the release kicks off with title track find my way which features exciting young vocalist, ria morans heartfelt tones. cade opts for swinging 909 drums and a hooky bass-lick as the driving force, while morans voice sporadically eases in and out of the groove and understated chord stabs and tension building strings fuel the musicality, resulting in a classy, deep-house workout. up next is dr. fox, embracing a similar deep, contemporary house aesthetic, with saw-wave bass hits, cosseting pads and hooky vocal snippets acting as the fundamental elements of the cut, cade then plays on subtle variations in the groove throughout its near seven minute duration, to maintain an evolving dynamism and enticement. entering the latter half of the single we have ghostryder up first, cade opts for a more upfront approach this time, bringing busy drum programming to the forefront, alongside sweeping synth tones, a tom-driven bass line and dubbed out vocal licks.

canadian artist carlo lio makes his first appearance on the saved imprint, delivering his unique sound with >what it is<. possessing a lot of energy with its warm, rolling bass line, the track builds and then moves into an intense drop, characterised with the twisted vocals, oscillating effects and trippy strings. over on the flip, french house producer phil weeks demonstrates why he is one of the best producers in the game, delivering a remix that seals the package of perfectly

first up sees the new methodology track in full on dance floor assault mode - serious break-fuelled techno with rolling drums, off beat funk elements and big stabbing chords moving in and out of fx laden atmospheres at a fairly furious pace. the b side introduces yet another incredibly talented producer from the iridite stable - mike singleton is a regular dj at glasgow s internationally famous monox club as well as being one of the chief tech-heads and all round music know-it-alls at rubadub records. his track here will appeal to anyone who likes to be genuinely shaken up by a track - it s got the lot - cutting edge production techniques, heartfelt melody, intricate and complicated programming, bassline turning and twisting almost inside out, fantastic fx, but most of all >the funk<! methodology round things up with another mutant house/techno hybrid track - all shuffly percussion, filtered samples and a mournful, string laden climax, layered with weird bleep-ing riffs and super-sub bass

following the success of the consumer ep by fellow label owner james johnston comes the praise ep by alex agore, and its a true return to form for him on no matter what. the record opens with the title track >praise< - an inspired tribute to gospel music, keeping all the soul but reimagining it into something more infectious. uplifting keys combine with vocals that will have you trying your best to sing-a-long, over a bass groove that holds it all together. >falling< is a slower affair, with its dream-like chords, airy synthwork, cowbell hits and seamless hats. a perfect track to start a night or to end one. the b-side completes the package with two undeniable house jams. you will soon realise how much you like >theres no love< when its skippy vocal is stuck in your head, hours after hearing it for the first time. >i can feel you< closes out the ep on a deeper note which will have you thinking of moments when the sun is about to rise, yet the night is far from over.

the 7th sccucci manucci ep kicks off in moustache curling style with a scandinavian slice of four / four action from tarjei nygard. on loan from his own untz untz records, tarjei nygard weaves his way way through beautifully recorded synth bleeps and bass lines on togo, culminating in a piano breakdown which will have any party reaching for the lasers. the scandinavian vibe continues as dane brian logstrup comes correct with the classic slab of deep house sound that is i can dowhilst we return to the uk and the sounds of london producer mella dee whose uk garage and bass influences shine through on the peak time monster love is. last seen debuting on buzzin fly, alex blaxx rounds off proceedings with the wonderfully insouciant house of its a race thing

mit katalognummer 40 bricht auf acker endgültig der hochsommer aus. robot needs oil hat das einzigartige lebensgefühl dieser jahreszeit auf seine essenz reduziert und in schillernde schallwellen verwandelt. auf butterweichem groove hallen der träumerische singsang und die luftig-leichte instrumentierung von little leo in den wolkenlosen himmel. genau so warm und sonnig geht auch cherry ins ohr, jedoch verleihen der gesang von sambor und lässige gitarrenakkorde diesem titel einen ausgeprägten songcharakter – und mit ihm eine extraportion eingängigkeit. ausgeprägten dancefloor-charakter gibt es in den remixen von mollono.bass. der bringt die sommerlichen klangfarben nämlich rhythmisch auf jenen punkt, der sich in der mitte der tanzfläche einfach am besten anhört.

