreamy and mysterious ep called >damgala<. only two tracks coming up, but they are special and wistful - nothing more is left to say about the feelings of an artist traveling all over the world since months. >damgala< itself is a song with unsettling synths, an undulating baseline and rolling drums. the breaks are so strong and suprising and you will never forget this sensuous chorus. >st.anna< is the second number on the ep. it is made by mars leder and einmusik. they meet each other on several parties in berlin. mars, a young and talented dj also plays a lot of instruments and so they made a studio session with different sequences. the guitar is clear and melancholic, the synths are soft and the bass is catching you. close your eyes and feel the song without being prejudiced by some words.

heavyweight tech infused deep house banger from tate morden, the darker, underground alter ego of danny j lewis/enzyme black. kerri chandler bar a thym-esque stabs combine with synth bass, tough beats and a pitch morphing vocal drop. dj support: grant nelson, ski oakenfull, andy ward, nick moss - groove assasin, soultribe

early support from laura jones, m.in, plasmik, xpress 2, huxley, jordan peak, bass culture, the timewriter, agnes, seelie, moodtrap, claire ripley, raymundo rodriguez and more....

having wowed us with last summers argentina ep for the label, tom returns to circus with his latest work, the four track white drum ep. whilst its heavy on the bass, this new ep also demonstrates the maturing of flynns production with his impressive use of vocals and melody throughout. having now played events in both liverpool and london, tom flynn has been welcomed further into the circus fold and his white drum ep confirms him as one of the family!

here is the new chateau flight track,called kounka. afro?techno?jungle house? a trippy journey thru sound fx, sub bass,and dirty snares. already supported by dixon, trevor jackson, ame among others... for the remix job we asked steve moore (half of zombi and several 12 inch on kompakt, permanent vacation and the super cool label from ny l.i.e.s.). for our enjoyment, steve delivered 2 versions in his typical multi-layered electronic sounds. one is for the club, and a slow version in a kosmich fashion

having both previously released on phuture shock musik, garage experimentalists roof light and lostlojic return to share the honours on a split single set for release on the bristol label. always one to maintain an eclectic approach in his work, surrey resident roof light returns to his forward-thinking best, offering up >pearl< - a sultry number, where jerky beats intertwine with fragmentations of female vox that saunter through swathes of synth pads, glitchy blips, and warm dubby bass. on the flip lostlojic continues the regular theme of passion in his music, bouncing back with >so much<, another r&b inflected dancefloor gem, incorporating a saccharine vocal hook over a bed of lush rhodes chords. soulful as ever, and riding a 4/4 rhythmn just beyond the familiar 140bpm region, this tune premieres a departure from the typically cold, brooding style that the ukraine based producer is known for, to something more suited for the warm summer nights.

anonymous production unit szare return with three fresh cuts for manchesters mindset records. critically acclaimed releases for the equally shadowy horizontal ground imprint, bristols idle hands and the berlin based krill music amongst others have seen szare embed themselves firmly in the techno landscape, finding a receptive audience for their unique blend of bass heavy, tribal dissonance or in their own words, sounds that are eerie, lazy and chewy.

a1 bassline, comes with a new release on his own imprint source unknwn, slur b/w slingback. his latest release >why do you< out on claude von strokes dirtybird, following the huge success of the buoyancy/falsehood ep on the same label, both releases were met with glowing reviews. his musical aspirations originate from genres such as garage, and drum and bass.

>chopped icebreaker< erupts into a tropical storm of balearic riffs, >passions limiter< rides a lux and limber bass line under your skin amidst cruising pads. roman flugel brings the remix of >chopped icebreaker< beneath fluffy melodic clouds.

hannover based imprint yippiee return with the outstanding come with me ep this august by manuel moreno, backed with remixes from label owners filtertypen and normen hood. this release follows the success of yippiees treibgut sonder kompilation which featured cuts from deepnhouse heavy hitters chris lattner, moritz piske, patlac and gorge to name a few. now the german imprint deliver this four track single from swiss producer manuel moreno whos releases on 8bit and dj sets at space and privilege (ibiza) have earned him a highly praised status in the underground. title track, come with me, opens the release, encompassing a boomy kick drum, tight drum programming and ethereal atmospherics to create a deep and dark distinctive quality. the inclusion of a gritty sub bassline further fuels its murky progressive vibe, while the introduction of a soulful vocal hook and bright string melodies adds a lighter touch to the composition.label owners filtertypen opt for a less is more approach to their remix of come with me. stripping back the atmospherics to a more dismantled state, the duo-apply punchy drums and a warbling sub-bass,resulting in a smooth rolling groove that runs steadily for its duration. the cut comes into fruition threeminutes in when the pair bring in an amalgamation of deep strings, synth shots and delayed fx, finely placedto create an expansive dynamism. hello bernhard employs deep worldly percussion as its driving force, while guitar licks and warm chordscreate undeniably beautiful imagery. moreno demonstrates his ability to manipulate melodies with precisionhere, introducing several elements to play off one another in a call and response fashion. last up on the wax release is im sorry, a solid slice of house built around rolling toms, sawtooth bass notes and trippy vocal murmurs. manuel utilizes heavy delays and big room reverbs to create cavernous effects in the breaks that adds an incredible weight when the preceding groove is brought back in. to close the release normen hood offers up a remix of hello bernhard as a digital bonus. applying deep house tactics, hood plays on warm piano stabs and brass hooks that deviate around the tight-knit drums for several minutes creating an epic rework.