>who are fake< is the second release on john henry - the brandnew label by zoo brasil. the title track is based on a rhythmically complex bass figure which builds uo into a monstrous killer application for sweety club nights.. >show me more< explores deeper grounds with modulating killer basslines and a keen arrangement..

the polish man adam kroll aka adam proll presents two extraordinary productions which draw a bow from house to pretty weired techno. the a side comes along very elegant with a light but effective shuffle programming. flipside starts like a fuzzy electrotrack with a dark bass sound and a mighty 909 kick soon turns into a true techno monster with freaky breaks and insane synth sounds !!! an absolute highlight for fans of zombie nation and daniel dbx bell....

in association with afterdark records and broke recordings, 20k freaks is proud to present the next freakish release, featuring an original production from label artist agent k, alongside jbreak. the original mix is one of those belters that causes a massive stir on the dancefloor and makes every person spaz out as if they ve never heard music before. seriously heavy bass line shizzle from the u.s and if that wasnt enough, hardcore beats screwface steps up for remix duties and does what everyone thought was impossible, by turning it into even more of a stomper and creating a devastating effect! pure synth madness with fierce non stop chugging beats rolling from start to finish

argentina is on fire right now, so for its third imprint, esperanza introduces us jorge savoretti from rosario. with previous appeareances on the prestigious french label telegraph, this 24-year old talent brings us his impressive debut ep which is full of different flavours. on the a-side, -150 reasons to bite you-, is a deep rolling track with a super driving bass and great build ups which will sure set the dancefloor on fire. -space juice- will take you on a journey of trippy spacey sounds laying over its funked up bass and groovy rhythms. while on the b-side we have marc houle and ryan crosson, both minus artists, reworking -150 reasons-. keeping the original flavour but adding his old school touch marc delivers a peak time bomb. while the detroit native mutates the original into a storming late night mover suitable for the mind and the body, making this record a must have in your collection

roy steps up again and produces a future classic. retro keys, soulful sax licks and crisp beats merge with an electro inspired bass line to create this timely tune that reminds us all why we love house to begin with. an instant crowd pleaser already being played by demarkus lewis, chuck love and jask. dont miss the b side chicago remix by andre harris

dark jackin harder techno / schranz on the a side and a hard minimal schranz groover on the flip.

already played by kiki, freeform five, azzido da bass, tom mangan... also favs for tomboy / anthony pappa/ moonbootica/ cass / cajuan/ digitalism/ james f++++++ friedman and many more

force sense artist bolls shows us his powerful side of music. he produces a fat peaktime track with catchy breaks and a burner-bass ! moritz piske gives that track a raw feeling and makes a really fat stomping peaktime rocker and uses the leading elements of the original. gauchel produces a new track what contained little sound fragments from the original but with an more shallowly arrangement/sound

big vocal stomper with a strong female vocal funky bass and keys includes a mac devila ( cassagrande ) remix

cesare vs. disorder returns to the studio with argentinean partner perro magnetico with this deep and hypnotic four tracker that will help further cement the mean london sound. a deep and brooding first track introduces twisted, down tuned vocals and liquefied layers built inside tight arrangements before a throbbing bass takes the driving seat. a2 holds a playful and quirky electronic excursion >clarete< warming us up with romantic, light melodies. on the b side, ale ross aka perro magnetico drives you deeply into the sunset with two minimal gems that build but never explode. a demonstration of where minimal techno could go from these two young artists.. a must have for all minimal fans / sleeparchive fans!!!

souvenir records!!! lets just start this introduction with a quote: >we like the idea of seeing music as a souvenir, an impression you take from somewhere. something intimate to remember<. this is how the brothers schwarz aka tiefschwarz set the agenda for souvenir music, which they created with their french companion arthur velasquez and thus finally set up their own imprint after an eventful decade in the musicbiz. even just a quick listing of mighty deeds in the underground dance community would fill up page after page. if the story of king midas wasn t already centuries old, someone would have made it up now to describe the phenomenon of recent tiefschwarz remixes. who would serioulsy doubt that their golden touch also will rub on their own label and turn this start-up into another stellar success? cooked up in their berlin the first course >hey< by the artist ichundu is set to become the flavour of the month, even more so with extra delicious ingredients tiefschwarz added to their remix. yummy !! played by sven väth, sasse, chloe, tobi neumann, karotte...

