after a successful first year, untzz twelve inch start off 2014 with their first extended player, a collaborative offering between friends freddie norwood & dass on 180 gram vinyl. freddie touched gold since his debut they never used to stay out all night, winning the hearts of selectors and home listeners alike, and the tongue in cheek how low can u go went on to become an anthem of both european and australian summers. all the while dass has maintained a strong presence in the shadows, honing a dark and atmospheric sound that remains inviting for the creatures of the night. together, they have crafted an elegant and timeless record showcasing a further look into what is still to come from untzz twelve inch.

travelling to our extended network at the other side of the globe, we welcome australian producer safire and his very first dispatch recordings ep. emerging as one of the dark horses of the label of late, his debut ep consists of five superb tracks that combine raw elements with sophisticated production, to bring some of his best music to date. leading on from *power of thought*, safires contribution the transit 2 compilation, he heads straight for the jugular with title track *homeland*. deviating into 140 bpm territory on his second solo effort of the ep, *face your fear*, safire proves he can master all tempos. having previously joined forces with other artists for dispatch in the past, safire completes this ep by collaborating with yet more high profile artists. working with dlr on the ruthless *hurdles*, adding infectious vocals in *timeline* with cern, and sending out warning signals with minor rain for *transit*. each track is brought together with meticulously assembled drums, an ultra-high level of technical quality – you can expect to see a lot more from safire in the future.

travelling to our extended network at the other side of the globe, we welcome australian producer safire and his very first dispatch recordings ep. emerging as one of the dark horses of the label of late, his debut ep consists of five superb tracks that combine raw elements with sophisticated production, to bring some of his best music to date. leading on from *power of thought*, safires contribution the transit 2 compilation, he heads straight for the jugular with title track *homeland*. deviating into 140 bpm territory on his second solo effort of the ep, *face your fear*, safire proves he can master all tempos. having previously joined forces with other artists for dispatch in the past, safire completes this ep by collaborating with yet more high profile artists. working with dlr on the ruthless *hurdles*, adding infectious vocals in *timeline* with cern, and sending out warning signals with minor rain for *transit*. each track is brought together with meticulously assembled drums, an ultra-high level of technical quality – you can expect to see a lot more from safire in the future.

docile shapes tone and midi to make sense out of random noise. we refine and redefine melodies giving them the warmth of new life. our style is an unrelenting adherence to the simple. our groove moves cool and easy and is often following the path of a drunken love arrangement. our sound reaches childlike for a funk that is beautiful. docile is an artist label. our art is the craft of vinyl as well as the music on it. we are an independent voice that walks a lonely path no matter the cost. docile still believes.

berlin-based staffan linzatti returns for his second release on chronicle with another uncompromising selection of linear techno constructions sculpted with an unfaltering vision of how hypnotic body music can transcend simple rhythmic needs. icy atmospherics and razor-sharp production make for one of the strongest manifestations of linzattis distinctive sound in a career bristling with standout releases for labels such as stockholm ltd, balans, and his own searchlights records.

paxton fettel drops the follow up to not bad for a tenner e.p – and it is tidy like your nans lounge. *jets* gets set to disembark on a paxton trip to a hidden place, and because it rhymes it obviously takes you to space. a secret spot that you only get to see once in a while when the tide is right.. dominating drums demand moves: bust a simple sinking throb, creating a cosmic divulge.

in the past two years moral fiber esthablished worldwide support and success in the underground scene as a digital label. to take it to the next level moral fiber comes with his first vinyl produced by the romanian duo vinyl speed adjust. the ep contains 3 originals tracks and a remix by dilated pupils a.k.a. roger gerressen & ivano tetelepta. this will be a vinyl only release with only 250 copys available. so grab this dark groover while you can!

second release of parallel pain records. here introduces new faces to label. the single, a mental techno slow-burner titled *radioactivity*, comes from the spanish artist psynth, a seriously deep work produced from this amazing artist. in addition we can find a remix by miki craven the spanish tresor (berlin) ambassador, who inject the original with a shock of jacking technoid. a really good bomb! ends this great release the talented dominants track, no lower one than the original, dominant does his best with a acid pumping remix full of dark shynthis.

