danyb (of best-selling busted edits fame) returns with the next intergalactic instalment of jupiter dance... spring-boarding from the jupiter dance radio show, which takes a regular tour through the lesser known avenues of synth pop, space disco & italo here we have another three worked up renditions of awesome international obscurities yugoslavian synth pop a la league unlimited orchestra from the early 80 s shares a side with some wigged out italian synth-pop prog-rock. while the a reworks and overdubs a japanese locomotive synth shinkansen for strobe-lit commutes...

needs (not-for-profit) is a nonprofit record label & collective lovingly curated by bobby pleasure. we believe in people. the concept of the label is to use music as a medium to spread love, unity and the idea of giving back. promoting harmony and togetherness rather than isolation and estrangement, each release and accompanying event will act as a support stream to various issues within society such as mental health, homelessness and equality. for the third release we have tracks from lord of the isles, mehmet aslan, petwo evans, bartellow & nick gynn. five artists from different countries of the world who all have the needs factor, and have very kindly donated their music to the dancefloor. all profits from this release will be donated to help refugees charity. everybody has needs

12inch+ poster, a side provided by luca digilio as audioguide and b side by flavio audino & walid el barbir as members of infoline

emotional rescue and jamwax ends their capo disco series by returning to glen adams and his cover of bob marley’s classic. the early 70s lee perry produced original raw sound is taken to the disco reggae dancefloors of the early 80s with a bottom heavy jam, while his capo crew works a killer dub flipside.

heart throbbing journeys from leonid nevermind opens up a flood of soft-focus house tracks with colorful and melting melodies leading directly to the soul love. raw and naked emotions through spacious and atmospheric sound among chicago and electro balearic riffs.

we are not where we live, but the valley we built enjoyment through suffering. beauty in chaos. african ghost valley apply these principles to create their heavy doomsday electronics pulled in from the black bunker a d.i.y space under a multi-story car-park. separated from any scene on the surface, the record was put together by european / canadian duo childle grangier and gabriel ghebrezghi a partnership formed in the heat of heavily improvised recording sessions, where the pair would thrash out their versions of power electronics, industrial waste drops and rhythmic dub rumble to the cities homeless. keeping these raw fnal cuts away from any studio trickery, the microphone would be left on to archive feld recordings and wayward audio drops, capturing the hum and lifeblood of the bunker and the wheezing lungs of the dense concrete that surrounded them. titling this work colony, the album is a open-ended and multi-edged tool for agv to explore, allowing the listener to interpret the work as they see ft, bringing to mind images of corroded space settlements and the darkest recess of human history. you decide.

so robbie m says hes retired, but thats just the day job, now with new gear acquired and the studio set up in the family room, its time for ram music productions to become a household name (spoken only through a vocoder).

1st vinyl issue of sandra bell’s 1995 masterpiece “net”, previously a cd only release. release also contains all re-mastered tracks originally included on her “angel” and “chord” eps. mastered by josh bonati and pressed on 180-gram vinyl, the 2xlp comes in a full-colored wide-spine sleeve accompanied by inserts, a 22x22” foldout poster and download code.

headphoniq drops an amazing album from the creator of the warp remix! ilo fuses together a raw mix of deep house, jazz dub, disco & detroit techno! imagine derrick may, maw, bjork, kraftwerk, carl craig, pepe bradock & roy ayers make music together & you come close to what the sound of this is.

the canadian producer has built an impressive discography in recent years with a stream of quality releases via labels such as clone s royal oak imprint, spring theory, lone s magicwire and most recently his -hope you re well- ep on ninja tune s technicolour imprint. pitchfork were quick to acknowledge his unique production style and innate ability to balance the openness and experimental qualities of the back room and the hooks and sonics of the main room describing previous single is it dry? as -a rarity: peak-time techno that won t rot your brain or insult your intelligence, with appeal from the basement to the big leagues-. following recent excursions channeling the big room sound, he returns with a sleeker, more refined ep. -for this record i pushed myself to keep things more minimal than usual, in a relative sense.- he explains. -focusing on repetition in melody, rhythm and harmony, putting a lot of trust in my initial ideas and letting them play out. it was harder to stop than to add more.- the resulting five tracks span upbeat opener napoletana - -a rough and ready duet between a mfb 522 drum machine and juno 106-, through the swirling improvised piano loops of last day - recorded in an hour just before he packed up his gear at the studio of fellow montreal residents braids and moved it all home, to the bumpy 2-step of less and less .

fourth release on nitsa’s label is a very special one. dj fra and shelby grey, two of the residents of the legendary club in barcelona, are joining for the first time ever in the studio. at first sight ’death proof’ looks like a simple dj tool, but is way more than that: while keeping the same elements for a long time, and just using a beautiful pad and a tuba alike heavy bass, it manages to sound completely fresh and classic at the same time.

four trax taken from helixs greatest hits vol 2 lp. classic house, disco and atl rap motifs reimagined as rough-and-ready nu skool club trax.

selection of the coldest and most dj-friendly cuts taken from the first of the 3-volume lp greatest hits by the ron hardy of night slugs, dj helix.

