the label is a platform for the best funky techno outings around and features a broad range of well-known producers. volume 5 welcomes a new artist to the label and a very famous producer on the remix.
claudios impressive debut on the audio family imprint. serious deep dancefloorstyle techno in the style of advent and those alike. with huge synths, heavy basslines and an overall clean sound most producers can only dream off...
talking about clean: check out the amazing axel karakasis mix on the flip!

nice price deal !!! first sampler from his new album. a brilliant combination of acoustic and electronic sounds, that covers the great black music full spectrum : soul, house, jazz, broken beat, doo wop, nu soul, afro beat, latin, funk. allen hoists music spreads innovative grooves, authenticity & happiness. its simply modern soul music... with soul! but words can only do so much, so listen and let the music explain to you why he is called the prodigal allen hoist ...
supported by: bbc1, bbc 6, radio nova, jazz fm, craig charles funk & soul show, norman jay, little louis vega, gilles peterson, joey negro, osunlade, laurent garnier, rich medina, mike chadwick, wicked jazz sounds, rainer truby, jazztronik, bobbito garcia, knee deep...

without much need for introduction, archipel welcomes the talent of minus niederflur who bring with them the darkly blinding >lumen ep<. a lumen is a unit used to measure the perceived power of light and this ep is most definitely very powerful and certainly can be perceived as such. this is where the line between something as intangible as light is crossed and becomes tangible as one would feel an intense and warming heat which goes so far as to manifest itself as something with mass. title track >lumen< is the focused, convex lens, knife edge point of light which focuses a small portion of the suns energy so densely it could initiate many a blaze. >masse< is as dense as the most solid of gems and radiates dark light like heavy water and is sure to corrupt any geiger counter within its radioactive reach while >flor< stacks itself as high and wide as it can go, building further and further upon itself, and just as one would think it could build no further, it rotates itself back to within and further densifies, an inescapable sort of density of which one is eternally locked pleasurably within. >flucht< raises one into the blackest skies of night and flies hour after hour through blood orange clouds filled with the atmospherically scattered light from what was temporarily civilization below but is now just a memory shaded in the delight of being closed within the phosphorescence of late night fog.

for more than 15 years now, steve bug is known for influential track somewhere in between house, techno and minimalism. with his very good sense for the energy of self-limitation, bug has set standards when it comes to the funk of modern sound geometry, especially with his imprint poker flat recordings. milestones such as >loverboy<, >monsterbaze< or >wet n dry< are now essential elements of the history of electronic dance music. only a few weeks after the release of his fourth album collaboratory, bug even tops that one with this 12 inch on cocoon: while look whos stalking obviously refers to steves close relation to the raw energy of u.s. house in between chicago trax and detroit, using driving hand claps, percussions and nasty vocals, the flipside zero balance could pass as a vision of how far you can reduce techhouse to the essence of a bass line. also here, short vocal loops - besides the fast-moving elements - complete a sensibility that makes bugs tracks such high quality music for a very long time now.

>in the music< can be described as one of top house tunes of alltime. from 2001 on, you find this track in all main clubs, and today we release it, exclusively for the world, with new great versions / remixes by christian marchi, alex gaudino & jason rooney, adam k & soha and nari & milani!

mysterious white label coming out of germany. we cannot announce whos involved on this, but trust us its some of the major players in germanys techno scene who supply their own take on elvis and michael jackson. enjoy! limited edition white label... get this while you can!

finally some fresh stuff from the labelowner himself!! in tradition of moodymann & co

this is the first production by kenneth christiansen, dj, producer and label boss of echocord. he teams up with his good friend dennis bog, which is known for his unique label baum and baum ltd plus his own productions as resoe.
>ofetriade< is a powerful techno-track, can remind of marcel dettmann and mathew jonson. the remix is made by ben klock from berlin, owner of klockworks and resident at berghain. amazing peaktime techno!
>synthese< is a mixture of dubstep and techno - for the fans of deadbeat, martyn and peverelist.

