brandnew john dahlbäck label!! the a-side outside features straight techno beats & rough and dirty bass riffs, which definitely show no mercy. on the flip youll find stripped down bassline workouts with that special sweden touch, that we all love so much…. this simply fits into the boxes of the global techno neo rave maniac elite.. manos arriba! here comes the ne pistolero!
brainwashstarts with electronische alarm tones under a slamming break slowly mutilating into a damn tight groove of an-2 style bass and crispy drums with the mesmerizing detroitish string workout from the king of st petersburg. midnight radiois a totally different beast. standing totally on its own, the basic channel alike dub-influences are strong, combined with italo-influenced drums and strong 80s synths throwing you back into the early times of techno and electro
4 pumpin tricky , minimal gems - for any dj . the bass hits hard , and the hooks just catch you . this is dan's first release on tuningspork and there will be a follow up in the coming months as well. this records is a bomb and is supported an a big way by djs such as ricardo villalobos and luciano . look out for our next release tuninngspork 16 with guido schneider due in a lil while . as always tuningspork provides the bling for all yall beeyotches
big follow up to me and the bass, produced by bradd & parker, fresh vocal house release, 4 different mixes included, first signings to the resteslow paris possie... promo copies already hammered by major boys, axwell, ian carey, bert bevans
thomas new 3 tracker monsta aims strictly at the dancefloor. all kick in with surging electro house waves of bass and driving rhythms. sometracks are more emotional & laidback, with bleepy touch and subtle voices. big tune
aka metaboman and carlsn basu from the infamous musik krause. on 'kristallsemmel' youll witness the slowest rave-track ever, with a twisted bass-signal winding around an endless grooveàfar out shit! 'kingpult' on the flip is a session with ààà.on keys, while metaboman is droppin in and out a his rhythm-architectureà. hypnotic and cosy..) music for believers
a side with 80s influenced beats and a solid use of male vocals making it a bass driven floorshaker, flipside is a deeper,electronic induced track with a smooth vocal
'tracks from the lab' contains two freshly crafted electro-tech songs. 'darkroom' is indeed as dark as it sounds, dominated by a super-deep synthie tone embedded in a finger clicking rhythm construction. the spoken word lyrics by clÚ are about musical socialisation in the computer age and not to be mistaken with darkrooms - the sort we are familiar with in some clubs,'joystick' on the flipside is a reduced electro-track with a bubbling bass-line
finest deep tech-house with strong dance floor capabilities. haunting whispers and funky bass evoke that tech-chill than ony kenneth can chieve !!ltd backstock..
TAKE ME TO HEAVEN /TURN DOWN THE LIGHTS (COLOURED VINYL)
Coloured 12 Inch 21.06.05
take me to heaven begins the latest journey. deep house grooves with dancehall bass drums,tom loops and staccato acid hook. gene lefosse (convolute) co-produces this one as you will hear on the vocal effects. timely track for the summer sets. turn down the lights features the voice of gigolo s acid maria.abe breaks out the 808 for another acid house classic. this one builds and climbs up as duque tweaks to perfection
this is the first of two limited edition samplers from the forthcoming freeform five 'misch masch' mix album. the album itself is an eclectic journey into house, disco, italo, punkfunk, electronica and electro all put together in freeform five's own individual style
a bumpity shuffling house joint with room shaking bass, swinging beats and bleepy sound fx reminiscent of 'jackin the jazz'. slum science's remix is a bit deeper but every bit as funky. on the flip we find slum science's 'ill technique' with punchy tight beats and percussion, spaced-out stabs and fx,
'ama_zone' comes with a massive clubmix, which is a footstompin tech houser with a catchy filtered hook. this sure works on every dancefloor. the flipside provides the dubmix with minimalistic flavour and swirly vocoder vocals as well. harder and more quirky than the original club. both of the mixes are highly recommended and powered by the big names: dj antoine, fergie bbc1, greg churchill, disco boys, tunebrothers, jca, tom novy, hernan cattaneo, judge jules, azzido da bass
part 1: a skanking, minimal tour de dub with a heavy bottom end. part 2 starts out with a nicely floating riddim variation that mutates into a heavy stepper with the towering bass taking the lead. frenetic, sizzling hi-hats and a stronger >oomph< on the bass drum give part 3 a euphoric classic house slant before the script gets flipped again on part 4: sparse deep techno with fine offbeat rhythm
with ferris schumacher delivers a fine slice of quirky acid tech house, with killer synths, storming bass riffs and a melodic rave signal on top! other side a traditional persian acid housetune
slice of bumping latin-jazzy deep house courtesy of the worldÆs most beautiful..warm keys, jazzy guitar work, bouncing bass and the tasty vocals from the original..
