oxia returns with a striking 5 track ep including 2 remixes by visionquest’s shaun reeves and 8bits own steffen deux! the bedrock of french quality techno has already created countless classics that proved themselves against the test of time and with unity ep, he’s bound to to it again. the up and down mixes of „unity“ take over with tight drums and rich bass carried by an airy vocal. oxia’s keen ear for detail adds the rest, making them perfect dance weapons for almost any setting. steffen contributes a deeper take on „unity“ working with subtle effects and evolving spheres to create that early morning vibe. „soulsa“ original and remix by shaun are completing the package with laid-back grooves and a fine tool for darker hours. this quality set couldn’t be more versatile, 2016 couldn’t continue any better!

repress
fresh, genre bending interpretations from barac (romania) and dbridge (uk). these two inspiring producers provide their modern touch to the contemporary dancefloor continuum: dbridge offers an up-to-date hybrid that straddles the line between techno and breakbeat, while baracs extended mix is a deep and hypnotic journey through space. dbridge represents a milestone when it comes to uk dance music. being part of the legendary drum and bass group bad company in the late 90s, running his extensive label exit records, and regularly releasing on boddikas nonplus, metalheadz, as well as r&s, he has gained an enviable reputation as a specialist with a modern take on techno and breakbeat variations.

bookworms drops cut after cut on his debut album xenophobe. this double lp delivers 7 tracks showcasing some of his best material to date. after listening to the title track, we know xenophobe is not going to be an average 12”. u-more is a slow and steady pulse of head nodding thud. illusion flip is a hazy, bass driven track hidden behind waves of noise and warm melody. on the flip side, showering is pure techno guided by an evolving modular loop built for the floor. nik dawson has no boundaries.

miss sunshine is back on random island! she s definitely not brought the sun with her, rather opting to throw you straight into a black hole with nothing but earth-shattering bass, spaced-out bleeps and sweeps to keep you company. on the flip, souls reemerge is another assault on the senses, massive distorted arpeggios towering over a relentless beat. finally, the closing anti hero will shake the life back into you with its highly efficient, jacking groove.

repress alert, 180gr white vinyl pressing, 500 copies
only 1 per customer !! mosaic s journey into main room techno continues with three trax from one of the finest exponents of uncompromising hypnotic techno, markus suckut. it has been said that his reduced and minimal sound is designed for heavyweight soundsystems and heavyweight dj s and we wouldn t disagree.. slowly evolving rhythmic and melodic patterns with sub heavy kicks and bass tones are the order of the day: these three cuts beg to be played loud!

very nice patrick adams & billy nichols produced boogie tune. original copies are very rare! huge record!
while being a rare patrick adams and billy nichols production, mary clark’s “take me i’m yours” has in recent years become one of the most celebrated disco tracks by contemporary deejays. this borderline gospel-disco gem has all the elements of a timeless disco cut, a driving bass line, powefully arranged strings and horns, but most importantly, a very soulful performance by mary clark. like many of peter brown’s “affliate” labels, little is known about them or the artists recorded. originaly released in 1980 on ‘la shawn’, it is rumored to have been no more than 200 records originally pressed, making this one of the most sought 12 inches among collectors.

famed for sets melding house, techno and bass, klose one is one of london’s most respected underground djs, having earned himself the unofficial title of “the dj’s favourite dj,” the swamp81 affiliated producer is stepping out with one one one, a new project and label in collaboration with classically trained german composer and producer claus fuss.

eclectic san francisco duo have transmitted series of moody electronic compositions that draw from cerebral post-punk gigs & sweaty dance floors. barcelona based lokier adds commanding bass & spotlight on vocal, steady forward motion is hypnotic in effect.

delsin records welcomes back dennis van gemert aka area forty_one for a second ep on the label. it is a second part to the nocturnal passions series started back in 2013, and come five years after his first ever release, which was on ann aimee in 2011, once again fusing ambient with techno, downtempo and electro. nocturnal passions part 2 is seven minutes of slithering electro funk. full of twinkling keys and spaced out chords, it has rugged bass and bumpy drums all making you want to move. voyage is then a raw, beat driven yet still brilliantly serene affair with angelic chords, consolation is a comforting, mid tempo tumble through the galaxy with soft focus, rippling melodies and gentle churning kicks and orbiting is a suspensory, fully ambient track that sounds like a slow journey up to heaven. this is teary eyed, emotive stuff that comes from another world entirely.

on the newest star time release, kon reworks “the bottle”. most should be familiar with this song but this gets the standard kon treatment, an intro that builds dropping into the bottle’s infamous chords bass line breakdowns and more. for the flipside kon remixes the rework for more of a housier vibe, chopping some vocal sections and some guitar ala george benson style.