2lp gatefold, incl dl card , there are some records that manage to sound both of a time and utterly timeless and bon voyage organisation s jungle? quelle jungle? (a nod to supertramp s crisis? what crisis?) is one of those albums. its silken-smooth production, irresistible grooves, funk-tinged guitars, lush soundscapes and general glowing presence could easily lead one to believe that have dug up a lost disco gem from the 1970s. however, behind the disco-pop gleam lies eerie dystopian sci-fi ruminations of a futuristic bent and tones that can often feel as french as they do asian or african. this sort of cross-continental exploration is an expansion on bvo s previous two eps, the man behind the organisation, adrien durand, says. -i tried to continue the musical expedition between dystopian science-fiction haunted africa - plus haitian vaudou on -soleil dieu- - and futuristic asia. addressing, in a double entendre manner, some of the political issues that i am sensitive to.- in fact the jungle in question in the album s title is a metaphorical one and one that creates a vast series of environments for durand to explore such subjects as world trade, utopian ideals and themes of idols, as well as of time and communication. however, one will need to speak french to decipher such explorations, as well as shake off the natural impulse to move with every glorious beat on its 13 tracks, of which are moved along by maud nadal and agathe bonitzer s golden vocals.

backed with strong remixes from dustin zahn, cosmin trg, & doubt, one step ahead is the massive vinyl debut from gabriella vergilov. her refreshing take on techno is a perfect match for enemy. gabriella is an upcoming bulgarian artist based in belgium who rides the fine line between house and techno. her music was recently included on dvs1s fabric 96 mix along with the soundtrack for a film entitled >le fidele.< reach out to me and one step ahead break away from the dark techno norm in favor of a more delicate and emotive approach. emerald drops the percussion altogether, but locks the listener in even deeper with its highly hypnotic groove. on big room duty for this release, dustin zahn delivers an acid-drenched rendition featuring his trademark groove while maintaining the originals feminine undertones. meanwhile, cosmin trg turns in a unique remix that can only be described as heavy and arcane. mistress records and dont be afraids doubt finishes off the package with a very deep and dubby remix which stays true to the originals vibe.

ltd 100 copies - taking it back to the old school and manufactured in the space of 5 week, this handmade nugget of black crack beat the previous release and all it s issues. dr spaventi once again provides the expert mastering to some artisanal yorkshire electronics from northern powerhouse. the full range of frequencies have been lovingly captured and set for eternity into nice and solid, hand pressed plastic before being bound in gorgeously minimal white paper -inners-. adding individual nuance to each and every record, is a stylised image of the visionary york philanthropist, joseph rowntree. details of which tracks are which are lovingly incorporated into this image using a black ink to stand against mr rowntree s brilliance. the hand screened label, uses the latest in dual pizza/kitchen table printing technology™ with a tried and tested lounge floor drying system to ensure any moisture is gone before the vinyl is shipped, so that transport weight can be kept to a minimum and savings passed on to you.

alex handley (auto sound city) and nigel rogers (perseus traxx) catch up on a regular basis to casually jam out on various machines in a kippax basement, then edit, twist and re-jam them in a york flat. housed in a white paper sleeve, this is a fantastic example of beautifully handcrafted yorkshire electronics, with a distinctively raw and rustic feel. the label, screen printed on a kitchen table, is a reflection of the punk ethic of the duo just doing as they please to please themselves. 100% handcrafted yorkshire honesty. limited to 200 copies!

2018 blue vinyl repress made possible after a beat tape swap between prefuse 73 and dabrye after the pair shared the stage in detroit, instrmntl is a continuation of the beat experiments tadd mullinix began with one/three and a bridge to the diverse textures that would define two/three four years later. instrmntl offers a snapshot of a time when potentials seemed infinite, when lines could be drawn between jazz, ragga jungle, techno, and hip-hop and the resulting shape divined an exciting future.

celldod is swedish producer anders karlsson. anders has been active in the music scene for some time working on different musical projects, always with a strong diy ethic his celldod project has released several cassettes under his own label brutal disciplin and has also released records on suction records, kess kill and femur records. in 2017 anders released an album under the name vargd?d on opal tapes together with swedish techno artist varg. anders hardware driven sound has evolved over time now personifying finely sharpened ebm and techno crossover of the highest calibre. with a nod to the greats but with a forward thinking direction, we have four new cuts to destroy the darkest dance floors. relentless, bass-heavy and blown-out bangers. fans of daf and maybe 242 meets silent servant will be blown away. mastered by martin bowes at the cage, uk.