having become a firm favourite of some of the best djs on the planet, delusions makes a welcome return with dog05 from the mighty 6th borough project. these guys can seemingly do no wrong at the moment putting out huge release after huge release on their instruments of rapture label as well as numerous remixes, edits and original productions on the likes of jisco music, phonica, deep freeze and delusions. how can i show you is a masterclass in slo-mo looped up deep disco house that will appeal to fans of mark e and of course the revenge. a hypnotic and grinding groove is what this little number is all about so play it loud and keep it slow. on the flip side we have soultourist (from our fave house label drumpoet) remixing miss world into a deep and driving filtered throbber with all the warmth and soul youd expect from these swiss master craftsmen. on aa2 youll find the ooft! remix of miss world going in a slightly darker, electronic direction introducing dubbed out synth stabs and a subsonic bottom end thatll warm your cockles

madhouse labelowner richie gee shows us what he likes for his label! big industrial hard monster of a tune! the mojitoman is back and he is drunk as hell! on the flip mister mojitoman celebrates his 3rd birthday in a way only he can. nasty sounds, nasty kicks, nasty!

after the huge success of their first single from hatikvah on baalsaal by the name of “modern times“, hatikvah is back with the title track of their upcoming album “synchronicity“. on a1 we find the original version of “synchronicity“. the deepness from second 1 struck us right away on this one. while the twittering of the birds accompany the groove, florian suddenly drops the first line and you can feel it – this is gonna be special indeed. the perfect song to get a sneak peak of the upcoming album due beginning next year.

brooklyns finest, jenifa mayanja, continues delivering yet another stellar outing for her bu-mako recordings imprint. her sound is avant-garde, deep & classy, and can easily be compared to the works of some of our deep house forefathers, such as chris gray & larry heard.

brooklyns finest, jenifa mayanja, continues delivering yet another stellar outing for her bu-mako recordings imprint. her sound is avant-garde, deep & classy, and can easily be compared to the works of some of our deep house forefathers, such as chris gray & larry heard.

after the music components album, arnaud rebotini (blackstrobe) deliver the first ep from the new project music components rev 2 a collection of remixes by martini bros, donova or steve moore. you can find here some remixes by chloe, jesper dahlbäck, blackstrobe & xaver naudascher.

releasing >jeffer< as the first single is quite unsual regarding other power tracks that feature robot voices but who cares really anyway? berlin buddies modeselektor made their version of >jeffer< and themself say it sounds like the good days of audion when he is not so minimal - and they make it to the point. mdslktrs remix is a full on techno mix but playable for house or new rave djs as well. it extends every genres bouderies and presents a sound that everybody can meet at. on the flip you get para ones epic version which shows that he is still top of his game. after his classic remix for boys noize >my head< he answers >jeffer< with this banger. para one is pushing the good feeling of the original track to another level by adding new melodies and an epic breakdown in the middle of his mix. 2 killer remixes!

this is the second album by sven schienhammer aka quantec on echocord. after releasing several 12 inch on labels like styrax leaves, meanwhile, snapshot and echocord sven is back with another fulllenght album. this album contains older tracks from the year 2001 and some of his newer works from 2009. on this album you will hear many of svens personal favourite tracks and echocord are really proud to release it. its not really the typical quantec sound, its absolutely different to his last album on echocord, some of the tracks with vocals, but you can still hear the quality quantec sound.

clone west coast series continues with more hot releases! after tyrell and mr pauli its the hasbeens (tyrell & overdose) who deliver the heat!. this is as big as you can get it! we could do a lot of talking about the track and the daily struggle of human beings etc... but just listen. top production leaning on classic italo but in a new modern jacket with sharp production... the clone west coast sound :-) simply irresistible

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

phil kieran has been in the upper echelons of the electronic music game for more than a decade, but is only now releasing his debut album under his own name. known for rocking clubs and releasing a string of killer twelves, belfast-based phil has hooked up with german powerhouse cocoon in recent times. sven väths label is now about to release shh, a groundbreaking piece of work that will undoubtedly gain phil plaudits across the board. shh seems to not only reference every sound phil has ever loved in music, but is formulated in a completely fresh and futuristic way. listen carefully and you can detect elements of dub reggae, old hardcore like lfo, hip-hop, early 90s electronica such as autechre/black dog and other warp staples, as well as the futuristic techno that phil excels in. for the album phil went back to old sound lab recordings dating back to the 1950s and 60s. utilising some of these sounds in the initial construction, he built up tracks using a combination of old samples sourced from original and weird places and some live new instrumentation as well. there are live drums, some electric / acoustic/ bass guitar and live keyboard playing as well as some choice guest vocalists.

there seems to be a bit a mystery around this record... and let some of this mystery remain. these two remixes of a fairly obscure song are pretty well known to the public, as for the last year or so they were regulars both in live sets of jacek sienkiewicz, and dj sets of ricardo villalobos. right now these two artists share credits to this obviously outstanding release. >pilgrim< is a vital, mesmerizing, uplifting piece of magic. one can assume, telling from the unusual, muezzin-like chanting, that it comes from some forgotten oriental library record... in fact, it was written in the seventies by a respected polish composer and extraordinary vocalist to the words of 19th century polish poet. now you can hear its modern, not to say futuristic, interpretation by two of the most forward-thinking electronic musicians from two different sides of the globe.