“radiation level” is a looped out dj tool that works it’s way through funk guitar licks & rolling bass lines, followed by the sultry & sleazy “freakin’ time”. the flip kicks off w/ classic electro boogie vibe “breakin’ in space” & closes w/ roller disco vibe “switch”.

nice price deal !!! this graze release is in the superfluid phase. as long as it remains superfluid, it will exhibit the principle of continuous flow. properties such as mid-range density, bass pressure and sonic velocity are assumed well-defined in this state, and are assumed to vary continuously from one track to another.
sounds may be artificially introduced, like percussive tracers, or they may be naturally occurring, full-spectrum tracers may be either. quantized tracers remain constant following bass parcels, whereas off-grid tracers (such as snares or toms undergoing a mutual reaction) grow or decay with frequency.

part two of fhloston paradigm (aka king britt) beautiful cosmosis ep series starts with the haunting broken techno of nimoy, bass line and subtle piano gently modulating over scissoring drum machines and dubbed out claps, the switches in rhythm and the layers of chugging drums catching you off beat. the track builds into a heart-tugging melody, the drums breaking up under it s force. return is a pure analogue brain massage of a track, a deep space exploration of undulating arpeggios and shimmering emotive notes. the hour finishes the record, slow building waves of melody and chords, shimmer and swell, the repetition and addition of a mournful bass line consolidate the emotional energy of the track.

fifth -hors-serie- release for serie limitee s sub-label. 99letters has been part of the japanese electronic underground scene for a while, he started producing chiptunes using a nintendo gameboy and it naturally took him to raw deep-house and techno after purchasing a couple of machines. the a side is pure deepnees with two original tracks from osaka s maestro, while the b side is reserved to some downtempo and techno remixes by serie limitee s founders steve frisco & monsieur cedric. 10-, vinyl-only, limited to 300 hand-numbered copies.

with their second longplayer meanderlust, randweg undertake a trip along melodic fields and rhythmic turns. the songs sound self-willed yet catchy: they are feel-good-music with an experimental core. with unusual instrumentation (clarinet, guitar, bass, cajon, computers) and unique style, randweg treads a previously untrodden path: a detailed one, sensitive, gentle and scratchy, one that you would like to go more often now. (de: bug)

sonic fissures sizzle the bacon they ain t faking -blow your zip code-. a subterranean world of street wisdom and cosmo-ghettology. sensational spits grit over the grit, keep them swaying as they stagger from grey luminous fog coming in off the atlantic. a cohesive nugget of rolling energy my presidential rolex. kruton whips up jagged shards of rhythm into the air. elaborate thought processes conveyed through instinctive vocal responses cake! weapons grade prana, hooks and bass

third single ep *spring aroma* by prolific deep/dub techno producer martin schulte immersed in deep bass, slow rhythms, spring atmospheres, echo chords, harmonic structures associated us with spirit of spring. recommended to all fans of aquatic and echo chords manipulations.

after the debut release on do not sleep become a sure fire club hit, the ibiza party turned much loved house and tech label now has another weapon up its sleeve. the next release is from perel, is titled charles manson and features another standout remix from resident darius syrossian. perel is a berlin based dj, producer and vocalist who is quickly rising through the ranks. she has released both originals and remixes on o*rs before now, and has a robust house and techno infused sound that simply makes you want to dance. as a dj she is a regular at cool spots like farbfernseher and impresses here with what she serves up for do not sleep. the original is a chunky, no-nonsense house track with bouncy bass, subtle vocals and the sort of futuristic and soulful pads that help make it really stand out. it s a slick, well produced sound that is sure to make it into many top record bags in the coming weeks and months. the remix from darius is a subtle one that layers in some trance inducing vocals and extra breakdowns so as to really highlight the powerful effect of the drums each and every time they drop.

globetrotting dj and producer luca venezia, better known as curses, indulges in his nocturnal and romantic side, revealing a penchant for dark basslines. jetzt oder nie opens proceedings with a straightforward bass and infectious arpeggio line. sebastian voigt s reinterpretation keeps the focus in the deep techno territory, introducing a steady paced and anxious facet. stepping into an industrial influenced soundscape, power of darkness revolves around the hypnotic vocal hook, gradually transcending the listener into a late-night dancefloor trance. infinity maker plays on the mesmerising repetition of the initial coarse drum pads, resulting in a straight-up techno tool. the synth lead stays in the deep end, progressing to a beautifully dubby and atmospheric finale.

