dubline audios next release is graced by the talents of canadas mark instinct. 15 karat is a dangerous ep, the tracks are armed to the teeth and ready to create havok amongst dancefloors world wide. each track is an dimensional example of dubsteps exploration into the technology of future bass music. worth its weight in gold, and as intended each of the four tracks are deployed as weapons of the djs arsonal amongst their crates. 4 tracks that are sure fire hits. the predetermined target aimed to the dance with the sight set to annilate the crowd. thick basslines, dope beats, and smashing drums set the pace in this artistic approach of a surreal instinctual bass killer. prepare to nod the head as gangster beats dominate the ether airwaves of all those that set ears to mark instincts - 15 karat ep - dubline audio 05. you have been warned. this message will self destruct.

hot steppin remix package from some of the capitals finest. limited pressing with hand-sprayed custom jackets. a perfect little package of remixes from londons flint kids. after their great 1st release they set their radar a little further afield to net the talents of the brilliant point b and scanone for remix duties. the results are, as youd expect, precise and bass heavy. check the clips here - a good all rounder for fans of combat for sure. the 12inch is finished off nicely with adurgy dark-stepper from the flint kids themselves fitting in perfectly with the rest of the cuts on display here

sink your teeth into that famous drum and bass coating through to tender, juicy vocals and enjoy every delicious bite of your gravy. whether its a party for the masses, a stress free family rinse out, midweek sessions or bass on the go, we ve got just the thing. orginal recipe basslines spicy breaks, deep strings, buckets or bonless.

full english music are proud to present their debut release. a massive collaboration between soulful pop starlet zarif and drum and bass wizard danny byrd. already a massive hit on the dancefloors, underground dance forums and youtube channels this is an uplifting, hands in the air, surefire winner. this collaboration with d&bs new cross-over darling and hospital records soul-man danny byrd is something new and exciting for zarif, and another testament to both artists broad and eclectic talent and appeal.a record label named after the great british breakfast of choice! dj support from high contrast, tony coleman, kasra, annie mac.

it is no secret that the 1980s was probably one of the best decades. 1986 was in particular a very memorable and historic year across the world. it also happens to be the year delete was born and the name of the groove laden a-side. >1986< does not boast any sci-fi effects or other worldly sounds, it does however have one of the catchiest bass lines out there. >our generation< pours a real telltale chicago house vibe, complete with derrick carter style vocals and a bone-chillingly infectious four-note pad melody. this is eyes closed, hands in the air euphoric house. the 12 inch rounds out with delete still showcasing his knack for creating funky bass lines with, >lunchbox<. this number runs a bit deeper than the first two tracks, as it is rolled along by little percussion edits and snippets that evoke a more subtle laid-back vibe.

>nausicaä< the female hero fights for survival through ecological desaster. with undeviating force she struggles to revitalize nature. the japanese manga art movie inspired blome to his new release on sender after the 10th anniversary compilation. track one on the a-site >nausicaä< opens with an instrumental amplitude which creates a soulful width. swinging bass weave a well constructed atmosphere of a sensitive play. circulating, flexible sequences combined with sensible used vocals of a guy called gerald creating an impulsive, drifty sound aesthetic. a synchronization of body and motion, of moment and expansion. on the >calamaris street< we travel moreaccelerated through the universe sender. with tentacular sense calamaris street spins strings of sound and voice to a hypnotic bustle. sender 087 is concatenating >nausicaä< and >calamaris street< in an ecstatic synthesis of sound and vision to an new euphoric synthesis.

a funky house bass, groovy and shiny for >dreaming< in a blend of violin plus the massive chris carrier remix.
>disc 3k< is a perfect disco house roots track in 2 versions by kid culture and gaulthier dm. one them - two of the best flavors!

support: chris liebing, len faki, the advent, marco bailey, technasia, laurent garnier, steve rachmad, brian sanhaji, tino boa, secret cinema, adam beyer, joel mull, hardcell...

