Kicking off with Another Generation, Makoto launches straight into a shimmering, spacy soundscape which he subtly juxtaposes against a rooted, earthy bass line and snappy breakbeats, before taking us on a journey through a twisting cosmos of artfully crafted bubbling, resonating synths, occasionally punctuated and given a human touch by the simple male/female spoken word refrain of ‘Another Generation’.

Following on from this, Summer Nights retains echoes of Theo Parrish at his most jazz like, and is full of the technical mastery which Makoto has developed through years of sonic experimentation, with an effortlessly light footed arrangement anchoring the dubby synths and funked out breaks and sounding for all the world like a future classic in the making.

On the flip, track three entitled ‘73’ is a short study in arpeggios - opening up with a gentle, subtly shifting electric piano, which ebbs and flows as naturally as a river on a calm summers day and showcases Makoto at his reflective, meditative best.

Finishing off with Skyline, Makoto heads back to the floor of the nightclub – again the track is led by arpeggios, this time crisp and colourfully synthetic and building to a pressurised peak before the drop of sub bass propels the piece into a more visceral, muscular proposition referencing 80s boogie as well as the work of melodic synth pioneers. Again Makoto illustrates his comprehensive understanding of arrangement, reining the track in and letting it run free at just the right moments.