yoruba records is proud to open 2016 with a forward thinking ep and album teaser from yoruba fan favourite toto chiavetta. hailing from catania, sicily, his deeper influenced house sound is a hit at yoruba and we couldnt be more excited to welcome him back. this ep opens with the beatless mix of * impermanence*, the title track from his forthcoming album. tshaka campbells vocals lend unbelievable perspective to this jazzy, guitar-led chill out track, while also giving listeners some serious food for thought, an easy track to lose yourself in. up next is * take care*. influenced by the classic chicago sound, this bass line driven cut pushes the style in new directions while maintaining an absolute dance floor focus, a must-have to kick off the year. we close with * be the wind*. this techy, spaced out groove is well suited for the late night hours, its moody synth lines gently tease as you await the addition of the dance floor ready percussive combination. we hope you enjoy the forward thinking sounds of this release as much as we’ve been excited to bring them to you.

benedikt frey crafts a musical aesthetic that (much like the esp institute) might only be seen in its true form from a birds-eye view—a whole greater than the sum of its parts. his playful indifference to genre specifics and pre-prescribed instrumentation or production techniques makes for a loose and refreshing collection of work, and this debut for the esp institute, the lobbyist, serves up an incongruous three tracks so bewildering and narcotic we’re already impatiently fiending for more. on side a, the title track is no less than a medieval assault. led by a stomping war drum and a blasting bass synth that might literally have caught the studio on fire, an erratic array of clanking percussion, hi-hats and cymbals push us into a sinister corner where his whispering chant grants us the smallest bit of humanity before continuing with the beating. on side b, cupids delight (ft tcb) and gravel both explore variations on beauty—the former in a blur of ghost-like vocals smeared in harmony across a low-slung machine drums, and the latter evoking a tropical affair gone psychedelic, complete with drawn-out disorienting marimba and ritual clave/tom arrangements. welcome home brother benedikt, what took you so long?

the year is off to a good start! the highly anticipated new rising sun album is going to be released any day now. we are very proud to press this incredible record on vinyl. the lamentations of rising sun leaves nothing to be desired and is full of surprises. it defies categorization and shows influences of the past while taking us into the future. the bass and groove have a special energy and will inspire you to listen to this record religiously. it goes directly into the heart and soul. vinyl tastes better!
the double 12 inch release includes a download code.

kings and queens marks the return of john brown s body with their finest album yet. featuring 12 songs by lead singer elliot martin and the usual amazing drum and bass anchor from tommy benedetti and nate edgar, along with intense horn work from the jbb horns, kings and queens is a deep record sure to please jbb fans new and old. the vinyl lp includes a download code.

timeless solid floor mover. ground service will pump you with incredible bass and dubby vibes. undiscovered truth is a straight forward groover spiced with a magic voice. beat addition is a raw beat track that will complete your toolbox.

on his new ep for the magic movement, rio de janeiros own carrot green blends brazilian music, house and techno to generate his own exceptional dancefloor gem. already proven in the brazilian shakedown series plus more stunning releases, this extraordinary producer knows his trade.
the title track *dança das crianças* features brazilian spoken word, chanting and slightly peculiar synth chords enhanced with a strong house beat. following is the remix by oceanvs orientalis, who turns the tune into a hypnotic and bass heavy listening adventure.
flip it around and trip out on *duress (psyche mix)*. this psychedelic slow bomb transports you to places deep down the rabbit hole. the ep closes with *marruero*, a peaceable house jam with cut up piano samples and brazilian story telling. from rio with love!

nihil est means „nothing“ in latin. the title for sawfs new ep on code is law fits perfect for the unsearchable artist sawf with his mysterious essence and sound! since he’s howling with the “wolves” on the so titled sampler, sawf is back with his massive and unmistakable sound. nihil est comes to fill dark places and lost spaces with its ritual rhythm, surrounding twilight vocals and brings tripping parts as well as huge bass storms and killer synthesizer lines! this ep will blow minds – not only on the dancefloor!

