according armando martinez aka alpha 606 the name alpha 606 is a hybrid of alpha 66, the anti castro freedom fighting group, and the roland tr 606 synthesizer machine. his style is the definition of a new sound, known as electronica afro cubano. and the miami new times paper have put it like this, a futuristic homage to cuban culture, fusing warm machine tones and crisp bass notes with afro cuban drums.

james hammer storms the a with a bright hypnotic groove on solid beats that displays a definite mills influence that is sure to have the floor heaving & perfect for the mix. flip for label boss gus brown taking things in a darker direction, heavier snares & a buzzing bass used to maximum effect. then techno legend orlando voorn steps ups for the final remix & slams down a harder remix that builds on the original groove & twists it over and over to finish the record perfectly.

according armando martinez aka alpha 606 the name alpha 606 is a hybrid of alpha 66, the anti castro freedom fighting group, and the roland tr 606 synthesizer machine. his style is the definition of a new sound, known as electronica afro cubano. and the miami new times paper have put it like this, a futuristic homage to cuban culture, fusing warm machine tones and crisp bass notes with afro cuban drums.

ellen allien steht für sich und ihren einzigartigen sound. >ein beständiges vor- und zurückbewegen<, das charakterisiert dieses stück am besten. gerade durch die gezielten loops entwickelt dieser track eine ganz eigene dynamik, fernab jeder monotonie, einfach smooth. dabei schleicht sich der bass unterschwellig an, und betont die mysteriös unterlegten effekte. sehr clubtauglich

phat detroitish techhouse action

more dark and moody madness from matt b. bushwacka’s stunning production mastery really shines through here as two versions, each with a slightly different twist take effect. the a side, >every dog has its day< shuns the current trends and stands alone like a lonely child at playtime. heavy hammer blow bass and resonating glitches that will stand the test of time. the drum mix takes you on a different tour of the dancefloor and drops you right in front of the dj booth.

jesse siminski is one of those musicians its impossible to ignore. whether producing as heartthrob or alter-alter ego vivianne projects his work is instinctive, insightful and driven by an irresistible force that instantly rubs off on the audience. its no surprise then that the first single to be lifted from heartthrobs eagerly awaited debut album >dear painter, paint me< is >signs<, a track that fully demonstrates the extent of his repertoire. one of the highlights of his not-to-miss live set, its also become a corner stone of richie hawtins dj sets over the last few months due to the massive crowd response it generates whenever it drops. billed as homage to classic detroit techno, theres a real air of expectancy about the mix friendly introduction. the powerful kick pattern, swirling sci-fi vocal efx and loose hi hat groove soon make way for the urgent, cavorting main melody that spins off into another dimension before a massive, resonating synthetic bass wipes out everything in its path. one of the main ideas running through the album is the juxtaposition and layering of different rhythms and time signatures and this really comes across on signs, with disco and caribbean inflections adding a cut and thrust to the chugging groove, creating the perfect foil to the sonic mayhem overhead. the b-side features apprentice – a tag heartthrob can safely leave behind with the release of >dear painter, paint me<. of course its another guaranteed floor filler with a finely honed acidic riff that immediately taps into the subconscious...

this monster is led by a growling, glitchy reese that drives this beast of a tune into an earth-shattering bass drop. paired with the punishing breaks and lethal edits guarantees a huge reaction every time its played. completely relentless, this one is for the dancefloor

the original mix starts a complex roller, with a discreet but powerful bass line under some seriously hectic beats. the breakdown sees this track take a more musical tone and shows great depth, this one focuses on progressing themes throughout, and will appeal to those who like things a little left of centre

nice price deal !!! shadowfax is hot! with the superfat release from jelle kuipers which is getting huge response and a lot of airplay by big names and the also wicked mark broom remix on the flip. the next one is by bells and macoye. macoye is the alter ego of ortin cam who is is doing some heavy tunes lately like the dancefloor killing remix of dhs classic the house of god on missile. this a1 track is in the same style as that remix, a hard bass line driving track with a lot of things going on in there to make sure the crowd will recognise and appreciate this tune!! on the flip a steady building track that can be used as the sneaky weapon in any dj set!

here comes a real trip through the horny nightlife of the big city of art in barcelona/spain. 4 totally different and 100 percent funny tracks, starting from vocal techno - over to drum n bass - and finish with a trippy taste of industrial hardtek! not to be miss... it s our last release in 2007, and a very strong winter release for all the techno maniacs out there.

