after the music components album, arnaud rebotini (blackstrobe) deliver the first ep from the new project music components rev 2 a collection of remixes by martini bros, donova or steve moore. you can find here some remixes by chloe, jesper dahlbäck, blackstrobe & xaver naudascher.

fukkk offf is back with a scorching second single from his debut album love me, hate me, kiss me, kill me. more than friends has been the dominating track from the album with its male/female hip hop duet about a sneaky encounter at the club and has been begging for an equally dominating remix package.

dj david vendetta returns with force releasing she turns around, the first official single of his new album! this dj adored by his faithful fans worldwide, proves to us the grandeur of his talent. the album which is due out the beginning of 2010 will display a plethora of very original hits in the house/pop/elektro genre. his first released exclusive title is influenced by rock/elektro and we show you with no reason of a doubt the creative evolution of david vendetta that willingly took quite some time to give the best of himself!

superb deeper slammin tech tracks! his best album ever! special repress

excellent bassheavy dubstep remix by untold !!! schon die ersten takte machen klar, es wird abgehen. was sich zunächst als intro eines derbe-straighten oldschool-hammers ankündigt, wandelt sich ohne jede vorwarnung zum breakbeat-kracher mit angezerrter monster-kick. mit dem >surgeon remix< wird die sache dann auch tatsächlich gerade, aber von entspannung hat hier niemand was gesagt. der straight-bouncige beat hüpft wie angestochen durch die gegend, angereichert mit seltsamen metall-percussion. die klaustrophobischen flächen und düsteren melodiefragmente der album-version ziehen sich zusehends enger - wird der track dichter, oder sind gerade die wände ein stück näher gerückt...

roland appel of trueby trio, fauna flash and voom:voom fame is following up his huge hit dark soldier and the album talk to your angel (both released on sonar kollektiv) with an eerie tech house 12inch which is destined to be massive.

special 3x 12 inch edition including full length versions!!! in this version youll have the chance to get the the full length version of celestial, conspirer, los ninos de fuera, africa sweats feat. ali boulo santo and metodisma which arent available on the cd versions of the album

following the great international success of glitterbugs album >supershelter<, everyone has been curious to hear what this unique and unmatched producer will bring us next. and truth is, there is a lot! glitterbug has been working on piles of new enchanting materials, tracks, projects and remixes.
as a first release in a series that will lead to his next (double cd) album, is the >dim flares ep<: a dream-like, intense and deep moody ep that carries that very special glitterbug sound to a whole new level, touching on deep emotional techno with a utopian 4/4 perspective.
this beautiful ep opens with >so much more>, an epic track that releases its melancholic-euphoric mood slowly over the course of 9 minutes, turning itself into a beautiful, hopeful, hand-raising screamer that floods the dance floor with overwhelming warmth and heartfelt love. side a ends with >deadpan<, an intense dark ambient miniature that lets us peak at glitterbugs world of score-like ambient compositions.
the b-side begins with >daubed beams<, a deephouse track all glitterbug. >daubed beams< feels like what mid 90s detroit techno released on warp would have sounded like: unbelievably deep, pensive, warm, divine and pumping.
c.sides latest emotive ep culminates with >be content<, a warm track with a deep drive of warped pads, a dark bass-line, airy percussion and unforgettable arpeggios. this exhilarating dance track is layered with bottomless emotions, the kind you want to close your eyes to, hug the person dancing next to you and wish it would never ever end.
the >dim flares ep< is the first in a series of 3 magnificently moving eps (by glitterbug, christian löffler, and a collaboration between glitterbug & ostgut ton s murat tepeli) to be released on the c.sides label in 2009-2010, all leading up to glitterbugs extraordinary next double album which is currently in the making and will be released in spring 2010.

