1978 classic by uk reggae/funk/punk - rock pioneers!!

here is the long awaited debut album by florence and the machine, brit award critics choice winner 2009.

**vinyl only release - 500 hand stamped & numbered copies** , support by: nina kraviz, levon vincent, dj qu, jus ed and many more. the cherry on the cake is a stand out remix from patrice scott. there will be no repress and these tracks will not appear on any download stores! the third tsuba limited 12 inch sees tazz (underground quality) team up with giovanni for >welcome to dub<, a journey into the dubbier realms of house centering around a swirling melodic riff and raw analogue production

one of rough trades island 50th anniversary selection - 50 crucial titles, specially selected by us to highlight the unique contribution this seminal label has made to british music since 1959. jones best post disco album recorded in nassau, bahamas, with a truly remarkable studio band, including the legendary reggae rhythm team of sly dunbar and robbie shakespeare, along with marianne faithful collaborator barry reynolds on guitar. the songs are generally arranged in an innovative, ahead of their time way (echoey yet spare, with lots of deep bass) that owes a bit to dub and in any case provides a perfect backdrop for jones queen of the undead vocals. highlights include the proto rap walkin in the rain, (by easybeats / ac/dc auteurs vanda and young) and a spooky cover of bill withers use me.

following his acclaimed collaboration on strut with the heliocentrics, the father of ethio jazz presents his brand new studio album, >mulatu steps ahead< for 2010. the album explores new directions in fusions of western jazz with ethiopian modes, moving forward the pioneering sound mulatu developed during the Ê60s and Ê70s, showcased on the recent strut compilation >new york / addis / london<.

welcome to pop electronique, courtesy of ninca leece. having, in recent years, played clubs and festivals all over the world, writing soundtracks or collaborating with fellow musicians, the french vocalist, who now lives in berlin, has finally got around to completing her debut solo album, which she has been working on whenever she found a free moment.

remastered re-issue on heavy 180 gram vinyl of this 1985 breakthrough-album by the cure..

hard on the heels of his debut release, the -aloof ep-, anthone delivers a dense and dubbed out two-tracker to the weevil neighbourhood: -double dub- and -clear view-.

raw , dark and dangerous... killer

one sided gangbang from melon!

optimo music presents a new offshoot label, so low, named after the night of the same name in glasgow run by becky marshall, iona mchale, jd twitch and katie shambles. first lp release is happy meals “full ashram devotional ceremony volumes iv – vi” out 23rd of june. the inaugural release is from glasgow’s much-loved happy meals, a duo comprised of suzanne rodden and lewis cook and is their second album release after 2014’s acclaimed “apero” on glasgow’s night school label. full ashram is the name of happy meals’ recording studio. the devotional ceremony is happy meals connecting with their cosmic inner selves. they realise their full ashram devotional ceremony on vinyl (and digital) banishing demons, devils and ill will. devote your soul to the positive forces before the misguided, suffering spirits pull you down and wipe you out. while the album is comprised of individual tracks segueing into each other, for full salvation it is recommended to be listened to as one continuous piece.

tact recordings launch their new vinyl only sub-label tactics , with the first ep coming courtesy of yard one, who deliver three excellently programmed cuts in the shape of tactics vol. 2.

ultraphat detroit / chicago flavoured house... executive producer : chez damier

the pieces were created as structured improvisations using a monophonic synth (primarily) along with a yamaha dx7 (borrowed from a friend) and possibly a guitar. recording was made on an older otari mx5050 1/2 8 track. mixing was done on a tascam m-50 console and a revox a77 1/4 machine. i recall the project happened in two bursts: i did half of it in september 85, then i finished up and edited the album together in december 85. i dont really recall making copies for anyone. i think i played it for a dozen people and that was it. just forgot about it. i remember jeff ament from pearl jam (green river back then) came by while i had it playing on my home stereo. he asked what it was and said he liked it. surprised me a little. with regard to overall aesthetic: i like the sound of machinery, but i enjoy the fragility of human error and human instinct. i like to put things into motion then climb aboard and drive. i can’t play an instrument (in the classical sense) for the life of me, so i’ve always just played things that are mostly choice rather than a convolution of style and technique. i guess you call that the brian eno school of rock.