experienced producer tom neville, fresh from his remix of beastie boys >intergalactic<, he tries his hand here at some hands in the air electro, this however is no girly affair, with dirty bass lines and a heavy beat, this tune is an all out club stomper. breaking midway into an awesome old skool, acid throwback, staying true to the originals undeniable danceability, sure to work every listener into a dancing frenzy. known for his thumping mixes, tom neville has well and truly done it again

truffle music (toronto) returns with the voices (plant music) releasing their first e.p. isince 2005 and following up on the initial success of their sure thing/street commander eps on nycs plant music. cavern is a disco punk stomper that builds from the start with sizzling 4/4 live drums, bass, keys and a hypnotic subdued vocal that build to an apex only to break down and come back harder on the instrumental tip. spooky is a tripped out instrumental that is slower in tempo and heavy on the pychedelic. featuring all live instrumentation, this track takes you on a twisted journey. l.a.s woolfy (rong, permanent vacation) takes on the remix with his epic woolfy neu rave disco mix and he delivers just that with a speed up stormer that is over twice as long as the original and has a faint scent of old warehouse days but takes it forward with an interesting arrangement and eclectic instrumentation.

supported by onur Özer, mathias kaden, 2000 and one, tobi neumann, anja schneider, gregor tresher, karotte, alex attias, style of eye, lauhaus, sebo k

incl. huge paul ritch rmx ... kabuto & koji a.k.a tekel and patrice meiner - costa ricas most successful dj/producers and residents of club vertigo (costarica) have been slowly taking their music to new frontiers. their productions and remixes have been signed with some of the worlds most respected labels such as viva music, kindisch, water based music & akbal music to name a few and have completed remixes for stu hirst, astro&glyde, raz o hara, the skull, robbie, dirtydecibles, krisb and many more. hernan catanneo, audiofly & steve lawler have included k&ks productions and remixes in their sets and m.a.n.d.y has recently incorporated k&ks rmx for raz o haras >kisses< on their upcoming fabric 38 cd. as djs they perform a minimal tech house set, incorporating dark melodic and vocal atmospheres, punchy bass lines and an unstoppable groove that will have any dancefloor going and going!

incl phat agaric remix !! diego capri and andrea gentile, the duo from rome who brought us the excellent downhill ep on metroline ltd (mltd 002) last summer, return with two more slices of bass-heavy dancefloor-focused minimal techno

supported by karotte (cocoon, great stuff), mike shannon (cynosure)... jeff samuel is back on frankie rec with a surprising 3 tracker ep titled gurd em ep on the a side the eponym track a1gurd em create an original weird atmosphere mixing hypnotic sounds and bass voice with the groovy bassline and incisive drums… on the b side b1 dementia is a brilliant minimal tech house piece full of subtle bleeps and mental sweet melodies with jeff typical sense of groove and on b2 spic and span more funky is full of quircky sounds & groovy bassline… ingredients of a freaky tune!

phunklarique s edit is groove based, same as his amazing piemont works. strong bass and again with his incredible sense for shuffles and drumming in general while pierce concentrates on minimal house grooves reminding us of sebo k. or buttrich productions with 11 minutes playtime and an intense 3 minutes hammond break

the legendary club u60311 in frankfurt has opened up a brand-new hotspot for minimal right in the heart of the city, going by the name of 311. paired with this, an affiliated label - dreielf recordings - has also been launched. the residents michael kohlbecker, one part of the saafi brothers, and frankfurts newcomer peter eilmes are releasing the fruits of their cooperation in their home studio, and putting an already-established scene hit onto vinyl with - tabasco. the original of the record impresses with its anthemic character, which may have been due to the fat bass-line and the striking trumpet. despite its monotony, a real jewel for every record case and just the stuff to get happiness dripping from the club ceiling. the remix by alexi delano, on the other hand, is somewhat deeper and more melodic at the same time, but still contains all the ingredients necessary for a proper shot of tabasco. sonic monogamy or fat kick basses make this remix unique. the dominant trumpet and the scraping percussion of the berliner andre crom make this remix an absolute guarantee of ecstasy. tabasco is hot and burns like hell!

you is a throbbing, hulking monster of a track, a dark and distinctive foray into sound thats already being championed by sander kleinenberg & pete tong. layering strobing, resonating bass with flickering hi hats and insistant synths, the track hurtles out of the speakers with spacey fx and that unsettling, disembodied voice proclaiming you like an other worldly call to arms! german dance legend tom novy heeds that call with a mighty remix, injecting a hip shaking bassline and shaking up the components of the track, amping the sonic intensity to the max & reinventing you in his inimitable style!

