from dallas eric estornel has arrived, who is not other that maetrik or mariel-ito. take hold yourself that they come curved the constant mutations and growth in its sound since it dazzled us to all with >casi profundo< album or with singles as >agravatte me< has taken to him to a maximum point of maturity in its arrival in regular. sexus is track amazing, technoide, intense, without fissures, forceful and direct. acces ebm takes a darker way if it fits, with a big bass which walks and it makes you walk to his side, you are not scared, does not bite! nexus could perfectly be single of the disc.

following succesful releases on robsoul and black crack, canada s loopity goofs bring the heat to the greenhouse on this solid three track ep. already seeing solid support from dj mark farina and the likes the diversity on this ep will keep it in the box for months to come. >gotta move it< is a straight up bleepy jacker with some nice vocal elements thrown on top. >shake it up< is the funky head nodder with it s rhodes vibe and sub bass. and rounding it off is >this time< with it s dark funk, live sax and shuffling beats

theodor zox is no exception and after a couple 12inch on morris-audio, releases and remixes on his home labels tic tac toe and 3rd floor he is now on the ramp to be >the man with the groove<! minimal yes… but funky even more!!! rolling bass lines, driving chords and a great sense for arrangements, he is spoiling us with 3 amazing tracks! run away and system of play are 2 typical zox s cut! sharp hh and fat snare sounds with some weird abstract synth lines and vocal samples, that just gives to the whole thing coherence and personality! 2 solid dj tool to use with no moderation! question suggestion on the b-side is for us a masterpiece! all theodor s musicality and also his ability to make people dance are in this track. it s deep and it has such of a strong character that it can be dropped at any moment and it will get you anyhow and… every-time! a great bass/synth hook line with some oriental melodies… no clichés, just good shite!

montreal-based duo luci strikes with a great new single on titbit music, dwarfzilla starts the ep with a luscious kick loop followed by quirky and trippy synthscapes, next is fantex that continues their sophisticated sound architecture built on 4-4 rhythms with scuttling percussive bleeps and subliminal vocal samples. on the flipside load >*<, 8.1 slashes ipnotic bass lines mixed with sinister synth line and spacey feelings, followed up by a brilliant remix from our supervillain quiroga... support from mike shannon, karotte ...

concrete dj s are a new force that we have added to the hardsignal imprint. there are team of 4 people who are making some of the most incredible hard techno. their track tengu that we have here has a nice firm kick with a great sub bass. we welcome patrick dsp and dj pauze back to hardsignal. coming back from great repercussions from their huge release on fine audio 45, patrick and pauze have created a nice techno stomper for us with a little bit of a different twist. great kick and bassline with a sample that is super catchy. we are proud to announce the return of primal to our label. he has taken a bit of a break off while in the studio recording some of his newest material

after featuring on the work of the cream of dancefloor jazz, broken beats and house music for 4 years or more, lyricl has two singles out, two lyricl singles. well it was about time. he wants to know is a mid tempo broken jazz produced by rms. it whacks the floor with sub bass and jacking brokenbeats, and ls rhymes are as tight as she sits on the riddim nice. a chorus reminiscent of a bb boogie ting completes a hard hitting heavyweight of a tune. knowing lyric ls straight up house music prowess (a la doot dude) phil asher turns in a restless soul mix that transforms ooh u & i into a tough but classy beat & bass driven jackin house workout. a dub completes a top package, a package which shows that loose lips are just one of lyricls many assets

jake childs requires very little introduction to the more discerning house ear. with releases on leading labels including drop music, freerange and doubledown, not to mention his own uni.form imprints, he has taken the house world by storm over the past few years. here he serves up some retro chicago sounding yet stripped back jackers. seems really simple at first, a real trademark of jake s sound, but its bumpin bassline, bleeps and squelches grow around you becoming more intense with every listen. the flip delivers >good times< which incorporates his brand of choppy jackin beats, punchy snares, gritty synths and rolling bass that rips apart any dancefloor. the track flips mid-way and bubbles under as the bass lines compete for attention before recombining for another roof raising moment. the >beat machine< is an eerie voyage into the middle ground between house and pop. once again moody synths and a growling sub bass lead the way, with the haunting vocals of lil prince (who has previously featured on jake s icon and drop music eps) gliding over the mix! hot floor burning shit

