new dial ep

a new addition to the label’s extended family, tracey arrives on dial with his debut lp, biostar.

since the early aughts, alan abrahams aka portable has been producing records for labels like perlon, live at robert johnson, k7, and süd electronic. with his new band project “ranger”, the releases as bodycode and portable and his very own label khoikhoi to be launched this summer, the south africa born alan abrahams is an artist in-between genres. “a life without notifications” is now here, marking his first release for dial records.

dj richard returns with another stunning release on dial records: path of ruin. inspired by the rather harsh magic of new england in winter - the place where the three tracks have been recorded - dj richard creates a wide and dark raving beauty.

with a magnificent compilation dial records celebrate their 15th anniversary! all offers a collection of exclusive works by long related label artists and friends. part 1 of the vinyl 12 inch edition features contributions by stefan tcherepnin, dj richard, christian naukoks, pantha du prince and queens.

limited to 250 copies

ltd to 100

xdb aka kosta athanassiadis

dreamly minimal to house

lawrence makes a full-length return to his own dial label with illusions

following 2017’s ‘path of ruin’, dj richard returns to dial with his much-anticipated sophomore lp, ‘dies iræ xerox’. undoubtedly one of the most distinctive and fully-formed electronic producers in recent memory, dj richard imprinted the sound of a bubbling us underground with his label, white material, founded in 2012 alongside young male.

in the midst of a busy year, full of wildly-varied accomplishments, david lieske (aka carsten jost) has surprised us all with an unannounced 11-track full-length album on dial-- his first since 2000’s “you don’t need a weatherman…” in the interim he’s kept busy curating countless releases on dial, the label he co-runs with peter “lawrence” kersten, celebrated a 15 year label anniversary with an all-encompassing 2lp/various artists

after the major and still ongoing success of his previous albums “fatty folders” (2011) and “happiness is happening” (2014), roman flügel is back with his third full-length cd/lp on dial records. “all the right noises” includes adventures into contemporary house/techno music, finest ambient works, and unique broken pieces.

efdemin & rndm are back with a brandnew 12inch release featuring three enormous lost tracks dedicated to all the wonderful clubs around the world from beijing to buenos aires. two solo tunes that perfectly draw the trademark sound of rndm & efdemin with a twist of weirdness plus one rare appearance of their collaboration project pigon will make this fall sound like a hot dance under the full moon.

der künstler und fotograf robert kulisek und david lieske aka carsten jost (mitbetreiber von dial records) präsentieren mit deathbridge das zweite album ihrer black metal inspirieten formation misanthrope ca. nach dem limitierten tape amerika, ist es die zweite kollaboration mit der galerie vi, vii (oslo). aufgenommen in den hamptons, new york, zählt deathbridge neben veröffentlichungen von dirk von lowtzow, queens, und glühen 4 (aka pantha du prince) zur dunklen seite von dial records. ein album von ergreifender intensität, ein trip in wundervolle schattenreiche.

after his manifold debut in 2009, followed by a second album true life / in flames with focus on the grand piano, dial records is pleased to announce christian naujoks s third solo album wave, a dedication to one of the artists essential instruments: the electric guitar.

nach seinem farbenprächtigen debut und dem nachfolgenden grossen klavieralbum, konzentriert sich christian naujoks mit wave voll und ganz auf die magie der gitarre. aufgenommen mit starproduzent tobias levin (kreidler, tocotronic) offenbart sich wave als eine unvergleichliche reise und verführt mit ihrem sensationellen sound!

james k is a stranger to obviousness. over the past few years the new york native has quietly honed her sound and peculiar aesthetic. equally organic and electronic, her sound is a combination of odd dreams, industrial beats and vocals, both incomprehensible and appealing, with a thick layer of glitter on top of it. james k is a concentrated dose of emotion mixed with sorrowful iciness, which in turn ties together ripped, broken, morphed and enchanted samples. james k stands for a fusion of visual and sonic elements, deeply rooted in conscious art practice and downright freak-out. james k creates a mythology of her own. pet, her first lp due out in early 2016, will be a co-release with dial and her own label, she rocks!

eternal love takes you to a journey into deep and dark shades of future rnb.

eternal love takes you to a journey into deep and dark shades of future rnb.