great double a-sided reissue from tiny brooklyn label starburst. features the superb and impossible-to-find *three way situation* by nadie la fonde, a cool and dreamy trinidadian disco cut which hit big in chicago as well as in new yorks cooler clubs back in 79. backed with the equally in-demand tropical monster *soca fusion* by bobby raveen. jam-packed with horns, seriously funky bass and driving percussion, this is pure dancefloor dynamite. dont miss!

ltd amuse gueule pack with tracks & remixes by josh, alex q, mollono.bass, ataneus, jules und jazper, marius drescher and sandru. bon appetit

marco baileys latest attack boasts an impressive array of reworks, apart from his almost-jacking original. the mighty carlo lio goes first with commanding chords playing the lead role, while his sub bass bubbles in the background. mangled samples are interspersed with style and metallic clangs and spacious effects complete the affair.

the bass provides the base for layers of dreamy synths and deep claps - the chords are so powerful and the vocals spinning round and round in your head. welcome to pysh on einmusika recordings.

first up is dankles *isabigting*. dankle has been steadily making a name for himself over the past couple of years, as part of offmenut records, for his solo production and as one half of phatworld, alongside tich from the squire of gothos. *isabigting* is straight up mutant bassline, with his warped, glass-like bass and hip-hop vocal.

nach veröffentlichungen auf planet mu, super und ninja tune sowie remixen für franz ferdinand, wild beasts, clock opera oder aluna george veröffentlicht der junge, hochtalentierte produzent raffertie alias benjamin stefanski nun endlich sein debütalbum auf dem londoner label. musikalisch spannt der brite auf den insgesamt dreizehn tracks des albums einen spannenden bogen aus house, bass, post dubstep und electronica.
pressung auf weißem doppel-vinyl, mp3 download-code inklusive.

parallel zum start seiner neuen welttournee erscheint boys noizes brandneue ep go hard. darauf wartet alex ridha aka boys noize mit einer ganzen bandbreite an unterschiedlichsten styles auf: früher acid/hardcore/breakbeat/rave, analoger techno (ohne bass, ohne melodie, mit intensiven roboterstimmen), 909-acid/disco-house, acid-rap und nochmal klassisch-sicker rave-beat. go hard indeed!

a four-track ep, bemired and evil-eyed, but with room for arnaldo to breathe out and flex a little after his spooked, sparked contribution to blank slate 001. the opener is a dubwise bubbler, with spaced-out keys, free woodblocks, shuffling hi-hats and elastic 303 bass. atmosphere breached is more jazzy and messed-up, running funky organ through sizzling fx, syncopated handclaps and filtered groans. the flip is dancefloor-trained. our pick of the bunch, verano is in a dark, hissing, aqueous world of its own, chugging and stomping, with relentless tambourines, crunchy filtered tribal drums and detuned horns. heads down to close: lost voices and a 909 kick, chattering hi- hats and rattling percussion administer the licks.

quality loud-pressed reissue of it s on by wizard, an irresistible slab of ultra-rare bad-ass boogie from 1982. hailing from gastonia in north carolina, the acclaimed and highly-collectible chocolate cholly s label produced a slew of top-class funk and boogie 12 inches and lps in the early 80s and this is no exception. a rocking synth-laden dancefloor bomb boasting a truly sleazy squelching bass, slamming drums and a great vocal, the rarity of this hugely desirable track has pushed prices for the original sky-high. grab a copy while you can - essential!