kinfolk returns after a long hiatus with an outstanding release from the mighty mind fair donning their newly invented sundown drive hats. sunset over santorini is a sonic brew of percussion, guitars, jazz-funk keys and heavenly vox that s all kept together with a driving shuffle that brings to mind the more experimental leftfield disco sounds of 70 s nyc and beyond. on the flip dan nad tyler delivers a wacked-out remix monster that takes it deep into a norwegian via homerton disco-dub-not disco-dub vortex of truly epic proportions that will twist your body, mind & soul as it ventures in and out of the groove laden original.

people you may know is the alias of phran and ylia when they work together. both share a love of experimentation in dance music and improvisation in the creative process. they use drum machines, synthesisers and all kinds of pedals to arrive at the intersection of humour, psychedelia and the most hedonistic dance.

the first release of our new project studio mule is a cover of japanese 80s dance classic carnaval by taeko ohnuki. is studio mule a band? unit? we never have fixed member except kuniyuki takahashi as a track maker. we invite who we love. the first gest is our beloved miyako koda aka dip in the pool. you remember the reissue of on retinae on music from memory. miyako koda is one of the most carisma model in japan in 80s and the vocalist of experimental pop band dip in the pool. dance edit on a side is true to the original. off course more playful than original. extended edit on b side is more club friendly house version.

c-lektro vol 7 with more fantastic styled elektro ... kraftwerk & anthony rother style

part 2 of the eargasmic acid comp starts with the smooth clear remedy by chicagodeep. its followed by tres amigos from secret studio & chicago skyway. on the flip, melt is a relentless, dark acid track by newcomers heuristics. b2 is a drum/acid machine workout by dcook on litmus test.

part 1 of this eargasmic acid house comp jumps off with bishops latin influenced acid drums. the b-side sees jamal moss (aka hieroglyphic being) and eargasmic label boss daryl cura team up on the dirty deep confused transportation a stomping spaced out acid bit. isoke follows & captures serene early morning vibes on albion beach.

chrissy & alexs new label. chrissys acid house bubbler hello?, backed with a driving, spaced-out remix from alex burkat. 2018 repress

abstract modern electronica release by paka on the exciting metaphysik label.

12inch new own label by leonid nevermind! leonid nevermind is back with a new sophisticated detroit house ep. 4 groovy soulful tracks with storytelling titles, hazy vocal elements, slapping funky basslines and bluesy piano patterns enswathing with mysterious chords and thrilling lucid melodies.

birminghams jayson wynters makes his second outing for dont be afraid in under a year with four earth-shaking rollers from his digbeth laboratory. across four tracks wynters neatly surveys the state of the underground house and techno union in the uk and beyond, taking in the stepping, broken rhythms of beta (version), the dancefloor annihilation of one hundred n forty, and the frantic, midwest rollage of into the void, before concluding on an optimistic note with the kansei method. also look out for wynters café artum project which launches in birmingham soon, bringing a much needed hub for vinyl to the city thanks to last year s successful fundraiser.

new 12inch split from ullis tapes norge. a side comes with euralma 95 debut release. from a few and simple seeds of synthesis grooves eventually gear up to higher levels and explore alternate terrains of house and disco from east to west. track is lead by a confident but disobedient psychedelic synth solo. harmonies answer in form of rich fm synthesis which eventually becomes the paradise lost. no compression pure source!

80s disco / electro influenced

in 9 records and 22 years schmer has given you the same four dudes: prototype 909, dj rx-5 and bpmf. now is the time to unleash a new generation of schmers on an unprepared world and they are prepared to set the world on fire. coming out strong to whip us all into shape weve unleashed isabella and she’ll leave you spun out.

cocktail d amore showed the breadth of their tastes when they reissued ukranian composer iury lechs 1990 album musica para el fin de los cantos last year. now the label has commissioned a raft of remixes from some label regulars, with wonderful and diverse results. powder drops her signature snaking rhythmic trysts over barreras, while -cuando rocio dispara sus flechas benefits from an abstract, ambient reworking from suzanne kraft. hatchback takes to posmeridiano with a delicate touch, all lingering 80s synth motifs in a beatless reverie, and zavoloka lays the cinematic intensity on heavy with the icy strains of ukraina.

ep3: mov clsr is the third and final piece in a trilogy of releases, exploring the libraries of spaceks recent hard drives. encompassing house, footwork, techno, garage and broken beat the legendary vocalist and producer has amassed a wealth of tracks created mostly on iphone and ipad. south london to the core yet globally inspired, his off kilter swing and free flowing approach to music has always set him apart from the pack. from his work with j.dilla (eve/dollar) to his collaboration with mark pritchard as one half of africa hitech, steve spaceks creative output has always been a million miles ahead.