with the launch of his white material label in new york 2012, dj richard started releasing a line of the most stunning works by galcher lustwerk, young male, morgan louis and himself. alongside a collaboration with carsten jost for the lawrence -films and windows remixes- the dial records crew deeply fell in love with the works of dj richard and vice versa the request to release his debut album here caused enthusiastic encounter. after his contribution for dial s 15 years compilation and almost two years of production, it is here: dj richard - grind ! a tribute to what contemporary club music and enthusiastic sound experiments should be about: exaltation and addiction. this is what dj richard s club sets feel like- an incredible sound seduction, another dimension- grind might be the essence of it all.

with a magnificent compilation dial records celebrate their 15th anniversary! all offers a collection of exclusive works by long related label artists and friends. part 3 of the vinyl 12inch editions features contributions by lawrence, efdemin, roman flügel, dawn mok, pawel.

with a magnificent compilation dial records celebrate their 15th anniversary! all offers a collection of exclusive works by long related label artists and friends. part 2 of the vinyl 12inch editions features contributions by carsten jost, rndm, physical therapy, john roberts, james k.

repress 20015 ... peter m. kersten ist zurück auf dem deephouse dancefloor. extrem aufgeräumt aber arg dreckig & roh zelebriert er eine hommage an die unperfektheit früher chicagohouse stücke

repress 2015 !! here comes a bundle of two anthems, presented by the dial records founders themselves: carsten jost and lawrece are back with a highly recommended double-a-side 12 inchfor your pleasure!

new tracks by roman flügel, pantha du prince, efdemin, lawrence, john roberts, carsten jost, rndm

happiness is happening again!following up to roman flügels overwhelming album, dial records present another 12inch of one of last years loveliest shooting stars. headlining so many polls, podcasts and productions, the essence of roman flügels sound-seducing world is simply the outstanding. with sliced africa he proves once again his deepest concerns of making the dancefloor a fabulous place.

remixes coming from don williams, johannes volk, e.r.p. (aka convextion) and traumprinz.dial records present the second part of efdemins decay versions. with a pure detroit electro version of decay e.r.p. aka convextion starts the second episode of efdemin remixes followed by a rough bouncer by mojuba boss don williams. johannes volks remix of parallaxis lets the efdemin starship discover the sound of foreign planets. back on earth traumprinz deliver a true 90ies style rave hit – goosebumps all around!

roman flügel takes us by the hand and through ten tracks that sometimes feel like songs without a voice

flügel mixes joy & pain, ambient textures with remnants dance floor euphoria, quiet spaces & loud places.

after the highly anticipated release of his third studio album decay, efdemin presents the first part of a remix series featuring his favourite producers. bristols underground hero asusu inflates the reduced album opener some kind of up and down yes with deepest bass and beautiful scapes to the max in a true photek-style. last years control by staffan linzatti was one of the favourite constants to be played in every efdemin or lawrence set. luckily his version of solaris is another epic hymn here with futuristic enhancements of the third kind.the most extraordinary piece on decay versions part 1 is the borderland states rework of parallaxis. efdemins studio-mate john gürtler recorded that beauty with adding acoustic instruments only and sounds like a meeting of moondog with wim mertens.

after his wonderful eclectic fences album in 2013, john roberts is back with a brandnew clubsingle on dial records. here again the sound design benefits from the acoustical researches and experiments john roberts works on since years. with the a-sides ausio he creates an enchanting floorsmasher- highly recommended by the angelic crowd of our favorite clubs panorama bar and robert johnson. on the b- side you will find the classic john roberts sound: two soulful groovers, unique and timeless.

efdemin is back on dial records with his third full-length album decay, following his self-titled debut in 2007 and chicago, in 2010

efdemin is back on dial records with his third full-length album decay, following his self-titled debut in 2007 and chicago, in 2010. once again he offers a stunningly seductive stream of music written in his very own hand

get ready for a special remix package by xdb, steven tang and carsten jost & dj richard.

almost a decade after his last dial records album, after an enormous amount of releases on labels like pampa, mule musiq, ghostly international, kompakt, styrax and many more, lawrence continues with a wonderful selection of extraterrestrial dance music: >films & windows<.