after 17 years at the top of its game chronic is undergoing an evolution. from its beginnings as an undercover outlet for some of the scenes biggest names chronic has always kept its feet firmly on the dancefloor. with d&b now commercially accepted the world over, 2013 sees one of the scenes original no frills labels reborn, with a new look and a renewed passion to cater strictly for the underground on which this scene is built.
a new roster of fresh talent joining forces with established artists to produce what can only be described as raw, uncompromising drum & bass. switching between straight up rollers, deeper darker beats and dancefloor smashers. 4 huge tracks taken from the 20 track chronic rollers album this double pack gives a snapshot of the chronic sound, and you need that sub turned up loud to feel these – these tracks are not for daytime radio!
club support: bailey, bryan gee, crissy criss, dj hype, sub focus, dj marky, dj krust, dj craze and more!

paul woolford fusioniert mit seinem projekt special request uk-house mit piratensender-bassmusik und erschafft infiziöse rave-tunes, die sowohl in einem 120bpm techno-, wie auch in einem 170bpm drum & bass-set funktionieren. neuer 4-tracker auf dem fabric-label houndstooth. mit remixes des gefeierten new yorker house-produzenten anthony naples (mister saturday night) und lee gamble, der im vergangenen jahr mit releases auf pan für furore sorgte.

*foundation* is the new ep from especially good, the most exciting band from detroit in recent memory. the eight track ep showcases the trios dynamic energy of julio dominguezs vocals, joe flis synthesizers and drum programing and paul kirys bass - culminating in songs that are equally raw, brutal and honest. the sound of e.g. exists in a space of its own, but one can hear influences of throbbing gristle, factory records and detroit techno in the rhythms and sonic textures throughout *foundation*. recorded and mixed in detroit by sam consiglio and adam lee miller (of adult). released on est. 83 records

special remarks: 1st pressing of 500 copies in limited embossed sleeve & 180g vinyl.tripmastaz explores beyond the definitions of min and max and loops our minds attention back onto throbbing bass & shuffled percussion that remind us how close house & techno really are.

a whole pack of love for drum n bass combined in 3x12 feat. great sneaky remixes from known and unknown artists.

a-side brings a 45rpm mentalcore speed hardtechno, very progressive with some good bloody breaks, and bass changes! twirling stuff absed on a david green sample... playable at 33rpm.. b-side brings one 33rpm dub techno breakbeat track, very efficient, with a long dub intro, opening on a massive kick where it was expected. a real tune travelling into style and remaining dancefloor, this tune is a postal collaboration between lityk and vulpine smile from usa. one side 33 rpm boostables and one side 45 rpm playable 33rpm... a superb record we are very proud to co-produce with lityk.

the sub:stance vinyl only box set marks the 5th anniversary and final edition of the sub:stance night at berghain, marking its passing with 7 exclusive tracks by artists who have been central to its sound and prints of the legendary flyer artwork used to promote each event. sub:stance was the collision of two worlds – the vitality of uk bass music intertwined with berghain and all its sensory exhilaration and unique atmosphere....

for the first time ever, the ives brothers cult debut album is reissued, here in remastered format. spread across 13 folk electro-acoustic pieces, an english love ode mixed with a melonconic darkness that transcends any simple happy-hippy pigeon-holing to offer much more. emotional rescue is delighted to announce welcoming the enigmatic, electro-acoustic duo woo to the roster.

part 2 concludes killawatts largest body of music to date, the opposing rhetoric ep, a 6 track opus of truly progressive uk underground sound that melds his influences from dubstep and techno with expansive, high-tension sound design. the eps second triplet of beats feature his most overtly techno-focussed sounds yet, expanding his horizons and dropping the pace down to 125bpm, and delivers punishing dancefloor rigidity and bass-immersed sonic force. on black air, killawatt threads tightly coiled syncopations above a grinding 4×4 structure, and delivers a near-cacophonic but ultimately heavy full-sensory overload. the flipside is divided between the churning swell of dark industrial aesthetics on art of discourse, and the moody permutations of reactive technique, where rippling melodic shimmers provide accentuation to its pounding sub-density.