andrea vier debuts with a four-tracks ep onto ambiwa records catalogue bringing a mixture of house and techno through electronic soundscapes accompanied by different uplifted breakbeats and heavy bass. the title-track is enriched with a magical dark remix by the two shamans silky raven, aka jakob seidensticker and henrik raabe from the marvellous german trio wareika. all tracks are strongly treated by the warm hands of sawlin, well known techno producer and audio engineer from berlin. wish you to melt the thoughts within the weird atmosphere of this trip

solipsism heads into new territory with this deeply hypnotic four track ep of dubbed out downtempo techno and fuzzy electro. hypnagogo ep has had support from soma records (scotland) joe muggs (mixmag, the guardian), indie rock magazine (france), is this music magazine (scotland), regal radio (scotland), relaxed machinery (australia) & many others.comparisons have been drawn with artists as diverse beaumont hannant, boards of canada and deepchord.

always a reliable destination for cult talents operating on exciting frontiers of techno, meandyou this time shine a light on j.s. zeiter, who adopts the analog 1 alias for some dense, meticulously crafted trips into the strange psychedelic underbelly of dub techno. sm4l features pastoral chord swells straining behind a babbling brook of high frequency sound design, while mistral takes a classical approach to ambient composition, all yearning arpeggios and lingering keys. interlude is a brief twirl around blown out drums and textural impulses, and then skiv loop (rework) sets a more positive tone for the end of the ep, pushing classic dub techno sounds into a hazy, summery space away from the usual icy tundra the genre normally inhabits.

the french duo klash point , who have already enjoyed djs support from the likes of minimal techno scene, hot on the heels of their module records debut with their -persistence e.p.-, is back with four tracks of roughened groove , this new -mono phase e.p.- is likely to attract even more attention. side a ,-mono phase- is just the true definition of a deep techno mood! and -stockholm- rocks around an hypnotic rolling groove that as it perpetually twists and turns. side b ,-kologne- push up you higher with its straight atmospheric synth ... and with textures and tones nodding to both berlin and detroit, once again there s a strong sense of timelessness and versatility to play -dolby-.

ltd handstamped vinyl , after a four year break iww is back with the >diversity ep< by upcoming artist marco wachs. the record, as the name says, is a showcase of marcos wide musical range. the a side features dark hypnotic techno tunes acompanied by rumbling breakbeats. the flip instead is packed with 2 cuts of cheerful housegroovers.

after dominating our piccadilly player with his recent lp -it s alright between us as it is-, norwegian disco hero hans-peter lindstrøm drops a dj friendly maxi 12- of brand new track -didn t know better-. harking back to his collaborative lp with christabelle, this party starter is packed with infectious boogie licks, propulsive grooves, soulful strings and killer vocals from ronika. a masterpiece of retro-futurist pop perfection, -didn t know better- traces a line between mirrorball masterpieces from nyc 83, ibiza 99 and ross 128b in the year 2030. alongside the sequined shimmer of the original version, we get an acapella, and a lindstrom remix which piles on the feel good with jingo style pianos, mellifluous keys and some club trop style riffage - utterly infectious and exactly what a dull february morning requires.

calendar crowd was the duo of alan heaton and terence tiernan who met in their hometown of widnes, cheshire as schoolboys and played together in various bands in the ‘70s. in the ‘80s they formed a 6-piece band called room for humans and recorded one single“telephone telephone / girlfriend”. when the band split and alan and terence continued as calendar crowd in a more experimental direction. their influences were wide reaching: kraftwerk, neu, cabaret voltaire, eno, pil, and joy division.

2 lengthy percussive floor workouts from this u.s. production crew...on peaking lights own two flowers records

fit siegel and dj sotofett join together on their first 12- collaboration as s & m trading co. - a voyage many years in the making. dark and atmospheric strings sail over a thumping bass line, all while a banging 909 beat and percussions keep this ship on course. the route is long, the conditions are rough,but soon a mysterious landscape beings to take shape beyond the haze. *12- also contains acidic and synthetic mixes

the 4th meters album marked their departure from josie records and was released on the reprise label in 1972. cabbage alley once again proved that the meters were one of the finest, rawest funk groups around. hailing from the soggy streets of new orleans, the meters essentially invented the second line groove, influencing funk music like no other artist (ok, aside from a singer by the name of james brown). these cats are essentially one unified rhythm section, with expertly timed drum breaks, bass driven grooves, bluesy chicken scratch guitars and southern singalong choruses.