almost a decade after his last dial records album, after an enormous amount of releases on labels like pampa, mule musiq, ghostly international, kompakt, styrax and many more, lawrence continues with a wonderful selection of extraterrestrial dance music: films & windows

after the unanimous global acclaim of glass eights (dial lp 22), john roberts returns with fences, his second full length offering on hamburgs dial records. from elegantly dusted chamber pop and semi-psychedelic acoustic musings to turgid orchestral dance floor fillers, roberts creates a beautifully collaged symphony of recorded violins, cellos, cracked guitars, detuned pianos, faded samples, broken drum machines and manipulated answering machine cassettes.

from elegantly dusted chamber pop and semi-psychedelic acoustic musings to turgid orchestral dance floor! john roberts debuet >glass eights< gehoerte 2010 zu den großen musikalischen sensationen. mit zehn, geschickt zu einem melancholischen gesamtbild verwobenen tracks belegte der junge amerikaner, dass er ein meister der leisen toene ist. mit einem streich reihte er sich neben seinen großen label-kollegen pantha du prince,efdemin und lawrence ein. jetzt kommt nun endlich auch ueber dial sein nachfolgealbum fences, modern british flavor meets nyc sound, experimenteller house der extraklasse!

scott mou, known as one half of the duo jane – the folk techno drone duo he had with panda bear - aswell as part of manhattans famous record store other music, debuts with his soloproject queens. johan jacobsen describes the wonderful music of queens in oxymorons, colorful monochrome, myopic depth, sad joy, driven slowness, enlightened darkness, universal intimacy, ethereal earthboundness ... as it should be. queens is one of those wonderful artists who are hard to catch on the fly, who escapes easy definition. his music is an unexpected and unimagined universe ready to be explored, and it s a universe that is wonderful to be in. when dial records david lieske and peter kersten listened to a performance of their new york based friend in 2009, it was one of those unforgettable unique experiences you only have once in a long while these days. the idea of releasing an album was born. the production of end times involved other labelmates such as phillip sollmann aka efdemin (recording), kassian troyer (mixing) and hendrik weber, who once joined a life performance on stage with scott mou in 2012.

almost two years after his stunning debut album release, john roberts is back with a wonderful journey into sounddesign, sample research and contemporary club music. as beeing inspired by the aural surrounding due to travelling around the globe- as a dj and author travellers almanach- the worlds finest magazine on our beloved and hatered jet set life- the paper frames ep contains some mixture of accoustic instruments, deepest bass levels and extraordinary rythm structures. according to john roberts, club music should be way more open minded and surprising. for those who are on the search for an advance approach of electronic music this one is the top match

i light another cigarette in the tittery the sparrow has landed. we have returned from our excursion to the modern and would like to share what we brought with you: some showtunes and a twelve tone row. the show, as it turns out to be, is our very own. we started out writing new material to perform on stage, after we had found out it was great fun to refrain our instrumentation to vocals, piano and bad acting. originally very attracted to the- as our label told us- very clandestine idea of releasing three 12inches with very limited playability for djs, we agreed not to ruin our dial friends and work on an album instead.

2012 repress !! after john roberts became the first american artist on the dial records imprint in 2008, it took almost two years to finish his first album. glass eights debuts a sound impeccably curated and delicately enigmatic, john roberts recreates reale house music.

2012 repress !! here comes the second long awaited album of dials main act efdemin! its the main release for dial records in 2010 celebrating 10 years of dial records!

influenced by krautrock, ambient, avantgarde & guitar sound which is coming together with highly futuristic sounds

almost four years after his last dial record single >miles< lawrence is back with another tribute to the sun. in the meantime he was still busy with a couple of releases for mule musiq, laid, smallville and dj kozes pampa imprint. his first mix cd >timeless< has been recorded lately for cocoon recordings. coming home to his own imprint prooves once more how modern house music should sound like: deep, moving and always surprising. >etoile du midi already travelled around the globe including tokyo, london, berlin and hamburg to finally being cut on vinyl after bringing the magic to all those lovely clubs worldwide

after firstly appearing on dials 2010 compilation, kassian troyer shows up with an adventure into wonderful sounddesigned technomusic. these four pieces of deeply grooving structures might r be influenced of early works by jan jelineks farben project, the swing of stl and the deep rooms of pole. that is no coincidence at all. kassian troyer who studied sound engineering and production has been responsible for the live mixing of stefan bethke aka pole and lots of other artists like andrew peckler and pantha du prince. while working on the mixing of efdemins chicago album he became related to dial records- his first demo tracks were an ingenious discovery for dials eccentric family.