one of the biggest house tracks ever... limited repress

limited one sided 12inch!! huuge stanton warriors mix!!!

classic prodigy album! repress on double vinyl.

supported by anthony collins, jesse rose, italoboyz, 2000 and one, tom clark, karotte, sebo k and many more.. the three course feast is prepared. mathias mesteño aka matt vega, the newcomer in our upon you cafeteria has prepared three delicious dishes a la casa. the main course: a1 dixie’s diner- delicate plate of house with glazed rave-bells on thickened bass-marinade, that proves to stimulate the metabolism of the hypnosis-center. similarly nutritious and stimulating are his steaks and chops, that in dialogue with curled jumpers-noodles force wriggle-phillip to the table. the dessert will be served immediately while standing: waffles- with punshed alcohol sauce on a perforated tripneedle

there s a sense of paradox in love & beyond. it s jay haze s most defining album to date, but also, his most unexpected, in both music and form

the skull returns to kindisch with four impeccably sultry and leftfield dancefloor cuts. >must have back< is silky, chicaning mix of ice-cool male vocals and slick, vacuum-packed percussion that will prove devastating to discerning dancefloors, while >lalalala< is a raw, spaced-out house jam that serves up spry, bouncy congas, wobbly bass and clipped hi-hat patterns with no small amount of dubby echo and delay. >forever ever< is a wonderfully trippy slice of minimal techno, a heady bass and percussion workout haunted by the blue, smoky ghosts of jazz keys. be careful - you may well find yourself hypnotized forever ever.the mood is less abstract but no less intense or inviting for deep, reverb-laden closing track >lovesong<. an insistent kick-drum and mind-bending fx make this prime dancefloor material, but the mood of the track is more complex - wistful, pining, mindful of the past, expectant of the future - a lovesong through and through.

played by: richie hawtin, dj hell, dubfire, monika kruse, onur Özer, gabriel ananda, karotte, italoboyz, dominik eulberg, gregor tresher , chris liebing, d. ramirez, sebastian leger etc... the follow up to >elements 1of 2< starts with >wind<, a strong epic old school monster of an acid track, with a cool chicago flavour, reminiscent of lil louis, with cool ups and downs, that have set the dance floors on fire around the world. >earth< the flipside track is a stripped down mover, quite drugged out and shivering in itself, having a much stronger new school touch to it. it is as bass heavy as we have experienced with all of the releases of butch

for flash lützenkirchen delivers three very classy dancefloor burners. first up there is >enter the moonlight<, an enchanting piece of thumping peak time business. a big bass, pumping beats and some great oriental sounds combined with far-out effects create a unique atmosphere. modern styles meet oldskool feelings! >on the shore< is even more oldskool than that. the fat and wobbly bassline pushes the track forward and creates the perfect antagonism to the warm effects and clicky minimal beats. the highlight - however - is the wonderfully written melodic piano piece that turns this track from wicked into wow! beautiful and tough, oldskool and fresh, slick and funky - all at the same time. this one is going to be huge. listen for yourself! at last there is >pokemon companion<, a more direct and solid piece of minimal tech. a drum’n bass like powerfully grumbling bass, and yet another memorable synthie pattern that seems to grow out of the buzzing loop like a spring flower out of wet grass - naturally and wonderful!

a funky peak hour pair of goodies. doo kicks off the ep with its rubbery bassline, keys, jerky rhythm and sustained strings that provide the male chant, doo doo doo a comfortable bed to bounce on. the meat of the track contains a lengthy piano solo by antonio di mauro driving the point home. full of drops and fills that build the energy then releases it ferociously. anthem is exactly what the title suggests. it is another 2am jump off (musically that is!) jam. the deep bass & dense kick supports the 80s styled chicago jackin snares, the persistent hi hat and intermittent piano strikes meshing well with the watery bleep sounding keys and string stabs. the melody of the bass gets redirected as the twinkling keys create a sense of tension for the samba ish breakdown. nimble fingered, antonio di mauro is at work again, producing a sound reminiscent of patrick adams styled keyboards from his legendary phreek lp. ends cold. supported by: dj spen, deli g, roger sanchez, joey negro, dj pope, kenny carpenter, franck roger, dj yass, master kev, mark stone (udm show), groove assassin, sven love, davidson ospina, dj dealer, timmy vegas, dan (liquid people), deep josh, danny marquez.

