Releases from artist / Veröffentlichungen von : Bias

der gefeierte schwedische multimediakünstler und visionär elektronischer musik tobias bernstrup kehrt mit seinem mit spannung erwarteten siebten studioalbum „shadow dancer“ beim deutschen indie-label nadanna records zurück.

repress

uk funk / garage

delsin ist stolz darauf, die ambient-techno-tradition in fein säuberlich arrangierte pakete aus rhythmus und raum zu falten und präsentiert eine auffällige neue kollaboration von tobias und doltz.

disco edits

incl ukg remixes

incl zed bias & safire remix

incl anton kubikov remix

11 years voodoo down records celebration

embark on a sonic journey with das neue elektronische volkslied, an albumby tobias. born out of a relentless pursuit of cutting-edge, non-retrospective techno tracks.

reggae 7 inch

12inch incl download code

ambient journey

..legends are back

post punk cover album

reissue

extremely limited collectors edition of atom tm & tobias. toolbox series (cuando, zahlenraum & enne) released on pomelo (pom45-47) with a dextro-designed cover, including download codes of all releases with exclusive edits

next diffuse reality release comes from bias, with hironori takahashi & squaric on remix support.

reiten welcomes recent arts aka tobias freund and valentina berthelon

180gr. vinyl + insert

limited pressing on translucent magenta coloured vinyl. includes a code for download of the full album with 7 bonus tracks, a3 fold-out poster and numbered postcard.

feat. g force

2021 white vinyl repress , deepest electro funk

incl. tensnake quarantine remix

deadly analog techno bombs

konstrukt #12 with wholesome sounds from tobias., neel and wa wu we aka sebastian mullaert.

incl fantastic man remix , ltd handstamped vinyl

finally tobias is back on ostgut

atom tm & tobias >zahlenraum< is the second in a series of three eps on pomelo, the follow-up to last months cuando. zahlenraum features 4 cuts of daring, hypnotic and darkly twisted techno taken out of a recent studio-session.

plasma audio presents a true all-star lineup. pressing on coloured 180 gram vinyl, comes with download code.

atom tm & tobias.s cuando is the first in a series of three upcoming take-no-prisoners techno eps. atom tm & tobias. showcase their unique skills for hypnotic dance floor killers in unmatched sound design and once more prove that they are playing in a league completely their own.

dibia$e returns with his signature 8-bit sound.

archival material, never released before.

atmospheric deep techno on koslif.

limited double picture vinyl, housed in a gatefold sleeve.

electro funk sounds

experimental minimal techno by audiokern / tobias.

nadanna is extremely proud and excited to present tobias bernstrup’s new album “technophobic”. bernstrup who works both as a visual artist and musician has been touring worldwide since the late 1990s and positioned himself as one of the leading re-inventors of italo disco with his unique mix of italo, synthpop and gothic noir. he has created his own unmistakable stage persona wearing androgynous outfits in shiny latex and heavy make-up. tobias has collaborated with seminal artists such as trans-x, apoptygma berzerk, martial canterel, xeno & oaklander, lebanon hanover, and she past away. “technophobic” contains 10 smashing tracks including the recent single “utopia”, and “metropolis of tomorrow” featuring french dark synth wave artist hante. combining influences from classic synthpop, minimal wave, dark wave in a retro futuristic manner tobias bernstrup has created an album reminiscent of the 80s but in a contemporary context of sound landscape.

the following electronic soundscape features music from eduardo de la calle, brendon moeller, tobias. and mike dehnert. all profits generated from this record will be donated to the oceanic preservation society.

what recordings present their new release the m-ep (what03) with the original tracks „muzic- and „mentiv-. after the what? members and label owners tobi neumann and patrick ense released their first two eps in 2017 they had earlier this year already a highly respected release „what you doing ?- in collaboration with dorian paic and legendary singer eric d clark on arno einzelkind s imprint la peña. they went back to their studio and came out with this two little gems. the track „muzic- was already played by ricardo villalobos on several festivals during this summer.

toby tobias has a lengthy history of disturbing the peace. this is his second offering for the esp institute. on side a, second stimulus stirs shimmering staccato chords, roaming pipes and detuned robotic sighs into quite the disorienting stew—the loose arrangement remaining fragmented over 9 minutes of touch-and-go 808 programming, picking up a pseudo bassline assembled from sub toms, introducing a gritty break loop and eventually blissing out into oblivion. with side bs synchro surfer, toby plays with the notion of suspense by gently teasing a muted kick and percussion rhythm under washes of white noise, bleeps and sirens that are tape-dubbed and which, over time, begin a dialogue with each other, as if the machines have declared mutiny on the garage. toby continues to stretch his limits with his output for the esp institute, possibly headed toward a full-fledged devolution of conventional dance music. these two songs may have you arrested for public nuisance.

