richard sens sound has always been influenced by black dance music and european electronic music and these two tracks carry on the vibe dark. electronic funk! flow master is inspired by old school new york house combined with european industrial body music. sen calls it muscle house. bad meaning good is a lighter. deep groove that takes inspiration from african percussion artists like kongotronics.
kin-ben label that is one of japanese techno label in ehime. western japan releases brand new 12 vinyl by ann who is a dj / producer in saijo. ehime. a side is a deep techno tune with his gradually amplifying tension and the gentle bass-line’s reiteration sympathizing with metallic sounds like as sharpening a katana. and b side is the remix by hironori takahashi. who is still a worldwide dj / producer in japan and has released from many awesome label as informa records and arts.
the cowboy moved slowly out of the booth and into the studio. you could tell by the look in his eyes. that the half-dozen shots of chivas regal had put his ego to rest. and he was ready to sing with the lady. they sang for three nights - the cowboy and the lady. and the gods were kind. and their album was finished on time. herein. lie the results…some good. some bad and some more. - lee hazlewood
best italy continues to do a wonderful job of unearthing much-sought after gems and giving them the re-press they deserve. lily ann was a quintessential one hit wonder of italo disco perfection that surfaced in 1984. and -going crazy- captures the mood of early 80s dance music perfectly. adding value to the release beyond the fresh mastering job and high-end modern pressing. as well as the previously released vocal and instrumental we also get treated to a dub mix of -going crazy- to give you even more options for dropping this impeccable slice of italian dance music history.
brooklyn resident kim ann foxman kicks off 2017 with a fresh release on her own firehouse records imprint. ​.....energy ep comprises four new tracks heavy with foxmans recognisable sound. centred around her own unique vocals and the nostalgia of early house and techno records. following on from a series of highly acclaimed solo productions on firehouse. foxman once again creates musictointoxicate.​.....energyepdiv​.....esintomyraveroots. sheexplains. itincludesaselectionoftracksto be enjoyed at diff​.....erent times of the night. urmagneticsetsthetonewithafeverishvocalhookedonhauntingund​.....ertones. while e4energy steps up the tempo with a rhythm that exudes foxmans own fire and intensity. whilst also capturing the spirit of rave. foxmans vocals are centre​..... stage in ​.....u & me electricity. a track reminiscent of the uk rave scene and concluding in true mind-b​.....ending style is ​.....2 the source. foxman created firehouse recordings two years ago and has developed it into a label for music heads that centres around quality underground music for the dancefloor. 2016 saw her become the resident at the good rooms in brooklyn. a panorama bar regular and she concluded the year by playing for the ​.....mixmag lab london​.....
nice price deal !!! beat pharmacys brendon moeller drops two high end dub tracks on the worlds prettiest looking label. ann aimee...tip! ann aimee presents another new quality artist on their label. new york based south african. brendon moeller has been producing music since 1994. his compositions have been released on francois ks deep space media. third ear records. echocord. mule musiq. rekids and more. he records as brendon moeller. beat pharmacy and echologist. dub. techno. jazz. afrobeat and psychedelia are inspirations that appear in most of his music. whether it be serious dancefloor bizniz. or dubbed out bass-scapes. his music always possesses a quality and signature that have helped him become the prolific force he is today
after the great ep -young and stupid-. ann clue & boris brejcha are back with their second single release -acid attack“. bringing back the classical 303 in one club banger and diving into a more deep melodic atmosphere in the second one called -roadtrip-.
ITS YOU THAT DRIVES ME WILD EP (MAYA JANE COLES REMIX)
12" Vinyl UK30.08.16
kim ann foxman realigns her vision as a producer in a welcome return to her own new york based firehouse recordings label with her ​..its you that drives me wild ep kim ann foxman featured in pitchforks 7 best mixes of may 2016 kim ann foxman fact mix june 2016. the title track spins an intoxicating groove over kim anns vocals full of desire and lust. while ​..give it all you got ​..fuses raw energy and dextrous percussion through h​..er confident. evoca​..tive words. close ally and regular cohort maya jane coles seamlessly remixes i​..t s you that drives me wild w​..ith her signature sound. the mood suddenly becomes much tougher during magic window wrapping up the latest offering from new yorks finest lady of electronic music. since creating firehouse recordings in conjunction with t​..he vinyl factory two years ago. kim ann has released sporadically on her label. resulting in only highly thoughtout and credible music from the imprint. a long standing figure in the new york dance scene. kim ann has remixed the xx and collaborated with anthony simoncinos alias ron jason. a regular at panorama bar. she continues to tour relentlessly with her high voltage signature style that is both remarkably original and infectious.
