lp theres been an air of hypnagogic mystery surrounding acid tests sublabel avenue 66 from the start. joey andersons oblique, prince-inspired incantation above the cherry moon set the tone for a label thats sound that has found beauty in the furthest recesses of the dance floor, in the murkiest decay of kick drums and rave stabs. fitting then, that the first album on the imprint comes from trux, an artist who has chosen to reveal nearly nothing about themselves. following a cult classic mini-lp for office recordings, orbiter bears out the anonymous producer as a master of liminal, conceptual dance music. orbiters ten tracks have a vaporous, shape-shifting quality, threatening to topple over into full-on kick drum bliss or vanish into ambience. opener, with it, moves from heady ambient rush to skeletal piano, while blinko and roys garage spell out a hazy memoriam for the uk continuum. forlorn pianos ring out amongst the field recordings, excitable toms and jungle bass all softened in the enveloping gauze. orbiter positions trux as an unknown auteur who puts evocative world of tone and echo into dizzying motion, content to watch from the wings. track list with it orbiter blinko roys garage third glow in my world my row odd u agoma

intraverso is a journey in that momentary inbetween land that many of us experience sometimes. it explores the turmoil of feelings of when one gets stuck in the middle, floating in between ambition and complete stillness.
fabrizio lapiana is a well-known name on the contemporary italian techno scene. he has been involved in music since the 90�s when he started dj ing in his hometown rome. to date he has over two handfuls of releases on labels such as figure jams, arts and m_rec ltd - as well as his own imprint, the well renowned attic music, founded in 2008.
intraverso is fabrizio�s debut album, set for release on his label. the record is a very personal journey, according to the artist himself. you here find him examining different territory than where he usually heads within his productions. the album, which consists of nine songs in total, was composed between april 2016 and february 2017 in his studio in rome. written in a state of -introspect-, we here see an artist in motion. changing. evolving. the perfect moment to explore something new and unveil a different side of yourself to the world.

vinyl 2 / c/d sides of taciturn manner lp
taciturn manner is reggy van oers�s first full length on his own telemorph imprint.
pertained in a period of strained self reflection, several field recordings have become the core upon which the album has been created. a persistant continuous movement throughout the elements of the tracks causes a certain constrasting tension and gradually transforms into lush cinematic textures.
an intricate and mesmerizing journey, full of rich and surprising details, resulting in a rather emotional expression of his constraint style and coherent distinct sound.

rebolledo�s you and your hippie friends imprint grows its groove footprint on international dance floors with the full-length debut of gÜero, the latest vinyl outing from the hippie dance sister label and also its first fully fledged album project. to attentive hippie friends, the artist name should ring a big, funky bell � one that sounds exactly like the cut �convertible ride� from the notorious �a very nice combinado volume uno� 12� release (yayhf 01). back then, our hero was travelling under the somewhat more convoluted �el güero fresa� monicker, but has since dropped some of those conceptual pounds in an effort to reach maximum sleekness. in the same vein, his debut album is a testament to ultimate funk-a-ficiency, digging deep into fizzy arpeggios and chunky basslines - and the occasional guitar cameo, giving tracks such as bubbling synth opener elektronique, the neon-lit night cruising, bouncing electro disco roller alto final or the programmatic space drifter just that little extra riff.

released 41 years ago in 1977 �help us spread the message� by the mighty ryeders is a timeless collection of outstanding soulful gems written by rodney mathews. new vinyl imprint dynamite cuts releases a quality limited edition double pack release which gives you 4 of those masterpieces from that album. two never before on 7� vinyl all of the most in-demand tracks.

blink and you ll miss it, limited tae fuck tape from ratkiller on jon rusts levels imprint. essential.