albuquerques finest outpost for purist garage house, plastik people, continues to mine the classics on the seventh volume of its collections sub label. first up is the unmistakable class of zed bias with take you there, a track which represents the garage legend getting into a more housed up frame of mind. then it s over to f.a.z.e 1 to keep the pressure up with the heated diva choppage of -wanna touch me before judas play a little something takes things deeper but no less bumping. this is an essential package for anyone craving some under the radar gems from the history of 90s garage house.

zed bias is an electronic music pioneer, throughout his career he has traversed genres with ease whilst all the while retaining his signature sound. it was in 2016 that he debuted on exit records with a three tracker featuring zoe violet, the release was a sign of things to come. modern u.k. soul delivered in the 160bpm format, this aesthetic has now been developed with the different response album. it s the sound of zed bias in 2017, undeniable soul with one eye on the dancefloor. hes gathered a formidable feature list to voice the album artists from his native manchester and beyond all lend their talents to the album. label owner dbridge says of the release: an lp that fits perfectly in what i believe exit is about. artists creating music with soul and a sound uniquely their own. zed has shown again whats possible when you listen to your own voice

vinyl only! resista welcomes toby tobias to the family. toby has been behind plenty of widely regarded records over the past decade, putting his hand to a large number of releases for labels such as rekids, delusion of degradeur, more music, lats play house and more. needless to say, toby knows his way around the studio but hes also equally adet when it comes to cutting and splicing , as you can hear on the title track of this special 12 inch for resista re-editing and embelishing this slice of pure sunshine.

toby tobias joins delusions again for what will be his sixth(!) 12inch entitled the rain. the prolific londoner whose releases have graced such venerable labels as rekids, esp intistute and lets play house, is back with a vengeance, delivering two mighty fine originals plus a remix from nebraska. in true toby tobias style, the rain got made on an mpc, sliced and edited from a single live take through the desk then accidentally deleted so no further mixing, sequencing or editing could be carried out. but what is an a&r mans nightmare, turns out to be the record buying djs gain, as the improvised, dubby vibe and raw as mixdown give the track an authentic feel and energy which could only come from the madness in tobys method. fresh from his brilliant releases on mister saturday night and razor n tape, we have our man nebraska do his thing on the remix of the rain. dropping down the bpms a bit from tobys more frenetic original, nebraska adds a healthy dose of moogy lead lines to the lo-slung house groove, perfect for warming up the dancefloor.

tobias bernstrup is a contemporary musician and video artist born 1970 in gothenburg, sweden. he received an mfa from royal college university of fine arts stockholm in 1998. using the visual language of pop culture, video games, sci-fi, classicism and gothic noir, he has created a stage persona with notorious live performances. dressed in elaborate costumes of skin-tight rubber suits and fetish gear, tobias’ external appearance is androgynous. he raises questions about representation of identity, the body and physical space in both virtual and non-virtual realities. between 1997 and 1998 he self-released two limited cd-r eps. in 2002 his debut album ‘re-animate me’ was released by tonight records followed by two limited 12” singles for the song “27” and the italian version “ventisette”.
“27” is a 5-song ep collecting 4 different mixes of the title track plus one unreleased song from the ‘re-animate me’ recording sessions. the material on this ep is closely connected with the world of computer games which bernstrup also inhabits.

ali renault s ever on-point vivod label welcomes uk techno stalwart tobias schmidt to the table for a return to a time when techno could be slamming, witty and downright fun at the same time. higher is loaded with funk, riding some kind of bassy lick with tightly wound drums and off-kilter synth warbles, but then -glass walls- ramps up the madness with a lead line that will stop people in their tracks before making them freak out with gusto. -pink milk- shows no let up in the energy, although the parping trumpet lines that lead the track give everything a jaunty, upbeat feel compared to the darkness of the a side. play people is a true tribute to the wonky techno scene schmidt came up with, all skronky swing and lopsided synths for all the true techno freaks out there.

toby tobias can be found in the shadows of south london. this is his first offering for the esp institute. on side a, gravitator evolves slowly over ten minutes from a somber intro of supernatural sighs, pulsing machine feedback and techno squelches into an ethereal landscape peppered with dissonant fragments of synth. with side b’s right turn to nowhere , toby stretches out even further, flexing a tasteful programming of the 808 while taking the long road to a reverb-drenched crescendo of distortions and expansive string swells. after a prolific output of material for other quality labels around the world, toby tobias has undoubtedly re-focused his point-of-view upon his induction to the esp institute. these two songs will have you locking up your children at night.