>perlmutt< supported by: robag wruhme, timo mass, gregor tresher, chris liebing, dave seamann, paul woolford, john digweed, alexi delano, edu imbernon! dominik eulbergs new traum release >perlmutt< holds two new songs. after >sansula< eulberg has taken another step towards composing exceptional bitter sweet melodies as we can witness in >daten-Übertragungs-küsschen<. his fairylike romantic and gentle melodies are as light as snow flakes and say goodbye to realism. in contrast to the a-side >schnertuppen-regen< keeps an eye on the clubby side of things with rectangular saw tooth sequences, dubby rhythms and back and forth sliding sequences that seem to stem from ancient string instruments and show herewith traces of popular german folk. all of this evokes in us the beautiful and early >acoustic window< phase of mr richard james.

nice price deal !!! played by the glitz, someone else, oliver klein, jenn, franco bianco, andy kohlmann, black vel, dj misk, dj wakko, half stereo, homebase, mandy jordan, markus kavka, paul hazendonk!
in his first 12 inch, emanuele porcinai offers 2 tracks that consists in pleasurable and sexy vocals within simple but smart grooves. a very important thing for him when making a track is to record an effective vocal, so these are ever an important part of the creation. le french brasserie remix of >helen< is an interpretation more powerful and housy, where the two eccentric producers can show their passion for vintage synths. tested on the dancefloor with a fantastic reaction of the public!

number three of the first cascandy collection comes up with the summer closing theme 2009! let s up the ante and celebrate this next big strike with us. with massive support from oliver huntemann, stephan bodzin, nick curly, the glitz, dubfire, ...
dont stop cascading! sensationally effective: the collector covers! collect the first 6 releases and you can compose a big single artwork out of them. every cover artwork is a piece of the puzzle to get the overall picture on your wall. be a part!

you can see it on the news: techno is back, but for those who never left, techno is not a word that comes and goes, techno are forward thinking sounds that you cannot do in one minute with some libraries and cheap software.this brand new release from our factory shows exactly how techno should be done properly, in the interpretation of kike pravda, eric krakeroy and label owner oscar mulero as a remixer.main track, >fear is the enemy< has a direct approach, clean and driving drum programming grows and grows helped by shuffled 909 hats, leaving room for a razor sharp synth line that opens and closes filter in the most dynamic way you can imagine. just a few elements put together wise. oscar reinvents the original in a very similar way, but slowing the vibe a bit, adding more percussive details and elonging the structure, again the sound is clear , punchy and hard, as you like it.closing release, >jaque a la reina< its a 21st century acid track, modern, sharp in sound and agressive in low end, concrete claps, metal hatz and driving synths makes this one the perfect compliment for this stunning release.

after a couple of artist eps, white is back with a new release of their well-known faces series . this time with an unknown face so far: tristen tristen has been an integral part of the white crew ever since. it was just a matter of time, until he was ready to release some tunes. everybody new, if that guy ever finishes a track, it ll be a bomb. and so it came. a track which announces a state of emergency on the floor. with deep chords and strings, which scream so high right at ya, that you can t resist dancing. on the flipside edward puts out a melancholic ravemonster. but still in edward style! minimal and housy, with a slightly touch of a jazzy trance. but always with an eye for the deep. a track like a dream-like scuba dive... once again edward proofs, that he is one of the most outstanding young producers in the game, right now.