this is the second album by sven schienhammer aka quantec on echocord. after releasing several 12 inch on labels like styrax leaves, meanwhile, snapshot and echocord sven is back with another fulllenght album. this album contains older tracks from the year 2001 and some of his newer works from 2009. on this album you will hear many of svens personal favourite tracks and echocord are really proud to release it. its not really the typical quantec sound, its absolutely different to his last album on echocord, some of the tracks with vocals, but you can still hear the quality quantec sound.

after his outstanding album debut christian naujoks is back withthe first of a 12 inch trilogy to be released on dial records. adoring the sound of pitched down pre-recorded strings dressed in deep, dub-styled echoes, east end boys is a song dedicated to to the raw and powerful sublimity of physical sounds. the song was created while naujoks was working on a live set for the akustic saloon at legendary berlin based berghain club in april 2009. overwhelmed by his flatmates live performance, lawrence decided to produce a remix of his favorite christian naujoks tune >bloom<, which appears on the flipside.

the boys i mean are not refined,
they speak whatever is on their mind,
do whatever is in their pants.
the boys i mean are not refined,
they shake the mountains when they dance.
- which i like.

straight off the heels of his highly successful bird brain album teaser tracks, aundy and beat that bird comes the definitive claude vonstroke record everyone has been waiting for. the a side is classic genius cvs at work. he constructs a mad vocal pattern up and down through 4 octaves and all the vowel sounds of the live human voice. then he creates a chord out of the notes all coming together for en even bigger surprise in the 2nd half. this track is quite simply unique. there is nothing else like it. the b-side resembles the freaky side of cvs harking back to the tech funk sound of tracks like chimps. this time claude makes an ultra-wide filter sweep sound like a pair of humongous tits bouncing up and down on a trampoline. the boob jokes are there but the track is so filthy dirty its hard to even find time to chuckle.

heavyweight vinyl. in this light and on this evening, the new album from editors, represents a significant step forward for the band following the huge successes of debut album the back room and the number 1 follow up an end has a start. there have been many changes to life in editors since an end has a start broke the band worldwide and established the then birmingham based four piece as one of the uks most prominent bands of recent times. bassist russell leech and guitarist chris urbanowicz are now resident in new york while singer tom smith has become a father. these changes added to the sense that in this light and on this evening is the start of a new chapter for editors and the band came together in london for the recording sessions with producer flood at the start of 2009 with a determination to push their sound into wholly new territory.

after his recent release on clone a made up sound (aka 2562) presents his new platform for his own beat freakery. it is no news anymore that dave huismans is one talented guy! his debut 2562 album was one of last years highlights ... and his new album set for early winter 09 will be not create a smaller buzz! in the meanwhile mr huismans also managed to squeeze out some killer tracks out of his machines for his a made up sound project! these 2 tracks will get a limited run on his newly started label. >rework< started out as a sneaky bonus remix but ended up as a killer techno track in its own right, with stomping 4/4 beats, an irresistibly simple 3 note chord melody and gut-wrenching sub bass. contrasting is >closer< on the flip, where a yearning vocal stab spirals around a warm synth line that just keeps on building over signature punchy broken beats and a big b-line, all the way until its climaxing breakdown. highly recommended!

zoot woman present their third album. things are what they used to be has by no means strayed from the dark and atmospheric, hooky and melodic road, but what we now hear is a strikingly upfront, passionate, and mature development.the euphoric title track emphasises the want to return to how things once were in another state of mind, time and place. while this album takes you on a journey, sometimes introspective and often drenched in desire, each track is unique. from the pulsing hook line of we wont break, feeding an addiction to emotional melody in lonely by your side and more than ever, then to be shaken up by the pounding stadium electro of witness.

