played and supported by marcel dettmann, laurent garnier, markus suckut, norman nodge, jonas kopp, dimi angelis, max_m, tadeo, electric indigo, arnaud le texier and more.the biorecordings born in 2011 from an idea by fabio scalabroni, italian dj and producer. already has several releases out with pseudonyms ambit3, bitbucket, hologram, cogor etc. he prefers and loves electronic music: ambient, deep, techno, idm and dubtechno. this label was created to give quality to his musical roots ..dub techno / detroit. biorecordings: the life of something that passes through the heart!long horizons and distant landscapes the hidden corners of his personality journeys where the mind can see everything. after three fantastic releases in digital format, biorecordings is shown in the preferred format: vinyl. here fabio shows an original track with the classic atmosphere that he knows how to propose. one track of pure dub techno. a visionary trip where you close your eyes and move your body to infinity. three different remixes signed by underground artists who know very well their sound source. gr-oy plays the track by focusing on a rhythm that rides on the atmosphere turned into deep hypnosis. giulio maresca creates a much more acidic version, but never leaving the atmosphere of the original track. zzzzra enters the deepest roots of dub, echoes and chord fills every space.

bristol hub soul motive scored a massive coup in enlisting punch drunk boss peverelist to remix >stableface<, one of the standout tracks from clouds of moments, the 2010 debut set from lithuanian experimental dubstepper eleven tigers. that they choose to complement it with two further remixes is tantamount to treating us, with both dark sky and macc on board to further re-contextualise the cracked atmospherics. in the hands of dark sky, >stableface< is twisted into a brooding dark side steppah with subtle hints of jungle pressure pervading the lower reaches, the 50 weapons trio playfully teasing with the vocal before dropping in a bassline that can only be described as rude. on the flip, macc showcases his enviable drumming skills with a heavily cinematic roller of a remix dominated by those rumbling, live rhythms

following on from the well-received third instalment - the dance-floor-troubler that was deep space orchestras >ghetto science institute< ep - use of weapons number four comes correct with four tracks, four different production outfits and four very good reasons to shake anything you can on a dancefloor near you

two great new edits of nina kraviz >ghetto kraviz<. not originally commissioned they were done on the fly and deemed so hot, they had to be released! both hailing from france, amine edge is part of the french >g house< movement, whilst alex kidd is a long time cohort and member of the rekids crew. catch them whilst you can. this is a limited pressing!

many prominent figures throughout history have proclaimed that you can get by with a little help from your friends now whilst this is a lovely romantic notion and does, we suppose have some (albeit very small) grounding in reality you need a bit more if you want to progress through life as opposed to simply jog in. zoo look are a good example of this, whilst sam, alex and craig have been friends for quite some time, forging their completely plutonic relationship through djing together, their latest release, number 11 on join the dots is forged from more than simply the burning fires of friendship, its born out of a love of all things deep as well as house music based. they may be mates but you can also get along very well if you have bags of talent too.

kindness throws his net in a wide arc when it comes to inspirations for his debut album: phoenix style soft-pop, 80s electro-boogie, arthur russell-tinted balearic, beatdown house, synth-pop.

nice price deal !!! young legionnaire is paul mullen (yourcodenameis:milo, the automatic) on vox and guitar, gordon moakes (bloc party) on vox and bass, and dean pearson on drums. this ep is the follow up to their highly acclaimed debut album, >crisis works< (released by wichita in 2011). it features five brand new tracks and is released in a strictly limited edition of 500 copies on 10 inch vinyl. recorded in london and newcastle, it was mixed by alex newport (frank turner, death cab for cutie, two gallants) in new york. for fans of bloc party, yourcodenameis:milo, queens of the stone age, the bronx.

masami akita and lasse marhaug have been working together since the mid 90ies. the first release on marhaugs (now deleted) label jazzassin records in 1995 was the >first rock< split single. in 2001 merzbow and jazzkammer (marhaugs project with john hegre) released a live album. later, akita and marhaug executed several live collaborations, but often with other artists such as hair stylistics and jim o rourke. in 2010 they finally got together to record as duo. recorded at gok sound studios in tokyo the results can now be heard as >mer mar<.
made using a combination of scrap metal screeching, analogue synths, and enough effect pedals to give you overweight with most airline companies, >mer mar< is a tour de force for both of these noise veterans, hinting to some classic 80s merzbow jams such as material action.