again the boys of slam mode are back in the house and this one is no less slammin. >neveah< is a mish mash of volatile electronic percussion that creates nothing less than so nic mayhem. this mayhem expands riding steady underneath melodic yet techy strings. >afuera de sitio< departs through endless atmospheric melodies and piercing synth lines. the rapis linear movement transfers the pulsing microrhythms and hybrid sub bass into the void. another solid outing for fans of deep techy yet soulful and organic releases ala ame >rej< and the new flavors being pushed by claussell and francois k

recent perc releases such as >splashy< and the >razor ep< have been supported by michael mayer, james holden, slam, ozgur can, nathan fake, jesse somfay, marc ashken and avus !! opening track >strange ways< is one of perc s finest productions to date with a slow, shuffling electronic groove underpinned by a huge bassline. this leads to a jaw-dropping breakdown built around a floor-destroying bass attack. on the b-side >yeah< fuses together minimal techno with the london >fidget< house sound to create something unique. again a heavy bassline plays a large part in the track, as does an unforgettable vocal drop. finally >blocked barrel< is a slice of 2006 style neo-rave mixing driving electronic house with the stabbing hardcore riffs of the early 90s

after much effort sexy pie announces the release of their new song >fuck you<. this song with its childlike melodies is set against lyrics written with less than proper english seeks to express in an ironic and satiric way, that life sometimes dies not always need to be taken so seriously..

released across 2 separately packaged 12s, feeling free could be the closest thing to a summer anthem that soul music has had in quite a while !! hoop , whose soulclap updates of 90s hip-hop classics have garnered praise and plays from all angles, has worked his sample-adelic magic using jazz pianos and horns to bring fresh harmonies to an already musically rich work. coming across like a drum heavy quantic, this mix is one for the beat heads, as is its flip-side partner, which is delivered by natural self , (breakin bread /tru thoughts). as usual his drums are raw, his bass looms large and the authentic live funk feel is kept alive and heavily kicking

hero, kaidi tatham, mfp collective, greg gauthier & tony l remixes).lead & backing vocals by allen hoist.inner city blues written & composed by marvin gaye & james nyx.with love written & composed allen hoist.a 1 inner city blues (make me wanna holler) 4 hero vip 2005 rmx.flute the prodigual allen hoist.remix and additional production by marc mac 4 hero.piano, rhodes, bass, percussions & synths marc mac.drums & guitar brad munn.mixed by brad somatik & marc mac.a2 with love kaidi tatham dark dub.remix and additional production by kaidi tatham.key: kaidi tatham.mixed by matt lord.b1 inner city blues mfp collective edit.remix and additional production by mathijs duringhof.piano : marrio canonge.bass : linley marth.mixed by martijs duringhof.b2 with love greg gauthier and tony l dub.remix

contains original mix, rob mello no ears dub / undeniably flavor of the moment radio slave deliver their latest bass heavy single on their much anticipated label. also featuring a bleep infested remix from rob mello, this is a strong package.

the strongest hard techno label with another slammin & phunky 4 track ep! rolling, driving drum patterns infected with drum n bass / break beats combined with great little melodies with a trancy feeling !!

first release on the adventures in the beetroot field label and its a stone cold killer. >house on fire< is a totally infectious indie disco rocker that not only has the dancefloor savvy but the actual tune to match.. >blackout falls< adds a bit more bass to the mix and one of those all important disco beats.. an indie disco monster to !!

rekleiner (maschine, connaisseur superior) is the collaboration between stuart geddes, anthony middleton & luca saporito. all three of them play an important part in the uk/ london underground club scene.. on this release, they deliver two trancey tracks of warehouse vibes. >shall we< is a straight, and fine track, mixing melodious blips and powerful beats. with >sideways<, starting with a heavy bass sound, rekleiner manages to turn a deep dark sound into a luminous flight !!

this is the first volume of a limited edition serie of 12” featuring some of his unreleased tracks or lost gems for the first time on vinyl duriez was very active behind the gears in the nineties and his appetite for electronic tunes lead him to produce hundreds of tracks in many genres. the man did produce house & techno but also drum&bass (he has produced an album in 1998 unreleased for now that we will release as download only on our new imprint aperto – check the web soon, the label will also release his unreleased album from 2002 as le dav) or downtempo.

with his trapez release >le stelle sono tante< we witness both renatos strong bass and his extreme breaks. the a-side is stripped down in a chicago fashion whereas the flipside is more up-tempo and techno and very hypnotic..