big with: joris voorn, marc romboy, brothersvibe, paul woolford, sis, smokin jo, danny howells, wally lopez, dennis ferrer, lee jones, kiki, gorge, kabale & liebe, audiofly, hector romeo, carl cox, arnaud le texier, solomun, karotte, marco resmann, julian chaptal, ramon tapia, livio & roby, osunlade, milton jackson, funk d void, butch, dj hell, chopstick, ben watt, slam, laurent garnier, delete, peter kruder, tiger stripes, affkt, davide squillace, martin eyerer, liapin, jimpster, dj wild, ripperton, anja schneider, fish go deep, agnes, luca bachetti, monika kruse, ... who doesn’t love balearic house? ok, well forget those cheesy parties in ibiza of the early 90’s, as all things can be appreciated when tastefully applied. and that is precisely what schumacher accomplishes with ‘slow’. a slowly building mild balearic groove – not even the slightest bit overbearing, rather inducing a bit of a more subdued hypnotic vibe. chronologically applying a series of effects to the female vocal snippets while shuffling them forward and back against the groove, indicate his ability to use simple effects to create intricate results.

dj support: endymion, dj d, giangy (ex stunned guys), manu le malin, broken rules, peaky pounder, the outside agency and many many more
finally the long awaited gpw010 is ready! once again the gunpowder rec. brings you an absolutly slamming release composed by 4 monster tracks that, following the typical gpw mission, provides various hardcore styles ready for all the dj bags out there, from mainstream to faster and industrial sounds. except for the already wellknown hit >dig it< created by gif phobia, you will find other three demoniac gems composed by the soldiers of gunpowder family, assembled to offer one of the most complete and interesting screaming hardcore vinyls of the year! yes, the gunpowder rec. is still here, fuck off the global economic crisis and keep the real underground noise alive!
this label is dedicated to hardcore music, raw sounds, noise, industrial beats, distortions, big and fat kicks!from mainstream to experimental, from climax floorfilla to dark influenced hard bases, this label is all about hardcore. every release contains different styles, every release is a surprise and every release can be played in various djsets, because there is ever at least one track good also for you.the logo is a restyled version of the old personal logo of gif phobia, now used for a more global and massive project! now shared with all the artists of gunpowder records.

flint kids are london based electronic music duo dave smith & daniel nolan. they began writing together in 2000 on an akai mpc 2000, s600, korg trinity and 303. years later, after having brought laptops, logic, ableton and other electronic goodies, it became clear that the sounds they were hearing in their heads were possible to recreate. their passion for so many different styles of music saved them from ever being pigeonholed, glitches & bleeps fuse with organic matter fired from a techno blunderbuss to create a pool of binary sputum that finds no home in any one genre. what may begin as a well earned candlelit soak in the tub of ambiance can quickly drain away as they pull the plug, leaving the listener cascading down a dank, jagged hole with only a rung less ladder made of plasticine.... not for the faint hearted!

the wait is over... !k7 is very proud to present the next instalment in the dj-kicks series and we couldnt think of a better pairing.
chromeo is canadians p-thugg & dave 1: best friends, virtuoso musicians, walking hip hop encyclopedias, and the only successful arab/jew partnership since ... well, ever.
after releasing 2 albums (she s in control and fancy footwork), hitting the dancefloors / attacking the charts with you re so gangsta and needy girl, remixing the likes of cut copy and lenny kravitz, feist and vampire weekend, and years of jet setting and globetrotting ... the time is right for them doing their take on dj kicks. a match made in...
teenage lovers, 20 something bloggers, 30 something burned out ex ravers and 40 something sistas can all finally party under one roof with this slick, sleek, smoothed out mix. a tribute to canada of sorts, as it includes so many maple leaf underground classics and obscurities. obviously there some unreleased versions (chateau marmont most notably) and of course the dj-kicks exclusive track, with chromeo fucking around with the eagles classic >i cant tell why< which comes in 2 versions and will get a separate 7 inch release also.

new ep from detroit techno and graphics legend alan oldham.
following up the more experimental >johnny gambit 01: the prodigal son< graphic novel/soundtrack (pure18lp), alan d. oldham a.k.a. dj t-1000 gets back to basics with the >blaster ep<, phase two of the pure sonik records restart.
>blaster< kicks off the proceedings. a dirty, tracky, and bitcrushed statement of intent, >blaster< is a 130 bpm love letter to all the hard techno fans in germany and spain who have kept the faith and supported dj t-1000s international dates all these years, and the definitive statement that pure sonik records is back!
on the b-side, oldham goes electro with >i rock shit everyday<, a dark, dirty, detroit electro-groove inspired by one of his all-time favorite detroit electro acts, ultradyne. the ep closer, the lo-fi >machines<, is the sound of your laptop, tv, and coffee maker conspiring against you in dial-up modem code. what happens when your microwave starts thinking it can cook better than you? you better watch out...