the 3rd ep from dirreta run by dj wada known as a legend in japanese techno scene. wada create his very own grooves with some groovy bass and freestyle jazz drum samples

transmitting from their mist-filled, strobe-lit lair, group niob join the ranks of pomelo with an ep of pure-bred, cavernous underground techno. founded by prolific cheap records alumni and long-standing pomelo contributor gerhard potuznik (aka g.d.luxxe, gdx, pin-ups in exile) and his hardware-obsessed partner martin sovinz (aka dibek), group niob follow up their previous releases on their jointly run phlox imprint with two tracks of techno perfection: ‘nue’ starts the ep in high tension mode – grumbling bass lines, endless echoes, and a punishing groove complement the track’s subarctic atmosphere. on the flip side, ‘target’ turns the heat up a notch with a warm, rolling bass, hypnotic chords and dubbed out stabs, dubbed out and acidified by pomelo’s own daniel lodig for his ep-closing remix

ivy lab and alix perez have been astounding electronic music audiences for years throughout drum & bass and further afield with their own 20/20 and shades projects respectively. now in 2016 the two forces combine for a collaborative release like no other, drawing their own distinct styles to create the beautifully diverse, *arkestra* ep. the double 12 inch vinyl includes a download code.

fresh from their remix of jinx *car full of herbs*, bristol/london bass specialists vinyl junkie & sanxion return to asbo records alongside legendary reggae singer bushman with *talk too much*. things get busy from the start on the original dnb version, a tightly packed and weighty amen break welcomes in bushmans thoughtful melodic vocals with dubwise horns and instrumentation recreating that timeless reggae vibe at 170bpm with snatches of bleeps and pads that hint at vinyl junkie & sanxions oldskool hardcore/jungle history. dj westy on the remix fattens things up bringing the bass to the front for a real sound system smasher. the 140 remix retains the main elements of the original with added dirty bass and half time drops perfect for festival season, guaranteed to be a crowd pleaser for fans of breaks reggae and that early rave sound.

die beiden remixe transferieren moderats erste singleauskopplung auf ganz unterschiedliche dancefloors: paul woolford, einer der großen britischen djs und producer, der mit seinem aufsehen erregenden projekt special request die unerbittlich hämmernden breakbeats der frühen neunziger in die gegenwart holte, strukturiert das stück mit einer extrem harten, gebieterischen bassdrum entschieden neu. den gesang präsentiert er sehr dosiert, umso effektiver aber nach dem break. die breakbeat loops und präzis gesetzten klangsplitter vom original geben dem track einen elektrisierenden funk, der ihn für bass music- und house-djs gleichermaßen unverzichtbar macht. der berliner answer code request gehört dem künstlerstamm des berghain-labels ostgut ton an. er geht den entgegengesetzten weg und entwickelt seinen remix weniger aus dem groove, als der atmosphäre und emotionalität des tracks. fetzen von apparats stimme orchestriert er mit packenden hooklines und wunderschönen synthesizern, die das stück zu einer der stärksten technonummern der saison machen.

by all accounts, whiskey disco has matured. each release unique, but compiled meticulously to meet some of the highest standards in the edit community. wd45 continues the trajectory with 4 tracks combining equal parts soul, boogie and disco. rastanils cuts up cheesy obscurity to reveal heavy disco vibes—this edit was smashed by mcde at numerous festivals in 2015. next up, the intriguing corsican brothers reappear after a 5 year absence from whiskey disco with a sliced version of i like it, beefed up bass and space on the platters with a touch of dub. side b exemplifies the weirdness only a b-side can… albions disco chopper is a stretched and phased party jam that does not stop. move to the inside for the lengthy and epic big time, a 9 minute exploration into rocking disco roots, courtesy of the eponymously named blaxploitation movie from 1977.

next up from fuse london is the latest ep from resident rich nxt. hot on the heels of launching his own nxt records, this scorching four track platter represents his strongest and most dancefloor friendly ep to date. donkey, quixotic and longtime showcase an intricate yet effective sound, laced with powerful bass, sharp percussion, subtle synths, analogue dirt and bags of groove. all of the tracks have gained widespread support and captured ears around the globe whilst the dark, lurching flux one provides something a bit different.

some fragments of music of finish team in the second release after the big success of the first vinyl. music and magic pyramids sounds over your heads, make you listen and enjoy the crew. other 4 exclusive tracks from the ftr guys crew, real friends, real family. manu p, andrea rubolini, gabriele orsini & riccardo catria propose you a their best for your set. a techno groove and bass, a voice from the swamp make you follow the buzzards of tecky sounds: this is sister aby from manu. deeper & deeper is andrea with the other life, a deep tech track with magic synth bring you on the desert sky during all the track. live set, live love, love the music and the rhythm of a guy have lost the head: the headless of gabriele. it is a war of sounds, it s the war of riccardo: innominato not other words. are the fragments here, the family is behind, over and in front of you.