mesh-key is pleased to announce the release of a lavish, limited edition run of this heretofore unheard collaboration, finally seeing the light of day 15 years after its recording. acoustic instrumentation and synthesizers meet mukai’s haunting voice for four sparse, minimalistic compositions unlike anything in either artists’ previous output. . mesh-key is pleased to announce the release of a lavish, limited edition run of this heretofore unheard collaboration, finally seeing the light of day 15 years after its recording. acoustic instrumentation and synthesizers meet mukai’s haunting voice for four sparse, minimalistic compositions unlike anything in either artists’ previous output.

the make mistakes ethos is one of diversity and evolution, and that is showcased in full on our newest vinyl release need your luvin. house, acid, techno, roy england, jarvi, fredy grogan. one track, three styles, all dance floor bounders. roy englands original mix is a jackin house jam with a timeless vibe. a classic house sound propelled forward by the titular vocal sample, england manages to deliver a track that would work equally in the lounge, as well as late night in the big room. on the b side jarvi s acid workout strips the original down even further, and fills it back up, with a wandering, hypnotic acid line to stitch it all together. an old school party sound, both familiar and fresh. fredy grogan deconstructs the original into its component parts, building it back up into his dark, and driving dub techno remix. drawing it out over nearly 8 minutes, this ll have the heads bouncing off the walls. house, acid, techno, pillars of dance music, mixed together, given the ol razzle dazzle, and served up hot and ready for mind, body, and soul. grab need your luvin, stick it in the crate, and never worry, because you ll always have the luvin you need. beware the irrational, however seductive. shun the transcendent and all who invite you to subordinate or annihilate yourself. distrust compassion, prefer dignity for yourself and others. dont be afraid to be thought arrogant or selfish. picture all experts as if they were mammals. never be a spectator of unfairness or stupidity. seek out argument and disputation for their own sake the grave will supply plenty of time for silence. suspect your own motives, and all excuses. do not live for others any more than you would expect others to live for you.

manni dee might be best known for his upfront techno tackle on perc trax and the like, but he s also been quietly building up a separate identity as nuances, and it s a world away from his dancefloor output. following on from some choice album appearances on bastakiya tapes, it s up to tabernacle to give the project its first outing on wax. while tabernacle can have some range in their sound, this finds the label plunging wholeheartedly into ambient climes. heavily processed textures and delicate chimes all feed into a truly evocative atmosphere loaded with significance. ignore the familiar name behind the music - this is an album deserving attention all on its own.

coming together over three years since his critically acclaimed last album, hyetal completes his transformation from off-kilter dance music producer to futurist pop visionary on youth & power.

weltschmerz, the label owner of complatt, and his friends, the world’s talents, too underground names, upbringing taste makers such as dat italy, zlatin and guanlong appear to be releasing a very brand-new vinyl only rhythmic release -the morning problem-. this release is limited by 100 copies and won’t be repressed.

sheri vari’s ‘despertardamente ep’ serves as the label’s debut and also the artist’s first time on wax. having released fine digital eps on tomorrow is now kid! and portuguese outfit labareda, and with another 12” prepared for finale sessions us, sheri vari is one of the most exciting dj/producers in portugal right now. her name is mariana, she’s in her twenties and she’s addicted to her pair of korg electribes. with them, she pumps out funky, deep, nasty and unpretentiously groovy club tracks, the likes of which you may check out on this debut ep

lullabies for insomniacs brings you the debut release from the intoxicating garland. a project which emerged years ago and subsequently developed and transformed through overseas exchanges. influenced by popular media and musical practices the duo channels a resonating wonderland that echoes, calling for magic to ignite.

vincent returns to omnidisc with his second installment. you wear a human mask but you have no human soul is a dark house inspired driver paired with a slave to your image which drvg s more experimental side. then he closes out the ep with his classic sound in something happening somewhere.

releasing an album into the world is a special moment for any artist but when you re an artist who grew up in remote northern ghana with no schooling, spending a life herding cows and goats, building your own instruments and teaching yourself to sing, then there s a particular sense of occasion and celebration in finding recognition and an audience for that music. this is the case for guy one, an utterly unique artist who is writing and performing frafra music, a style that originates from a small area in the north of ghana. whilst guy one is already loved and adored locally by now - building up a fervent following in local villages in which no funeral or wedding would take place without his soaring voice and deeply rhythmic playing, before then transforming into an award-winning, tv appearing artist in ghana - his music is now to find a much wider audience through max weissenfeldt s philophon label (jimi tenor, hailu mergia, alemayehu eshete) on this berlin meets bolgatanga release.

ltd warehouse find, classic goovin minimal clicker

mike wall (rip) with two massive tracks on this project with ben garlo.