freex squeex is old school acid house..punchy beats, big ass bottom end and infectious 303 lining. flip for see saw, a catchy vocal with solidbeats, throbbing bass, nice pads and keys..
geiger setzt sich keine grenzen und hantiert ohne jede schüchternheit mit psychedelischen rocksounds und trash punk, mit hippy folk und detroit techno. er spielt den bass und die gitarre, singt, knarzt, kuschelt und rockt, bis jede schublade mal auf und wieder zu war
throbbing bass, imploring vocals, hypnotic lead lines, this sound is synonymous with hyper, a man adept at delivering the goods on the dancefloor. dj support - paul van dyk, dylan rhymes, deep dish, timo maas, crystal method, general midi, nic fanciulli, annie mac, annie nightingale, soul of man, adam freeland, james zabiela, blim
koze, der minimal-disco-bratzer mit dem hang zu melancholie und humor, gibt sein erstes gastspiel auf f.a.t. weniger gasthaus zum satten bass, mehr restaurant zum delikaten track
flash atkins aka ben davis. he lends a techy big room flavour to 3am's house label in 'photoshoot'. pitched down vocals hover over a bright acid line and bursting bass line. 'wishpole' more ligher sound, where jazz licks and double bass stabs sit amongst a laid back, shuffling drum pattern and light vocals give a summery fee
adam beyer deliver a stunning remix. the remix pumped up with a roaring bass-pattern and mental stabs! the original monster track as featured on the b-side is also reconstructed by beat disasters eric sneo
dickys back with another retro inspired release for deep freeze. yo retro!is fuelled by electro inspirations and acid house flashbacks. the trademark 808 drum sounds fuse with a warm and dirty 80s electro bass as the cheeky, drugged-out guitars and old school lead drive the track on
new lp from frank martiniq. mal tanzbar, mal für den bauch. aber wer will sich da schon festlegen? pop will save the world, und das genügt diese platte zu lieben..
dusty moves' sees the boys combining techy beats with a dubby bassline and some subtly filtered synth lines. on the flip, 'sometimes i feel' is aimed more at the late night crowds, with deep chords, warm bass, jazzy horns. 'jays acid dub' completes this solid trio with subtle dubs and acid tweaks
a serious bass rub and with some little additions as a clonky rhythm, sparse synth and a robotic voice it's more than enough to drive you up the wall. the freaks remix is more opulent, crammed with raw snare hits, clonky percussion sounds, quirky eccentric synth melodies and rubbery acid lines popping up everywhere: someone should invent a novelty dance to that
swaggering live sounding drums, eccentric live-jam style vox and crazy bass modulations - all twists and turns like one of those arthur russel epics. besides the re-mastered original version there are two amazing new mixes / carl craig styled soundscapes
pure twisted chi-town groove for the farina,derrick carter and heather fans. cuts range from the piano cut-up 'ray digs' to the jazzy bouncer 'what?', while a-side 'toy land' is amonster of a bass-heavy funkathon. nothing but quality from this talented trio
a stellar ep of funked up electro to moody motor city techno. light on vocals and heavyon synths, analog basslines and chugging drum machines, thisep will resonate with everyone digging the retro techno and minimal sound so in favor. lust und liebe is a bass-heavy bouncer with a hypnotic synth pattern
tee trinken im braunen salon is an endless upbuilding minimal track. neo detroit chords, bleepy acid bass, warm analog flavoured and floating melancholic synth. somewhere between plastikman , mathew jonson and monolake, this guy from munich takes his time to catch the audience and produces one of the most innovative spaced out tune since a long time
a grooved monster that balances dark bass against soulful vocals and a sound scape of nifty synth work, with great results. the flip side strips the vocal to a bare minimum leaving a quality dub that concentrates on the beats and synths. can you cope with this? we sure hope so!
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