mabaan soul are back on metroline limited with their third release for the label. the talented italian duo have been causing a stir in the house and techno underground world with their 2009 release on metroline being charted by chicago legend dj sneak in his best of the year chart! on top of that, another house legend satoshi tomiie after hearing their debut new orleans ep on metroline limited, promptly asked the guys to release on his label saw recordings! the opening track joseph is jacking disco groove with an insistent bass hook and infectious lead synth. summer is nearly here! frankfurt, is a love song for the original robert johnson crew - the good people of frankfurt who really know what they’re dancing to. its an intense 5am grind that brings driving european warehouse techno together with the deep soulful grooves of detroit house. inxec and matt tolfrey pump up the midrange on their remix. they pick out a nice groove, and build on it with bright and airy percussion while maintaining the original disorientating shuffle and boomin low end. funky is definitely back. that rolling bassline keeps you locked in, and those brutal mpc-style percussion loops are would make marley marl proud.

a made up sound bringing house for the emotionally unstable on 003. drunkenly swaggering along, the punchy discofied-bass-clap-whatever ‘alarm’ is owned by a pair of synth stabs that got out of bed with the wrong foot first. after an almost clowny breakdown, moody pads soon make clear this track ain’t funny at all... ‘crisis’ on the b-side is all about restraint. thick house-not-house beats and a thumping acid bassline move on and on while a vacuum cleaner blues and hazy will-o-the-wisp-like strings slowly creep under the skin. those who like it nice and shiny better think twice... killer twelve!

dj support by doc martin, luke solomon, rob mello, anthony collins, sebo k., raresh, matthias kaden! the latest cut from the house of horizontal comes courtesy of head seamstress herself dinky. it comes as no surprise then that æpaquitaÆ û our eponymous a-side heroine û dances as well as she dresses. with unabashed bounce in the bass, a hip-shaking kick and impassioned vocal hook, the track issues funk and soul in abundance as it makes headway towards sumptuous stabs of a delectably old-school flavour. matthew styles weaves his thread through proceedings to tailor a revamp of æpaquitaÆ in deftly-cut club couture. elements of dub bubble over a relentlessly driven beat in what is a typically cool and candid offering from the horizontal stalwart.

big with: basic soul unit, ame, ingo sõnger, oliver hafenbauer, dixon, sevensol, dirk rumpf,roland appel,.. back from the initial mild pitch release >this feeling< last year, ribn deliver their overdue follow-up entitled >light black ep< - three tracks as ambivalent as the title suggests! the title track is a mesmerizing house/technohybrid of colourful darkness, reminiscent of classic early ribn releases: meandering synths and hypnotic sound fragments crawl around a stomping beat while the crunchy bass loop keeps moving things forward irresistably. first up on the flip side is >sin & figs<, a warm and pathetic summer gem that is destined to soundtrack any sunrise over the next couple of months. rich layer textures and sweet little melodies make this piece one of the most emotional moments of the mild pitch catalogue to date. closing the ep on b2 is >stonedrum<, a slow-motion house treat with oddly pitched vocals, a subtle groove and heavy low-end. its masked and fragile funkyness and crackling background noises complete a complex image that requires more attention than a 30-seconds preview clip to get a clue..

here we have a double a-side 12-inch, with an intriguing new development of the secondo sound. still banging, still aimed at the club but with a sense of maturity and laid-backness, that the previous secondo material for dreck records might not have been centred around. the whole outlook has become more house orientated and we are very excited about this new mixture of the secondo splice-funk with the steadiness of early 90s house generating its own idiosyncratic sound. on the a-side, i think im gonna likeestablishes the housey mood of the 12straight off. a brief vocal sample is dotted over a relaxed rhythm until a break mid-track introduces the second half to its full extent and bloom. ædoktor panglosson the b-side continues with the mid-tempo flavour set out by the aside and is defined by a steady build up towards a disco sample beautifully placed towards the end of the track, where a heavy bass line cuts short the euphoria of disco strings. the sampling and references in both tracks have been pushed to the background and mentioning any of them would not do this exciting new material any justice. its all fresh!

