ltd 2011 repress !!
amazing carl craig remix !!! real classic tune

the title track recalls those half forgotten dreams of positivity and optimism inspired by early us house music… a nostalgic arrangement of arpeggiated synths, high string lines, analogue drum machines and a 1980s vintage, new order like stepped bassline. housemuzik 1.2,3 takes us into much dark territory, dragging a similar palette of sounds into a dense psychedelic mix of acid guitar, pitched down demonic vocals and disorientating spacial effects. dont listen to this with the lights off! fajr dub is an epic, stoned dub collage built around classic space echo delay & feedback tricks, spectral voices and a shifting synth bass pattern, all underpinned by a soft pulsing backbone reminiscent of rhythm & sound productions.

real soon is proud to present the debut release by berlin-based producer hauke freer. hauke has an old-school production approach, working with contemporary software but using a palette of mainly vinyl samples to give a loose, effortless, raw-sounding edge. my beat is a dirty, gritty, house work-out featuring deep, filtered chords, lo-fi percussion and roughly chopped vocal pieces. old-fashioned in a good way - just the way we like it! we must face our fears is a smoother, minimal track with a delicate, beautifully measured mesh of percussive knocks, slides & bleeps driven by a pulsing sine wave bass. as the track builds, a classic detroit-flavoured chord wash brings it all together. bliss... biography hauke freer grew up in a small town near hamburg and moved to berlin in 2000 to work for the techno label kanzleramt. after spending a year in australia djing and working for the label future classic, hauke returned to berlin to work for the resopal schallware label

nice price deal !!! juju & jordash combine live instrumentation with programmed rhythms to create two pieces of the deepest, darkest, haunted house music. >blue plates< is a driving angry-sounding track featuring loose handclaps, treated vocals, detroit synth pads and thunderclap percussion. n.p.i. is a warm, jazz-influenced track with a loose, dubby arrangement built around rhodes piano chords and ilya ziblat shai s double bass. juju & jordash met nearly a decade ago through a weekly jazz session in haifa, israel and are currently based in amsterdam

>einladung ep< features three varied pieces: >get the strings?< builds with loose, stuttering, metallic percussion playing over a locked bass/organ pulse before opening out into a beautifully detailed mix of chords, high strings and clipped vocal parts. >keep it< is a minimal percussion-based track of clicky kick drums and shuffling out-of-time hi-hats. >rhodes island< rides on a warm, repetitive chord sequence that refers back to the classic basic channel / chain reaction template

kai alce is an atlanta-based dj and producer with previous releases on track mode (including a collaboration with ron trent), late night essentials and kdj/moodymanns mahogani music.. here he comes with finest deep minimal detroit infected techhouse music..

repeat orchestra is the project of prolific düsseldorf-based producer stefan schwander (aka antonelli electr., rhythm maker and a rocket in dub)... the making of ep features three pieces of deliciously deep, warm and dub-inflected electronic house music..

iken returns with his second release - another atmospheric house-influenced journey..this new ep features 3 tracks… the distorted dirty disco workout of the title track aspects, the shimmering filtered funk of in touch, and the mysterious pulsing drone and eno-like moog shapes of december spring.. the first pressing of aspects also includes the bonus 7 single minds eye / close range (real soon, rs-008)!!

peoples are peoples is an ep of detroit influenced, soulful house music with a strong nod towards classic chicago & ny sounds of old. 'd' jam is a looped, hard, tracky groove!

brill minimalistic clicker tracks !!

3 dubby downbeat house traxx auf 10inch / burial music style