a quartet of heavy reworks. reginald omas mamode iv truly does what he does best, bringing a percussive, low-slung funk to one of the most ethereal and beautiful pieces of soul on the album, sunshine. glenn astro, elevates bossa b to a jostling, bouncing shuffler that eventually turns around and heads skyward with uplifting chords and irresistible bass. deoke heads into the darker regions of the original for his hugely loved remix of bossa b. the bass on this one is ridiculous and has caused damage to a couple of sound systems were aware of (genuinely). finally the ever exceptional mr beatnick simply took the stereo track for kalimba 2 and edited it into a mind-opening dub. handling bass and harmonics as only he can, a true highlight of this high quality remix package.

fully sonic, percussive & heavily dubbed skeletal tribal-acid-techno with hints of industry as well as digital insects fills dj sotofett’s a-side. juxtaposing rumble and lightness the drone landscapes of vera dvale features merel laine on vocals travelling through the mix & narration of the b-side’s entire 13 min. rather than flabbergasting this split 12” presents the core wania sound!

darko essers wolfskuil limited kicks off 2018 with ‘sugarlump ep by the czech artist hrtl. known for his 100% improvised hardware live sets and cassette releases on his own bukko tapes label, ‘sugarlump ep showcases hrtls solid producer skills, flawless taste and and an obvious passion for classic detroit house sound.

the dark jazz masterpiece by piero piccioni written for the film directed by paolo heusch in 1962, played by franco citti and taken from the novel under the same title written by pier paolo pasolini. produced and made by cam on a rare and sophisticated lp, the music of piero piccioni for this film embraces the jazz big band’s frantic pulsations, directed by the master - who sits on the piano - with symphonism and the best popular italian melodic tradition brass, dart, bows and rhythm. available for the first time since it’s original release, this limited edition vinyl reissue is limited to 500 hand-numbered copies on red coloured & black splattered 180 gram vinyl, housed in a gatefold sleeve.

first time on vinyl expanded reissue of 2001 s we are eyes, we are builders by brooklyn s (now relocated to l.a.) soviet. originally released on plastiq musiq on cd and later reissued on tape in 2011 and cd in 2003, it is a synth pop masterpiece of the highest caliber. in uenced by all the greats, soviet s rst album is a shining star distinguishing itself from the electroclash movement of the time. beautiful, warm new romantic pop songs occupy this double lp and will certainly appeal to fans of early dare era human league and depeche mode s a broken frame. side d features 5 previously unreleased tracks. remastered for vinyl by martin bowes at the cage, uk.

a true holy grail from the cloud one catalog, dont let my rainbow pass me by is the third of a string of titles on golden flamingo produced by the p&p duo of patrick adams and peter brown and featuring vocals from guardian angel singer margot williams. similar to previous cloud ones productions, this record had all the elements of a patrick adams classic, but with vocal arrangements that foreshadowed the work he would do with inner life and jocelyn brown at salsoul. perhaps not so much of a concidence then that margot williams would provide backing vocals on inner lifes second and final album. even though it was originally released in 1981, dont let my rainbow pass me by is still championed by high-profile deejays today. over the years, its been notably sampled in basement jaxxs romeo and covered by todd terje and prins thomas in reinbagan as a dub-disco cut. available for the first time since its original release, our only piece of advise is to don’t let this classic pass you by.

hands-on house of all shades on a diverse 4-tracker. ltd 2018 repress

black orpheus present four voltage singed electro numbers by the mysterious patrick conway. fully charged, wild and dangerous with a remix from detroit’s fit siegal - this is not one to be missed.

if youre familiar with public release’s sibling, face, a series of parties, you’ll already know that jee day, né dennis mcnany, has been in the bay area label’s orbit for some time as half of the dfa act museum of love, he joined the inner circle years ago. here, with amot herga laxy, he makes his bold debut on public release itself. the single begins with “crocodile tears,” an abstract, impressionistic tapestry of african rhythms, meditative synth washes, vangelis-esque horns and pads. it recedes and jee day plunges deeper into the jungle with communication masterbation, a propulsive number built around a psychedelic, droney bass that’s wrapped with gritty, distorted effects and layers of topline keyboard licks stacked high. a raw club track cut from transcendentalist cloth thatll lift you off the dance floor. the b-side is a dub of communication masterbation, with an emphasis being placed on pulling out, unraveling, extending the rhythmic elements and emphasizing the electronic veil the piece is shrouded in. a trancey, menacing sprawl that could be an extended sonic youth live jam if they swapped their stringed instruments for roland and korg gear and dusted the whole thing in an unknown psychoactive slime.

sapiens talks - jacques jacques is like no other. a cult artist already. loved or hated. jacques divides. who better to follow the exciting and passionate emmanuelle duez for this new volume of the sapiens talks? this initiative of a label usually familiar to dancefloors who promised to break the carcans of the traditional music label. asking questions about the world around us. give a voice to actors in civil and cultural life. speak to another audience. a slowdown in the frenzy of everyday life, which favours thoughts, the talks sapiens are rare moments. available on vinyl in a limited edition of 500ex. discover jacques an odd personnality. spontaneity, inspiration, sharpness, equanimity and digressions are all part of the sapiens talks 2!