well, well, well… d.classics returns again to spread the funky good news… whatever you want to call funky: sometime pure funk, sometime heavy soul, sometime discofied, sometime electro-ish, even sometime 80s… but sure its funky ! so here we are, on a journey proposed by non-else than parisian sensation dj almost. after years (and we mean yearsss) of heavy activism behind the wheels of steel, almost agreed to share with the world some of his own heaviest re-edits. a side, get straight to the core of two of his 80s fave, stripping them down to the clubiest, most mixable parts. boy! how deep are those bass & beats? perfect peak hour, decerning crowd s dancefloors! b side lurks more into the p-funk direction, with a huge classic winner, full of moog-ish bassline, female choir background voices, and deep dark male gimmicks. well, 3 more classics brought back to you by the dclassics posse

program 1 sets precedent for bass and distortion by giving zero respect to gravity with its displaced click-clock. the plane is minimal, creeping and crawling behind disorientating moves. program 3 bumps and pans around unpadded walls, snapping and reversing itself into a twilight zone episode of darkness. closing out the session is program 2, a ten-minute throb that echoes with dulled-snares, muted hi-hats and tone pulses that allow the bass in as the melody. influences of hawtin s concept 1 and plastikman (closer-era) projects float along, but jpls (aka jeremy jacobs) draws his own perspective with subtle lines, disjointed rhythm and evolving surprises of tone

wicked cheeky house rework of hip hop hit kryptonite that took stateside by storm! ace vocals, twinned with quality techy house beats & bass. big with westwood & zane lowe in its hip hop form who will pick the house mix up

infekto (aka rico tubbs) has been turning heads on the funkier floors across the world with his signature sound of heavy, polished beats alongside party rockin bass and catchy hooks a plenty. funky music carries a similar tone to ghetto soul, miami treble, and his last money shot outing, the real funk. funky music also pays tribute to one of our favourite instruments of all time the cowbell. cuz every tune could use a little more cowbell

next shot from stephan bodzin with two massive and epic tracks. >pendulum< features a simple and yet sophisticated melody that winds itself into your brain like a rusty screw, modulation madness in combination with cool and laidback drums and analogue bass. >silhouette< is a anthem like tune that features steaphans trademark basslines, drums, effects and noises

cassagrandes exclusive edition contains 3 huge eps with mixes by john jacobsen the sunloverz jules spinner stereofunk sine sharpe and electro phase not to be missed

australian producer deepchild drops the second single >no disgrace< from his new album >lifetime<, a dub heavy slab of techno soul featuring the vocals of barbados-born mc ras roni with the usual intricate programming found in all deepchild productions. on the a-side jimpster under his audiomontage guise delivers a remix he concedes to be >fucking slamming, maybe one of my best yet< combining a stripped back techno structure with chunky rolling bass and heavy soul in a devastating dancefloor weapon. deepchild s original is equally at home at london s co-op or vienna s dub club as it is rocking the floors in aus while always and forever shows more of the flavour from the album with a dose of his trademark rich melodic deepness

this is the first collaboration between rennie and andrea lai. andrea is founder resident of agatha, the coolest night in rome. imagine an italian fabric run by anarchists. agatha manages to mix house, electro, breaks and drum n bass in the same room without the audience running for cover..

after 4 wicked releases with impressive sales it is time for hertz to enter on his own label. the a-side is nothing else than a funky techno hit. you will recognize the old 70s bass-sample, mostly known from s-express in the 80s. with a full on arrangement and a great break, this is a guarantied anthem. on the flip you will find a massive tune, with a fat driving loop working in 130 bpm !!

3 phat old drowning bass heavy chicago tracks

angel farringdon returns to wireframe, this time teaming up with mr reload for a bouncy slab of no-nonsense breakbeat driven by a lo tuned acid gurgle, tuff beats, and rugged rave stabs. add a funky moroder line hidden away in the mix,a cool whistly kinda hook, and a top rap, and you ve got a tearout beastie! as if that wasnt enough, entity delivers an awesome slice of grime edged dub bass driven breakbeat mayhem for the remix on the flip double damage

nice price deal !!! yet another peak time electrohouse banger with reference to that good ole chicago pastime of jacking some big diva vocals deeply dubbed out riding over a rubbery buzzing bass and throbbing drums that make this a perfect fit in set for fans of robbie rivera, hatiras, or the rooster and sammy

this 12 kicks off with jam 2 tha mother,a track that has been doing the rounds for a while as a westpark unit track apparently. its a fairly nice hiphouse bumper.its all about miles though. the looped piano sample works wonderfully well with the straight deep disco beats. and while the original is good, the soulphiction remix is the icing on the cake. they give it a certain industrial/techy edge, and make the sample stand out even better. add to that some dope detroit beatdown bass licks and beats, and you ve got yourself a catchy tune

tu rong unearth another forgotten nu groove classic with open houses seven day weekend in the motor city version a square bass lead deep techno gem. brennan green adds a new epic interpretation

limited repress of this classic tracks from joey beltram feat energy flash, mentasm and other well know beltram tunes !!!