your dancing shoes arent smoking enough yet?! well then you can now apply some extra yards with the traumtanzen bonus miles edition to get rewarded by raumakustik and einsauszwei (ellie the cat / thirty5 records).

straight japanese killer techno !!! tight, mechanical and brutal with an underlying funk, snow monkeys is the sort of multi-faceted beast that kobayashi is known for. the rough edges are allowerd full space to create tension but the track is tempered with some brilliant, shimmering and evocative melodies that slide into the mix for just the right amount of time before subsiding into the churning groove. one of the new school of japanese techno producer, a.mochi delivers a well pitched, moody version on the flip. pacey yet measured in its progression its a version that takes the originals tension to new levels and wont be a surprise for anyone who has heard his productions / remixes for the likes of figure, cocoon and a-wave. hideo kobayashi is one of the few producers who can skip from deep or vocal house though to searing techno with ease and snow monkeys is a perfect example of what he can do when it comes ot the tougher sounds

m_rec ltd is proud to welcome on board cassegarin, greek-british producer tsiridis and berlin/vienna based composer and producer evirgen. in this new vinyl m_rec ltd, they show two original tracks and a remix by ed davenport. the a side opens with a painter of modern life, a track where they paint their perfect rhythm of modern life. a sequence of hypnotic techno where the rhythms are never heavy, clean sound. a brilliant and apparent melody seems to revolve around. a touch of class that only few can maintain.complete the a side, a remix of an artist who has a lot of quality: ed davenport (figure spc, liebe detail, nrk music, etc.) he drags the original track into a vortex of syncopated rhythms and deep atmospheres, the groove that comes out is amazing. on the b side cassegrain show one track. palette is very techno, the rhythm is direct and straight without stopping. light and soft sounds rise up slowly. everything is transformed into a pleasant trip, exciting and alive.

funckarma goes in league with onionboy (darko esser), both delivering a track of their own, and a remix of each others. funckarmas rusty w is lush electronics and heavy dubstep at the same time, effective & abstract dancefloor artillery! onionboys remix is a 100% old school electro track, solid as a rock and reminding a bit of old rude66 and satamile tracks. onionboys kokon is an electronic beauty that keeps building up.. tick layers of nostalgic synths over firm beats... magical! funckarma turn this track inside out with their typical and complex idm beat structures that can only be done by the funcken minds. another uncatagorizable shipwrec release, limited to 300 copies, full colour artwork and a download code to redeam all audiotracks and artwork in digital format.

played by zip (perlon)
karat is delighted with this new single by seuil. we have been watching this guy attentively in his progression and we are glad to finally find him on karat while his production skills have reached a ripe condition. we guess his rise has just begun so watch him carefully in the near future. the two tracks of the record, in different ways, are close to karats spirit, deep, funkyand abstract enough to be used as a floorfiller or at home for a precise listening.
>sub boogie drama< is a jazzy atmosphere with an elegant restraint, even if you can feel the real swing in it.
>ketalgine network< offers a true inner odyssey, deep, sensual, funky and exquisitely oppressive.

in over 10 years of experience in the hard electronic music scene, stormtrooper has scored releases on labels such as industrial strength, artillery, deathchant and several others, always bringing a different sound which has shocked the crowds of many countries. now, after his appearance on sana 10, the man strikes back on the 17th release of cerebral destruction with 4 intense, multifaceted tracks which contain the result of his latest sound research. nice and quiet sound e.p. is not just an alchemic mixture of hardcore and drum and bass, but blends also everything in between in a way only stormtrooper can. another dancefloor cleaner? no way! while having his sound fresh and experimental, peter kept the vibe which moves the crowd always avoiding the obvious combinations. the truth is that there are no words for this record the only way to fully understand is to listen for yourself the nice (and not so quiet) sound of stormtrooper!