die köpfe hinter dem aufregenden, neuen electro-projekt polynation sind die beiden in amsterdam beheimateten musiker stijn hosman und hessel stuut. deren markenzeichen: trommeln und analoge bässe mit techno, ambient und weltmusik zu einem stimmungsvoll-mitreißenden ganzen zu verschmelzen. und das am liebsten live auf der bühne. doch obwohl polynation vorrangig als live-act gedacht ist, haben sich die beiden niederländer nun zur veröffentlichung einer 12 inch entschlossen. die debüt-ep *allogamiy* fasst sechs energetische tracks, welche die ganze bandbreite des duos widerspiegeln. während *damp* mit einem fetten bass sanft durch downtempo-gefilde tuckert, ist *why you pt ii* genau der track, der den dancefloor auf dem höhepunkt der nacht zum Überkochen bringt.

mark e last delivered on futureboogie back in november 2014, so it’s a welcome return to the label for the birmingham based dj & producer. with his merc imprint running on full steam, and previous releases on revered labels like spectral sound and running back, mark is becoming an ever dependent exponent of the real and raw house music vibe, and no more so than on the basement trax ep. basement trax 1, distorted synths wander over a low-slung beat, the marching hi-hats and filter work are tweaked to perfection. it’s a track of basic elements, but done so well, the arrangement building steadily and bags of warmth and soul deep at the heart of this track. the gnarly bass and classic string sounds of basement trax 2 make an ideal companion piece to the a side. delivered in the finest wild-pitch tradition, the raw sounding production packs a punch as the stomping drums and repetitive keys ramp up the heat for a real blazer of an underground club cut.

with ceres, rebecca von kalinowsky marks her first release on rote liebe. an athmospheric and bass-heavy offering, this one-sided vinyl will fit into techno and half-step settings alike.

unequal is a label founded by anselm from frankfurt am main in 2015. ranging from deep, spaced out analog techno to more droning, industrial rough sounds, the aim is to give an impression of whats going on in the ffm underground these days. sophisticated broken beats and modular synths are essential for this project. unequal means not to be just one specified style but an open-minded platform to express a diverse view of music within the techno genre. with his first ep called -gral-, anselm delivers some cold, moody techno tracks with spherical soundscapes as an connecting element. the title track on the a side is a journey through wide open extramundane synth layers and bubbling acid drops covered by a voluminous bass. b1 is a bit more conventional one with driving hi-hats and slightly jacking beat whereas b2 is four-to-the-floor trippy stripped-down minimalism for the heads.

french label d3 elements returns to chicago for its next ep, this time looking to the assured house talents of hakim murphy for three tracks of raw, dense grooves right from the heart of the windy city. opener boxbeat is a curious, freaky jam with bobbing percussive hits, wonky, pixel thin synth lines and free roaming pads that wrap the whole thing in a nice sense of spaced-out serenity. taste o rainbow has a much more firmly planted kick drum that pounds away uninterrupted below a free flowing brew of modulate synth sounds. it s expertly reduced and masterfully reserved and is sure to send dance floors wild as a result. the flipside cut freshness has pinging drums and a big, frazzled bass line as slithering chords rain down the face. musical yet jacking, cosmic yet propulsive, it is a perfectly contemporary chicago house sound that rounds out a fine ep from one of the best in the game.

msterdam house head and slapfunk artist daniele temperilli extends the ruff and ready formula kakudo records brings to vinyl addicted dancefloors worldwide. a formulae clearly showing: club music remains about tracks. massive tracks - that is! in which temperilli focuses on the power of our label s core ingredients. raw beats, raw bass. being part of the leading dutch house movement he caters an energetic mixture of thumpin , bass-fuelled vibes. as minimalist as eerie, as funky as mad, as oldschool as futuristic!

the japanese producer shu okuyama has previously released his music from the labels like milnor modern, minimood, also with his another name, ragout de lapin from compost records. now he sets up his own label komabano oscillation lab with its first release kellnerthought ep. 2 tracks with shuffled beats and bass with his funk mixed with unique voice samples and jazzy feeling synth.