still riding high off the success of their last album but never ones to sit still. titanic techno duo octave one are back with a hot new single. featuring their long time collaborator ann saunderson on vocals and coming with three different mixes. just dont speak it is sure to be a summer anthem.
our next vinyl release - the force - comes courtesy of a fantastic collaboration of artists featuring belgian dj and producer van czar. dj and producer dantiez saunderson and uk songstress ann saunderson. van continues to lead the way in deep techno grooves and his tracks are always powerful tools in the mix for many jocks. after he joined dantiez on their back to back set at this years (2015) legacy festival. they decided to get together in the studio and soon after they started working on this fine cut. over the last few years dantiez has taken after his legendary father. kevin saunderson. and released quality cuts on several labels including kevins own kms. the guys then decided to employ the soulful. gospel-esque vocals of dantiezs mother. ann. back in 1992 ann featured as backing vocals on the anthemic pennies from heaven by inner city which was headed up by her husband kevin. and went on to record several high profile tracks over the years. to keep it all in the family we get treated to a wonderful remix by the legend himself. mr kevin saunderson who led the way in the early detroit house and techno scene and gave the world some of the most memorable tunes ever with inner city and others.
finally. gloria ann taylor’s musical output on selector sound has been compiled and will be presented in a deluxe 180 gram triple-gatefold double lp package complete with photos and extensive liner notes plus download code.
die größten hits von ann peebles auf einer lp (180g vinyl + downloadcode). die soul-sängerin veröffentlichte sieben alben auf hi-records und gilt als eine der großen stimmen des r&b und soul. die afroamerikanische peebles war in den 1970ern neben al green und o.v. wright teil des erfolgreichen memphis soul labels hi records und nahm dort hits wie i cant stand the rain- auf. dieser wurde von unzähligen künstlern gecovert: tina turner. pizzicato five. seal und missy elliott. john lennon ließ sich gar dazu hinreißen. diesen als besten song jemals zu bezeichnen. diese compilation blickt auf das komplette werk der ausnahmekünstlerin.
kim ann foxmans c​..reature was the introduction to her solo career. now getting a rerelease and rework for her unstoppable firehouse imprint. complete with fiery remixes from a/jus/ted. nick simoncino and richy ahme
after a critically acclaimed first release kim ann foxman returns to her firehouse imprint. inspired by her new york home with three more original tracks and two remixes from fellow new yorker eli escobar.
ann peebles album the handwriting is on the wall ist nun wieder auf vinyl erhältlich. das werk erschien erstmals 1978. die afroamerikanische peebles war in den 1970ern neben al green und o.v. wright teil des erfolgreichen memphis-soul labels hi records und nahm dort hits wie i cant stand the rain auf. the handwriting is on the wall war peebles letzte veröffentlichung in den 70er jahren und gleichzeitig das letzte album für hi records. peebles zeigt sich musikalisch in bester soul-manier und singt mit ihrer einmaligen stimme über zeitlose themen
big with rolando. josh wink. sls. brendon moeller. psycatron (planet e)!delta funktionen presents the first part of two setup eps. after his debut ep electromagnetic radiation two years ago his reputation is still rapidly growing. setup one decorum is the follow-up to his cult hit silhouette and explores the darker side of things - three straight techno jack tracks. and one serene ambient track. evolving in an even more personal sound. setup two will be released in september.
JACKATHON JAMS WITH KIM ANN FOXMAN (SOUL CLAP. CATZ N DOGZ RMXS)
12" Vinyl D01.07.14
new yorks kim ann foxman steps up for the next instalment of heidi presents jackathon jams with a helping hand from bostons favourite duo soul clap and polish heavyweights catz n dogz. the aside features the deep and hypnotic be mine followed by the equally intoxicating club jam let me be the one (new york club mix). on the bside soul clap deliver a spaced out remix of let me be the one while catz n dogz add a dose of acid to their rolling version of the track.
mancunians and have lead the way when it comes to the industrial techno revolution of recent times and now serve up three such tracks on ann aimee. coming after plenty of great work on their own eponymous imprint.
its now almost two years since german producer sawlin made his debut on ann aimee. but now he is back for a third ep on the delsin sister label. entitled niedertracht. it features four more tracks of searing techno in truly uncompromising sawlin style.
maya jane coles releases the remix package for burning bright ft. kim ann foxman. remixes by joyce muniz & citizen. plus new original track no stick. taken from the debut album comfort - out now on i/am/me
following in the footsteps of sawlin and yan cook last year. ann aimee has readied its next release. this one comes from uk tastemaker and radio 1 presenter mosca. and is his first release of the year after previous releases on labels like martyns 3024 and hypercolour
love fever. the infamous and erogenous east london discotheque and record label returns with some late night works in the form of ron jason and kim ann foxman s the dream project ep . after ron jason s paradise garage evoking and much played paradise lost (with love fever regular larry heard remixes) caught the ear of label bosses alex & andy last year with its depth and sincerity. ron was tracked down. discovered as italy s enigma simoncino and connected with brooklyn s fly girl and modernist diva kim ann foxman to explore possibilities in house.