german producer silent-one presents an ambient four track release on his own label intimate silence this february. part of the from another mind crew longside obscure shape & shdw and javier ba&#776,,hr, silent-one (real name benedikt merkl) launched intimate silence as a platform for ambient music in 2016. since then the label has hosted artists like ressort imprint regular g&#322,,o&#769,,s, taapion records co-founder pvnv and arsenik records� dold, however this release sees the label founder make his very own debut. fuzzy atmospherics and chilling chord sequences set the tone for the ominous �human border� before ghostly synths and twinkling melodies work together to form �decide your fate�. on the flip, mesmerising arpeggios meander within an echoing setting in �sign of anxiety� until the murky �lost souls� pairs dusky elements with a spoken word sample to create a sci-fi aesthetic to conclude the release.

tel aviv based two man project tv.out has been making a name for themselves these last years putting on impressive live sets, djing around the world, and running their paralaxx imprint releasing various strains of rugged, well informed electronic music. . on their debut for l.i.e.s. we get a smoking three tracker spanning styles that would not seem out of the place being played on the west coast of den hague in the late-90s. think early legowelt meets coca disco meeting heavier techno sounds as a starting point. club gear for the gearheads.

a firm favourite with the hot creation camp, jey kurmis returns to the label with his jessycat ep. following acclaimed releases lil� nic french, kari and not too flabbeh on the imprint, we once again see the talented producer at the top of his game. the ep stays true to jey�s trademark sound as the producer delivers three tracks to take the dancefloor through to the small hours. the ep opens with jessycat, a bubbling tribal affair that implores you to move. an array of vocals bleeds into the record taking you on a journey to outer space. fien features co-producers nukov & yelmet and takes a darker turn with a rumbling bass and intense vocals that state �my head spinning like a merry go�. the outer space sounds continue into closing track vanstone, unfolding with a swinging bass and distorted stabs. part of the industry from more than a decade, jey kurmis has previously released on labels such as, moon harbour, leftroom and kaluki. taking his dj skills to new levels he has played the world�s hottest parties- from sonar to bpm, and the warehouse project to dc10. the leed�s based music maker has also commanded residencies at do not sleep and paradise.

noah gibson from sweden delivers some fresh killer techno on his own imprint krasch!

new york�s p.leone debuts on rekids special projects with four vinyl-only techno cuts this february. debuting on spencer parker�s work them records in 2016, p.leone has since launched his own imprint entitled e-missions alongside label partner caiazzo. moving to berlin last year, the american producer has quickly earned himself a name within the german capital, making regular appearances at the likes of tresor and ://about blank, and now joining respected berlin-based label rekids as part of their vinyl-only series. metallic echoes, robust kicks and breakbeat percussion lay the foundation for �rose petal breaks�, before �noon service� demonstrates crystalline synths and futuristic effects. on the flip, thudding drums and energetic claps form �hold me down� until the ominous �sometimes i feel strong� concludes the package with rattling components and a cacophony of intricacies.

for the third release on kwench records, cassy collaborates with stockholm�s art alfie. between them they deliver two diverse tracks brought together with a touch of class and cassy�s distinct vocal. for the remix, german dj / producer chris count rounds off the ep by delivering an acid tinged version of �solar�.
art alfie enjoyed a successful 2017 as a solo artist. his first project of the year, the �reveries of� lp, released on none other than studio barnhus. this was swiftly followed up by another solo effort on his karlovak imprint he runs alongside mr tophat. both releases garnered plenty of support from across the dj spectrum.

seth troxler�s play it say it label opens up 2018 with another release from the highly regarded ataxia, who serve up their third ep for the imprint. the detroit duo impressed with their previous outings on the label, the supertouch ep back in july 2017 and the acid ep in 2016. since then they have also released on leftroom and nervous and continued their eight year residency at prominent detroit venue tv lounge. their fresh take on motor city techno often comes with flashes of acid and makes cyber punks ted krisko and eric ricker one of the most interesting pairs in the game. opening up the essential ep is �quicksand�, an immediately arresting and busy electro track with real machine soul. the bassline bubbles and boils underneath crisp percussion and emotive keys bring a sense of tenderness. it�s a macho cut with robust drums and is sure to win over any crowd. the fresh �hot snakes� is a deep, menacing track with dark bass gurgling beneath the airy hi hats. frazzled synths are dystopian and brain frying, and together the whole thing takes you into hypnotic territory with an intense sense of urgency that is impossible to ignore. last of all is the freakiest of the lot. the brilliant �texas is the reason� has circling bass that is warped and intriguing and will own any club, while the drums drive on and trippy keys are skewed and twisted up top. it�s a truly intense record for late in the night that is sure to become a big tune. this is an expressive and varied ep full of contemporary and innovative detroit house and techno sounds and marks another step in the ataxia story.