acclaimed for many of his compositions on labels such as aesthetic audio, art, ornate, alongside his blistering dj performances. aer boss miles drops the labels first and his debut album. deep is a word often used to describe a lot of music currently out there, but not many touch the depths of this superb lp on atmospheric existence. miles touches on many shades of sound with his trademark emotive warmth. melancholy but positive vibrations flow out alongside abstract grooves. hypnotic elements grace the journey, creating an otherworldy sense of space and distant unknown entities. feeling & mood leap out of this lp at every twist and unexpected turn, circumnavigating the deep spectrum. since his early releases, his imprint aer has become a highly respected imprint globally with a dedicated following. this lp was constructed to stand the test of time and stand it does, firmly rooted in the cosmos

khandoits hypnotic 100 bpm stomp does not adhere to genre or fickle trends, it simply bangs. the track begins with a sturdy kick and piano glissandos which recall alice coltranes most transportative work. as the beat picks up, a creeping, filtered arpeggio enters its journey between rhythmic and downright nasty serving as the track s primary drama. its a stunning intro to the new label grimy trax, a musical chameleon that can be dropped at the beginning, middle or end of the night. to complement the epic a-side, grimy returns to the endlessly talented midwest and emerges with lulu, an original track by deejay/edit ace bruce ivery. the track seamlessly combines the chicago acid sound with the clever vocal sampling of early 90s nyc house. the result is pure peak-time heat. towards the end of the track, ivery arranges brief melodic elements into a propulsive disco facsimile. this unexpected turn summarizes the philosophy of the new label and the way this small group of artists selects and makes records. it doesnt matter if its house, disco, or techno, just make it grimy!

our friend affie yusuf delivers the next release for our house imprint.better known as a master of acid house and techno, he shows off with his other side here. with its 4 groovy tunes this record offers anything you can expect from a good house record, may it the subtle groove of rinse & dry, which reminds of the early works of herbert, the ironical drugged out guantanamo rave, the uptempo ferox-like get involved or the funky house fm.

japenese guy, takeshi kouzuki is well known for his productions on mathematics, abstract acid or hotmix. he has demonstrated his talent as a producer on every single track he has released. and we are really glad to deliver this ep with 3 awesome tracks of >nu-chicago house<, acid and jakbeat music, be certain that the voodoo is this wax. whirlwind will hypnotize you with its beautiful acidic melodies. * aoiro* is a massive jakbeat raw track on which you can feel the influence of traditional japanese music, absolute dancefloor killer! moon is just beautiful in all those points, it will put you in the trance, takeshi is a master of perfection so far!

limitiertes vinyl eines bisher nur über plug research digital veröffentlichten albums von oaklands matt tamarillo. between waves ist ein abgefahrenes elektronika-album zwischen boards of canada, floating points und gold panda. die beats sind auf dem level von künstlern wie teebs oder bonobo

2017 reissue .. bang (the underground doesnt stop) is a dancefloor anthem, magnificent and pure chicago circa 1998. boom (chakolak) takes you way back to the southside with its gritty footwork 909 kicks, snares and vocal loops, massive! beat (da boxx) is a pure garnier, dancemania inspired techno monster. the loop is finally complete, garnier can now hop on flight af 0490 direct from paris to chicago to bang the box once more.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #25: it started in 2009 when a friend rang sleazy mcqueen and asked to *press some of those edits he has been making* and has now reached its 25th vinyl release. time flies when you are having fun - and fun has always been the cornerstone of whiskey disco. back to the roots ep exemplifies the label mission and the disco hippies who cherish it. loops filtered, space rocked and jam band, whiskey disco has made a mark on the edit scene that few can dispute and we have only just begun.

japan based producer have developed amazing detroit style electro with this release. resist is defiantly a statement of funky electro. the track combines ghetto electro and funky grooves with futuristic cosmic feel. this track takes you on a eletro ride that is defiantly building up with vocoder vocals. resist gives the dance floor body bounce and will make the jit dancer hype on the floor. dj sting ray does a superb remix on this project. his approach with his futuristic electro give the track his signature sound that takes the track deep into sonic phases. the tracks bridge over to a synergy of electro and sonic soul with the signature electro detroit sound. mixworks cosmic gas mix has a direct techno mix that will ensure speaker dancers to groove to this mix. the remix has strong snares and proper base line that takes you on a direct techno sound experiment. the track has a full base drum that you can feel and groove too with proper cosmic bread downs and pickups. the b2 track express constant sonic electro. the vocoder vocals carry the track to be a bangin electrotec status. the track has clean hi-hats that steps the beat into a vibe that will keep you moving.