paris producers guillaume atlan (the supermen lovers) and gregory louis (aloud) have recently joined forces to form new act moto signed exclusively to cyclo records. taking their influences from 70s californian funk - rock bands and icons like stretch, chicago, prince, ac/dc, they develop a style of their own, adding a touch of electro to their live instruments (guitar, bass, vocals) to deliver sexy, uplifting tracks. >heartbreaker< their first single contains that genuine positive rock n roll attitude that will make you jump off your seat while driving a convertible car on a desert highway. >who cares< on the b-side in a more spaced out way but with that added 70s funk treatment will take you to the next lost motel where you may not find anyone but a dog to talk to. motos debut ep, have been selected as part of the soundtrack of eric lavaine new screenplay >poltergay< (out october 26th in france), a comic production where gay ghosts make the life of an ordinary, newly established couple quite difficult...

2 slamming 4 to the floor house mixes by pedro london

anders trentemøller, the shooting star of 2005, needs no further introduction. he has been stringing together hit after hit, most recently the -nam nam ep- on poker flat which offered an initial insight into his upcoming album -the last resort-. now the new 12- brings the first full-blown single outtake. the featured album track is -always something better – a vocal version featuring richard davis - and has a calmer, almost dreamy mood compared to the club tracks he s released. an easy-going groove, some wonderful celesta chords (hand-played by anders) and the typical trentemøller sound melt with the outstanding vocals by richard davis, who already graced swayzak s -speak easy- on k7. furthermore, davis is known for his longplayers on punkt musik and kitty-yo as well as an array of singles and remixes.a brilliant track with a beautiful atmosphere.of course the a1 slot is reserved for the -trentemøller remix-, a true dancefloor anthem. a kicking bass drum, quirky sounds and the -trentemøller twist- make this a real summer hit. while the a1 mix is a reduced vocal version, you ll find the -dub mix- on b1. to top things off, the one and only matthew herbert contributes his very own interpretation on the -bubble mix-. he disrupts and rearranges the original sounds and song structures to create a new unsettled, but fascinating soundscape

includes a housed out of it mix and bass generator mix that is recieving constant plays on birminghams silk city fm

jay denham prod. warped, sinister, enormous bass dominant techno !

theo parrish and an all-star cast featuring warren harris, marcellus pittman, bill beaver, jerrald james and mellissa botts take you on a deep excursion to the roots of afro-american music with this free-spirited live jam. after setting the mood with live percussion and a thick live bass, a bluesy guitar, cosmic keys with a sun ra vibe, wailing soul vocals, theo s instantly recognizable beat and later a bitter-sweet violin solo all join in and create an unique atmosphere that is totally mesmerizing. the >reprise< on the flip continues in a more stripped down, piano led way. two shining example of sheer musical genius

here we find montreal disco freak gino soccio going up against the timeless marvin gaye. gino soccio >victim of change< + instro vs marvin gaye >funky space reincarnation< + slits >i heard it through the bass line< reworking of marvins classic !!

a-side rising pharaoh. b-side rising pharaoh dub, rising pharaoh (bon johnson mix) a-side tech funky mover with killer bass, built around a bluesy vocal and guitar plus a faint but effective flute. b-side features a pumped up stripped down tech house leaning dub, simple and to the point with quite an infectious drive and cowbell thing that ought to get them on their feet. last mix is a full on funked up version courtesy of bon johnson

automatic is a new direction fusing electro, funk, and two-step. the first of a fresh batch of music producedin the new wagon repair studios. focus on the dancefloor. beach party - a summer track for the early morning open air festivals. inspired by the idea of doing the side-step with a bass guitar at a rock concert with long hair and tight pants. oh yeah, and there are big fans blowing my hair around !!dj support : anja schneider (mobilee rec.): >thx is nice and hot<, funk d void - lars sandberg, karotte, troy pierce (minus, underline)

here we present you a dose of love techno. in the shape of pelle buys. with complex surface compositions, deep bass constructs and intellegent melody sequences, mr. buys brews a audiophile emotional cocktail, with highest precision and intuition.

2003 classic release with this well known sample not to be missed

debut from d.i.m. on turbo recordings.. pure groove, a dirty bass and some great programming makes this to a sure rocker.. big support by tiga !!