the new york producer and dj, alexi delano, can not miss this excellent template. in his remix of the mentioned track he whispers it the required dryness in, and so it becomes afterhour-compatible ... and it continues to roll… brian sanhaji and his interpretation of this symbiosis: the use of his characteristic style of the born frankfurte in his remix gives the all-rounder track the old well-known gloomy and beloved hardness, but does not loses the melodic nature out of sight. the whole thing will become a new symbiosis ... and it continues to roll ...

lets give kitkaliitto a warm welcome! instantly impressed by these guys music we were – quite unique and not easy to classify. so this is their debut ep – coming straight from helsinki with love, three tracks and a remix. you can hear influences and samples from deep movie scores, downtempo, house, even big beat always escorted by some factor for self destruction. the remix of moravia by sevensol & bender shoves a rough house skeleton under tom pavlas fantastic trumpet – simple, raw and beautiful.

duchess says are montreals answer to six finger satellite, to the units, to depeche mode. whilst nodding to no wave, to new wave and to punk, they do something more, something unique that pushes the power of their influences into new places. not at all bothered by format or conventions, duchess says can easily set fire to any warehouse parties or arenas. their musical influences range from no wave, new wave, punk, to cinema and visual arts. duchess says have the mandate to decontextualise the rock and to promote simultaneously their church on the way.

nice price deal !!! yo kid! remember back in the day? the underground was truly the underground. people werent trying to make tracks. people were about nice songs. no chart dropping. no ra. no myspace. it was just straight underground pop writing. yo! remember techno pop? what happened? andreas dorau. yo kid! what happened? hamburg, parfüm. what happened? firm. oh! theyre still there. kompakt pop, cologne. what happened? can somebody tell me? ladomat 2ooo. we all know what happened.. console. what happened? egoexpress. what happened? micromusic. what happened? popacid. what happened? hans nieswandt. what happened? rework. what happened? scheinselbständig. what happened? christopher just. what happened? cologne, the minimal pop-house sound. you gotta be kidding. what happened? synth pop. come on man, whats up? techno pop. what the fuck happened? it used to be so good

heavy support from laurent garnier, ricardo villalobos, luciano, loco dice, raresh, pedro, rhadoo, dubfire, andrew grant, ali nasser and more … old-school style floor destroyer!!! posh 111 is an unknown mystery hailing from romania. with 2 outstanding cuts packed with waves of optimism and snickfest enticed skullduggery he has delivered a superble bewben of a brutish pigeon chested blooter. includes a super rare and unique remix by petre inspirescu who fuses together both >nedenumit< & >the coco song< in a way only he can

subfossils music can be defined as being both deep and musical trying to give his tracks twists and turns from beginning to end. daniel ramm is a real teutonian perfectionist, each sound has been clearly defined in every nuance.munich native roland appel delivers the cant get no sleep remix - a solid floor filler with emotional outbursts typical of his production style!

city wasteland comes as a full cd as well as a split in two 12inches including some tracks that are vinyl-exclusives. sebastian lohse a.k.a. break sl from dresden is still quite young, but you can feel that he already defined his own universe of sounds and proper production skills. the second 12inch (city wasteland pt.2) now starts with the track move! which doesnt carry it s name for nothing - this is true-school techno! next, dirtbomb shows some nice edges and has a kinda dark feeling. hovering samples and a raw, dirty feel on the drums gives the whole track a very subtle blues. on the flip break sl enters deepest territory of detroit-influenced techno with weird dancer. the last track here tff is a vinyl-exclusive which delivers intense and acid-like drum layers ... chicago galore! thanks for purchasing a real copy!

the zomo recordbag street-1 is a shoulder bag in a lot of stylish and fashioned colour combintations. this compact bag holds approx. 35 lps or one document folder. the pocket on the back can be closed by a zipper and offers space for small accesories.the shoulder strap is lenght resizable. • capacity: approx. 35 lps • size: 350 x 100 x 380 mm • weight: 500g

our favorite frankfurters miguel and arno are back with more frolicking, funky and fired up house. the boys have kept busy since their last release on kindisch, out with a bang, (which for a period was heard every weekend in clubs across europe) remixing for labels such as arearemote, below and murmur. oh, and we almost forgot to mention nurturing their label la peña, whose success can be contributed to their no nonsense attitude to releasing only merit worthy house. welcome back kindischs native sons, as they take you an inebriated four-track voyage of the utmost magnitude of rump-jiggling beats. >caña moral< contains all the things that we have grown to love einzelkind for: warm and crunchy beats and a perfected groove all following the chants of tribal vocals. this one might be a tad more pristine than what they have been known to release on their own label, but it does give proof of their ability to construct tightly woven modern beats