can the ugliness of the colour be more in contrast with the beauty of the tracks as is the case on wph brown? decide for yourself, but were sorry the rainbow colours were all out

scalameriya is already a name that any techno fan should have heard of. his recognizable and infectious sound design has scored him enourmous support from the leading names of the scene. this time we have a special, limited vinyl edition with 4 of his solo originals. the track names suggest exactly what we can expect: broken, post apocalyptic techno tracks from out of space

after a spot-on landing with their first release, the head honchos behind pole position recordings and glam jam artists are back with the 2nd instalment on their pole jam vinyl label. keeping the standards sky high it is another all russian affair with all-stars deep sound express and homies klar&pf proving they can keep the killer tunes coming. new signings pioneerball & lipelis pour their heart and soul into a silky smooth, heart warming guitar-riff stormer before volta cab rounds it all off with a porn-tastic cruising number to complete pole jam vinyls second release in fine style.

these tracks magnitude and direction is best understood when the dislocation-bearing crystal structure is first visualized without the dislocation. in this release structure, once the encompassing track is drawn, the dislocation can be introduced. this dislocation will have the effect of deforming, not only the perfect crystal structure, but the track as well. the direction of the vector depends on the plane of dislocation, which is usually on the closest-packed unit of a low-frequency cell.

nice price deal !!! after ab initio 04 comes…ab initio 05… sometimes it really is that simple! what is not so simple however is how sebastian san manages to always stick to his sound and still deliver one fresh release after another. the fifth installment of his own ab initio imprint is no different: three absolute storming tracks bringing you that typical vibe to make you lose your mind and body. >photonics< takes up the complete a-side, tweaking and twirling with heavenly chords and synths, it is one of those tracks you can play to really lock dancers into your groove. >horsepower< is a bit of a rougher affair with a serious oldskool chicago twist, but still very much sebastien san of course. >kepler 22 b< rounds off the e.p. in style with a minimal dubby workout that should have maurizio fans storming to the booth for a track i.d. in a matter of seconds. three different tracks, three times 110% sebastien san quality. bring on ab initio 06 please!

we welcome back one of our favorite artists, brendon moeller. this time as beat pharmacy. brenson has been releasing several records for us before, on echocord and echocord colour. on all these tracks, one thing becomes apparent, with a few simple elements and a dub approach to mixing, one can create space, movement and groove without the need to change keys. magic maybe. thank you dub manipulators of the past and present for the music and lessons. brendon has been releasing music in many years on many labels, also running his own famous steadfast label.

commodity place project is back with two masterful compositions wrapped in a special colorful ep. the duo composed by roman musicians massimiliano loretucci (computer and synths) and riccardo frosoni (guitar and percussions) has set two amazing tracks letting the mind and body to travel far away till the most unreachable and undefined horizons of psychedelic music. on side a, >multifrequency behaviour of high energy cosmic sources< develops an intense journey into a nebulous space dimension where a wide range of fluffy cosmic echoes are stratified and stretched to the infinity, while human perception is totally kidnapped by ancestral voice effects. straight to the unknown ambient paradise. the endless 12 minutes of >ahura mazda< fill entirely the b side. a melodic start up loop on a mild 4/4 downtempo pace prepares the well coming of an outstanding solo guitar excursion with some psy-synths on background for a piece of music that we can literally define as an extraordinary psychedelic / krautrock symphony. so, now you are in. but remember: over the mystic mountains another earth could be found.

your vision will become clear when you can look into your own heart who looks outside dreams, who looks inside, awakens

this young serbian producer was already introduced on keno records 15 with his great fargo remix. on his first solo release he show us his full potential and his ability to produce epic bassline driven deep house tracks that really stand out. jaxson & david keno are crashing the party and move >i can t go on< into a complete different direction. nice mixture again.