the debut album by the trio stabil elite combines glamor and emotion and cosmic transcendence, which is well aware of its musical heritage, yet does not seem overly reflective for even a second. one can immediately hear where this stylish band comes from. just think of that city on the rhine, which has become a work of art in itself, and its electronic musical history, which has significantly influenced many styles, from hip-hop to techno: düsseldorf. the first signal stabil elite emitted to the world was in 2009, with the song hogans run, which appeared on a compilation by the american label mathematics.

after his self-titled debut of 2009, true life/in flames the second album by berlin based christian naujoks. recorded by tobias levin at the laiszhalle philharmony hamburg a dense concert atmosphere sets the tone. stringent seriality is combined with that romanticism of the minor key which one also finds in a certain corner (and a more popular one) of modern twentieth-century piano music. in the likes of michael nyman, wim mertens, arvo pärt, john cage and györgy kurtág. deep contemplation and solemn expression paired with intellectual clarity. each note has weight, and every sound a purpose. unlike naujoks debut, true life/in flames completely relinquishes the use of any sort of electronically generated sound. instead, there is a consistent stylization of what one might call organic sound. the figure of the bedroom producer is relieved here by that of the composer and pianist. theres a piano, played by naujoks. theres the marimba of martin kraus. and then naujoks voice – once, twice. this album could be designated as a suite with various movements – its bracketed by the conspicuous reprise of its most songlike piece, moments i and moments ii, as well as by the economy of the unchanging instrumentation and the black and white cover photograph by dirk stewen that references the recording location: the laeiszhalle of the hamburg philharmonic. piano and marimba stand there on an almost cave-like stage, surrounded by music stands, microphones and stacked egon eiermann se 68 su chairs. a company of genuine instruments. again christian naujoks embrace the world of contemporarys music loving connaisseurs. true life/in flames is a gift for all thouse hunting the unique, the deep, the outstanding. alls quiet at the beginning, as it is at the end.

after his self-titled debut of 2009, true life/in flames the second album by berlin based christian naujoks. recorded by tobias levin at the laiszhalle philharmony hamburg a dense concert atmosphere sets the tone. stringent seriality is combined with that romanticism of the minor key which one also finds in a certain corner (and a more popular one) of modern twentieth-century piano music, in the likes of michael nyman, wim mertens, arvo pärt, john cage and györgy kurtág. deep contemplation and solemn expression paired with intellectual clarity. each note has weight, and every sound a purpose.

the second edition of efdemins successful chicago series comes up with another outstanding bundle of future classics. four gorgeous remixes by deadbeat, fred p, rndm and efdemin himself make the wintertime starting extremely hot. again phillip sollmann aka efdemin personally chooses a dreamteam of remixers: scott monteith aka deadbeat is well known from his releases on scape, cynosure and wagonrepair. new yorks fred p aka black jazz consortium digs deep again after we already love him for his large output on underground quality, mule musiq, laid and semester. last but not least dials darlings rndm and efdemin get it well done with two modern interpretations for the excited dancefloor

after two outstanding 12inch releases on dial records roman flügel continues with fatty folders, a full-length album presenting a colourful selection of essential works. also known as eight miles high, soylent green, sensorama and alter ego- roman flügel always has been a main influence of the dial records family. roman flügels unique and unexpected productions introduce us to an excitingly wide range of eclectisism, modernism and dandyism under a groove. every single track is a magical journey it self the whole album a universe deep like the ocean. here comes a true sound scientist who knows how to enchant the dancers, the connaisseurs, the lovers

after two outstanding 12inch releases on dial records roman flügel continues with fatty folders, a full-length album presenting a colourful selection of essential works. also known as eight miles high, soylent green, sensorama and alter ego- roman flügel always has been a main influence of the dial records family. roman flügel s unique and unexpected productions introduce us to an excitingly wide range of eclectisism, modernism and dandyism under a groove. every single track is a magical journey it self the whole album a universe deep like the ocean. here comes a true sound scientist who knows how to enchant the dancers, the connaisseurs, the lovers.