nice price deal !!! i knew as soon as the track was complete what kinda remix i was after. pauls remix is exactly that. a percussive stripped back, moody full of bass workout. pretty much as far underground as you can go. - komonazmuk

feted kosmische synthesizer wizards from cleveland oh, emeralds, have never had any of their music remixed before. let alone having the title track from their acclaimed 2010 album reworked (twice) into a floor-filling behemoth by daphni (aka dan snaith aka caribou). >we toured together in 2010 and since then ie always wanted to play their music in my dj sets. so i did my own version of this track<, says snaith. >is one of those tracks that whenever i play it i can feel the energy in the room lift.< luckily emeralds were equally enthusiastic and so this unlikely hybrid see the light of day. …or rather the dark inside of a club.

those cheeky texans are back with another sure fire strictly vinyl only four tracker of funky disco jams, disco reggae shananigans and boogie bullets. over the last 4 years the killer disco & funk crew have dropped almost 20 releases across their 45 & 12 inch labels all with one sole purpose to provide you the dj with enough ammunition to destroy the dancefloor with musical firepower . with their exclusive range of exclusive edits & tracks many fans have been picked up on the way including danny krivit, idjut boys, greg wilson, faze action to name but a few

now is the time for aitor etxebarria, better known as el_txef_a to expose his innermost feelings, as hes already begun to on releases from labels like hypercolour,suol and wazi wazi.this time,he is undoubtedly on his best of form.aitor, born and raised in the basque country,is in that group of artists sparingly measuring their output,always searching for the new, aiming for high quality instead of constant,monotonous releases. after years of dedicated work,el_txef_a announces his debut album slow dancing in a burning room. el_txef_a stands for a specific and complex sound signature. his primary concern to develop a sound that people can identify with as well as just simply enjoy freely.continuing in the bilbao tradition, he is building a base of pure sampled sounds with studio sessions, live musicians and vocals to complement his production. collaborations with vocalist bisconti and hannot supplies added depth to tracks like rise and fall,and previous single lovely minds or save the world.a true milestone in this young basque artists career, we are proud to present the fruits of his labours, slow dancing in a burning room.

from the vibrant parisian house music scene of the 90s, ark already heralded the birth of our label, and pépé bradock remixed one of our most recent successes, nicolas jaar. now we turn to a man whose pure, simple approach to house music has influenced our most club-focused output. franck roger has been a great ambassador for the true meaning of french house music, from his own productions that stretch back more than ten years,through to his record label real tone. having started out producing direct, peak-time vocal cuts, francks dedication to his art has seen his music evolve across an ever-widening panorama of moods and feelings, sound sources and production methods

next up is the highly anticipated second release on graphene.. enter into a future prophecy world, where the stark realization of armageddon is foretold in all its hell-fire glory. solenoid is the narrator and observer of a planet controlled and afflicted. the future of the humanoids is about to concede to a terrifying conclusion. prepare to be sucked into a repressive nightmare. first up colony is a carved slice of visionary purgatory. distorted pads swirl in whirlwinds of vortex like cylinders. its a piece of perfectly crafted technoid mayhem. on the flip feathermen begs the questions who are they what will they do what is their mission all remains unanswered, except to acknowledge that a vile plan is at work. it s an hypnotic trip that eerily changes with every play. the main riff attacks your cranium with subtle but deadly force, eating its way into your soul. shuffling rhythmic drum patterns are juxtaposed with curious bells and creeping washes. the feathermen are in control. last on the flip pandemic is the absolute realization of a contaminated world. the pathogen continues to take down more and more of the planet. steeped in urgency and despair, the spaceage break gives insight to how the world might be after the annihilation....a new beginning or a end of all ends you must decide. one thing to conclude is that however much they unleash their destruction, they can never defeat nature itself. solenoid delivers a distinctive, badass ep that additionally works sweet as a dj tool. to be continued... words livia terri played by dimi angelis (figure, smallville), obtane (synewave), ben sims (drumcode, hardgroove), perc (perc trax, clr), bcr boys (nachtstrom)..