its the first vinyl release of the hungarian electronic duo (sab & lazybones) at chameleon records label. the disc contains four excellent versions of the track called try. the original version is the bands own pulsating, dynamic, triphop like composition with sabs vocals tramping along the membranes like a road roller. apart from two great dreadzone and paul murphy remixes, the vinyl also contains a high bpm club version radiating a jazzy breakbeat atmosphere. the dreadzone version is an even more rapid and measured piece and its afrobreak rhytms and heavy bass parts will surely not leave the dance floor empty. the last track of side b features the legendary afroart dj, paul murphy who they have already collaborated with on a piece called budapest cha cha cha (afroart records) no doubt secta chameleons try will prove a real treat in europes electronic music scene

volume 8 again comes with two mind-blowing, stripped down techno productions. these babies will take your for a long and pleasant ride. along the way you are fed with vibration bass, velvet bassdrum and carefully selected high

this is for sure one of the most requested electro track soon available. track title says it all. it s sick and will make you feel sick. dirty and twisted bass synth and a banging beat. just listen to soundlinks and you will know why this track is charted and playlisted by david guetta, joachim garraud, robbie rivera, enzo mori & stephan clarke, antoine clamaran, richard grey, bob sinclar, b. benassi and many many more

this dope 4 tracker starts off with homero espinosa (yerba buena) delivering the goods on >le one<. tight drums, a deep pulsating bassline and superb keys are the order of the day here. wicked! next up we have the 1200 warriors dropping a remix of >le one< that gives us a different take on the origianl with it s boompty funk and spoken vocal samples. on the flip we have those two badasses from indianapolis john larner & slater hogan coming correct with a nice deep funker that is sure to get the booties shakin on the dancefloor. last but not least we have dani deahl s >too hot to handle<, which is exactly what the title says, hot with its massive sub bass. 4 heaters on this one

played by dinky, karotte, trevor jackson!! these new tracks venture to the deeper, often evocative ends of techno and house. the title track fuses an percussive old school house groove with deep techno chords. so when the organ line kicks in, it gives you this very orginal emotion of timeless house. in keeping with einzelkind s unpredictable tendencies – he used to make drum n bass before he switched onto house and techno – you still can hear something of his former musical alter ego in the second track, >bonnieland<.based on a low-slung, growling bassline, the track gradually evolves to reveal a trippy sequence and lush chords, which sounds like the fusion of a detroity atmossphere with the dynamic of a drum n bass-track. a strong release, that consolidates the unique fingerprint of the two einzelkind-boys from frankfurt

anthemic midseventies disco track with frivolous moans and whispers over a full orchestrated funky instrumental. prins thomas re arranges the strings, forwards the bass and gives the track and spaced out overhaul. a more stomping edit by hardcore stricker can be found on the flip

played by james mowbray, jeff samuel, john tejada!! news from the anti claves-biter fraction: sub static-label boss falko brocksieper follows suit and warms up for the next album-quantum-leap, however, as a finger exercise first, there is this small, fine ep with three elegantly knitted smashers for the dj from world. as usual this man simply shakes the funk out of the sleeves, so he can afford to pass big music already for the aperitif, which is always best for the meal, right? >esque< builds up the break culture quite high, without falling however, as the pleasantly massaging bass foundation stands firmly against wind and tide. this is the club counterpart to the lightning rod, bundling the crowd s attention perfectly and focusing it to one point, between a glass of vodka (located at the dj-booth) and the horizon (in the head, man, in the head!)

incl. guy gerber & david k rmx, following the huge >beautiful noise< on rekids, spencer makes his tsuba debut with the gritty rain of bleeps that is >neon<. as with every tsuba release, on the flip there s an exciting remix on offer. this time guy gerber & david k combine to deliver a deep spacey interpretation with a jacking bass heavy groove. guy describes this as >my favourite ever remix<. with over 10.000 plays so far on myspace >neon< is a big release for tsuba, as these djs all agree: laurent garnier, funk d void, john digweed, tiefschwarz, james zabiela