live recorded on 2 track revox at koprod studio zürich in 1982 chapter 3 of mr. thoma having fun with the serge modular music system and tms synthesizer, accompanied by knut remond on drums. proto-techno monster lp.

although relish compilation 3 marks the third compiled label round up for headmans relish recordings, it is a compilation only in form, it has been constructed out of new tracks very much in the guise of an album. in label terms it highlights the new artists that have been unearthed this year – jr seaton, andreas esu, hannalelauri, daniel avery, international, montevideo – and presents them alongside new tracks from headman. ep 1 starts on side a with hannulelauris europa, a strict reverence to europes dance legacy. then it slips on into a quick thrust 808 funk of headmans latest be loved. be loved features the vocals of belfast singer rosie blair from the band boy of girl. we then glide through the straight chicago cut of andreas esus dance in space on side b and popping nrg/italo from chmmrs collaboration with glaswegians, a strict reverence to europes dance legacy.

second release of nathan melja on his own imprint dream real, this is not a techno ep, this is not a bass ep, this is simply a music record. four tracks going from ambient to club music to a weird and slowed down rap by himself on the eponymous title raindrops enjoy and much love to y all.

uttu drop this double aaa banger from chicagos legendary alias g, having released previously a wide selection of gangsta hip hop in the late ninties on labels diverse at trax & missing records, hes recently turned his hand to classic house with the help of local friends marcus mixx, king farley jackmaster funk & gene hunt.

foul & sunk, the swiss-german house-imprint based in freiburg and zurich, rings the bells for round 4 with the eriswil ep by jagged, a spunky release that blushes your cheeks like a strong sip of bernese apple brandy. and bern is the code word that sheds light on the origin of jagged: behind the name hide three veterans of the swiss house music scene - the djs and producers benfay, jay sanders and zukie173, who emerge from the vicinity of the now discontinued freestyle label a few among others, whose founder was zukie173. as jagged, they are releasing house music built upon hard-hitting drums, sinister bass lines and soul-drenched instrumentation for over four years by now. they debuted on quintessentials with hello kool nice in 2008, and didnt lose their gritty energy since then. now, theyre back on foul & sunk with eriswil, a deep rolling, dark monster that also gets a remix-treatment by the abstract eye

the 12th chapter on eerie records is a 2 tracker by label owner marco shuttle himself. with the return to a more groovy and floor-friendly take than the abstract sound of his recently released lp the release maintains nonetheless the classic signiture deep landscapy approach the artist has made us used to with his production. tribal rhythmics, 808 grooves, underlayed pads and some slightly middle eastern reminiscent sonic elements make it for a record that although still on the leffield side, is 100% techno. anyone who loved sing like a bird will probably find this one very appealing. a very classic marco shuttle one indeed!

after much demand for a vinyl release the duo asked to make a short run of their latest remixes and were delighted to gain permission to release this legit but very limited 12 inch. only 300 copies worldwide, dont sleep cause when they are gone, they are gone!

smoothin / groovin modern disco !! great quality disco music

symmetri is metavari s sophomore studio release led by electronic musician and composer, nathaniel david utesch, and debut studio lp on one way static records. the work is a stand-alone edit of metavaris metropolis re-score from record store day 2017, introducing new and reconfigured material in addition to selections from the soundtrack.

stepping to the hard left, richard sen + cazbees edits are always a touch different from the rest of the zillion edits around. influenced by the newave and disco not disco sound of clubs like the music box these 3 new cuts have a disctinctly dark and naughty flavour. listen and judge for yourself…. mixed blood cuts has been supported from djs including: dj harvey, andrew weatherall, optimo, padded cell, idjut boys, cosmo vitelli, mark moore, pete herbert, lovefingers, golf channel and more.

matt flores, düsseldorfs deepster produzent, trifft mit seinen drei neuen tracks mal wieder ins schwarze. >water on the moon< ist bereits seine fünfte maxi für ingo sängers label farside. wieder begeistert matt flores mit einzigartigem sounddesign, produziert in seinem metaworld universe-studio. warme house-musik mit einem elektronischen feeling und mächtigen bässen. ein killer-remix kommt von session victim aus berlin.