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

dizzee rascals fourth album tongue n cheek , features the huge uk number one singles dance wiv me and bonkers and the soon to be massive holiday.

the title track of cortney tidwells 2006 album on ever records in 2 epic remixes by ewan pearson and sei a.

released in 1980 this italo gem has more recently become a huge collectors item worldwide due to its incredibly hard to find status (ú100 ebay / discogs). this album was the prototype for the whole italo sound, with the majority of it written in 1979, but was only a minor hit in its time and not much is now known about the band. the album spawned two singles gipsy and back to heaven but is full of off kilter disco classics such as mister luck and down to the disco. dusted down and remastered this album has really stood the test of time and given a fresh lease of life its bound to find a whole host of new fans worldwide.

after a four year hiatus ferrispark records picks up where the legendary detroit deep house label left off... ferrispark records is proud to announce the 2nd 12inch vinyl release from scott fergusons full length album entitled save our sons and daughters. this limited edition vinyl release contains 3 tracks of deep and soulful detroit influenced dance music.

the right is the first 7inch to be taken from lou barlows new domino album goodnight unknown. lou barlow, legendary member of dinosaur jr and founder of sebadoh and the folk implosion, releases his first new music in over three years. the new music recalls vintage lou - upbeat, yet always yearning and endearing, memorable songs to break your heart. the 500 copies only 7inch comes backed by non album b side author.

phil kieran has been in the upper echelons of the electronic music game for more than a decade, but is only now releasing his debut album under his own name. known for rocking clubs and releasing a string of killer twelves, belfast-based phil has hooked up with german powerhouse cocoon in recent times. sven väths label is now about to release shh, a groundbreaking piece of work that will undoubtedly gain phil plaudits across the board. shh seems to not only reference every sound phil has ever loved in music, but is formulated in a completely fresh and futuristic way. listen carefully and you can detect elements of dub reggae, old hardcore like lfo, hip-hop, early 90s electronica such as autechre/black dog and other warp staples, as well as the futuristic techno that phil excels in. for the album phil went back to old sound lab recordings dating back to the 1950s and 60s. utilising some of these sounds in the initial construction, he built up tracks using a combination of old samples sourced from original and weird places and some live new instrumentation as well. there are live drums, some electric / acoustic/ bass guitar and live keyboard playing as well as some choice guest vocalists.

>realtime art< - that s how blackisbeautiful call their electronic music art. an analogue idea within the digital age. inspired by the aesthetics of analogue music devices, the first album of the dortmund-based producer team will be released in september via the upcoming cologne-based techno label 200. blackisbeautiful partnered up at the vrstck club in dortmund two years ago. they bonded through their deep connection to analogue art. residency atvrstck and a musical and friendly collaboration were to follow. both look back at long-term musicianship and life experience. while tim dicke paved his way into the electronic scene through being a drummer, bassist and soloartist in punk and hardcore bands and later on as dj, Ümit han quickly moved from djing to producing his own tracks. in 2006, Ümit won the remix contest to gabriel anandas >glücksmelodie< and also released tracks on karmarouge, meerestief, harthouse and other labels. blackisbeautiful created two tracks in real handicraft with alerion and purpur: mesmerizing and enthralling at the same time! music that invites you to dance and yet puts you to rest for a closer listen. attention to detail and experiment-happiness get you addicted to blackisbeautiful: occasional street recordings of sounds in everyday life and sampling of snap-shots run through their dynamic sound images.

>faith< is a breathtaking longplayer that is produced from the early points in my life where house music at the time between 1994-1998 was more open and free without styles clashing and everyones sound was being admired. the productions and concepts for this projects was created by...

many deeply-rooted house influences from blaze to larry heard
to early 1990 strictly rhythm housegrooves witth strong influences of jazz
to intelligent new jakbeat tracks with less noise clatter and more
soft-cushioned toned multi-melodies and vocals.
faith is a creation from all of my life experiences
also everyone s life in general.
the world we live in..
the struggles
death
life
parenthood
finance to survive
sharing
friendship/relationship
this is the story which unfolds thru emotional emancipation manifestion....
then the alternative thoughts....

beautiful
melodically high
strong
vital,
true,
natural,
incarnated ..