nice price deal !!! juju & jordash combine live instrumentation with programmed rhythms to create two pieces of the deepest, darkest, haunted house music. >blue plates< is a driving angry-sounding track featuring loose handclaps, treated vocals, detroit synth pads and thunderclap percussion. n.p.i. is a warm, jazz-influenced track with a loose, dubby arrangement built around rhodes piano chords and ilya ziblat shai s double bass. juju & jordash met nearly a decade ago through a weekly jazz session in haifa, israel and are currently based in amsterdam

the bass heavy everybody jumpin, that will have your teeth shaking in there sockets includes dany t remix

side a is a midtempo stormer with wall of sound percussion, massive synth bass, headrush atmospherics and raging, gorgeous keys by the insanely talented dan hastie. a slow build to a killer break and when that bass kicks back in, you re talkin maximum dancefloor havoc. 80s nyc boogie meets nudisco for a serious night out on the town. b1 is a remix by the electronic boogie band that aims straight for the knees and doesnt miss. the bazman and callum walker serve up a wicked dance tempo rework replete with a feisty, stripped down rhythm section, wide load bassline and italo esque arpeggiating keys and a neat arrangement to boot. b2 closes the ep with a big laid back bass and chubby drums provide the foundation for smoky pads, nostalgic keys and a hook you ll be whistling for days

this dry, cold-processed stomper from jack rock shoots like a rocket out of nowhere. with a bass drum that reminds of stakes installed in the swampland and a mysterious melody, he once again presents himself as the connoisseur of delicate club dramaturgy and jack really knows how to conquer the hearts of both, the dj and the crowd.his stumbling funk finds its equivalence in dandy jack s staccato rush whose congenial remix shows a higher concentration, but is still full of catchiness and deepness driven by a real conviction. this must-have ep offers a really wonderful ground contact and represents the continuation of a unique label policy: young, but characterised by deep wisdom, knowledge that can only be found in the dark labyrinths of the club where we love to get lost over and over again...played by john acquaviva, dinky, toni rios

audiomatique welcomes uros umek! his reputation as slovenias hottest dj & producer didn t remain unnoticed, as he is receiving glowing praise from djs all over the world. amongst a growing following of international admirers, his excellent and beautiful rocking tracks can be heard on nearly every dancefloor.>akul< kicks off with a percussive rhythm before a dark synth and a charismatic chord are driving the piece along. > complikator< is a relentless and dramatic backing of severe synths, rising pads and swirling noise. the bass is similarly intense, throbbing away before developing for a melodic break. it s quite a head-turner and will create a buzz in the clubs. welcome to audiomatique, umek

for fans of loco dice, mathew jonson, m_nus, ame, matthew dear, dimbiman, dan bell !!features 3 new unreleased songs from billy dalessandro (force-inc, force tracks, resopal, kompakt) brian ffar (gourmet, tic tac toe) & slutbox…. hot stuff! billy dalessandro known for his bumpy dancefloor productions and driving dj sets, he returns on his newly formed site holder label to lead us through a symphonic slice of minimized and maximized techno. an untouchable hit for the few djs that possess it, all three songs on the ep are tracks that deliver. with intoxicating slow-build introductions which all seem to rise to the perfect point, breaking over with deep sine shaped basslines and beats that kicks the night into the afternoon. the slutbox tune pops and pulses along a more minimal excursion with deep tones, deep bass and melodic key stabs which seem to lock together as the rhythm evolves, propelling a sketch of minimal movement to another, out-there dimension. yes, do believe the hype and look out for site holder

j. wink classic back in stock.. fat bass heavy techno monster in two mixes

slamming chicago tech trax collaborations between q ic & danny c, ronald v and coone not to be missed

stuck in time is a personal statement on a particular time and of particular experiences in my life. the sounds codebase choses to use on this album point towards an alternate universe of where music may have gone instead of where it is now, fusing analog disco bass and electric piano sounds reminiscent of the 1970s with sampled electronic percussion sounds of today. this juxtaposition crystallizes the temporally frozen sonic landscape of the album a musical fossil from somewhere outside the linear progression of time

electro house track with powerful electro bass, fat beat, an effectice vocal guinmick ,long emotional break and sensual spanish voices in duet with a ragga on the a side. all this ingredients in a pure french touch style, a very hot track recommended for the dancefloor b side feat a remix signed michael kaiser, queen and fg resident (paris), an electro tribal dub mix especially studied for the dancefloor!