zoo brazils rock the house clubedit already huge with the big players! this here is zoo brazils take on the beatmasters classic >rok da house< from 1987 - the first ever hip-house track. strictly limited 400 vinyl. no mp3s available! brought to you by shirkhans berlin based label >exploited<. john andersson aka zoo brazil has released over 100 singles under various monikers. john has worked with and remixed some of electronic musics most influential artists including human league, fatboy slim, moby. 2009 is sure to be an amazing year for zoo brazil with releases on tigas turbo label (with adam sky) as well as a new artist album end of 2009.

pressed on 180gr vinyl... phonica records inaugurate a new series of releases that will fall under the special editions banner. a series that will feature collaborations, one-off releases and anything that doesnt fit into the main labels outlook. the first release comes from sinkane, a hotly tipped new artist from ny. sinkane is the project of sudanese-born musician ahmed gallab. gallab cut his own teeth as a youngster in the punk diy landscape of middle america, and then found himself touring far and wide as a member of yeasayer, caribou, eleanor friedberger, born ruffians, and of montreal. he has emerged from it all as sinkane, a project that identifies a renaissance within the space and spirit of the outposts of contemporary music. with an aesthetic range seamlessly shifting from soul to rock, and from jazz to pop, sinkanes vibe is timeless and the sound is now. runnin is a song taken from a collection of songs simply titled mars. on this limited edition 12 from londons phonica records, the album version of runnin is re-imagined as an increasingly dense longburn club jam by daphni (dan snaith of caribou fame) and as a more angular headjam by chandeliers of chicago

new york based producer returns to rush hour with a new single with falty dl & tom trago mixes

following the stunning album that (finally) surfaced on tirk records last year, seventeen-piece live disco band escort arrive on sister label nang via red music by popular demand with two of the most prevalent cuts from the album, cameleon chameleon & starlight, remixed by anglo-japanese powerhouse max essa, and red records label boss and ilija rudman. ilijas cut of cameleon chameleon is as funky as they come, enveloping strains of the originalin his silken synth work and driving dance-floor percussion. edits of adeline micheles vocal hook are teased in throughout, beautifully done but never deriving from the fact that this is strict dancefloor stuff. next up, max essa delivers a stomping rendition of long time favourite, starlight. his cut stays true to the original, retaining vibe, funk and feeling, but giving it that subtle injection of house that is just made for peak time at the dance. if you like your disco live, the escort collective has a couple of uk dates penned in for march / april 2012, so keep em peeled!

from the very outset, the m.c.d.e. remix of shit robots >answering machine< picks up in a completely different realm from marcus lambkins original, which appears on his 2010 debut, from the cradle to the rave. the stuttgart-based producer has replaced janine >planningtorock< rostrons slowly rising vocal opener with outerspace emanations that fade as they drift into a constellation of wide house grooves and deep bass. rostrons own pizzo remix is up next, and in (a)typical fashion, she takes the song and shifts its mood by clearing away the dancier elements of its predecessor in favor of a foundation of strings in every form: plucked pizzicato notes, low cellos tones, and high pitched violins that flit through. last up is another rostron creation, the whisper remix, which actually outpaces lambkins version in bpm, but is lighter all the same. here, she uses synths almost as a wash of white noise – a whisper, if you will – and only drops heavier vocals here and there along the songs rustling path.

after the new album of jus-ed >vision dance< on mule electronic,jus-ed come back to mule with the follow up single >flight to tokyo<! >flight to tokyo< on a side is dark hypnotic house with female voice loop. >the machine< on b side is typical underground quality style deep house track.jus-ed is playing everywhere at the moment!!

lee jarvis for chicago jackin tracks

die mächtigen deep house-sounds von paskal aus berlin waren bereits auf labels wie wildtrackin oder room with a view zu hören. gemeinsam mit urban absolutes aus essen, der gerade auf phoniques label ladies & gentlemen für furore gesorgt hat, heuert er nun bei farside an. das original von >need love< ist ein heruntergebremstes percussion-monster, während der henry l-remix das tempo anzieht und mit einer reese-bassline den boden erzittern lässt. außerdem dabei ist ein funkiger disco-dub von ingo sänger und henry l.