its more than a house album, its a complete story...
with jtc singing vocals. myself(traxx) singing vocals
and nancy fortune singing vocals on my album..
- melvin oliphant iii aka traxx -

after almost a year hiatus the detroit grand pubahs are back with their detelefunk label. detelefunk being an abbreviation for detroit (det) electronic (ele) funk, they relaunch their imprint with a remixes series of some of their favourite producers remixing tracks from their last 3 albums. hence the title of the series being made up of words from all these album giving us the funtastic “buttfunkula and the remixes from earth”. this is the first of 2 volumes / eps that will offer new remixes, leading into a remix compilation featuring the finest remixes of the pubahs music from over the years. volume 1 sees the minimal originator himself, robert hood, take the reigns and remix the title track from the pubahs debut album >funk all y all<, while detroits underground resistance / interstellar fugitives dj 3000 takes one of paris the black fus first tracks >stalking you< (previously released on throw) and adds his albanian rhythms. finally, last but by no means least swedens samuel l session takes time out from producing for his own klap klap label to deliver this peak time dancefloor remix of the infamous >dr bootygrabber<. promising to take robert hood, dj 3000 and samuel l sessions on a galactic ass trip in their star ship was paris the black fu & the mysterious mr os way of getting them to do remixes. >now all i have to do is get them to deliver< comments paris from his secret lab >i do plan to bring them home after the remixes have been released. working with these artists has been a goal of ours for the past few years, and now that they ve been abducted may the funk be with all of us<

alex ridha aka boys noize is, along peers erol alkan and justice, part of a new mongrel breed of techno / electronica artist with a maverick bent and solid vision, beaming a myriad of influences from the past through a prism to create something fresh, new and exciting. founding his own imprint boysnoize records (bnr) in 2005 he achieved to establish his very own sound. alex released the first boys noize album “oi oi oi” in 2007 on bnr which featured febrile club favourites like “& down and “lava lava” and also more soulful techno tracks like “shine shine” or what many regard as one of his finest works, his remix of feist’s “my moon, my man”. official remixes for the likes of depeche mode, snoop dogg, justice, late of the pier, his latest work for royksopp, highly regarded dj mix compilations (bugged out! / i love techno) as well as productions for black eyed peas and canadian genius gonzales proved how versatile he could be. now boys noize presents his second longplayer as a lim.ed on vinyl instead of following the commercial path after the unexpected success of “oi oi oi”, boys noize passed on any big name featuring, the great pop approach or feeding trends. keeping it real, “power” starts where “oi oi oi” has ended and shows the freshest of electronica and techno music.

metronomy are back for 2009 with this perfect slice of pop pleasure taken from their fantastically received second album nights out. a multi layered party playlist that gurgles out anthems without pause! a sleeping giant of a dancefloor creeper that will be everyones favourite in approximately six months time. 9/10 nme

first single extract from the forthcoming new album >a< by the one and best french electro krautrock ambassador of its time!

for the second release on ki records we invited a very special and talented artist from japan to join our label. daisuke tanabe, who studied art in tokyo and london, has been producing music for the last 13 years. various releases on zero dbs fluid ounce label and an impressive amount of remixes for gilles peterson’s brownswood imprint have proven daisuke tanabes versatility and talent for modern experimental electronic music. as a live act and dj, he performed with gilles peterson, onra, tim exile, hudson mohawke and clark. we decided to dare a leap into a more experimental way by publishing his outstanding flowers on a wall. the four-track ep will be released in august 2009 (500 copies ww on limited vinyl), simultaneously to his first album on japans circulation records.