from the label: in blood is the stunning 4th album from uk based multi instrumentalist, sunset graves. following up 2015 s acclaimed opus love pours into death this brand new album goes deeper and darker with sonics for casual beat heads and intertwining textures to reward the deepest of repeat listens. this is sunset graves in widescreen, journeying through genres and landscapes, incorporating ambient, drum n bass, glitchy rhythms, bass music, field recordings, sound design, tech house, chamber orchestra and even post rock. 3rd & debut records releases eclectic electronic music by sunset graves, the sample based lo grounds (as featured on joris voorns fabric 83) and the more experimental soundscapes of tpique. in blood is our first full length vinyl release, presented on deep black virgin wax, black inner sleeve and a full colour insert. supported by earmilk, textura and the formant.

the legend of sir joe, from chicago to the hague, 303 bass lines, junos pads and big mamas speech samples. powerful and danceable pack made up by six jackin cosmic techno house tracks.

all track are written and produced by alessandro sensini and carlo battistini
tracks description:
a1 - raining: calma opens up with a hypnotic rumbler! snaps and claps take us in, before the eery synths and floating pointesque keys punctuate and a squelqchy, distorted bassline rumbles beneath the surface, making you feel like you re at a party in a haunted church. a2 - cuattro: calma takes us on a tropical trip, with an infectious sun-filled groove looping over incessant layers of beat patterns that weave in and out of the track teasingly, driven along by a banging bass drum to keep you nodding. b1 - mr amarè: calma shows his love for acid house with an epic, ever-evolving influenced roller that blends together nearly every percussion instrument you could ever dream of. crashes, symbals and a cowbell drive it along, underscored by a seriously funky bass line and mysterious vocal sample that emerges halfway through tying it all together nicely. b2 - cuattro /juju & jordash rmx): juju and jordash take over the remix duties for calma. the dutch duo add their deep trademark sunshine inflected beats and sturdy basslines to the already tropical loop, while infusing swirling synths and strings that lead us in and out of the breakdowns and on to a late night, chilled-out dance floor.

limitedl release (or actually red label) from berlin with tracks by md2 with some well crafted deep bass loaded berlin techno tools combined with some dubstep influences!

new york haunted have invited some of our own favorite artists to explore the boundaries of techno as a form of communication. straight from detroit, the legendary terrence dixon represents the minimalist funk like no other in his contribution star dust. straightforward dance floor action with a truly hypnotic vibe. former yellow swan, pete swanson comes from a noise background and has been adding monolithic rhythms for some years now, his dirty work blurs these lines and shifts between harsh noise and distorted machine rhythms. cryptic techno philosopher jamal moss, aka hieroglyphic being drops an exercise in sun ra worship called speaking in tongues and label boss drvg cvltvre rounds of the ep with a combination of shortwave radio transmissions and walls of gutwrenching bass drums. often imitated, never duplicated. these are the unique voices of a techno generation.

having previously used their dnuos ytivil offshoot to release material from their nearest and dearest (think batu, bruce, hodge and alex coulton), bristol’s livity sound crew turns to unknown french producer simo cell. the two tracks showcased here are a rather fine introduction to this newcomer, with opener “piste jaune” offering a clandestine blend of stuttering electro bass, discordant analogue percussion hits and spooky electronics. the mystery man goes for the jugular on “cellar door”, with pitched-down, bleep style melodies and liquid electronics riding an off-kilter, broken techno groove. another fine livity release.

bad taste recordings hit 2016 in severe kinetic style with a fresh pair of tracks launching the identity of malux, the new neurofunk-focussed moniker of established bass producer skope (inspected). with turbine and fonk the agenda is clear – energetic, funk-fuelled dnb driven by detailed low-frequency design and a boisterous rave vibe.
turbine carries with it a stripped aesthetic, with a percussive pattern driven by the snare and wonky plucked synth work. this is heads-down, bassface material for ravers to get into step to.
fonk on the flip hits a cheeky upbeat tone, switching slickly between bass textures punctuated by staccato sonic fragments.
with support from scene titans such as andy c, the upbeats and radio play from friction on bbc r1 and crissy criss on kiss fm, malux has immediately caught the attention of those who know. bad taste hits the nail on the head again, introducing another name with a big destiny into the halls of dnb.

• vinyl only , 180g pressing
• the future future sound are dan andrei & emi
• to fully grasp the essence of contur003 we must focus our attention to its most basic bits of information. we must observe its pure dna, hardcoded into the bassline and subtly passed from track to track, only to suffer minor mutations. we must experience es pion s game of smoke and mirrors over the simple cadence. we must indulge in bass vilain s erratic loops or in the dub suspense built in the hideout.