incl. mark e rmx , the supremely-talented australian producer mic newman delivers a stunning four track ep for the next instalment of the esteemed tsuba colours series, complete with remix from mark e (spectral / merc). mic newman has rapidly risen through the ranks of the house music elite with his remarkable productions, and his latest offering on tsuba reaffirms why he is one of the most in-demand producers around. shrinkwrapped and pressed on lime vinyl with matching sleeves, this release is a must for any vinyl collector. strictly limited to 500 copies. be quick!

two low slung house beauties from low slung to start his aptly titled label. andy ash and matthew kyle join the choir with 2 equally gorgeous remixes. keep it low slung!

big with:ernesto ferreyra, the mole, akufen, vincent lemeuix.. inspired by classic disco and electro, dkmd have already produced several dance music tracks, using old and new technology in order to come up with a unique sound which pays homage to their predecessors without sounding pastiche. echoes of giorgio moroder and donna summer can be felt throughout on the other side, while the playful and sensual taxi cab recounts the familiar story of an early morning phone call received by a girl in a cab, on her way home from a pleasurable night out. perhaps it is their experience playing together as improvisers that adds a special touch to their dance music,as they have grown accustomed to perform almost every element in their tracks using hardware intruments and effect boxes.in addition to their disco project,the two have a considerable track record as experimentalists and the dark,cosmic and mysterious androide is a good example of some of their output in the genre.even though dkmd are only at the beginning of their dancefloor adventures,they show no signs of stopping,and when asked what comes next,they will likely answer

pitchben, das neueste signing von compost, katapultiert den electro funk der 80er jahre ins hier und jetzt. the whispers, d-train oder zapp sind die einflüsse des münchner musikers und produzenten. die zweite maxi aus seinem album >pitchslap< kommt mit vier pulsierenden remixen für die clubs, produziert wurden diese von jamie liddell, alexander maier, lorenz rhode und krazy baldhead.

the 3rd ep from japanese label “ugfy records”.‘ugfy’ by tokyo based dj ‘you forgot’ and producer ‘yuji namiki’ . hybrid sound of breaks acid house & ambient sounds. bomb for dancefloor.

• second in a series
• bent bare bones dance trax from powell
• experiments with new, polyphonic hardware
• mastered and cut by matt colton
• riyl autechre, afx, din a testbild, all the best oddballs
• vinyl only, no digital, strictly limited!!!

>see blind through< is the new single from sydney-based desert house outfit canyons. it follows on from their lovemore ep on their own hole in the sky records, the fire eyes 12 inch on nycs dfa records, blue snakes on paris i m a cliche records and the my rescue 12 inch on modular. >see blind through< is from their debut album keep your dreams, which is available now, and its a late, late night house mutant built on a swampy bassline and the heavily warped vocals of nite jewels ramona gonzalez. >the see blind through< 12 inch features the original track, heroes of the galleon trades sexican version and an almighty remix by the don himself - dj harvey.

(lp+mp3) susobrino is one of belgiums most talented electronic solo performers of the current crop. being half belgian and half bolivian, he has a unique sound between both worlds, where electronic and acoustic sounds flow together with natural & shamanic influences.

w+p by denis safiullin

development music stick close to home on their latest release, with a single deeply rooted in manchester. the city’s deep house heavyweight moodymanc (tsuba / 20:20vision) teams up with ultra talented vocalist and musician jamie finlay (wah wah 45s) to deliver a seriously catchy underground anthem, with remixes from manchesters highly respected dj/producer mr scruff.

recently, superpitcher was invited to go on a safari in south africa. he bought a custom made safari hat at his favorite milliner in cologne (ju&#776,,,rgen eifler) and set off with big eyes and a pair of binoculars. it was wild and wonderful and he saw many exotic (and big!) animals, even a leopard in a tree that told him the secret of the universe. he forgot what the leopard said because his mind was still playing and replaying the sound of what he heard on the first night of his arrival – the hypnotic and moving sound of the voices of africa, the voices of the wonderful tanda tula staff choir. there, the choir members work during the day at the camp and at night entertain the guests with their captivating voices and energetic dancing. so impressed was he with their songs and beautiful shangaan language that he decided to record a cd for them to sell in the shop at their camp and now this precious recording is also available through hippie dance / bush recordings on vinyl and cd for you in whatever wherever camp you are. the lp of the tanda tula choir comes with a very pretty poster.