fresh pumpin boogie disco

tobias. returns to ostgut ton with his third full length eyes in the center and expands the musical narrative laid out by his helium sessions ep (o-ton, 2016). the berghain resident keeps exploring the vast modular synth-driven techno, experimental and ambient territories on a journey in-between genres. tobias freund is long established as an influential artist and has – since the early 1990s – been working as a professional producer, sound engineer, label owner and strictly live musician. besides his early solo projects (such as pink elln, metazone or phobia) he’s also been collaborating with dandy jack (as sieg Über die sonne), ricardo villalobos (as odd machine), max loderbauer (as nsi.), valentina berthelon (as recent arts) and atom tm to only name a few. with his vast experience, diverse output and interests, tobias. doesn’t tire to actively push against existing boundaries and explore new areas of electronic music.

credits: / personnel: richard youngs (vocal, casio) paul thomson (electronic drums) luke fowler (serge modular, dx7) buchla-ized vocals by sam wolk. mixing by ernst karel at sensory ethnography lab infotext: luke fowler is a turner prize nominated artist and musician based in glasgow, honorary scotsman richard youngs has been involved with music for most of his life. notching up 140 releases, seamlessly drifting through musical genres inventing the no genre genre in the process. the post-punk autodidacts post-punk autodidact - clive bell, the wire. paul thomson currently drums for franz ferdinand

full support by raresh (arpiar), sonja moonear, alejandro vivanco, ray okpara....
ltd vinyl only release with two tracks , a side by martinez , b side remixed by tobias freund

normal bias are two good friends - yac and 77 - who both went through punk rebellion, death metal fumes, the fall of the berlin wall, and even managed to settle down in life. along the way they listened to 80s/90s transformation period rebel vibes through a filter of dub - a sound and a tradition that they have always remained faithful to. each of them is highly regarded on the polish dub/dub techno scene in their own right, and now they combine forces, skills and equipment to create a modern take on a sound that unites studio one and berlin s chain reaction legacies. this vinyl lpweighs 180g.

second split ep with effective club music from core members tobias gullberg & danny downey jr. enjoy!

it is common knowledge toby tobias used to rule the coasts of ibiza with his balearic iron funk! now back on his home turf of london, toby has chosen the cosmic pint glass to tell us the story sun, sea and madness! a room for babette is a balearic house funk bomb filled with sandy frolics and a touch of mayhem. afterwards we hit the romance button. touch meh is a one of the smoothest edits to be given the toby treatment and on the flip ptaki take you on an amazingly beautiful 12 minute journey around the islands with their a room for babette remix complete with dolphins! :)

helium sessions offers four new zero-g tracks from tobias. spread out over 27 minutes on this extended ep, his third full-length album will be landing in 2017.

triplepoint pres. pres. the 7th release of an experiment called sauron by one of our best artists simone de biasio. triplepoint pres. sauron, a vinyl that contains excellent techno melodies. simone de biasio - sauron is a track thought about leaving the track with an electric dance with its best carried synthesizer that goes straight to your ears to connect your body and soul to dance.

2014 lieferte sie mit no deal ein beeindruckendes album ab und wurde seitdem europaweit als eine der faszinierendsten neuen stimmen im jazz wahrgenommen. kein wunder also, dass die belgierin 2015 mit dem ebba (european border breakers award) ausgezeichnet wurde. anderthalb jahre nach der albumveröffentlichung von -no deal- erschien durch initiative von gilles peterson ein wundervoller musikalischer nachschlag dieses fantastischen werks: no deal remixed mit reworks von u.a. eels und the cinematic orchestra. nun erscheint mit blackened cities ein episches 25-minütiges werk über das de biasio sagt, i dont think anyone, including me, was expecting a 25-minute piece which wasnt a successor to no deal, or anything other than a collection of new songs. i followed what the music told me, like a gut feeling.

new years deal - following hot on the heels of tobys brilliant long player rising son we bring you a couple of our favorite tracks remixed by two of our favorite producers, namely i:cube and session victim. the versatile veteran nicolas chaix kicks things off in his own unique style on his interpretation of love affair with widescreen pads and subterranean clanks and growls setting things up for a heady house journey. session victim do their thing on slo flava, jacking up the tempo and turning in a bouncing live jam with a soulful edge. completing this ep we also have the two original versions of love affair and slo flava in all their glory.

