vinyl only!

william claxton collection, 180 g vinyl, legandary jazz album, deluxe gatefold sleeve, limited edition

drum n bass with hip hop elements ! tip !

drum n bass with jazz influences

super split ep ... from techno to bass

the new rocksteady sensation from geneva! cosmic shuffling brings back the jamaican 60s golden sound with his vintage ska and rocksteady. recorded with just a few ribbon microphones and mixed in the purest tradition by spanish wizard roberto s‡nchez on analogue tapes, cosmic goes wild is simply irresistible. between sweet romance and serious life reasoning, between heavy bass and sweet horns, sharp guitars and rough drums, cosmic shuffling gives a modern approach of an old time music, with a stunning vintage sound ! pressed on 12inch maxi vinyl, this record was built especially for sound system purpose. only 300 copies!

two tracks produced by dj mitsu the beats from japan. first up is gagle the sendai japan hip hop trio who dj misu creates all the music for. the instrumental version of vanta black is a lush ,string heavy soundtrack piece with herb albert ish trumpet solo s underlayed by beats. on the flip dj mitsu delivers a concept piece for the turntable hostel in shibuya .double bass takes centre stage with this jazz fused work out underlaid by field recordings taken from tokushima. only 300 hand-numbered copies. strictly no repress

the 2nd elma rivaga release comes from dj d.i.f.

file under garage / house / bass

tripped-out experimental jam , from breaks to bass and dub

following the success of their last release, xandrus >fading dreams ep<, which enjoyed notable support from (arpiar) stalwart rhadoo, nastia, anthea and yaya, to name but a few, vinyl only imprint ldn will return to the shelves in early december with their third 12inch installment. this time around label boss scott kemp will be providing the goods, in the form of a four track ep, aptly named >1988<, the year of scott s naissence. featuring three exquisite original tracks accompanied by a sublime remix from romanian producer nu zau, scott kemps years of experience honing his productions skills are laid bare from start to finish, as he continues to assert his affinity for stripped back, percussive driven techno with this pulsating composition. the ep debuts with >1988<, which feels evocative with its atmospheric vibe and slower pace, coupled with its deep bass, hypnotic synths and spacey sounds. in contrast, >konman< is more alert and its dynamic rhythm invariably encourages one to dance, as the latter part of the track welcomes warm and bouncy synths, complimentary to its percussive elements.

freaky elektro tracks with synth sounds

limited edition reissue of 500 copies on black vinyl.

post-breakcore ventures from ruby my dear on white vinyl.

limited vinyl reissue of the 1994 cassette album from abdallah ag oumbadougou.

limited , from garage to bass

serious broken beat business from davis galvin for vanity press.

two smooth slices of organ-bass goodness from pager resident, tiago walter, as 2x turns their colours from white to red.

cooked up by label head and bass player, chris lujan, specifically for austin, tx guitar hero, nick diaz, the bullies get right down to business with some hard-hitting, funky, soulful blues a la albert king on stax with a heavy shot of james brown. joined by lugnut brand stalwarts, joe baer magnant on rhythm guitar, michael reed on drums, and chris hazelton, out of kansas city, laying in some tasty hammond organ, bringing the whole thing home.

deep space electro by french producer franck kartell. known for his releases on labels such as bass agenda recordings, transient force or new flesh, just to name a few. this time he makes his debut on between places the sublabel of solaronemusic. enjoy his journey into dreamy electro and sience fiction worlds.

inspired by the early days of this era of jungle-bass music.

first release from the mysterious old 90’s drum n bass warrior

freaky acid / techno

after two eps on knotweed records with his long time musical partner dying, barakat delivers his first e.p. for decision making theory under his new moniker: zreik. 3 tracks full of intricate drum patterns, boomy bass, deep pads and reverberating chords: stripped down no-nonsense techno, aimed directly at the dance floor!

five classic trance vinyls in a limited pizza box.

intense blend of jazz and dub from danish duo morten mccoy (keyboards & loops) and jonathan bremer (acoustic bass).

file under : percussive bass music / techno / electronica / techno-not-techno / leftfield dancefloor

double 12inch of plush techno and house

louis sclavis (clarinets) together with benjamin moussay (piano), sarah murcia (double bass) and christophe lavergne (drums) presents “characters on a wall”, inspired by the street art of ernest pignon-ernest.

great house ep fromthe klasse wrecks gang

strong aux 88 - electrooooo one per customer!

the night can be started very minimalist and dreamy and we dive into this world

hand numbered edition of 275 copies!
standing ovation war ein kurzlebiges projekt aus clacton on sea, großbritannien, das 1982 von dem sehr jungen paul bramhall und glen redgen während ihres highschool-studiums ins leben gerufen wurde. bewaffnet mit einem casio mt40, einem korg polysix, einem korg m500 und einem boss dr55 drumcomputer sowie einer gitarre und einem bass buchten sie am 22. oktober 1983 ein lokales studio und nahmen zwei songs an einem tag auf. die beiden tracks wurden kurz darauf vom ebenfalls lokalen label falling a auf kassette veröffentlicht. sie machten weitere zwei jahre elektronische musik und suchten nach mitarbeitern in den zeitungen, in denen sie einen schlagzeuger und einen leadgitarristen unterhielten.

hi speed gabba electro bass

3 new tracks by eccentric japanese artist boys be kko. a1 oreinspotting is a floating track with a big bass line that keeps going - well produced as always. got type b is a track with a big intro and b1 home run bat, the title track, shines the way it’s arranged. all around, a great ep with a 100% signature sound from tokyo, japan.