summertime is here, the festival season is on the run, but forget about those one in a million bouncers for the masses, here comes another adventure into contemporary techno music. welcome to the sunrise industry. welcome to pigon. after a continuous flow of high quality output, efdemin shared his studio again with labelmate rndm to get back to their beloved pigon project of soundsearching progress. once again they show us how techno productions should sound like: sophisticated, full of deepness and still driving forever. besides two outstanding techno tracks the sunrise industry ep comes up with another journey into ambient music- beautiful and weird

after his dial - debut in 2010 roman flügel comes up with a second issue of essential works for a colourful twinkling dancefloor. also known as eight miles high, soylent green and _ alter ego roman flügel always has been a main influence of the dial records family to finally release his >how to spread lies< 12inch (dial054) last year. podcasted and played by the most inspiring and lovely djs worldwide it became a suprising success for dial. the follow up brasil is another joint into roman flügels unique and unexpected productions again he brings eclectisism, modernism and dandyism under a groove. timeless.

after almost a year of only dancfloor related releases dial is back with an outstandingly special record: dirk von lowtzow presents his guitar solo work >tod in theben<. dirk von lowtzow, also known as a member of phantom ghost and tocotronic, creates a slowmotion drone-a-like folk meditation. the result is a breathtaking piece of deepest devotion, an incredible sound and room composition. at last years salzburger festspiele von lowtzow performed >tod in theben< in jan fosses same named theatre piece directed by angela richter.

with surely one of the most exciting releases ever dial presents the heavenly dreamteam dj koze, portable and efdemin himself remixing chicago. and when three brightest shining stars collide- the explosion is louder and more colourful than the most magnificent fireworks. stefan kozalla aka dj koze has always been a part of the dial family somehow so it was just a matter of time to ask the pampa label owner for a remix. the beloved chicago album was the right work to involve the most incredible soldier against boredom. knowing alan abrahams aka portable from his first süd electronic parties from london, phillip sollmann (efdemin) and alan always kept exhanging music and friendship

one year after his debut album on dial records cofounder pawel is back with a surprisingly fantastic remix package. patrice scott the shooting star of detroits house scene drops a version of crillon which represents the magic sound of his beloved sistrum label. osunlade the one and only yoruba soul priest into house music is one of the big influences of pawel and his label mates. and he is deeply in love with the dial sound himself! offering a remix which is already now a bright star supported by house masters like little louie vega is a miracle to be true! last but not least john roberts comes up with a version of kramnik to raise the origin to another level. this tune is so sweet and special as if we all were waiting for it. happy new year has just begun..

on the turn to the second decade of dial records roman flügel makes a wish come true and feeds the family with a 12inch of essential works, mindblowing and totally unexpected

after john roberts became the first american artist on the dial records imprint in 2008, it took almost two years to finish his first album. glass eights debuts a sound impeccably curated and delicately enigmatic, john roberts recreates reale house music.

since dial was established in 2000 there always has been the musical influence of isolee. from his first 12inches and his debut album >rest< on playhouse, rajko mueller was one main source of inspiration of all early dial artists- pantha du prince, efdemin, lawrence, carsten jost. more than that he became a lovely neighbour living close to the riverside of hamburg, a good friend whose pasta sauce would take a whole day to cook, and still a musician who would spend an extra long time to create his extraordinary pieces, drifting from version to version.

the huge success of his selftitled debut in 2007 chicago is the second album of the berlin-based producer and dj who releases his music under his moniker efdemin with dial records. chicago is definitely the top match of dials 10 years anniversary releases. efdemins new works can be regarded as the turning point of a trend based house and techno scene into a new contemporary >anti – trend< movement already proclaimed by protagonists such as riccardo villalobos, dj koze, luciano and many more.

the third and last part of the outstanding 2010 compilation 12inch series celebrating one decade of dial records. pigon open the single with an awesomly deep and reduced techno mover. newcomer john roberts continues what he started with his work on laid and john dalys feel label: lovely house music with a touch real instrument music. another highlight of the jubilee compilation is the ultradeep >new heaven & earth< by christian naujoks, who presents his very first house tune. the 12inch series ends with the star of the moment pantha du prince who just released his third album. another pure love issue!

second part of the fabulous 2010 compilation 12inch series celebrating the 10th anniversary of dial records. carsten jost continues his lovely hymn productions after he delighted the dancefloor with the unbelievable remix for phantom ghost on dial 49. with kassian troyer a new star is born and his very first release >tourist< is an outstandingly deep techno mover never to stop. rndm who is part of the efdemin cooperation pigon comes along with >no beginning<, a grower for all night peaktime madness. oh my god!