• yet another smasher from the wonderful tobias schmidt !
• limited copies as always with this fine british label

toby tobias has been responsible for some fine quality music over the past 10 years with labels such as rekids, nang, let’s play house and quintessentials all dropping his unique brand of raw, analogue house and techno. a dj’s dj who always seems to pull out a lesser known gem and make it sound like a classic, toby knows his music as well as his studio, inside out.<br /the 2x12 inch lp includes a cd-copy of the full album.>

the revered halal prepared series on boe extends to its fourth volume with four new acts fresh to the label. hotly tipped duo, invisible menders, made up of outstanding dj jane fitz and thus far underrated producer dom ahtuam contribute a stunning balearic bass-heavy house cut fifth time lucky. fresh from his solo ep, john shima slots in a deep techno workout thought wave. toby tobias of rekids fame pumps out some raw basement lofi vibes with his jacker sword art arcade and rounding off the ep on a delicate note is tim smith s soft and melodic 707 jam graphene

new years deal - with toby tobias debut lp for delusions of grandeur dropping on the 16th october we wanted to give you a little taste of what to expect with a couple of tracks plus a brilliant remix from dog regular franc spangler. kicking things off we have the twisted machine funk of the wonder featuring vocals from atwell. 808 beats bringing the vintage electro vibes whilst atwell’s vocal hints at the golden era of chicago house, adding a soulful touch to the rigid groove. next up is only getting better, diving into deeper waters with bubbling pads and pulsing bass line. finally, we have franc spangler getting busy on the remix, turning in a floor focused jam which brings the vocal to the fore and a big beefy bassline to bounce to.

its toby tobias time folks! ahead of his brilliant lp which will be dropping here on dog in september we give you a little reminder of why he’s one of the heroes of the underground uk house scene. toby has been honing his skills as a producer, dj, promoter and all round nice guy for years now and we’re very happy to be offering up fresh new club business from the man himself in the form of the rising ep. never one to go for the obvious, he always puts his neck on the line and pushes his productions in an interesting and often unexpected direction, making full use of his fully analogue studio to get those ‘happy accidents’ into his tracks which gives him the edge over so many others on the scene today.

new 2 track 12 inch release from zed bias for swamp 81 sublabel, 81.

label head tobias lindén is making his long awaited return with this 3-tracker of deep, hypnotic techno. here, his analogue signature sound laced with organic percussive elements marries with strong influences from tobias frequent visits to brazil.

heavy dance floor action on release number 10 from label head tobias gullberg and less monday member danny downey jr.

tobias schmidt is back and at the very top of his game with these three amazing tracks that all channel the spirit of the label to a t and have been smashing up dance floors during his live sets and at the hands of those with advance copies! massive.

mathew jonson & the mole, peter van hoesen and blue hour deliver three of the album tracks in remix form.

>a series of shocks< ist das zweite soloalbum des versierten produzenten, tobias freund. auf dem neuen album setzt tobias. seine erkundungen im >non-standard< elektronischer musik fort und erweitert die reichhaltige palette seines sounds vom ersten album >leaning over backwards< (2011, ostgut ton). das neue kapitel führt mit seinen vielseitigen tracks tiefer in die puristische und sich immer weiter entfaltende klangwelt von tobias.

subtle, out-of-the-ordinary electro-esque & minimalist house trips.

dubstep and garage pioneer zed bias is set to release a brand new album, titled boss, on november 25th through loefahs revered swamp81 imprint. the lp is bias aka dave joness fourth in total following releases under aliases including maddslinky and phuturistix, and his first for the label. boss also marks swamp81s second ever album release following kryptic minds one of us. zed bias is widely regarded as one of the legends in the bass music game and beyond, with an unquestionable influence on many of todays leading djs and producers including skream, benga, oneman, martyn and disclosure whose chart smash latch featuring sam smith he remixed in 2012.

toby tobias coming through with the fresh raw s**t for delusions! two original tracks here absolutely loaded full of old school analogue machine funk and crazy dub tricknology.

mit der physik 1 ep liefern atom tm & tobias. ihre ersten tracks für ostgut ton ab. beide kuenstler bieten ein vielseitiges spektrum an elektronischer musik, die sich vielschichtig zwischen ambient, electro und techno bewegt.

zweites release von tobias stöckmann auf stavro. dunkel brodelnder techno mit elektro- und dub-einflüssen.

delivered by tobias. from berlin and o.utlier from ireland, naiif returns with 2 bass line-killers here on number 005. limited vinyl business as usual.