cave paintings is a new imprint dedicated to rough as you like machine music that lives somewhere in techno, house and ebm territory. all the tracks are done live in one take on old analogue boxes for a loose, organic and spontaneous feel that its impossible to capture when using computers. for the same kind of reason these are only available on 12. the mastering and the vinyl itself are an integral part of the sound. on this first release side x is a ten minute straight-up bass-heavy skeletal club groove with hints of a latin vibe about it and side y is more grinding and pounding in a nitzer ebb on quaaludes fashion, relentlessly developing for a full fourteen minutes

2nd part of nick holders people in the shadows sampler... nice groovin deep house with futuristic moments, for those who knows

junglist vibes and bass terrorism combine to produce devastating material showing off the impressive skills of these up-and-comers from finland. with something for everyone on this release, paradise lost is going from strength to strength.

the freaks from odessa with their full artist ep on triple visions flagship label. with the spanish invasion full on in progress, these boys show us how its done in the east. and we like it! 4 clubby techno tracks full of melody and driving bass. again another winner that will fit into any djs record box and will be played for a long time to come in the club!

mini uk house legend pete heller has cooked up a fab deep summer bomb called >overtime< due for buzzin fly. subtle summer horns, super loping sub-bass, and fresh drum edits comin at ya.

nice price deal !!! berlin based resopal label head mri returns with his second remix package of tracks off his album heroes. this second 12 comes with 4-to-the-floor tracks which will kick, but in a very smooth and warm way. ahmet sisman is the turkish/ german sensation who is already making international waves with his strong batch of releases, flagged by sven väth and mathias kaden as one to watch. ahmet has been on mri s radar for sometime. with a dense impact of heavy efx and speaker-rattling low-end bass, ahmet is the perfect match for mris track filthy lesson to remix too. the b side contains the original mix by mri and is simply modern house that will blow your mind.

taking the freaky chicago sound down a couple of notches to the deeper realms of jazzy house. heavenly vocals, light broken beats, rolling live bass and touching rhodes progressions. the flip dives deeper into an instrumental version of the latter and is none the less satisfying.

trinity all-stars, aka hipp-e and solomonic sound (rob paine & zack eberz) with this cracking newie on worship. as with a bunch of the recent worship releases, >dem a come< is a dubby deep house number, opening with skipping beats and spacey effects before a wicked sub bass comes into play alongside stabbing synths for a sublime basic channel-esque groove. on the flip, the theme continues with >wind up your bass<, again leading in with hi-hats before a ragga rhythm establishes itself, joined swiftly by another superb dubbed out bassline and echoy beats on a track that puts even maurizio to shame! if you like your dubby gear, this release is essential!

fans of burial mix and grayhound best listen up, cause the boys from succulent have come to mash up the hi-fi wit tha wicked dub, man. all three of their pieces use that unbelievably deep sub-bass that made their track on grayhound bug everyone out. pair that to masterful use of effects and proper ly placed samples of rasta mcs and you got that deep down, below the root line, damn its dark, kinda undaground dub shit that worship seem impossible to not do right. then the masters at the dub-house sound, solomonic sound, rework >freshly< into a sub-aquatic fun house of dubbedout bass wicked percussion all wrapped in spacey sounds. big, fat & totally necessary for any self respecting dub/house dj.

now that he has warmed up the dance floor with style, its time for his eagerly awaited debut on mobilee records, >princess guacomole<, which comes packed with energy ready to get the summer parties rocking. title track >princess guacomole< features a melodic and jazzy hook set over a driving and bouncy percussive bass. meanwhile b side >la guapa< will pick you up with by its hypnotic rift which builds up into a frenzy. its an amazing debut for rodriguez jr on mobilee …. enjoy!

the release, has two original songs and two additional remixes. plastidecor is orientated to the dance floor. tech house of quality with a groove ascending that make enjoy in the dance floor! the remix of hermanez is totally oriented to the dance floor,, has a strong bass and a base with lots of rhythm. the remix by mihai popoviciu has the same formula, rythm ascending, with a very strong bass for the dance floor. fraggle rythm, has a base deep house very percussive, melodies accompanied by a elegant bass. dance hall of the ewok, is a tech house very personal, with percussive sounds, voices, and bass groove, accompained by a deep synth