already played by dave clarke on his white noise radio show and hammered by hawtin at space opening. acid!!!(no words necessary...) super heavy pounding energetic 303 techno in clemens very own trademark dirty bass-heavy sound. this is the real pure acid shit - combining the raw power of mid 1990 s techno with the sound of now. as always on neufeld records: the vinyl 12inch contains a mix that you will only find here and will never be released digitally.

after the successfull acker009 and acker021, kotelett & zadak are back on the acker sister acker dub ! incl mollono.bass remix

1st pressing of 500 copies in limited embossed sleeve & 180g vinyl! bubbling with melodic intention julians foundation of deep bass drives us all forward in repetitions that hold fast in our minds & memories.

from the soul-stirring opening strains of ex friendlys sublime start to the people are looking at you imprint, it is clear that the emerging nottingham-based producer has a gift for music that travels further than mere surface physical response. in a scene littered with disposable vocal turns, the simple poetry of rich medinas narrative that runs through journeyman resonates perfectly with the yearning strings and low-slung, bass-rich groove that come to define this exquisite approach to deep house. jonno & tommo hone in on the more rhythmical elements with their own dub of journeyman as a clearer club-ready intent meets with the psychedelic potency of the aqueous sound effects and that ubiquitous string hook. whether reaching for a more meaningful dimension to add to a set, or to simply drift away on the cradling nature of the music and its message, it is clear from the outset that this is music built to last.

trotz zahlreicher nebenprojekte wie alexis taylors about group, joe goddards the 2 bears und einem vollgepackten tour-kalender, lassen uns hot chip nach ihrem erfolgs-album in our heads vom sommer 2012 auch in diesem jahr nicht im stich: die neue single dark and stormy erscheint am via domino! der typisch leichtfüßige hot chip-sound trifft auf eingängig groovende bass-lines und den soulig-melancholischen gesang alexis taylors. dabei herausgekommen ist ein elektrisierender dance-pop-song, der spätestens mit dem aah-ooh der bridge ganz fest im ohr hängen bleibt.

this ep on memento records sees alfonso leon take his production skills to the next level. vinyl compresors soulful melodies and tribal percussions are matched by a deliciously funky and luscious bass line, until acid synth stabs open the way to a low-pitched, creepy, almost manic dark vocal that crawls along the groove.
fabrizio maurizis unique taste resonates hugely in his remix: a computerised, robotic low frequency bounce underpins a loopy rework of the dreary vocal, bringing its more rhythmical and human elements to the fore, marrying them to the relentless beat. outstanding works, both tracks.

after successful releases on space breaks and shanti labels, petr serkin presents next one, on the new russian label! deep house tracks with warm groovy disco parts. the first side opens with very emotional breakdown treatment, next comes the dancefloor kicker freedom experience with solid low basement. on the other side you will find catch the flow, based on unstoppable guitar bass with some keys and licks. and the last one is ocean returns, a nice deep melodic disco-thing. supported by soulphiction / jackmate, franklin de costa, session victim, moodymanc...

you would think it would get harder for wilson head honcho, fabio monesi to keep achieving the same level of refinement with each release he puts on, but truth be told is that he simply just glides right over it with the third part of the spectacular underground warriors. bringing on the heavy weight all-stars fabio monesi, transitive elements aka enrico mantini, james johnston, upswing project aka alex agore the 90s revival movement ...

meta009 signals the long overdue return of a.i to metalheadz with the release of *dillirious / what you had* featuring steo on vocals. yet again metalheadz deliver another outstanding outing of sheer drum and bass brilliance adding yet another definitive release to their unrivalled catalogue of drum and bass future history.