latin flavored funky house bomb with a great piano and trumpet riff and a massive kick ass slapped bass flip over for a soulful disco flavoured funky affair

track 6 and 7 in alex baus credo series.. the 2 tracks have a perfect blanace with the a side being a barnstorming piece that builds around a simple nagging synth line and driving groove. on the flip there is a blissed out minimal masterpiece with dubbed out maurizio like chords and deep bass.

ein rockiger, pumpender e-bass, platte des monats in der raveline !!! sphärische klänge und eine sanfte stimme, die einem eine erotische hook in den kopf haucht. der bass wurde eigens live von sebastian flach, seines zeichens gern gesehener gast in den xavier naidoo/herberger-studios, eingespielt. incl remix von groove rebel rmx (great stuff artists)

dark phreakin techno & electro to drm n bass clubber

here we probably have the flagship of modern day techno music. the planet rhythm label was founded by glenn wilson and has been one of the leading icons in harder, underground club techno. stigmata member andre walter teams up with chris hope for a juicy collab. resulting in their trademark pounding beats and destructive bass-heavy productions..

the music of jerk belongs to dirty mornings in sark techno clubs. complex and raw rhythm layers build up into huge mad max scenarios, dusky & coll bass-lines, simple and effective drums and irritating efx form a fucked up and dry sexiness..

for the 3rd release on his own herzblut label stephan teamed up with mr. systematic marc romboy and what they deliver is simply outstanding! puck is a masterpiece based on a simple and incredibly modulated bass tone on top of basic drumming. the dark atmosphere and the consequence in this track reminds of plastic mans best productions, this will make you shiver! io is another of those epic classics. techno blues. a beautiful bass synth melody is the core of a journey thru old tekkno ground and new production styles.. supported by garnier, tiga, roman fluegel and charted by hell

swedish techno talent johan fotmeijer, with releases on adjunct, kailash and mitek, brings us the 3rd aesthetik release. he takes us down a darker and mysterious road with mental driving basslines, throbbing beats and some healthy jacking funkiness. dancefloors will tremble to mystikkal s fat bass and critters s dark atmospheres and vocals. bass addicts will stand in line for their fix. for deeper journeys female robot will provide the necessary juice for warming up dancefloors like it should. hakan libdo s remix of critters takes it down to a more twisted path with restless fat basslines and a dose of dancefloor madness. if you re looking for an ass shaking experience, here it is!

first techno output by this collaboration between mario masullo, already known for his records on defrag and for his collaboration with g man, and maurizio martusciello, one of the pioneer and key figure in the italian electronic scene. woy out lines is a melting pot between different styles with an ear to the past and an eye on the future. on the a side a stylish minimal tune that present a solid, sophisticated groove with 303 pattern interaction and a melancholic and touching pad that give to this track a special taste that reject the abused micro techno trend. on the flip side dogon, here the 303 pattern is the body and the front of the track, the bass line is mind blowing and evolves floating during the whole arrangement, tribal voices, percussions and distorted synths to complete this energetic tune. m203 is a futuristic detroish track where the machines meet the softwares techniques to create an hybrid sound, the bass line is preminent but is well mixed with a lot of small details and concrete sounds. overall woy out lines is an eclectic and tasteful record

awesome electric guitar sound spiced with touches of electro, the track being remixed in exclusivity by mox codeta (liftos) clubby and powerful funky love is a savant electro/funk mix on which fred de f confirms us his influences of the 80s. big kick, huge electro bass line with a sampled like vocal

sci fi electro tracks includes jackal and exzakt vs dynamik bass system mixes

this ep is rock solid from top to bottom. rock. solid. even rhythm plate say this is their best ever release. this means - 4 tracks of burning, pumping, forward-thinking house music. every track on this ep is a killer tune, whether it s dark warehouse soul, throbbing deep house or early 80s disco dub. silence is sounds like dfa playing at a berlin warehouse rave. techno, live bass and wild vocals - crazy anthem. hard times is tight, heavyweight house which will tear the roof off when played in a sweaty club. remember the days is an instant dancefloor-filler with life-affirming rubbery bass movements and warm squidgy chords. node out is stripped-down underground disco dub with chunky 80s beats and jiggy piano stabs. absolute winner