first on decks.de !! t-bet records is glad to introduce the duo mr. bizz, a project with house and dub sonorities. even though its a young project they have already had plenty of releases. among these the track eternity has been used in the compilation ten years cocoon ibiza mixed by dubfire and loco dice. strong irreverent percussions, kinda hypnotic, deep bass lines screwing in your ears, disarming melodic patterns mixed with elated voices all contained in dreamy atmospheres. its easy to be taken away by esta manana and to be enraptured on the rolling wheels of oasi. you know, we have decided to bet on techno and what would be more satisfying than to embody on this ep two great remixes from from andrea ferlin (1/2 of duoteque) and diamond dog (contexterrior)

after a two-year wait since tadd mullinixs last release as james t. cotton, the man storms back with on time, four tracks packed with more music than any ep has a right to. the titular first cut announces itself with tight jacks and bouncing bass before a male voice begins an endless >on time< mantra, twisting and churning furiously through more than eight minutes. the short n sweet >octopus< mines drexciya territory with granular synths and washes of static. >on time (rick wades grimetime remix)< is a decidedly sexy, nocturnal house reinvention of the original, pushing languorous keys to the fore. >jak your own stars< builds slowly with rubberband bass, cowbells, and an 8-bit melody till some nasty 808s toy with the funk.

the original mix of >slow burn< is a lush slice of ambient techno that immediately sucks you into its subby atmospheric realm and gently lulls you into a netherworld where chords and pads playfully bounceoff one another. the neverending bass arpeggio beneath will gently wobble you into submission.
the b-side features a steller remix from londons rising techno/dubstep talent sigha. his trademark psychedelic techno leanings shine through as he delivers just over 8 minutes of dub techno that is destined to hypnotise dancefloors worldwide.

two badd cuts on this 12 here! the a side >she s acid< sounds like maxmillion dunbar meeting up with dam-dunk. the flip has >must move<, very much with hydraulic pump type of beats and a sick bass arpeggio running through.

nice price deal !!! a gritty yet grooving peaktime pleaser with great keys rumbling analog bass tight beats and chloe d lux graet vocals flip for an electro touched mix (sb)

7th release on dj stays main label! another big various artists pack for all funky techno djs on the planet. preach, stay, sergy casttle and giacomo stallone!

limited vinyl sampler, all tracks taken from the forthcoming full length album >choice<, out on eat concrete records summer 2010.
aardvarck returns with this excellent selection of raw, deep and ultra heavy dub. minimal yet very effective plus massive bass on all cuts. featuring words by gaslamp killer, mastering by sandor caron.

this is the debut release from aussie youngster, charlie why. a superb dark druggy disco 4 tracker. >i am deliciously wired< sounds like an acid trip spaceship mixed with freaked out vocals drenched with mechanical rhythms and industrial squeaks. >biscuits< enters you into a world of space and depth, looping you into a wonking and rolling state of mind. when it is reaching the early hours of the morning >nose< warms you with deep seductive elements with sexual groove. like a girls naked body, >mountain body< is smooth and curvaceous with lush piano chords, rolling bass, and vibrant melody.

might niko schwind be the new kingpin of house music? everybody needs to find out for himself of course and that is best done when listening to his freshest output for stil vor talent: the “midnightfunk” ep. it kicks off with the title track that features the great chicagoeske vocal skills of patrick blasa, who takes us in on this journey towards a time when house music ruled the waves of the club oceans. imagine a sticky slap bass, cowbells, high-pitched vocals and low-pitched male laughing plus of course the greatest thing about this scorcher: a somewhat jetlagged piano that seems to leap behind in one moment to then be right there again when it matters. ace!

driven by many musical styles both, herbst & blecha spend hours sitting in their small, freezing basement studio, twiddling knobs, djing on weekends and drinking loads of sweet, cheap and sticky orange lemonade. now the work of these two talented producers is rewarded with their first common release. jove is a melodic tech-house piece containing one of those catchy bass lines that will still be sticking in your ear long after the track has finished. well fitting to summer the track ôshilpaö takes you on a smooth trip and will form the perfect transition from your club night experience to watching the sunrise afterwards. the zoo brazil rmx of ôjoveö is a crisp piece that shall evoke your best summer nights you have spent this season. each time the kick drum lets go of your body in a break, you will just get carried away, throw your hands in the air and then fall back into the beat and just smile!