reset robot returns to truesoul with another four-track ep of smoldering rhythms and wonky deepness that can be categorized as belonging somewhere between techno and tech house. the product of an extended period of a&r ping-pong, the result is a collection of tracks that has to a great extent tailored the natural range of reset robots sound to the requirements of beyers vision for truesoul. mechanical but groovy, moody but danceable, all four tracks have the subtle energy and intricate details required to move the floor whether it be as part of a tone-setting opening set or late on at the after-hour

the friendship with jason lanox and henk goes way back into the early days when we started holding parties on an old shipyard in amsterdam. from the first moment henk was captured by the productions of jason lanox. henk followed him closely and saw him grow as a person, producer and performer. the first album >burning every bridge that i cross to find some beautiful place to get lost< was the reason to finally realize the long kept ambition to start henk recordings.

following on from chubby dubz >direct experience< which is already creating a storm our in house legend trevor loveys is back with a 4 tracker which is sure to keep attention on loungin. partnering with the king of samples jaycei, the man who can name any classic track in one, this e.p. delivers something for everyone.
2112 is the year of deep house & this ep is sure to be picked up by heads and djs alike. as usual we are loungin? are a generous bunch so trevor has kindly provided a fifth tracks as the free download for this release. be sure to check our soundcloud page to grab your copy of all as it was.

this selection is about the tracks that would inform henry street, the tracks found deep within the complex strings of its dna, the tracks championed by pettibone on kiss or by washington at the studio, or those dredged from crates across the city. half-heard anthems from italy tracked down through forensic research in the record shops of the five boroughs, rare dub versions of classics that you wont be finding on ebay anytime soon. this is real disco.
>these are the secret weapon tracks, but more personal to me and people from my world. i m pulling records from different places. this is how i play records. its not fake. i have never been a set dj and always played just about every genre of music, from the fastest uptempo disco anthem, to the most ghetto rap jam to zeppelin. music is music. a good dj can play it all. a great dj can play it all technically correct!<

this band from houston, texas scored several hits with >i cant stop dancing<, >tighten it up< and >strategy<.
archie bell & the drells released seven albums in ten years and the tension that existed on their previous two records, which slipped back and forth across the disco/funk divide, is gone here. >strategy<, including honky tonk pianos, swelling strings sections, thumping basslines and soul singing background vocalists making this one of their best albums. elements of barry white and harold melvin making this album a full disco album. it made it to #37 in the r&b charts, and music on vinyl has the honour to re-release it for the first time on vinyl since its original release.
180 grams audiophile vinyl preassing.

nice price deal !!! melodies and words are in faccinis bones and his finely crafted songs resonate with traces of his ancestry. if his songs were maps they would stretch from the english moors to the saharan dunes via the parched plains of the mediterrannean before spanning the atlantic ocean all the way to the mississippi delta. for piers, recording albums means surrounding himself with old friends, people he can talk music with, true accomplices, fellow souls who share a common vision. a soulful and expressive singer/songwriter whose music fuses folk, acoustic blues, and west african textures, piers faccini was born in england to anglo-italian parents, and moved with his family to france when he was five years old.
includes cd-version of the full album.

an incredible u.s.a.-belgium collaboration between the dirtiest mc juan huevos and phranteek. all started when phranteek was sound engineering a juan live act. he just says >man? i guess you ll like to records some miami bass tracks?<. juan was like >of course!<. at the end of is tour, kick the lyrics on some phranteeks 808 beat. and the magic happened! phranteek says that mr. huevos is a studio beast… and we can feel it.
on b-side, daveluxes dubstep remix is incredibbly fat. we never thought releasing dubstep music, but this is not dubstep… this is deep schizophrene robot sounds highly doped on bootybass music!
winner of octaves de la musique award in 2011, dj elephant power remix sounds like a travel in a futuristic india. while listening to it, you can imagine some elephants in disguise dancing on ghettomusic!

nice price deal !!! the record opens with “origins”, and we hit the ground running with an obese bass-line dipping through a sparse rhythm .this is a deeply touching jack-attack, infused with stripped-down, cold-wave hysterics and touched by that very distinct meschi charm. science-fiction synth-lines smash through a rugged beat, wailing at you with such force that you can’t help but take notice.