asuntos internos is an ep dedicated to artists from spain, in this case 3 from barcelona (nlk, delusions & niet! and nehuen) and 1 from madrid (vvv). the first two songs, -overview- and -100 freeze-, have a obscure tones, and darkwave intensity. in -exorcism- delirious voices are planned on a magnetic basis while relatively ethereal, while -i do not know what i want- (jump it now mix) finally jumps into the dance floor with a purely techno ebm cut. asuntos internos es un ep dedicado a artistas del pais, en este caso 3 de barcelona (nlk, delusions & niet ! y nehuen) y 1 de madrid (vvv). las dos primeras canciones, -overview- y -100 freeze-, tienen un tono más post-punk: la primera recuerda a the cure y la segunda añade intensidad industrial. en -exorcismo- unas voces delirantes planean sobre una base magnética a la vez que relativamente etérea, mientras que -i don t know what i want (want it now mix)- salta finalmente a la pista de baile con un corte puramente techno ebm.

drummer for whomadewho, who also toured with lcd soundsystem & hot chip, unleashed house hits as tomboy, remixed gorillaz, franz ferdinand, bloc party. this ep features remixes by jacob korn and shlohmo. juxtaposes space & beauty with darkness & the macabre.

industrial, experimental, dark techno comes courtesy of rodz konez label owner, makaton.

hand stickered white labels feat chicago cassette tape/reel splices! it opens with slamming the box, a hypnotizing, slow burning, excursion to tripped out places reaching over 16 minutes. jack the floor (edit t21) on the flip is a dark synth experiment & whistle on & on gets seductive!

180 gram, vinyl only.
alessio mereu joins andrea ferlin to create a brand-new duo: aleandro. the two sardinian artists have both been producing for a very long time, but this collaboration promises to deliver quality with 1921 ep.
the a-side kicks off with 19, a soothing track with a strong presence of modulated synths and pads, perfectly balanced with deep basses and kicks. its continual bassline only encourages the rest of the instruments to develop organically, making this one a very special journey throughout its length. the b-side 21 is more influenced by techno with heavier kicks and basses. the duo use trippy sonorities to catch people’s attention but beware: this track will even make your grandparents boogie!

the history clock is most certainly alive and ticking with this incredible release from argentinian duo, djs pareja. you may be familiar with some early tracks that they have done for matias aguayos peerless comeme label (their excellent ghetto rhythms, kenia and tribal scream), and this is a perfect follow-up. >psycho rhythm<, the appropriately-titled lead track is a brilliant, mid-tempo, mildly-disturbed outsider house / ebm-shocker, coupled with the absolutely perfect roska / uk funky-esque, tropical rhythm of >pampa room<. a track that joins the dots between the bumbumbox parties of buenos aires, the boiler room nights in london and the boxes of the more forward-thinking djs on rinse fm. balearic music fans will immediately fall in love with >spanish is beautiful< - in both original and alejandro paz (comeme / huntleys & palmers) remix formats.

2nd strike on no fit state

new x press 2 single taken from their forthcoming album.

first press, 200 copies, white vinyl, red embossed sleeve. stomping chicago-house track with strong and funny lyrics, in the vain of le les smashhit breakfast. reminiscent of green velvet in his early days .. comes in a vocal and instrumental vrsn

non artwork version

this 12 inch showcases the first original composition by tiedye, along with remixes from studios dan lissvik & a mountain of one. the dan lissvik version was the epic closer to our solid gold compilation last year. tiedye re-invented modern aor as we know it. sit back, relax, & enjoy the music.

alongside long-term dj partner harri, domenic cappello has been a sub club resident since 1994. he has released many records under many guises yet this is his first ep under his own name. 2017 also marks 30 years of sub club and it feels fitting for such two landmarks to dovetail as they have. the intruder ep is 3 brilliant tracks that come from a lifetime spent in music.