all original tracks written by sutekh and twerk classic 2000 double 12 compilation with cool reconstructions by kit clayton, stewart walker mick harris and many more

who are the rancho relaxo allstars? this cast of touring djs + musicians is led by abe duque, john selway, dietrich schoenemann, susanne brokesch, jason bpmf szostek and prozac. >cowboy< begins with adr series house rhythms. stacks of analog pulsations, basslines and sequences hover around the beats. quirky cowboy based vinyl manipulations add into the blender. back room house gem. >cajosisa< shows the true colors of rancho relaxo. ambient laced atmospheres intertwine right before the galloping bass hook appears. 808 electro madness takes over. the soft transitions like a rancho party

african people is a shivering pearl of maxmimum electric minimalism guided by those bleeps & blurps we love so much about trentemoller! the track is basicly driven by a twisted noisy heavily modulated drum loop. jokke ilsoe strips the track down to it s bones & brings in modern electronic deepness combined with some bass action from below

incl. rmx by nick & danny chatelain founders of bcnrec , alex brinken & mischa völzke a.k.a tactik are in charge of the third release of the label. two tracks of techno with same soul but different vibes, tweeked and stressed analog in the bass-ment studios. includes a remix from the creators of one of the biggest hit of last year >is killing me< nick & danny chatelain

despite of the untrendy moment for breakbeat, italy and mantra breaks remain steady purveyors of quality beats, new talents, and dirty club fun. mowgli comes from belluno but lives and regularly spin fresh beats in bologna. after a few drum & bass productions mowgli moved to breakbeats and hip hop influenced house beats that really work on the dancefloor!the debut on mantra breaks, just be and mowgli comes to town, can be described as the italian answer to the dirty sound switch/jesse rose/solid groove developed in the last months, they fit into breaks but they are not real breaks

now consisting only of jay haze, the fuckpony project ventures into the deepest, darkest recesses of house music s underground to deliver two rough and raw club tracks on the first of two 10-inch releases. >hot slave< comes straight from the warehouse, its rough beats and heavy claps laying the basis for an acid line that tweaks and morphs itself into a wild, spinetingling climax. >tiny slave< is just as primal: a rumbling, menacing bass and tight percussion provide the backing for a scary riff that keeps building and building i nto a grungy, dark climax. these are proper jacking tracks from one of electronic music s new players and the moment that the needle drops on the first installment of dark side, you ll be a slave to fuckpony s rhythms!

the 2nd release of carsten schorr s label on records is prod. by micha klang, the nürnberg based dj legend. this is minimalbut nevertheless melodic. a special highlight is the remix of tony rohr (cocoon/hidden agenda/dipolter records), one of the most popular live acts of the world, which will brighten up the early morning hours in the clubs! a comment of speedy j: track is the bomb… been hammering it last few weeks!

eleven tracks, split across two vinyls, hd explores every style, from downtempo, idm to acid, electro, techno, breaks and drum & bass, everything painted with hds unique style

another spankling new signing on the illustrious dirty dancing imprint, the belgian band, marcus. choice picked for your pleasure by cosy mozzy! they deliver2 harsher pounding electro techhouse workouts. check >f-bees< with its sizzling athmospheres & superbe rocking bass, a wicked & wild anthem on the dirty floor for quite some time now. turn over to the flip for more manic harshness drawing influences from some gigolo releases to come up with this late night stomper called >mystique<

the first part of the x-zel compilation series comes with techno, drum n bass and dirty electro by dj bold, david x, component and lxk !!

bass heavy vocoder electro..

rejected is joris voorn and edwin oosterwal. after their massive underground hit >for the people< on sound architecture records, rejected is back with the debut single on their own new label simply called rejected. this first release features two great tracks. on the a-side we find sl3, a track with a compelling bass-line, funky beats and driving stabs, a future classic! the track on the b-side is called cliché, a bouncing minimal techno track with strong percussion and a break that makes the crowd go wild. both tracks work great on the dance floor! you will definitely hear more from this label in the future. joris voorn has had releases on respected labels like green, sino, keynote and sound architecture. sl3 written by joris voorn and edwin oosterwal. produced by joris voorn. cliché written and produced by joris voorn