new established audio innovation records stands for sonorous names in connection with new ideas launching the electronic sound sphere! bass-boost, playfully adapted melodies, remarkable sound always moving forward! that is what we know and what we can expect, on krischmann&klingenberg next ep!

strictly limited white marbled vinyl release.

evolution takes a lot of time to achieve the best results. in his track, mr raoul k uses the concept of evolution to travel with you through this musical journey. every section of the track seems to evolve. simple patterns grow into complex patterns. more instruments join in. some stay, some are dropped after a few bars. listen closely and you can follow mr raoul ks on his path along the production process. the only sound, that accompanies you throughout the track is the choir that chants in an ancient african language - the world is nothing without humanity. the track closes with some minutes of beats for your mixing pleasure. choose vinyl!

dubbed the godfather of french electro by i-d magazine and considered to be royalty of the french electronic music scene, joakims diverse and trendsetting musical tastes have earned him a pretty damn big global rep. on the labyrinth ep you can catch joakims darker dj friend extended mix, a lush analog slow burner from canadian duo and domino records regulars the junior boys, an even slower - borderline chopped and screwed - melodic mix from uk producer lone and a dirty arpeggiated beast from deadstock 33s and stopmakingme. future classic have been working with joakim in australia for some time now - touring him down under, partying and hosting shows together, trying to get him to go surfing with us and even getting him to put some club touches on future classic alumni mitzi. what a record!

his music is like a waterfall on house – organic, constantly running,sparkling and fresh.it could be the background tune for magazine beauties in st. tropez,it feels like a drive through californian valleys,or it may as well be the soundtrack tune for a full moon party on the greek islands - yes, it might indeed just be the result of many a club year. just as well, however, we can look at it as some sort of a flip side to those busy and dark times of dull and hard work back in the days, something to simply relax andm make you smile, after a hard days work, with a cigarette in one hand and a smooth drink in the other… imagine a piece of roxy music, a dancefloor in northern italy - some time in the late 80s - and joe smooths promised land.see what i mean?you picture this?well,in that case you have a pretty good idea of robertos serenades style.the original version of tell me feat.kholi is taken from the upcoming album dawn.

long waited 4th ep from japanese deep house force pan records is here. unlike precious releases, this is volume 1 of its various artist sampler series. all 3 of them are scheduled to be released in 2012. first track to open the series is >flash back< by sai. this japanese producer has been favored and debuted from morris audio in 2010. the track has dreamy and floating feel to start off with, later it gets more grove going with subtle vocal goes behind. stays musical yet feels minimal, a2 also kept the vibe from a1 and makes you stay in the dreamland. it is by only the non-japanese artist on this wax, dennis uprock aka resoe from denmark. he is the owner of baum records and one half of the duo >pattern repeat< and this rather timeless track exactly demonstrated his years of experience in producing. >future progress<, is true and honest to its name. dj pi-ge is one of the owner of the label along side of ryo murakami and sisi. he provides a track with punchy synth and revered black man’s vocal. notably slow teasing build up from the beginning till the end, this is an interesting addition to the ep. attention grabbing. last of all, >rising moon< is by tokyo based artist naoki shinohara, previously released from xdbs metrolux music. this track can be described by strong hart beat like hi hats and soul filling melody. its a perfect closer to this quality deep house ep from the land of rising sun.

ladies and gentlemen, dear audience, 2012 is the year of boxer. and it has already been 10 years since frank martiniq came up with >adriano<. for boxer, this was a fantastic kick-start into the international and national music world, and up to now, you can still enjoy its traces engraved on the asphalt. we would like to celebrate this little, yet significant event—on vinyl and of course with you! with streamers, confetti, and with four artists which are particularly dear to us: robag wruhme, von spar, lexy/shades of gray and le dust sucker. an alluring aperitif to start 2012.

the 12 inch features the mesmerizing vocal delivery by detroit singer/musician paul randolph. randolph is a steady member of the jazzanova live band and has been touring with them over the last few years. in his words, >i human< is a statement of the feeling you have when you create music and interact with people in a one-on-one and personal live situation, instead of ambivalent text messages and e-mails. and thats what you can hear in this wonderful piece of live recorded music. uplifting, life affirming, soul soothing and yes, human!