a: so many dreams - original vocal mix
this mix certainly reaches the early days of house & acid. an era of electronic music we will never forget. great vocal feel that will keep dance floors moving all night.
b1: so many dreams - sub rockers dub
is a rockers version of side a with a great rock bass line to add a slight alternative twist to the mix lots of energy!
b2: so many dreams - tribal dream mix
is a tribal house mix with lots of loving beats & splashes of tripped out vocal warm vibes for the summer.

merveille & crosson return to visionquest this october with their second long player, entitled cerulean and featuring nine original compositions from the duo. 2012 saw the release of cesar merveille & ryan crossons critically acclaimed inaugural long player drm, seeing the pair veer their output into abstract realms and embrace a more eclectic left on centre production style. here five years later the pair return with their second album cerulean, again tipping the focus over to a modern classical, jazz, ambient and abstract aesthetic, featuring collaborations with juliard trained classical pianist julien quinten, no regular play’s greg paulus on trumpet, wareika’s henrik raabe on guitar, yonathan levi on double bass, moritz baumgartner adding additional drum work and berlins signum saxophone quartet. across the ‘cerulean’ project merveille, crosson and all involved offer up an amalgamation of sounds and styles from the freeform jazz odyssey styles of even tides and nordic bummers to the ethereal ambience of intro (almost raw) and mcyh whilst subtly nodding towards their minimal roots with acid pal and qaudra. the pair also radiantly display their love for the new age modular synth style with arp and life in the 80s with intricately programmed, dynamic melodies throughout, all in all resulting in a truly unique and forward thinking project from an array of talents.

sebastian eduardo burst onto the scene in 2016 with a fine debut ep entitled ultima necat, now comes his second ep, this time released in the untold stories protagonist series. dedicated to the legendary poet hanshan, the ep is a deep and personal offering, it keeps to the style which made his debut so appreciated: positively charged, quirky and enlivening micro house, but this time there s a deeper personal dimension to the tracks, a nice development and another welcome offering from the young swiss producer.

dj richard returns with another stunning release on dial records: path of ruin. inspired by the rather harsh magic of new england in winter - the place where the three tracks have been recorded - dj richard creates a wide and dark raving beauty.

the seldomly heard, more emotional side of mono junk on vortex traks.

we are happy to report, after a short hiatus ray mang and his incomparable mangled label are back! his recent disco deviance release was more than enough to remind everyone what they d been missing, but here we have a fresh new mangled release - filled to brim with rays unique take on lost classics.
mangled has been a benchmark for quality edits since the late 90s, and with renewed interest in dance musics heritage, ray has found himself back at the forefront of a scene he was instrumental in forming. having been behind a plethora of releases on cult nu-disco labels like noid, fiasco, u star, nuphonic, eskimo etc etc over the years he has cemented his reputation as an amazing producer in his own right as well a studio engineer extraordinaire for the likes of the idjut boys, glimmers & many more.

from the back catalogue of the label, we lovingly remastered several of our favourite tracks from our vast selection of quality authentic house music. the artists involved on this release have all made huge contributions to the genre, each of whom have enjoyed commercial success from the music they create, but still choose to make quality underground house. these dance floor bombs were first released between 1997 – 2001, please enjoy!

limitierter doppel-release des brixtoner künstlers gaika zu seiner gleichnamigen global-tour-party the spectacular empire mit unzähligen künstlerkollegen, die wie er von forschungsdrang und politischer provokation geleitet sind. speziell der track battalion vereint soziale weckrufe, politik und kunst in einem dröhnenden dancehall-powerhouse, der bis zum emotionalen ausbruch anschwillt und verdeutlicht, weshalb gaika zu den aufregendsten britischen künstlern der letzten jahre gehört. 2 x 10inch inkl. download-code, limitiert auf jeweils 500 stück weltweit.

with >work< the 2 bears release the first ep to be taken from their album >be strong< on southern fried records. support comes with 2 huge remix versions by toddla t and oliver $.

brit-pop

farais debuetalbum ist ein gemeinschaftsprojekt zwischen der londoner saengerin farai und dem kuenstler, musiker und produzenten tone

ressort imprint’s fourth output “four cuts on hurting” gets a decent treatment from four well established remixers. pfirter, cassegrain, blind observatory and label head ekserd deliver their own takes - rsi011 therefore is aptly named “more cuts on hurting”.