supported by: dave clarke (who spins the tracks in heavy rotation during his weekly whitenoise radio show), speedy j, nitzer ebb, thomas p heckmann, felix kroecher, eric sneo, the advent and many more...
be prepared for one of the techno-highlights of the year by those two outstanding producers. virgil enzinger is a true pioneer of the electronic music and is releasing his tracks since many years on the most respected labels such as chris liebings clr, kombination research, enable, killaz, impact mechanics and many others.his partner xavier morel is working in the music-business since the early nineties, released various mix-cds and produced tracks with artists such as juno reactor, prime suspect, eat static... just to name a few. he played all around europe, asia, australia, usa and south america and has been running his own very successful label rasputin records with releases by johannes heil, dj hell, thomas p. heckmann, tony rohr, pascal feos and others.now they joined forces and deliver this massive mind-blowing masterpiece in form of a double-cd-album! this double 12inch-vinyl will contain 4 album-tracks called >particules<, >moon shadow<, >central< and >wolverine<, all stomping techno-killers with a maximum of drive and the top-notch production-skills of virgil enzinger. crystal clear soundscapes meet obscure rolling beats without making any compromises. the album definitely will be a milestone in modern tech-music and for sure won t leave the record-cases of djs around the world during the next months! >fiction< is absolutely recommended for all friends of serious electronic music!

warehouse find. a few copies of long deleted larry heard full length album! be quick!!!

ltd 300 copies 7inch! taken from the album the glimmers present disko drunkards!!

the model is no stranger to gigolo, and we (the royal we) are no strangers to the model. as a supporter of gigolo records, you, our fated reader, should be familiar with our protagonist previous gigolo adventure. but in the words of the late george harrison, >all things must pass< and with this in mind we would like to reintroduce...
the model doesnt just have his own sound, he has in fact attempted to engineer his own genre: dark-techno-baroque. the sound has been crafted through a penchant for aristocratic mannerisms and a passion for high fashion and low fetish. it also happens to pretty succinctly sum up part of his unique personality. set against a backdrop of refined charm, there s an underbelly of something dark and brutal, which is possibly the best way to describe the a-side >in the night<. in many ways this could be seen as a return to form for gigolo, immediately poppy but structured as a classic song with haunting vocals underpinned with a driving techno rhythm. to further consolidate the techno aesthetic look no further then >flex on the b-side and you have a pounding track that could have been played by daft punk in 96 and will probably find a home with a diverse selection of djs today.
the >vampire funk ep< is the first release from the models forthcoming album on gigolo. the concept is in the same vain, but delves deeper into the dark-side of the model. exploring his fetish with the night and creatures that occupy its opulent corridors. like classic transylvanian tales the music from this album will present details that set the mood and composition to create tracks with narrative regardless of lyrics or words. the result being music that moves both bodies and minds and stirs the blood. as pretentious as this sounds the author of this mindless scrap of paper has the fortunate privilege of speaking from experience. as the mind that moves the hands that moves the keyboard is the mind that is being moved by the music as i type and you read. so we are already part way there. the rest will unfold in the coming months.

roland appel started producing music and spinning records in the early nineties. he was a member of fauna flash (together with christian prommer) and the trüby trio (with rainer trüby + christian prommer). in 2002 he released an album with peter kruder and christian prommer as voom:voom . with every project he toured the world and played clubs and festivals from montreal jazz festival, sonar festival to fabric london, new york, berlin and tokyo. from 2004 to 2006 roland lived in paris. during this time he started to write music for his solo career which quickly gained an international following. in 2006 returning to his home town of munich he teamed up with engineer jan krause to start recording once again. whether roland incorporates an accomplice or is working solo, thereÆs hardly a dull moment in the studio or on stage, captivating his audience by combining the integral influences of detroit techno, folk, disco all the way to soul and house. one of the most in demand tracks from the all night long album, snow gets a full single release as a result of the huge response from disco heavyweights horse meat disco, who took the time to contact us to tell us how much they love it. old school disco in every way, certainly not space and nothing nu about ita.. dfa darlings runaway turn it in a slow burning house direction that builds the tension until every last drop is wrung out in a sweaty pool on the dancefloor. nice.