dj w!ld is back, this time on crosstown offshoot rebellion with a stomping summer anthem featuring cari golden on vocals shape u. the original fuses the solid punch of a club weapon with the laidback feel of poolside disco, while the fur coat remake gives the track an entirely different sheen all chugging disco bass-line, dark synths and pitched down vocals. an aptly named wilder remix and dub from the producer ties up an unmissable ep

belfast bass producer unknown who has built up a huge following with a steady stream of tunes on youtube and soundcloud, made his vinyl debut with last years #001-010 series on champion sound recordings, and now he returns to the label with his best and most diverse work yet, the i cry ep. the unknown trademarks – waves of sub-bass, expertly swung percussion and a dark, seductive and tense atmosphere – are all there, and he is pushing into new and fascinating territories too, with some brighter textures, house vibes and his first ever vocal collaboration on the stunning title track, *i cry*.

limited to only 250 copies, hand stamped white label. the 6th release and first e.p on need for mirrors own affiliated imprint zoltar.
deity features the vocal talents of nik toots, with a rich british rock voice this track has set its self apart from anything else currently available in drum and bass and has a heavy valve influence.
broken britain is a cinematic stepper, drenched in strings and drones and guitars. one for those who love the late 90s sound of dj krust.

rich vom dorf back on acker

step into brooms dojo and be met with a sausage apocalypse, as the uk techno magus flays alive your wildest dreams using his brace of bangers. with snake-like precision this chimera of the shadow realms pounds techno oblivion from his production line. sparks fly as gleaming loaves of acid-soaked brilliance fly out the bakehouse door, the master bakers eyes spinning like electronic roulette wheels - out of control under delirious bass weight. enshrouded in the blue haze of the shamans gourd pipe, mr mark broom is again set to blow the back doors off any club this side of basildon

cardiff massive giovanni branciamore and bradley albertides heard nicoles amazing sultry folky tones on the flowers of flesh & blood album and just had to work up some nip and bop to sit with her voice. nicole loved it and this is it! we are not too sure what to label this music under but tags of future nip hop ambient folk bop seem to be close. sarah burgess is a secret forest folky vocalist from york with a super soft ambient tone to her voice which was crying out for a touch of flyypost nip. luv*jams ambient alter ego flyypost slides out some wobbled out bass lines, floaty synths and a 68bpm raw kick drum all gliding on a bed of waves with sarahs stunning memories vocal. what style of music do we label this as? neo italo nip folk acid whop?

terrence parker is a detroit legend and to celebrate this first edition of finally (terrence parker late night dub), in the pure house tradition with shaking bass, glamourous vocals, strings and piano, we decided to asked a remix to the one in france that keeps the houses flag high and strong: manoo. maya jane coles remixer, mixed on panorama bar 04 by nick höppner, signed on such labels as deeply rooted house, real tone record, ... with manoos remix, the vocal has been changed in an hypnotic mantra, synths are like rolling waves and the drum section is like a heartbeat. also two others remixers from the d!fus team lead the track in real different directions: laurent caligaris choosed the love and deep side: nostalgic and beautifull. maxco found the dark side of the deepness, miles away from the original reconstructed on rythmics, ambiance and deep synths.
already support from norm talley, ata, laurent garnier, fabrice lig, enola, claude monnet, grego g, patrick vidal, arno gonzalez, anton x, krispaglia ...

m.in and safado are bringing joy to dance floor this summer with two new perky productions. love goes crash* featuring safado, the eps first track, is a bit darker, deeper in its intention yet as seductive as the second track. sunshine, the second track, is an uplifting and exhilarating tune with a groovy bass and melody conduction.these tunes will make ravenous asses shake excessively on every dance floor. on the flip find dj le roi retouching the sunshine and beatamines remodeling love goes crash. both laid hand delicately and remade each track in their own distinctive way.
dont miss the sunshine - it will make you feel fine!

the a side opens with redence delusions introduced by a delay metallic notes, and a line grating background that give entry to a hard nut to crack hype joining the above sequence to form the groove. the delays become more important as the track progresses, and more incisive percussion, dance inducing wilder. the second track on this side sagae has been granted to tomohiko sagae, the japanese producer emerges on the scene to give it a fresh industrial sounds dark dye forcefully included. catalog is part of the prestigious british label rodz-konez, in addition to works published in huehelix and atrocity. we present a cut with a pounding bass drum rhythmic against a distorted sequence taken from a radar air booming steel industry, and dark piercing screams that increase the intensity of its entirety through the plug-in more severe. a full-blown rebellion industrial sounds with those harmonics so peculiar that offers japanese school.