supported by: richi hawtin, hot chip, john digweed, nik fanciull, tono rios, okain... their new ep >shipyard< is piemont at their best... we would not have it another way... magnetic beat-bassline monsters, funky and rigid at the same time. you might call it germanic and it reminds us of dadaism in the 20ies ingermany with it s theme: non-sense makes more sense? the a-side track >shipyard< has all of this, a fusion of old school with blowing horns and massive hi-tech technology. well we know the release is about hamburg harbour...but what the f..ck does it matter. the b1-track >cargo< is as heavy and bulky as you can imagine a track to be with this name... but if you know piemont, you know they make even heavy tracks funky. the b2-track >dockyard< isthe deepest track on the 12 inch and shows that piemont will continue their liking for deeper music which they revealed for the fist time on their recent album >strange world beyond< on mbf.

bottin, aka william bottin makes music only an italian can make... probably. take a youth spent against a background of old italian giallo soundtracks, some john carpenter film music, add in late 70s italo disco influences, add a touch of free, some easy west coast vibe and a smattering of kitsch. that just about half describes bottin.

say the name lil dave and an ingenue of class and aural distinction comes to mind. lil dave channels the far reaches of the soul, all the while effortlessly combining taste, groove, and appeal with todays technology. although his roots are in hip-hop, lil dave is most widely known for his electronic escapades through house, broken beat, brazilia, acid jazz, funk and uk-inspired soul and rare groove. through these genres, lil dave defines his signature sound.
on any given day, lil dave can be found behind the boards producing, in the crates digging, at the beats grinding, at the turntables creating. with demeanor calm and levels tuned, lil dave brings crowds from philly to rome and the world over to a fever pitch, leaving them parched for more. he takes great delight in pleasing his treasured following and making them happy through the power of djing.
whether it be through showcasing rarefied gems on his legendary radio program or providing sonic leaflets as 1/5 of the multifaceted illvibe collective, lil dave has the talent, drive, and the penchant for the art of moving butts.
simply stated, lil dave is the future of the funk!

kid massives audio damage label kicks off with some heavyweight names in the shape of raul rincon et al

loved and played by dubfire, karotte, 2000and one, monika kruse, m.a.n.d.y, reboot, johnny d, gregor tresher, lauhaus, miss jooles, boris werner, sis, markus fix, robert dietz ... the man of the moment and labelhead nick curly from mannheim strikes back with another summer bomb on cecille. this is the next step into an endless series of awesome tracks of modern house music. use, consume and take it loud as much as u can..

boris ross solo ep on his own luxaflex imprint. after a series of great remixes and releases on labels like oproof (rum), stolen moments and luxaflex its now time for the solo ep! an icredibly funkie house / minimal release for all of the headnodding crew out there. build like only boris can with its funky rhythm and fast edits and chords. some hidden vocals in there for your pleasure.. i want to ask you.. uhm..

kicking off our new series called esperanza extra, which will showcase our favourite picks for strictly dancefloor-oriented music, we have no more than rills & step. the turin suspects who already collaborated with us with some great digital releases are making their vinyl debut showcasing 3 stunning floor killers. on the a side, we have rodeo drive, a deep burner with some disco infused sounds all over the place, already tried and tested this track can make serious damage, now its time for you to test it. on the b-side, sunset boulevard is a chi-disco hypnotic driving track which we can even call futuristic house music and closing the ep, costa verde a super solid track in a similar of rodeo drive but still showing its own character

a very special & limited vinyl summer set for all 12 inch junkies. a pure house master class : if you buy all 4 (orange, blue, green, violet) you can compose a picture of purple music s logo and have the best music reminders of the summer 2009 ....limited edition

a very special & limited vinyl summer set for all 12 inch junkies. a pure house master class : if you buy all 4 (orange, blue, green, violet) you can compose a picture of purple music s logo and have the best music reminders of the summer 2009 ....limited edition

a very special & limited vinyl summer set for all 12 inch junkies. a pure house master class : if you buy all 4 (orange, blue, green, violet) you can compose a picture of purple music s logo and have the best music reminders of the summer 2009 ....limited edition