single extract from pascal comelade new forthcoming album. flip for reg presleys i cant control myself. limited pressing!!

nice price deal !!! part 2 of the remix series with tracks from the toshinori kondo, eraldo bernocchi & bill laswell album >charged< (amb9955), this time made by mick harris aka quoit and caspar brðtzmann in 2001.

the last single taken from the remute-album >grand glam< will bring back summer! >lampuca for everyone< is a catchy house-mover with an hook-line you won t forget. incl. remix by hot spanish super-heroes affkt & rafa siles from the label of the moment barraca music.

perc trax returns with its 30th vinyl release with a split ep showcasing the works of both its newest and most established acts.
first up is ben gibson with 2 tracks that feature on his forthcoming perc trax album >in a realized luck of immanence<. both tracks instantly demonstrate what made jeff mills sign ben to his axis offshoot 6277. bens sound is a dense, atmospheric take on the now-classic uk techno sound of surgeon, regis, ruskin etc and both the rolling bass of >vanished between< and the sharp stabs of >wirklichkeit< prove that he is an artist to watch out for.
on the b-side label boss perc hooks up with the labels canadian connection metalogic to deliver 2 tracks that flit between broken beat and 4/4 rhythms with ease. both tracks feature an attention to detail that both perc and metalogic are known for with endless dubbed out synths and effects keeping the tracks interesting but never getting in the way of the crisp beats. these tracks have already been road tested around the world by perc in recent months and will be a key part of a launch party for this ep in toronto in october.

incl sure shot remixes by thomas schumacher & westbam! 2raumwohnung in top form. this is the second 12 inch taken from their highly acclaimed new album. quality pop!

first pressing limited to 300 copies! taken from the album >the glimmers present disko drunkards<.

dudley perkins returns as declaime with a bass-heavy bubbler courtesy of madlib! exclusive cut that s not on declaime s upcoming quazedelic-produced album, >fonk<!

microscope contents is the first single to be taken from kelpes forthcoming third album for dc recordings cambio weschel (which is released on october 12th 2009). it begins with the eponymous title track - an infectious, bass driven, electro melody which pulses over a constantly evolving percussive groove...

the third instalment of the apres vinyl series explores the indie disco dimensions of future classics 2 year old sunday afternoon session in sydney. when we commissioned gemma smith to produce four artworks for the series this angular and intense piece sat well with the spiky hot chip meets junior boys disco punk funk of melbourne 3 piece clubfeet. it also worked with adelaides sidwho, another promising newcomer whos recent 12inch on cage & aviarys the walls have ears imprint got rave reviews from horse meat disco, mock & toof, tim sweeney and optimo to name a few. millionaire is an early taster of the pop sensibilities of sids forthcoming solo album with future classic. sids also a member of the modular signed live disco act the swiss. chad and nathan took some time out from the future classic hq to turn in a remix of millionaire together with good friend bryan o callaghan who also happens to be head chef at the tilbury where aprÞs is held. bryan quickly became a firm friend of future classic after mudd and aeroplane were booked for sets at apres with bryan seeking us out, immediately impressing us with his unparalleled knowledge of rare disco and groove. last but definitely not least (since it made the a1) came pink frosts remix of evening star by another local sydney band todd sparrow. after a heavy vinyl digging session at redeye records,the stores vinyl buyer scott, handed nathan a cdr and the call was made then and there and we had our third apres release - an intentionally all australian installment!

not content with just completing their debut album for full pupp, jarle bråthen from ytre rymden dansskola unleashes his virgin vinyl 12inch on us. on the a side weve got >søder<. though rough and tough on the outside, its just like a ferrero rocher… a hard shell but a creamy soft inside…. mmmm…. i love chocolate… on side b theres >takras< which we previously displayed on last years >greatest tits vol.1< compilation. this time however, youll get it with a proper mixdown from yours truly skål!!!