following a failed demo submission to mad decent (note to diplo - we can hold a grudge a very long time…) blacknecks decide to self release their crossover mega-hit > to the cosmos, lets go! < with an unlikely pairing of stock-aitken-waterman style disco and robust techno grooves, this track effortlessly showcases their 2-step production prowess, by not even needing to call upon it. flip over for an armani-esque belter, backed with a noisy, introvert synth jam with a needlessly grandiose name. suck em...

the remains of the horsemans severed head are no where to be found so he has returned to sleepy hollow for vengeance. in >execution< you can hear his sword tear through the last human souls who were brave enough to step out side of their homes in the pitch black darkness. the headless horsemans >legend< has now been born in the neighboring villages but there was one survivor on his third attack. that was a gentleman named ancient methods, who showed his courage and strength so the horseman decided to let him live in return for his shield containing markings of times before his

a limited number of vinyl copies are available for this, the latest uncle dog gem so grab one while you can! the two remixes on the vinyl are by taste of honey and a mysterious italian artist who prefers to remain incognito.

nachpressung des album-klassikers von 1984! produziert von prince jammy mit der hi-times band und deren bandleader earl chinna smith im channel one studio, am mischpult saß als toningenieur soldgie hamilton. mit half pints größten hits: mr landlord, puchie lou, you lick me first, one big ghetto.half pint (buergerlich lindon roberts) wurde in 1983 schlagartig bekannt, als er den song winsome veroeffentlichte, der von den rolling stones als too rude gecovert wurde.

two pioneering heavyweights unite for this stellar 4 track ep forthcoming on eglo records. it’s fair to say that the legacy of degos musical output can be heard in just about every genre in the contemporary dance music spectrum, from hardcore and drum n bass, to house and of course broken beat. kaidi is of the highly skilled keys player that lent his hand to many of those legendary productions.. recording with bugz in the attic, domu, ig culture etc not to mention his own releases. eglo fulfil a life long goal of bringing the pair together to release a brand new ep

>hi-tide lo-fi< can be read like a sonic map. but instead of a static picture its a growing and evolving concept of explored and lived in space. every space creates its own sound. not only because of the physical premises of a place do we experience sounds differently but also because of our perception and construction of space. and as each sound does have an individual meaning to us so does each space. our identity is directly linked to our access to sound and space. benjamin brunn is questioning these access possibilities and offers us a soundscape of fluxing indentity. within a timeless sound lies the opportunity of liberated being.

after exploring over 6 hours worth of unreleased original material from the relentlessly prolific and ever expanding production catalog of will azada, cgi is extremely proud to present these 3 stand-out cuts that represent a depth of production skill and aesthetic range unparalleled in today’s over-saturated dance music landscape. confronting the clichés head-on, azada breathes new life into tried-and-true templates of jacking, industrial funk and synth-y groovers with his remarkable ear for arrangement and sense of movement, masterfully exploiting the infinitely renewable resource of subtle variations that he continuously unfolds throughout the tracks’ durations. the material runs the gamut from the stark, throbbing, industrial workout “the whip” to the melody-driven, synth-fueled ecstasy of “michalski’s theme” and the chord-driven, vocal-chopped house of “cliché.” the fact that an ep this unique and diverse can also feel so unified is a testament to the vision on display here.

deathday (formerly deathday party) is a los angeles based experimental post-punk band, formed in santa ana, california in 2008 by brothers alex guillén and giovanni guillén. previous incarnations of the group can be traced back to santa ana s koo s scene of the late 1990 s. while the title-track is an unreleased one, instead dropped into obscurity was already included in the downwards compilation click heels alongside with tropic of cancer, silent servant, the kvb. on the b side mannequin asked to the synth-master legowelt to remix after dark

the a side contains the cut of n.phect called cascade. you can instantly hear that its light years ahead of the competition. like a bulldozer itll come at you only to change into hoover mode and fly over year head like your in the year 3060.

with a sprawling discography that can be traced as far back as 2005, the last few years have found the providence-based noise artist ren schofield shifting his attention towards his container guise with increasing vigour, delivering full-length albums for spectrum spools and i just live here, as well as an acclaimed ep for rabih beaini’s much-lauded morphine records.