sawlins debut ep on delsin off shoot ann aimee went down so well it only made sense to have him craft another. eviment is that ep. made up of three more deep and subterranean techno cuts that play with plenty of textures.
needwant are very happy to welcome kim ann foxman back for her second outing on the label after her great remix of max essas how do you feel last year. the vinyl release features two interesting original tracks from kim ann along with remixes from steffi and populette.
having lain out it s darkened techno vision with the epic and enthralling inertia compilation over the last few months. delsin s little sister. ann aimee. is back. back with another bang. this time from mysterious vault series associate sawlin who drops four cuts of grainy. scratchy sounds with his techno dumping ep.
when numero wrapped the track list of 2009’s local customs: downriver revival. we knew there was a smaller second record buried in the mountains of tape rescued from felton williams’ ecorse. michigan basement. as the revival label’s lone “star.” shirley ann lee was afforded dozens of opportunities to record. but only six sides managed to trickle out on 45 between 1967- 1969. frustrated with a lack of even minor success. shirley ceased recording altogether in the early 1970s. using revival’s aborted “shirley ann lee radio hour” program as our guide. we’ve taken the best of her proper studio recordings. in the moment sketches. out of tune piano demos. and rehearsals with young kids talking in the background and created the shirley ann lee album that never was.
the third in the inertia series with four new exclusive techno tracks. this third ep offers up four brand next and exclusive techno cuts. take straight from the inertia compilation ann aimee have proudly compiled. things open with the dark. skipping beats of stroboscopic artefacts boss lucy. before veteran berlin producer and label boss milton bradley layers plenty of filter and reverb over a kicking beat for his textured effort. >sequence 1<. one of the three fachwerk bosses. mike dehnert. contributes some ravey techno loops in the form of >pneumatic< before the ep is brought to a close with some gray-scale bleakness from belgiums ozka: in all. four dark dancefloor gems
the final of four in the inertia series with four new exclusive techno tracks. the final hurrah for ann aimees inertia compilation sees four modern techno heavyweights add their exclusive sounds to the fold. recent album stars skudge are as economical yet efficient as youd expect with their booming >pollution<. before conforce designs yet more lush sounds with his deep technoid cut >when it appeared<. restless romainian cosmin trg confounds expectationst again with his rusty. rolling cut >plaisir interdit< before fachwerk co-founder sascha rydell gets a little spaced out on his kinetic and melancholic effort. >rainy days<. stand out on its own. but peerless when paired with the other three parts. inertia 4 ends a special project indeed.
new release by kink and neville watson with sexual appeal made by the vocals of kim ann foxman (of hercules love affair). nice dub mix on the flip! their future-retro chicago house output made quite an impact on the scene over the past few years. with >a saturday in november< they keep their signature retro sound. but shift their tribute focus slightly on late 80 s new york and its >freestyle< days.
four modern techno tracks on this first release of an ann aimee compliation series. the first of 4x4 vinyl releases from the ann aimee compilation. inertia. this opening volume includes cuts from time to express chief peter van hoesen and fachwerks roman lindau as well as fellow label recruits delta funktionen and sawlin. all four new and exclusive tracks deal in techno urgency. delta funktionen goes deep and dramatic. peter van hoesen offers up his usual dub-wise textures. whilst lindau pairs icy hi-hats with a heavy stomping beat. sawlin offers the trippiest techno with his delightfully dishevelled >excipidial< and closes out what is an essential piece of vinyl.
second release in a series of four of this ann aimee compilation series. featuring a diverse selection of techno tracks. part two of the four-part inertia sampler again serves up four heavy-hitting techno bangers from different artists of the new-school techno generation. again. each of the tracks is previously unreleased. first up is frenchman marcelus who offers a heavy house and techno fusion. before londons sigha goes deep and ominous with >finding myself.< redshape and area forty_one close out the package with frozen. static coated sounds and textured techno respectively. reading like a whos who of the days most pioneering techno producers. inertia #2 is another connoisseur selection.
ann aimee goes darker and more minimalistic than before with this debut release by area forty_one. this unknown producer gives us his personal interpretation of modern techno. this double pack contains five solid techno cuts. filled with spacy and robotic sounds. together with one imminent ambient track. discharging clouds gives us tracks. each one containing its unique vibe. and will please anyone with a preference for the dark. sinister techno sound. the mysterious area forty_one is one to keep an eye on