cutters records are pleased to announce the debut vinyl (and vinyl only!) release from their latest signing, the la based artist kauf. since 2011 he has been honing his own dark twist on modern electronic music, with heavy drum production, dense, cinematic synth buildups and high-pitched, echo-laden vocals. his aesthetic lies somewhere in between the worlds of slow house, industrial dance and drony indie pop earning comparisons with the likes of caribou, matthew dear and toro y moi. an internet-only single caught the ears of cut copys frontman dan whitford, who promptly signed him for a forthcoming ep, entitled as much again on cutters records. the first taste of this ep comes in the form of the relocate 12 inch, including remixes by psychemagik, nile delta and moons. kaufs relocate is an dark anthem for the late-night-slow-dance, featuring sparse metallic percussion, chugging synth bass and vocals drowning in a sea of reverb. psychemagik take this vibe and run with it for their 7 minute house tinged rework. cutters own nile delta ups the energy with his signature acid-injection and moons (no recordings) rounds out the release.

for the 13th release from paris ghetto club label, clekclekboom turns to coni, the man who released their sophomore effort in december 2011. the ep also marks the start of a new artwork series featuring futurist portraits of the artists. conis *my secret diving* shows a distinct progression in the young parisians sound since 2011s highly popular *luz in the pool / suma / crush*. whereas the former was aimed at peak-hour clubbing with upbeat house rhythms, 808s and big bass lines, *my secret diving* takes a more relaxed and confident approach.

nice price deal !!! we have been following belgian producer ozka for quite some time whether it be techno, house, electronica or bass music: he has a unique take on it and it always sounds fresh.

after a string of successful releases on labels such as diapham and local talk, greek producer kindimmer joins forces with instinkt to deliver a deep and tasteful slice of heavy dance floor funk. already respected for his trademark tech-infused sounds, kindimmer goes one further on this ep with swinging percussion and infectious bass hooks.

raised in haifa, israel, now located in amsterdam, this duo of sonic explorers have had acclaimed releases on a host of cult labels like psychostasia, underground quality, dekmantel & many more. having already released the incredible *release the golem pt. 1* & *jewsex* on everyones favourite nyc label, the pair make ready with their most claustrophobic and menacing outing yet. the original version on the a side stays in the same tempo territory as their dekmantel classic *african flower* but concocts a much more spacious and heady atmosphere, reminiscent of mark gages vapourspce project. side b takes us directly to the dancefloor, utilising the same bubbling bass sequence but transposing it onto a devastingly propulsive rhythm track, like the angry cousin of their *bleached roots* and *powow* classics. a formidablle force in modern dance music, at the height of their powers!

opener getting run down loops up a nagging hip hop sample over skittering dukey beats and washes drifting pads and spacey keys over the top for a hypnotic late night groover. reach out goes at a calmer pace, but revolves around intense builds, insistent polyrhythms and detroity riffs for a bit of hypnagogic drama. on memix duties, om unit does what you hope hes going to do, injecting reach out with seemingly infinite swathes of space and bottom end, looping about at his own pace, but with that constant sense of om unit purpose. nphonix closes out proceedings with a tweaky, rubbery acid style workout that will find friends in bass and house camps.

the mysterious duo strangers in heaven strike back on souvenir! after their first highly acclaimed release last year and their remix of souvenir bosses, tiefschwarz, the boys return with a strong two tracker. first track, set me free, is a deep groover which features jonny cruzs incredibly melodic voice. the same track gets a decidedly deeper once over from none other than, eric volta (ellum, visionquest). on the flip, the future is a miami bass vs. techno tune with some real old school house feeling injected into it, featuring the unmistakable voice of the wondrous navid izadi(wolf+lamb, soulclap).