3lp deluxe features: tri-gatefold, 3rd lp curated by questlove (bonus tracks & remixes). 20 page booklet w/essays by black thought & questlove , track by track liner notes by questlove

true oldskool electro with fat bass, space effects and smooth silk pads

2019 repress! scan 7 debuts on transmat with a sound you have never heard before. the ep features four cuts of jazzy gospel infused techno. sunday on a saturday perfectly captures the bounce of house and gospel, bound to be a dance floor classic. so b it is a groovy techno cut with a secy hypnotic bass line. he s able adds a riotous preacher to the mix to complete the sermon. here after revolves around an exuberant organ phrase burning on a slow beat. center leaf art by haqq of third earth visuals.

repress without 7 inch! five guys jamming together, each throwing in funk-nuggets from a finely honed appreciation & a shared love of the good groove. this studio project was compiled from a free-wheeling desire to just team up and play together, see what happens... the holy trinity of rhodes, clav and live bass, all wrapped up in a heavyweight rhythm section has provided the backbone to over 50 years of ground-breaking and floor-shaking black american music. the max graef band project channels this energy with the tight efficiency of the headhunters tag-teaming the new power generation, oh yeah - anyone expecting elbow patch, 6th form funk can think again, this is mosquito’s tweeter territory folks. from raw, p-funkin jams to punk-funk workouts & freestyle jazz flavours, dog pays homage and wears its influences proudly, while bringing a fresh take on the foundation funk that informs this collective’s own celebrated sample-house revival.

b-stock! cover with bent corner. ** vinyl onyl **5th release on the rawax aira series comes from pier bucci & oskar szafraniec. groovy business

b-stock! cover is slightly damaged. electronic music heavyweight kenny glasgow is back with his much anticpated new solo album entitled circus tales. due for release on jonny whites agenda setting no.19 music, it is a long overdue and hugely welcome follow up to 2009’s taste of the low life which appeared on the same label.

a collection of through and through breaks, things kick off with the roll mix of the title track life signs, in what is an instant head turner as breaks grooves kick in dominated by rattling snares and deep pulsing bass. you must not be me follows suit, if not on a more melodic tip as the breakdowns are carried by echoing melodic patterns and billowing synth pads. on the flip, the tone is lowered as the lights go down for the bleep mix version of life signs, this time around a more eerie approach with clashing melodies and harder hitting drums. recollection acts as the perfect come down for what is an intense listen as ambience takes a hold for the final four minutes.

jungle / drum & bass on meditator music

the third 12- from the -forgotten art- cd. out in 2012 and gone since 2015. -shiloh- is house cut with heaven sent horn, big bass, and subtle filters. -we the party- on the flipside begins with an arpeggiated synth line and rolls in with sweeping pads and a vocoded vocal hook. repress scheduled!

four tracks of breaks warping and bass quakes. the duke of juke is known from his 10inch release on anus records and a 7inch on ameise.

navy cut welcome surreal to the label for his inaugural release! hailing from yorkshire, the no-nonsense producer and dj caught our attention with his production skill and attention to detail. somnipath driven by a dark 808 bass that progresses into an eastern melodic atmosphere. on the flip side dont fall asleep is intense bass pressure with thick drums and even thicker vibes.

experimental techno / drum & bass

2019 repress - first recorded in 1983 under the name visual, boyd jarvis s cut the music got me is one of the first true house records. a staple on the 80s new york club scene, the visionary instrumental dub was played everywhere from the paradise garage to zanzibar, dance-floors packing to it s mix of throbbing bass and wooshes of analogue synth magic. at ransom note we ve long been obsessed with the record, so when house hunting s aiden d araujo interviewed boyd - and found out that we could license it - we jumped at the chance. now, we present the music got you sounding bigger and better than ever before. remastered from boyd s original tapes by keith tenniswood at curved studios, the music got me is pressed on limited edition, heavyweight vinyl for clarity and bass pressure. complimenting the original release come 2 completely new mixes the first is a dubbed out masterpiece from edit-king nick the record alongside dan tyler of the idjut boys. between them they take the essence of jarvis s original and tease it out into a cavernous disco killer. next up comes bawrut man behind ransom notes debut release, the nu-acid anthem ciquita. bawrut does what he does best, throwing in latin percussion, layers of screwball 303 burbles, and a sense of joy, all whilst keeping boyd s original bass groove rolling.

support from jose padilla, max essa, kenneth bager, joe morris, clandestino, balearic ultras radio, willie graff, dee montero, breese, dave harvey, chris coco, dream chimney, phil mison, balearic social, potato head bali, glass coffee, dj disse, early morning breaks, andy baxter, brothers grim, pikes on sundays, octagon eyes, ku de ta bali, spiritland, andy wilson, ibiza sonica, blank & jones, phil cooper, leo mas, one million sunsets, pbr streetgang, private agenda