indie lp

the arctic monkeys much anticipated third effort was co produced by queens of the stone age frontman josh homme and james ford. humbug is a voyage somewhere new - its a richer, darker and more powerul sound. its heavy yet melodic mixing offhand self analysis with verbal assaults. turners charismatic vocals remain centre stage with that sweetening flutter of vibrato. the songs remain stories - fabulously wrought and told, set to thrilling and adventurous music. its a more grown up album of irony, guile, riffs and tunes, yet it still very much the arctic monkeys.

twenty-five thousand head of the righteous at the first gate. ten thousand at the second gate. twenty thousand at the third gate. eighty-five thousand at the fourth gate. twenty-five thousand at the fifth gate. ten thousand at the sixth gate. ten thousand at the seventh gate. twenty-five thousand at the eighth gate. forty thousand five hundred at the ninth gate. forty thousand five hundred at the tenth gate. four thousand and five at a tenth gate. >thanks for purchasing a real copy!<

weißes vinyl in bedruckten innentaschen

let your brain slowly melt to the delightful sounds of dima disk. having first heard their music via the palace x bronze skate video a year or so ago, we did a bit of digging and it turned out to be by a duo called dima disk, one half of whom was an old glasgow pal called ragnar and robert nikolajev from tallinn s legendary club lekker. you may have heard their recent ripper on porridge bullet. having been fans of the shit coming out of estonia for a good few years and also having a thing for releasing music from our glasgow connections we felt that this needed to come out as a rad 12-.

every piece of paper has its own role in the big picture of a complex collage. every fractal structure finds the same pattern as we continue to zoom into it. apply these facts to the echoes and reverbs wrapped around the atmosphere that resides into distant dub references and you can catch a fair glimpse from the newest motif release.
a master in applying the laws of reductionism within his signature sound, adrian niculae signs yet another powerful statement under the motif vision: consensual ep

dubstep album

the debut full-length album from lafawndah, ancestor boy, on double vinyl

to put it in a nutshell, in just two years, selah sue has fulfilled her dreams. to keep her grounded, she has insisted on keeping the songs she wrote during her teens for her debut album. its a way of reminding the world that she has not been unfairly spoiled by destiny and that before prince, cee-lo green, radio play and incredible press, there was just a teenage girl, with her guitar, who was chosen spontaneously by fans on the net.

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground. tender buttons, das dritte braodcast studioalbum aus 2005.

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground.work and non work, die frühwerk-kollektion (1997) mit allen singles aus der pre-warp-phase.

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground. the noise made by people, das broadcast debütalbum aus dem jahr 2000.

das erste treffen der vier bandmitglieder nach einer langen auszeit fand in texas statt, als man sich die zeit nahm, sich als alte freunde wieder anzunähern und als musiker wieder auf eine wellenlänge zu kommen. entsprechend fällt das grandiose ergebnis aus. zum ersten mal schreiben grizzly bear neue songs gemeinsam, zum ersten mal singen die beiden sänger ed droste und daniel rossen gemeinsam, alle titel tragen die handschrift jedes einzelnen der vier mitglieder. so geschlossen und eindringlich hat man diese band noch nie zuvor gehört. shields enthält einige der grössten und mutigsten tracks, die grizzly bear je geschrieben haben, die ihren unbedingten willen zur ehrlichen, ungefilterten gefühlsäusserung offen vermitteln. der grizzly bear-kosmos hat seinen neuen höhepunk

tnght (tonight) ist das gemeinsame projekt der beiden angesagten beatbastler hudson mohawke (warp) und lunice (luckyme) aus montreal, zwei youngster, die die hip hop/r&b-produzentenszene derzeit aufmischen, und auf ihrer ersten ep rap, hip hop- und r&b-sounds hemmungslos und fortschrittlich mutieren lassen.

argentinean disco delinquent toomy disco comes correct with his first ep for under the shade. static friction is a churning, plodding marauder, perfect for warming up the dancefloor. mario basanov picks up the pace flipping the track with plucky stabs and a tight beat whilst alphabet city draws out the track into a loopy hypnotic belter. finishing up with disco lights which wouldnt sound out of of place in giorgio moroder 80s film soundtrack