live at robert johnson is proud to present a new record by one of its most revered family members: roman flügel. a long-term companion of ramona and already offering records like on the balcony (solyent green, playhouse 041, 2000) to her praise in a very early stage, roman dedicates novel sound research findings to her young and boisterous label. and what a bass heavy beauty he created!

huge 4-track ep by stormtrooper, showing the variety of styles he can produce. sweet poisonous lips takes you on a poisonous 10 minute journey through the sounds of industrial hardcore, techno and even electro. the track is definitely nonstandard and will also find its way to the more techno orientated floors. the 2nd track on the a-side tinning starts of a lot harder, but also realigns to the techno floors during the melodic electro break.the highlight on this ep is flight instinct on the b1, a hard, but atmospheric industrial crossover track with hard drum & bass elements. if youre into tracks like hells basement from outside agency, then this should be your choice.the b2 extreme body reactions is definitely the most freaky track of this ep with very cool and evil sounds.another must have for all the industrial heads out there!!

second release on the new ibadan offshoot, public service recordings. >life story< gets the ball rolling with some bumping disco-fueled peaktime house, with a strong female vocal dominating atop a bed of funky bass, stellar synth lines, and solid house beats. yohan squares >love of life< takes the mood a little deeper with some lush late night house, blending sweeping textured synth lines behind a deep bassline groove and shuffling late night house beats. on the reverse, julian jonahs >jealousy of lies< is a detroit-flavored late night houser, with textured synth lines, a stellar spoken male vocal, and laidback beats and bassline all combining perfectly. last up is >rey-d<, a deep late night track that utilizes some fairly bumping beats behind a minimal bassline and rich chords for some minimal floor grooves.

nice price deal !!! supported by: king fluffy, grass maximilian, weed cliff, rhone divers inc, boring calvingrad suckazz, paris cliton, steve >blow< jobs , the loundrette inc and many more head noogaz… quenum you guys! hes back and back for good! nude b runner, the title track, comes in full effects, a stunning yet simple bass line driven monster tune. eternal groove and raw elements make that track a party monster for sure. on the flip our godfather of electronics, ripperton, cooks hes very own version of nude b runner. once again proving, as if it was a necessity, his monstrously great talent at the remixing controls. 119 carats par minute

nice price deal !!! >titan<. sometimes titles are just perfect, arent they? its a huge, sprawling beast that seems to inhale every mutant strain of bass music it can and exhales it in one exhilarating 4:20 blast. it opens with ominous rumbling and 8-bit bleeps (and crickets?) before ambient chords ascend out of the depths, dragging a twisting electro synth with them. that pulsating, spiraling synth slinks its way through the gossamer membranes of the track, contracting and expanding as needed, its bulbous, serrated ends emanating industrial howls like ghosts of rave sirens.

das wandern ist des lurches lust, mit salutary gehts ihm an den frust, nach >abbreviare< und >dub die wup<, hier der nächste wahnsinn von ataneus und ackerdub

huge trippy robag wruhme remix !! for fans of plastikman & purpose maker.. berlin based resopal label head mri returns with his first remix package of tracks off his album heroes. this first 12 comes with 4-to-the-floor tracks which will kick, but in a very smooth and warm way. robag wruhme delivers a heavy bass driven monster which throws you across the club. crusty starts modern house wise but will blow your mind at least when the vocals comes in and make you go mad

tattoo man is the new rock,disco,indie track from faze action,after playing tattoo man at recent electrifying live shows,they decided to take the whole band in to the recording studios with nathan curran aka tugg on drums,rob lee on bass, pete z on keys (who has also played for the likes of rub n tugg and dj harvey) simon lee congas and percussion, mary moore on vocals and rob lee on guitar.