uncanny valley continues to introduce more artists from the valley with their own solo ep.with uv008 its credit 00 whos put on the map. the dresden resident delivers four ice cold chicago inspired cuts, with hints of acid and electro,straight out of his machines which will make every synth aficionados mouth water.another me is, by credits standards,an almost intimate jam, which shows that house can be a decent funky affair.in the cave problem youll get an extensive bassline before synths that seem to come directly out of a hurdy-gurdy from hell add the right dose of gloom.the b-side is started off with the living room, a hard rocking track that comes like an acoustic exploration of sophisticated sound and drum ideas. the final brios theme is a weird and slightly menacing sci-fi work that only needs a proper movie.and again a new cover artist, credits longtime buddy geprg hpfmann.

top italo / new wave classic from 1984 by the neurox band. great dark italo wave with strange male and female vocals. on the flip hi-tech 2012 remixes made by king of the cut flemming dalum and steen body electric gjerulff. for the first time on 12 vinyl ... 7 inch goes for hundreds of euros and is rare as hell! comes in full colour sleeve, go for it while you can.

slz s debut release on organic label is marked by three tracks, which differ stylistically but are united by the original signature of this young and talented french producer currently based in berlin. his rich musical palate makes org002 ep versatile release that can always be handy to have in the record bag.

in the last couple of months the names taiki & nulight should have come across your paths. these 2 artists have been gaining respect from the likes of skream, benga, n-type, mistajam (and many more) and are set to blow up any time now. and because subway likes their beats fresh and new they are kicking off with these boys their very first release entitled the coming up ep. coming up is a 100 procent to the floor slammer wich sees the dubstep sound merging into more clubby territories. the 4x4 beat and soca influences make this track a unique piece of work that not alot of people can resist. get on this and get those ladies shaking their rear ends because once they start a skanking the men will follow. pure takes it back to the dubstep vibe we all know and love. a hefty skanker that will deplete any raver from any energy it has left. tearout basslines and insane switches make this one track that will destroy any dance! impulse is one of t&ns early productions but is not a letter track for that matter.its a mean destructive stomper that shows why these guys have been picked so early on by the subway label. it pounds,it shakes, it rattles & it wobbles. a deadly combination!watch out for more t&n releases coming up really soon on subway and labels like benga beats, sin city to name a few! play support comes from: skream, benga, n-type, walsh, mistajam, antiserum, unitz, dream, laxx, megalodon & tonnes of others!

the dirty dutch! anticlub a notorious collective from eindhoven, the southern capital of holland, was inspired to push itself into a new direction. the inspiration came from a painting by an old lady that drew the attention and gave the impulse to create the album freaks and followers. as the title suggests there are two kinds of people, people who take risks and people who do not. as anticlub used to be a risk-taker but slowly settled in an unwanted comfort zone, this created dissatisfaction and led to a creative standstill. seeing the painting everything became clear again. one should not stand still but keep moving and evolve oneself into new areas that one has not yet explored creatively. as lessismore is from the same dutch city, this state of mind also hit the lessismore label, which inevitable resulted in both parties joining forces to release this diverse album by a former underground techno crew called anticlub. as the lessismore label is known for its typically styled techno, lessismore was searching for a new impulse sound wise and visually, to ensure creative satisfaction in the years to come. with this album everything came together and the lessismore crew reunited to renew their input into the label, which was once founded to be a creative platform and an artistic journey and in retrospective clearly not a platform where one should repeat itself time after time. freaks and followers is an 8 track album with raw electronic based music combined with a variety of vocal work by different new anticlub members. the overall feel of the album is a dark punky attitude that reminds of the good old days of rave, which in the early nineties dominated the dutch club and party scene. this period can be defined as being careless and not taking credibility into account, trying new things, being blunt and just partying your hart out. being older this is a feeling that will never have to die, proved by the old lady whose painting was used as the art-work of the album release.