conforming to abnormality unveiled a style of extreme metal that was completely unique in its makeup: blending mind melting guitar technicality with inhuman drumming, a wildly schizophrenic vocal attack, smatterings of jazz sensibilities and devastating sub bass blasts.

for his second collaboration with dj yellow (poussez records, ovum…) dj nabalistik presents us with 101 runin, a fantastic 3 tracker. 101 runnin has a superb dark, trippy feel to it while q moods remixes from nabalistik is the pick though, the stuttring pad and bass make it big dancefloor killer

nice price deal !!! atmospheric breaks number, with catchy male vocals!!! flip for a drum & bass remix by agent alvin!! dont miss this!!

minipops are phoebe grote and fabian feyerabendt who have already released an ep under the moniker trial & error on allyoucanbeat imprint. >knick< is a straight forward, stoic wobble bass track, where as knack mixes melodious acid with funky breakbeats

for this landmark fifty release from method, we are treated to a double tracker from label boss keith mcdonnell aka innate. fifty fifty is a slammin tuff progressove workout, with distorted chords & glitchy beats. on the flip beehive is a wiggly bass driven cut with a funky fat guitar drop...both tracks are perfect for today, but with a nod to the sound that launched method 50 releases ago!!!

following the success of last years >nitrogen 2 oxygen 1< ep for siteholder records and the recently released >filthy fibber< ep on uncut, the duo of billy dalessandro and daniel mnookin have teamed up once again under the slutbox moniker to deliver the >backseat driver< ep. switching up the rotation, the ep kicks off with los angeles based producer jason emsleys >lick it, smack it, rub it down remix<, a filthy number that no amount of sludge can adequately describe. a subtle, yet effective rhythm section keeps the dance floor busy while the dirty synth overtones grow larger and larger until they have conquered ones brain synapses. feeding off of the original vocal and adding some x-rated lines of his own, if pornographic techno wasnt a genre before, it is now. the original is pure slutbox at its best. deep bass, seductive rhythm, addictive loops, and a spanish guitar combine to make this one another club killer. as if you had a choice, please make your way to the dance floor - the night has begun. rounding out the vinyl release is st. louis via berlin dj/producer butane (a.k.a. andrew rasse). known for his widely praised work on his own alphahouse label, as well as top techno imprints dumb unit, num, and rrygular, butane has long been a friend of the siteholder crew and takes this opportunity to make his debut on the remix tip. deep, druggy, and hypnotic, butanes >percocet remix< is what one has come to expect from the late night veteran. whether its early evening, time to jack, or after-after hours, the >backseat driver< ep is an all-in-one tech fueled necessity

nice price deal !!! four different interpretations of crazed computer funk!! bumps along like a heavier daft punk house track with a heavy dose of boogie in its blood... heavily supported by play paul,adam freeland, john digweed, greg churchill, ante perry,acii.disko, azzido da bass, beats international, dada life, moston, malente, mario rogowski, robosonic, disco boys, daniel dexter, danny bonnici, tapesh, timo di roy, tom wax, gus gus, xenia beliayeva and many more

one ep to make the south americans shake their booties... >rabouine house< lays heavy on the percussion, the bass, a hispanic guitar interlude and supports italian/turkish chanting vocals throughout. pure rhythm and groove. mikael stavostrand’s mix takes it slower and darker, working dubbed out percussion, >in and out< vocal clips and a slightly horizontal effect

loco dice / josh wink playlist - 2000 and one remix

canadian label hotbox digital brings us adam k and addys superb >sub-cultured<. this collaboration is one not to be missed, adam ks signature subby bass lines and minimal groove, cross addys exceptional technique and >sit-up and listen< attitude. this is certainly a tune to keep dancefloors heaving and bouncing throughout the night. on the flip, we have >whatever<, a solo effort from adam, a more twisted and less minimal record, making the perfect compliment to sub-cultured.

plot s 4th release, >casa acido<� (free translation for acid house), comes by the hands of 2 renowned finnish artists, zentex and jussy-peka! it s a great ep composed by 3 very solid tracks reaching out to very different emotions. in zentex original there is growing tension supported on a wobbly fat sexy bass. >lena<� is packed with emotion. a silent hiss and cruising episodic elements transport you to a very dynamic scenario. jussy-peka remix is anamazing dance floor track! hedefines it as a modern acid trance remix!