supported by: richi hawtin, hot chip, john digweed, nik fanciull, tono rios, okain... their new ep >shipyard< is piemont at their best... we would not have it another way... magnetic beat-bassline monsters, funky and rigid at the same time. you might call it germanic and it reminds us of dadaism in the 20ies ingermany with it s theme: non-sense makes more sense? the a-side track >shipyard< has all of this, a fusion of old school with blowing horns and massive hi-tech technology. well we know the release is about hamburg harbour...but what the f..ck does it matter. the b1-track >cargo< is as heavy and bulky as you can imagine a track to be with this name... but if you know piemont, you know they make even heavy tracks funky. the b2-track >dockyard< isthe deepest track on the 12 inch and shows that piemont will continue their liking for deeper music which they revealed for the fist time on their recent album >strange world beyond< on mbf.

exclusive re release of the rare 1st album by this progressive soul jazz band featuring members of el chicles & chakachas. astounding mix of jazz attitude, blue eyed soul, prog funk, soft rock and even folky moments, including fine cover versions of love in them there hills by gamble & huff, norwegian wood and to love somebody, comes with two bonus tracks from their first boogaloo & soul beat 7inch from 1968, original album cover artwork with new liner notes, remastered 2009.

passion sound (inner beauty) is designed to exemplify the inner passion of an individual, while maintaining the outer crust of a chicago sound. it is well true that tevo howard found it necessary for this artistic track to make it to vinyl. he has said that the tracks elegance is the perfect potion for a bgr vinyl release. while inter tribal is slower paced, and somewhat crosses bands of what one would expect to hear from the machine drums used to create it, inter tribal as a track is also meant to even out the energy of this conceptual vinyl piece as a whole. dreamers reason is simply the title track to tevo howards first full scale album, which will be released in coming months. on this particular vinyl selection, bgr 7, a bonus mix titled, (deep reason mix), is included, whereas it will not be included on the full scale album.

the strictly vinyl only crusade continues with the forthcoming release from mukatsuku records in the shape of the string laden disco bomb real clothes from the japanese producer ryota nozaki under his jazztronik personna. nik has a long history with jazztronik after having compiled with jake benhan the jazztronik inner flight album back in 2001 for counterpoint records and having djd with the live jazztronik band and ryota as a dj several times in japan and uk over the last few years.

hamburg bad boy electro ferris, member of heavyweight german band deichkind, returns with his second single on freakz me out and it is a big hitter, as it were. co-produced and engineered by tobitob of moonbootica. we have a hand picked assortment of the finest remixers & big freakz me out label friends around doing their magic on this one.deichkind are among the biggest acts in germany, playing sold out concerts and destroying festival main stages on a regular basis. anyone who has ever dodged flying elbows at a deichkind show knows what s up with their remix, dangerous.fukkk offf, also from hamburg has been killing it lately with massive singles such as rave is king or the bottom, an album on new yorks coco machete and remixes for jan delay, zombie nation, decalicious, acidkids and lars moston among others. in trademark style fukkk offf gives us hands in the air electro for fight clubs of larger dimensions.cryptonites go french on us roulé style with their big chords and big smiles version, keeping the vocal sparse and transforming it into chopped up dancefloor dynamite.stuttgarts autodidakt has taught himself a thing or two about turning out killer peak-time electro remixes, like this one, sporting massive detuned synths, driving sequences and the deepest of kicks.the remix package is completed by freakz me out veteran & big label friend markus lange who build a huge floor bomb with his remix. yeah!

after spending 2008 ceaselessly bringing the party to festivals, concert halls, tv studios and clubs, gathering a host of awards and chart positions along the way, shantel and his mighty bucovina club orkestar are back, batteries fully recharged and ready to tell the world about a new and exciting discovery in the solar system of pop:planet paprika! last years debut album disko partizani, with its anthemic hit title track and follow up smash disko boy, saw the foundations laid for a pioneering brand of totally borderless european pop music.