first up is >waves< by norwegian dynamo the treatment. after the success of his on & on ep, as well as an overflowing vat of remixes, in 2011, the treatment is back to form with this flawless rework of surfaces >falling in love<, a surprising yet harmonious blend of nu disco, classic house chords and electro – a cerebral record that also highlights his instinctive side. we all love a piano riff too, of course.

we are extremely happy to kick off 2012 with the second release of good ratio music. after capturing the hearts of audiences worldwide with “money ep” from chasing kurt, it is time to warm up your senses with this emotional “one by one” by our friend tom ellis. a great 2012 starting for this new label runned by carlo and baldo. four evocative songs are composing by this ep which feels pretty organic and sensitive at the same time. you might be ready to embark in such an affecting voyage built upon those ever imperfect harmonies and natural rythm. without any apparent fear we can catalogue this ep in the mood of an experiment close to deep house. definitely it is coming from hundred of harmonic sounds and light melodies, everything mixed up with great sax samples and voices to go further than a dancefloor moving. in this way we need to say big thanks to michiel renger & sammy maine for their contributions in the sax and voice respectively. basically it will be a pleasure to make you feel captured over the clouds after the listening

re-release! melodies and words are in faccinis bones and his finely crafted songs resonate with traces of his ancestry. if his songs were maps they would stretch from the english moors to the saharan dunes via the parched plains of the mediterrannean before spanning the atlantic ocean all the way to the mississippi delta. for piers, recording albums means surrounding himself with old friends, people he can talk music with, true accomplices, fellow souls who share a common vision. a soulful and expressive singer/songwriter whose music fuses folk, acoustic blues, and west african textures.
double 12 inch vinyl plus cd-copy of the full album.

music is about stories. some of those stories can be meaningful and still be fun.
after spending the last few years painting in train yards across france and europe, clio now focuses on music. he describes his own productions as fun while at the same time signifying deep meaning.
while clios heart is in techno music, he also credits hip hop, jazz, dance, dub as important influences to him when younger.

spank rock feat. big freedia - nasty remixes taken from the album:everything is boring & everyone is a f—ing liar (produced by boys noize) on the peak of the succesful wave of spank rocks sophomore effort, everything is boring and everyone is a fucking liar, boysnoize records proudly presents spank rocks latest single called nasty featuring the undisputed queen diva of bounce music - big freedia and hooked up by the lady herself tyette. nasty is the pure extraction of an eccentric and intimate bounce track twisted, filthy, party- and sexdriven, its bound to make even the grumpiest person dance like there is no tomorrow. this pearl of goodness comes in 2 different mixes by bnrs youngest discovery scntst, who turned the original track into a dark techno/dubstep hybrid giving you goose bumps. both, are clearly one of the best mixes done by scntst so far. also alex ridha was more than impressed and picked scntst voal-remix of his favorite rapper, just edited it and made this nasty tune even more effective!addison groove, also known as headhunter, of 50 weapons fame has graced us with two reworks of nasty. both expose his passion for experimental broken up sounds. he keeps it real by emphasizing the deep and heavy bass in the track. sebastian’s dtf dadt remix is a dirty dubstep gem, which we can already see fitting right in in underground clubs and big international venues. what a bonus!

chicago based fieldwerk recordings continues its spilt instrumental series with kill switch, a collaboration featuring minneapolis native and doomtree alum lazerbeak and bay area producer edison.

jakob altmann from munich is the new fresh artist on the statik entertainment - roaster. after his split- release on the label >other heights< (together with ozka) and the mixcd >on straight road to planet ceres< by sven tasnadi (that ncludes stuff by jakob) now you can listen to six raw techno-cuts in a really dark atmosphere. enjoy it

after conforces tight album release on delsin and other concept projects he did he/we went wild with this one and selected some tracks we just want to play out loud in a club from vinyl (incl. a killer remix by gesloten cirkel for the title track). at first sight these tracks dont have much in common... and probably still not for the second listen, but we didnt really bother for this one. it will be a standard in our dj box for the coming months with 4 tracks that all have a bit of a different groove and a different mood. grain, be there at night, 24 and 24 remixed by gesloten cirkel. this is probably as versatile as a clone basement release can get.