first part of the fabulous 2010 compialtion celebrating the 10th anniversary of dial records. isolée gives his far out label debut >black lodge< to have another artist 12inch later this year. efdemin comes along with a superdeep tune to tease us for his next album coming in may. with the glorious piano loophouse hymn >treacle mine< labelchef lawrence shows again that the dancefloor is a place for lovers. this is only the beginning.

ein halbes jahr nach dem zauberhaften album >thrown out of drama school< von phantom ghost erscheint nun die single >four shadows< und knüpft konzeptuell an ihre langspielplatte an. nur auf klängen des von thies mynther gespielten, geschlagenen und teils präparierten klaviers und dem gesang dirk von lowtzows basiert >the shadow<, eine hommage an den schauspieler peter o toole (lawrence of arabia, caligula etc.). in gleich zwei teilen liegt das stück von phantom ghost selbst vor. dazu gesellt sich ein höchst kathedralischer remix von dial label chef carsten jost persönlich, sowie eine reduziert epische version von pantha du prince, der gerade sein neues album >black noise< auf rough trade veröffentlicht. in praise of shadows

pawel ist ein glücksfall für die tanzfläche, die essenz des nächtlichen glanzes !! nach 3 alben als turner die auf ladomat und zuletzt auf mute erschienen kommt nun nach 10 jahren sein pawel debut album. ein gemeinsamer einfluss vieler stücke des albums ist der umgang mit arpeggiohaften melodietonfolgen, die an minimal musik eines steve reich gleichermassen erinnern wie an jeff mills oder robert hood !!!

nach 3 alben als turner die auf ladomat und zuletzt auf mute erschienen kommt nun nach 10 jahren sein pawel debut album. ein gemeinsamer einfluss vieler stücke des albums ist der umgang mit arpeggiohaften melodietonfolgen, die an minimal musik eines steve reich gleichermassen erinnern wie an jeff mills oder robert hood. pawel ist ein glücksfall für die tanzfläche, die essenz des nächtlichen glanzes

pawel aka dial cofounder paul kominek aka turner just finished his debut album to be released in january 2010. >berkeley< introduces the upcoming longplayer inspired by almost two decades of detroits planet e - era and another 10years dial records. pawels music can be regarded as the essence of the labels work: deeply outstanding pearls for a dancefloor in love.

after his outstanding album debut christian naujoks is back withthe first of a 12 inch trilogy to be released on dial records. adoring the sound of pitched down pre-recorded strings dressed in deep, dub-styled echoes, east end boys is a song dedicated to to the raw and powerful sublimity of physical sounds. the song was created while naujoks was working on a live set for the akustic saloon at legendary berlin based berghain club in april 2009. overwhelmed by his flatmates live performance, lawrence decided to produce a remix of his favorite christian naujoks tune >bloom<, which appears on the flipside.

the boys i mean are not refined,
they speak whatever is on their mind,
do whatever is in their pants.
the boys i mean are not refined,
they shake the mountains when they dance.
- which i like.

organic house from john roberts who used to play drums & violin for 15 years. thats one of the reasons why his music is such playful, rhythmic, challenging and melodic

epischer techno, angelegt als reise mit kristallklaren momenten der erleuchtung, denen deepe, pumpende basslines zugrunde liegen. unbedingte kaufempfehlung

aus einem unendlich reichen referenzuniversum schöpft christian naujoks die inspirationen für sein debutalbum auf dial records

in einem zeitraum von drei jahren wurden die 13 stücke in unterschiedlichsten zusammenhängen aufgenommen. ein album sollte es nie werden - jetzt ist es da, ein glücksfall. ob ernster komponist, singer/songwriter, popmusiker oder konzeptkünstler - kein prädikat vermag das wesen von christian naujoks und seiner musik zu treffen. das einzigartige, so nie gehörte und doch vertraute vereint diese musik

enthält bisland unveröffentlichte arbeiten von momus, christioph de babalon. phillip sollmann, arises. die stücke wurden live aufgeführt während der gala of the great pyramid im märz 2008 im hau 1 berlin. das musikalische programm wählte der schriftsteller ingo niermann aus!! cover image: madelon vriesndorp

lawrence bringt auf der a- seite groovig-warme deephouse- sounds, auf der b- seite geht es mit icicleddancemysteriöser, aber mindestens genauso deep zu. plus miles version ohne beat.