180g vinyl only zed bias & paleman on swamp81.

stampfender electro dub techno

toby tobias joins the d.o.g crew for release no. 29 and fits like the proverbial glove with an incredible ep which truly lives up to its name.its probably fair to say that toby is one of the unsung heroes of the uk scene having played a pivotal part in developing the underground disco scene of the late noughties. his late night audio parties alongside releases on rekids, lets play house, nang and quintessentials speak volumes as to the mans skills and fastidious nature and here he delivers what wed be so bold as to say his best work yet with the pathfinder ep.

preceding the release of bad cop bad cops debut album >wings of techno<, 4 tracks of the long player get the remix treatment by a unique quartet of techno artists: tobias, group niob, brendon moeller and pomelos upcoming star kemetrix. >wings of techno< is a psychedelic tour-de force through various styles of electronic sounds. deep and unique, jacking at times while laid back and cosmic at others. all four remixers on duty here manage to keep the psychedelic and surreal feel of the originals intact while adding a great dose of dancefloor friendliness to the tracks. ostguts tobias. reworks hilton hihat into a deep and dreamy acid techno tune. he is followed by motor city talent kemetrix, who steps up the pace and edginess with a twisted, stomping electro-techno hybrid remake of beauty. group niob, the viennese duo formed by cheap records legend gerhard potuznik and martin dibek, contrast the goth-pop vocals of the original bodyless material with deep dubbed- out techno beats. and lastly, the unmistakeable brendon moeller turns cheeky into an undulating, deep bass driven dub techno stomper

constantly providing quality over quantity toby tobias finally releases its debut on burek. and as his biography states: >tobys music is truly unique - in a genre now saturated with generic, formulaic music, toby is one of the few who can claim to have his own sound< so toby brings to burek its unique view on house music - tracks running away i tres mal.

catching the last rays of summer! here comes a sun drenched piece of music from tobias linden & riccardo rizza, just in time for closing parties all over. the boys hung out in tobias stockholm studio after a gig together and in a couple of days the song came about. writing was like one fluid motion they say, listen and we think you will feel the energy flow effortlessly quality sunshine music!

freeze is a darkly shining jewel that scoops its hypnotic energy from a rolling synth- sequence

londoner toby tobias has had a rather productive year so far and its with great pleasure that lets play house can claim him as its newest roster member. the paradise lost ep finds the man doing what hes done best since coming out in the early aughts: dropping deep and frothy house with a steely underbelly

ostgut ton launches a sublabel that will feature remixes of tracks that have been released on the motherlabel ostgut ton, unterton will also release other ostgut ton related or befriended artists and one-off projects. the releases are presented as stamped white labels with track details only. tobias. makes the start of the remix series with two of the tracks from his >leaning over backwards< album, the a-side sees efdemin remixing the title track >leaning over backwards< and on the b-side ricardo villalobos and max loderbauer give >girts< the remix treatment.

toby tobias has been honing his production skills since the mid nineties. by the time he released on rekids in 2006, tobys work was already of a high calibre - and hes now decided to share his unique sound with us. in his first full release for quintessentials, one night on mare street, toby blends his love for house and disco and shows again his true class. what counts for toby tobias counts for the remixers too: they have their own sound! enjoy the fab work of quintessentials homies deep space orchestra and ugly drums plus new hotshot weekend express. thank you!

obsession is really the programmatic title of tobias olivers work of the last years. two years after his digital winter / summer release in 2009 and the human technology debut with his electro band datawelt, it is really a obsession of him, to bring out his first solo release on vinyl. if you listen to this record, you will be sure, that tobias oliver was born in a electro disco somewhere in this world. the analogy to the old school electro sound can not be ignored, when he reuses the drum and percussion sounds of well known drum machines of the past, combined with bass and synthlines, pads and strings of analog synthesizers from the past and the future - at the latest by then - you will think, that you are really out of space!

again two masterpieces of deep floating dub tech! strictly ltd to 200 copies in a special handmade cover...

we are super-proud to announce that the tenth single on electronic imprint more music is the latest from the brilliant musical mind of toby tobias. we are also delighted that this release is coming out on vinyl for only the third time in the labels history, following in the illustrious footsteps of timo maas and midland before it.

mannequin releases on 45 rotations-per-minute seven inch single a nearly forgotten collaboration dredged and now seeing the light of day.
played entirely live in one ago and using only vintage analogue synthesizers and sequencers, martial canterel and tobias bernstrup four-hands / two voices put our minds in another dimension, in an hypotetical night-time outside, where shadows and confusion are leading the way, creating simply a milestone for all the minimal electronics music lovers.