andy vaz returns on chiwax with -zwei im tee- ep. it s almost the 3rd release for the yore mastermind. for us the best release from andy so far & we think not the end of the story

this is high tension experimental electronica just the way i love it!

white vinyl pressing , phreakin industrial techno

trevor jacksons second release on his unreleased archive recordings label pre is a heady collection of subterranean minimalist synth jams, blissful technicolour textures, somber distorted drones and expansive cosmic soundscapes. recorded during 2010-2014 with a limited analog vintage hardware set up elka sythex, roland jupiter 6, roland 808, roland chorus echo, bel bd80 delay & tape, these solo recordings were created at unearthly hours as lengthy improvised compositions and cathartic personal experiments. heavily manipulated using classic effects units, harmonic layers slowly evolve, arpeggiated melodies mutate, discordant drum machines and fractured voices merge elegantly into noise. design your dreams is jackson at his best, uncompromising and considered, progressive and unique.

marcel vogels intimate friends label welcomes a newcomer to the fold, with hypoleon displaying a warm and inviting take on outboard, leftfield, electronic soul with a wavey edge to it. the vocals on the original tracks have a haunting edge to them thanks to some hefty processing, but the power in the delivery is undeniable. the tracks meanwhile channel acid, electro and minimal wave in understated ways, played out with a live band dynamic that hooks you in from the start. jon mcmillions remix of tresberry turns the track into a simmering 4/4 jam for the warm up heads to get loose to, while tevo howard brings some of his signature boxy acid to bear down on the track.

inspired by the early industrial pioneers, dead crooners and the unrelenting speed of change, uncanny valley combine homemade metallic resonators, pound-shop contact mics and sellotape synthesisers, with human error for unusual effect. remixes come from the fantastic manfredas and mondowski.

deep dreamy and melancholic techno tracks by tserg, 25-year-old producer from, singapore. written over a period of 4 months, forgotten times is about the dreams we once had and forgot, the present moments that we forget to cherish and the ideals we used to believe and fight for but no longer do so. the intro is a hopeful track for the time when we started to dream. by the time we reach the outro, these memories have become fragmented and we struggle to even remember them. thankfully, time travel has always been possible in our minds when we think about the past or future. this transmat like production by tserg brings us from the future to the past in forgotten times but the listener is free to travel in whichever direction they want. limited to 150 copies.

physical therapy for exotic dance with this first volume of shamanic workout material made between 2014 and 2017. these are deliriously entrancing and exquisitely produced tracks, expertly engineered to keep the floor moving

planned structures leaving plenty of room for improvisations. experiments morphed into full fledged tunes and established genres transformed into experiments. dan andrei and paul agripa teamed up under the comojii moniker to release joac o pasta, a result of their rich musical imagination going wild, recorded during long jam sessions at times when both artists where experimenting with sounds. expect raging synth pop sounds, acid elements and electro tinged broken rhythms. a mad child of 2 forwardthinking artist minds, joac o pasta finds a perfect home under the cuplet roof.

kin-ben label that is one of japanese techno label in ehime, western japan releases brand new 12 vinyl by ann who is a dj / producer in saijo, ehime. a side is a deep techno tune with his gradually amplifying tension and the gentle bass-line’s reiteration sympathizing with metallic sounds like as sharpening a katana. and b side is the remix by hironori takahashi, who is still a worldwide dj / producer in japan and has released from many awesome label as informa records and arts.

the long-awaited first vinyl release from cassete records which established in 2011 as a netlabel !the first singles is from sol, the president of the label, which is evaluated by luke solomon, dj pierre, angel alanis as well as getting an established reputation for live performance. they celebate the joys and triumphs of groovy rhythm from a simple beat pattern. interweaved soft and hard sounds with synthesizers offers listeners a window into a unique sound vision. their significant sound differs from minimal, hard techno or dub techno. 4 tracks included.

a wild solo project from rita lee – done after the breakup of os mutantes, and offered up almost as some sort of commentary on mainstream rock in the 70s! there’s a much more straightforward approach to the music here – a sometimes-glammy sound that’s echoed by the band’s space-style costumes and makeup – but there’s also some weirdly old-style rock instrumentation too, almost like the way that an artist like gary glitter could fold the 50s and 70s together in his music, and come across making something very weird and new. here, the keyboards are almost stronger than the guitars – and rita herself plays moog, melotron, organ, and piano – on titles that include -tem uma cidade-, -menino bonito-, -mame natureza-, and -eclipse do cometa-.