the creative swing alliance consist of the 2 producers pablo valentino and steven-j. pablo is responsible for the faces records label & his recent subdivion called motor city drum ensemble. steven-j released records on compost records, soultronik & jazzmin and played double bass for the japanese jazz band >sleepwalker<. they both come from the city of strasbourg fr, shared turntables & droped parties for more than 10 years together. the concept for the csa project was very simple: they locked themselves for one week in pablos attic to work 7 days on 7 tracks all named after the days of the week. bonzzaj records selected for this 12inch their 3 favourite tracks: on >monday< pablo and steven-j created a heavy opener for their project. bumpy they riding their mpc with a deep diving bass and wonderful synths. simbad turned the original >monday< into a heavyweight soulful dancefloor filler mashed with good old west-london broken beats. an essential dj weapon! naturally within the week you can hear some different moods while other friends/artists where passing in the studio...for example on >thursday<, when kira neris joined the alliance to create a spaced-out and captivating disco journey with a wonderful soul sample. last but not least, >saturday<: dusty old jazz records and beat generation hip hop for the b-boys and b-girls! raw! strong stuff for fans of bullion, onra, the linkwood family, etc! limited edition... so you better watch out

helsinki-based non person has been crafting his quirky audio sculptures since 2006, embracing the citys burgeoning experimental music scenes as his playground. from dirty club tracks to audio installations and deep listening, he is no stranger to the numerous ways of compressing organic emotions into expressions in data. coming from one of the first local proponents of the new wave of multicoloured beat music moving feet in select locations around the globe, presenser / mi empress is a study in elasticized electronic hip-hop and moist, yet fiery 140bpm bass structures. the first release bearing the non person name, this one is a keeper. channel zero is a new label run by dead-o of clouds with the aim of pushing new, forward-looking music to new sets of ears around the globe, with no boundaries set as to the type of music being released. as anyone who has witnessed a dead-o dj set can attest, he is a man who knows how to connect the dots. gaining momentum, channel zero is set for further releases this spring ? stay tuned

scream is a trip through vocal-like echo chambers that is losing itself within the depth of reverb, its oriental aesthetics being similarly credible as the tidy bass beat is. nobody else has catapulted baby fords ifach sound into the year 2010 as consequently as sis did.

datenzauber is electronic dance music following the traces of krautrock-electronica. datenzauber is a crossing of 1/8-bass rock beat and shuffle romanticism with a minimalist disco feeling. datenzauber takes kraftwerks and klaus schulzes analogue soundscapes over the digital highway back on to the dancefloor again. datenzauber commutes in an electric car between cologne and dusseldorf. datenzauber has fun with the necessary seriousness. datenzauber is free of sampling residues, yet nevertheless its historicising, because datenzauber is non-retro, electronic music feeling from the 1970s for 2010. happy new year.

dirtybird has always been synonymous with sweaty bass-lines, fun ideas, and bumpin funk. this 5 year label birthday package is a celebration of both individuality and achievement as one of americas quirkiest imprints arrives at its first big milestone.

midnight marauder, is rolling techno fuzzing with a teetering bass line, reggae sirens and jamaican patois adlibs. typical of the two involved, its decidedly grey area - impossible to categorise if you tried. one thing about this track is certain though – its primed for peak time on the dancefloor, with swung drum rhythms and a snaking acid line that wont quit.

label boss fluen delivers the latest ep from barcelona label vinyl did it, and takes off with the title track, guayaga. warped marbles burble along shiny dance floors giving way to flashbulb lights as classic house percussion washes the room. soon we are sweating to a workout of layered synths and vocal hooks as the energy builds. a clean cut house vibe sure to sit well in a properly constructed set. the edit by youandme gets dirtier with some pop-locking stuttered uprock snare hits, head bobbing bass, and dramatic fuzzed chord stabs. vocals get snipped up diced with in background chatter as percolating random percussion and dubbed out drums fan the flames of this eyes-closed groove. ripped reversals give way to a main line that will have the drink stirrers throwing their hands up, with a final warm wash of smiling chords perfect for bringing a set to a close, or taking it to the next level! on the b side, give me mores spastic clatter forms the backbeat for this classy house slab, with sleek dubbed out organ chords descending into the depths only to resurface under a vocal call to action. a short break and an oldschool snare lets the house heads know its about to get serious. the hook of yeah! drops over a bouncing bassline, soliciting whistles and whoops from the crowd, with hi-hats and added organinc percussion fills jacking up the oldschool vibes