stunning breaks re edit of the beatles classic!!! includes mixes by a skillz, bass nectar and backstage sluts

supported by alex attias (planet e), italoboyz, karotte, sebo k, raresh, d julz, funk d void. michael melchner is barely at the beginning of his twenties. at the moment deep house of the late nineties has to take a shine to him. in the detail it gets clear, that this is not only a copy of an epoch, but a certain vibe, which is going to be transferred into the present. this vibe with his warm sound, the well dosed house beats and a strong musical sense is hearable, but this sounds by no means antiquated. on a-side several instruments like percussions, xylophone and samples of an mexican trumpet make sure that there isn’t only an exiting variety shortly before or after the primetime, but also a proper portion of itchy feet. with the both tracks on the flip-side the whole spectrum of michael melchner becomes clear, at the one hand a clear view on the dance floor with classical house beats and on the other hand a musical character, which one misses in many current productions. >chen chen< is slightly more co plicated and more rhythmic whilst >nothing happened< is a pleasing leaned back dramaturgical subtle house piece with a distinctive bass line and interspersed voice samples.

funny a side!! the danish scene has evolved a lot over the last years, with acts like trentemøller, martinez and whomadewho. the new label tartelet records is rising from the horizon of the copenhagen club culture. tartelet records is founded by fredski (the man behind the greatest copenhagen parties ) and tomboy (aka tomas barfod, dj, producer and drummer of whomadewho, with previous releases on turbo, kitsuné , get physical and gomma). the two founders themselves are also behind this first tartelet release, which is a true showcase of what the label stands for: tech-house with multiple flavors like ghetto, funk, disco and a bit world. the a-side ‘do the tartelet’ is a schizophrenic yet effect full combination of sampled horn-madness, hand claps and techno bass. on the flip side ‘cereal’ sounds as if james holden and paul jonson were trying to make minimal house together. the future releases from tartelet promise remixes from world-league remixers (tba) and tracks by danish kleshmer-techno-reggae band analogik do the tartelet

two of italys finest young producers serve up a new dose of minimal class. andrea roma & alberto fracasso reform under their own names after the success of their guise >delv & debox<, this time bringing fresh influences of chillout and hints of techno to a proven formula. first track >duracell< has a warm minimal groove with all the beeps and bass notes to keep dance floors rolling. up next is aptly named, >energizer<. this track throws in dirty and gritty influences, and is the perfrect compliment to the minimal offering on side a. the icing on the cake comes in the form of >volta<, a twisted yet melodic thumping track.

deleta aka dj bazooka is the label boss of this new dubstep label catering to the darker, harder side of dubstep. bazooka is also behind berlins most ferocious and unapologetic drum n bass label aural carnage. with an almost vampiric hunger for the tastes of hip hop, ragga, jungle, metal, reggae, dub and graffiti deleta has spawned nothing but gut wrenching and unforgettable tracks

great remix package for threeminutes featuring grammy winning jazz vocal legend and last standing beatnick mark murphy on mic duty. madrid de los austrias deliver in fine style with a superb quirky house mix while the great prolific quantic adds some b boy minded dope jazz beats. dublex inc rework applies some fat electronic boogie beats and fake fellini rounds up this nice package with a bass heavy 4/4 take.

nice price deal !!! more dark, brooding, bass laden breaks form the transverse crew, if you like your breaks tough the white papoo has got you covered!

poussez is the electronic bastard child of london based producer, dj duo jafar and maxime cescau. established artists and record label directors in their own right?.. jafar of course popping up on a few of our previous releases. poussez brings the pair blasting through to house musics cutting edge in the 21st century. the pair are continuing to change the deep house formula in the zeroes marrying a more melodic sensibility with the abrasiveness of electro, darkness of minimal and dancefloor punch of techno. natural conditions is deeper than the proverbial abyss, >natural conditions< rocks a skankin square-bass around the sort of synths freeranges >square one< has become renowned for. 4am crowd grabbing deepness!on the flip, from its opening synths, deliciously washing over you like an incoming electronic tidal wave, >tell me how you do< grabs the listeners attention. it has that timeless mid 90s deep house feel without being outmoded and, for those paying attention, will be noted as poussezs trademark opening track on their live sets

viral breaks bring something different to the label in the form chaotic pulse?s >eternal night<. the a side is a techy dancefloor drum n bass killa. powerful bass driven drums and lashing snares are brought together with mutating synthetic bass, that will drive the dancing crew crazy. the aa sees the remix from phat riders