after 15 releases and years of experience, kez ym has established his reputation as a masterful house producer, a world class dj, and a pillar of the japanese deep house cannon. over the course of multiple sold-out releases on faces records, 4lux, theplayground, city fly, and yore records, kez ym has developed a unique sound that sets his work apart. with “random control” (bbc-004), kez ym is back with four new york house (garage house) tracks that instantly catch your attention, raise your spirits, and remind you why you love dancing to his records.
infusing the tracks with his signature mix of disco, funk, afro, and deep house elements, kez ym has produced some truly perfect examples of new york house. conjuring up images of the mythical larry levan and colorfully adorned dancers representing all classes of people in new york city dancing together in a hot paradise garage, this ep could just as easily be played out during a set at dekmantel or keep the crowd bouncing in a sweaty basement in neukolln.

bird brains ist eine 4-track ep von holy fuck, live aufgenommen in verschiedenen studios in den letzten jahren. sie repräsentieren den andauernden prozess, den die 4-köpfige band mit mitgliedern in den usa und kanada durchläuft. die selbstproduzierte ep entstand mit hilfer verschiedener engineers wie shawn everett (john legend, warpaint, alabama shakes) und david wrench (caribou, fka twigs, the xx). das cover stammt vom befreundeten künstler seth smith. für fans von battles, neu!, thundercat, four tet, flying lotus, suicide, kraftwerk, can!

(180gr vinyl) for the second 12 of the series weve enlisted two of the most on-fire producers in germany: max graef and glenn astro, along with one of the uks brightest ascendant producers.

kamoda’s latest offering, ‘the distorted haunted ballroom ep’ offers three fresh tracks from the colourful artist - body & soul, ( ( (bye) ) ) and dopey forests - a tripped out, twisted journey.
a man of many talents, jun has produced art under his illreme moniker, as member of hip hop trio, baleine 3000, and as cartoon illustrator (usca.) his forays into music have lead to work with revered global labels, think mister saturday night, black acre, mall grab’s steel city dance discs and more.
opener and lead track, body & soul is a raucous jam. killer, frenzied percussion, short riffs and vibrant erratic trumpets fuse industrial elements with far-flung balearia, teasing between warehouse rave and rainforest ravine.
second track ( ( (bye) ) ) is a hazy, hypnotic cut, body & soul’s wild elements rolling into a tug of war between arcadian bleeps and lawless euphoria.
dopey forests offers up a less frantic but still slamming dance floor ready slice of dreamlike vocals paired with driving percussion. a mesmerising, final jaunt to round out ‘the distorted haunted ballroom ep’ with an ethereal, spooky stomp.

here comes the next chapter of scandium with the signing of a new young artist called camille rodriguez. this guy is talented, to say the least. he touches every genres with no compromises. this way of making music gave luminous cave as a wonderful result.

kidnap kid’s birds that fly label got off to a flying start with his ow&#8203,,,,,,n release,‘ moments’ feat leo stannard picking up over two million plays and shaking up the spotify / hype machine charts. next up on the imprint is rising uk star apple&#8203,,,,,,bottom with &#8203,,,,,,‘the ride’ ep, an artist that draws many parallels to kidnap kid’s own early career as he barely has made his way out of his teens but already caught the ear of some of the most sought-after labels and radio establishment. annie mac can’t get enough of him and his releases on kerri chandler’s madtech, zed bias’ biasonic and uk powerhouse black butter records have coined him one of the future figureheads of dance music. applebottom has come to be considered a beatmaker able to transverse genres with that rarest of production talents: the consistent ability to make a straight-up club banger, which makes him the perfect follow up for birds that fly. “‘theride’ was quite a diff&#8203,,,,,,erent piece of music for me, ’he explained of the track, ‘i had been thinking about where i d want to release it and i was pretty stuck. but shortly after i d finished it kidnap kid’s first ep on birds that fly came out, and straight away i felt a connection with the sound and a lot of the music i’ve been making recently. it already feels like it has a clear and distinctive sound forming and i can t wait for my music to be part of that.” applebottom hails from the musical mecca of bristol but shares a pioneering view of its style and output. “&#8203,,,,,,i think a lot of people have just gotten too comfortable making the same sounding dance music - and for me that kind of defeats the point, there’s so much variety in it. i feel that particularly for my generation anyway, we’re a lot younger as producers and it’s kind of our job to be that next generation that produces that next sound. we should be striving to make something new and different and build our own vision of what it should be.

happa kicks off the year with the third 12 on his pt5 imprint and the first of several releases planned for the mercurial leeds producer in 2017. lead track “bum trance” pitches futurist drexciya synth optimism against frantic metallic drum programming adding another level to happas increasingly diverse production armoury. intense punk techno monster hallunciations first appeared in 2015 on various mix tapes and radio shows and now appears in its full release to complete the 12inch

viktoria joins random island with a strong three-tracker!