the cover of laguna verde ep shimmers in a turquoise and dark greenish tone, letting us reminisce about our sweet memories of one of the best and hottest summers ever: smalltown collective delivers their second schallbox single, a deep and melancholic techhouse track, that seems almost timeless in its original near-9-minute version. then there are the prestigious remixes, lining up seamlessly on this release: a groove-teeming version coming courtesy of the chosen two and even two different fulminant versions by cocoon darling sven tasnadi! so, as you can see, theres strictly nothing getting in the way of a musical visit to bolivias laguna verde!

superb collection of early 90s underground deep house classics by the legendary dub maestro mk. first up is the hard-to-find remix of terence trent d arbys >surrender< which takes d arbys soulful vocal and puts some classic mk fire underneath it to create a awesome deep house banger which received heavy rotation both in the clubs and on the airwaves. next we get one of mks best dubs - his brilliant take on the b52s >tell it like it t-i-is<, a chugging house belter which adds a haunting bass and melody to the bands expertly chopped up vocal chants. the flip side keeps up the pressure with the awesome dub mix of betty boos >thing goin on<, another of his finest dub mixes, and lastly the in-demand classic >bicycle dub< of the pet shop boys >can you forgive her<, only ever available as a limited promo but huge on the underground scene.

with the new release 1112013 stopping outwards, the >numbers trilogy< comes to a conclusion - a milestone in the young life of stochastic resonance collective. the work of six artists focusing on the same research which shows how the common language of electronic experimentation can be the basis of many different variations.

this song can electrify dance floors! elbee bad goes back to his roots, to the early development of house music in the 80s and makes it sound absolutely fresh and contemporary. after he already appeared in collaboration with netto houz on knuggles recordings, we now feel very honored and excited to release a full 12with exclusive new material by the prince of dance music.

hip hop did not develop in a vacuum - its roots can be traced back to the earliest afro-american music, and the folks who were influenced by these sounds along the way. this lp compiles some of the great recordings that showcase the spoken word and street culture put forth from the 1920s through the 1960s that would go on to influence the entire rap music genre. the themes will be familiar - religion, politics, black experience, badass gangsta rap, speed, sex, drugs and rock n roll. lets listen to the lessons that the hipsters of the past taught the rappers of today.

dave dubbz from basel in switzerland re-joins the robsoul camp, following two volumes of ghetto funk tales released for phil weeks imprint. his music can also be found on legendary west coast label tango recordings. the four tracks on *lost in the past ep* do exactly what it says on the tin, with classic funk, jazz and disco samples expertly wrapped and filtered around punching 4/4 house beats.

patrick arbez presents the next vinyl release on vi tva records. its called der rote rabauke and again we dont miss the typical dark and driving arbez-sound. this release contains 3 remixes of der pechvogel - the last arbez vinyl

repress in pink vinyl ... supported by: ricardo villalobos, dj hell, karotte, gabriel ananda, tocadisco, john acquaviva, oliver huntemann, umek, joel mull, pig & dan, italoboyz, dirt crew, disco boys, moguai, delon & dalcan and many many more. it doesnt happen every day, that a record is released, which can be found in the cases of the italo- and the dicso boys, of tocadisco and the dirt crew, of markus lange and pig & dan, but then again, butch does not release on a.f.u. limited every day. butchs follow-up to his smash-remix for silent breeds >sync in< on a.f.u. brought him on the radar of monika kruse, karotte and blackstrobe and has proven the foundation of this hype surrounding him through the quality of his >butch ep<. 3 tracks, >mushroom man<, >tickles< and >botanik< have found fans from all continents and genres, which is the result of clever and new arrangements, high sound quality and funny and innovative ideas. butch is coming! watch out

henry rodrick is the man behind the single best demo email studio barnhus ever received. the results can be heard on dont believe, the debut ep of this 29-year-old jazz funk enthusiast/software engineer.

dmi number 003 comes along with two deep techno trax by the whiff. whiff is a new project of some wellknown technoproducers from germany. more we are not allowed to say about it. but u can be sure, its not the last time u hear something from the mysterious whiff

180 g vinyl! a real hip hop classic you ll all know this classic tracks - a must have

vinyl only! mental models emotional state ep comes with 4 powerfull tools straight from their maschines. rushed minutes, fevered vibes, minded moments and weakened feelings are all emotions we all experienced in our club adventures. simple,straight and no compromises. can you feel it?