following on from a hectic summer touring across the globe, ny producer joeski returns to the studio to create his next release, due on crosstown rebels in 2018. the release unfolds with the original version of i want you - a fierce, driving beat is juxtaposed alongside the sensual and smoldering vocal as the bassline rumbles on. pure 4am, fist pumping pleasure. the flip side introduces the disco mix of the title track. but don�t let the �disco� lull you into a false sense of security. the track is fuelled by intense industrial sounding smashes and an abundance of layers that creep ever closer. a founding member of nyc�s the chocolate factory dj collective, joeski has been a staple in the underground scene in new york since 1991, holding down a residency at the city�s famed nightclub- roxy. he�s played alongside the likes of danny tenaglia, louis vega and roger sanchez. his career has seen him release on electrik soul, siesta, chez and camouflage as well as launching his own imprint maya records in 2001. this year, the prolific producer has juggled a jam-packed touring schedule taking in australia, new zealand, south america and europe, as well as ibiza for do not sleep and misfits.

imprint 344 of yyy golden series crafted in yoyaku�s studios.

mood to move ep is a six-part musical retrospect into the work of veteran japanese house producer takecha, the little-known artist has been sporadically releasing analogue house on his own gwm imprint since the mid-90s, however trouble maker had only recently discovered his works and were dying to hear more. the music he sent was far too good to remain unheard, so we twisted the little-known maestro�s arm and managed to grab a selection of six unreleased and never before heard cuts for your audio pleasure. created between 1995-2000, these musical gems were left dormant on dat tapes in takechas basement - until now! with classic house being the flavour throughout, the high-quality production and deeply-resonant synth lines of each track leave an imprint that�s hard to forget. if this is your first time hearing takecha you certainly won�t be disappointed., released on 12 inch vinyl , shrinked wrapped

bld is back on his own imprint offering for rave use only, a 4-tracker ep full of early 90 s acid techno reminiscences. showing once more his versatility, these eclectic club-oriented bangers are ready to wake up any warehouse!

ilija rudman presents andre espeut tears to sound featuring ron trent mix over the last decade and a half, ilija rudman has been responsible for many high quality releases, delivering distinctly warm, sun-kissed, analogue-rich material on labels including bearfunk, instruments of rapture, compost , 20/20 vision, electric minds, is it balearic recordings, rong music , classic music company and of course, his own red music imprint.

brame& hamos brand new label with release no.2! following their blistering 2017 trants ep, brame & hamo return to their own b&h imprint with an irresistible follow-up, club orange, delivering another trio of spirited tracks that encompass warm-hearted house, trippy analog-textures and a general crowd-pleasing attitude that�s nonetheless never short on charisma. for the first of the three cuts, the irish duo honour a fellow countryman, the joint-most successful irish footballer of all time, mr. roy keane. although not known for his love of joyous, blissfully filtered house anthems, the infamously dour midfielder and prawn-sandwich sceptic would surely offer a stern nod of approval from the sidelines as this hi-nrg, hi-spirits crowdpleaser works its undeniable charm in sending both local and national league discoteques into some kind of rapture. as they like to say out on the terraces goal!

tripmastaz presents tripmastaz 05, the 5th release of a series off his eponymous vinyl only imprint and �made by the ones who believe and put soul, thoughts, ideas and life to their music, art and craft. this music is for the ones who care�. previous releases of the series have already received support by artists like ricardo villalobos, cabanne and apollonia.

berg jaär takes control of roöm to produce a powerful & creative techno. that new imprint and his rave spirit will put a spell on you.

after a serie of releases on tartouffe, volière is back on his own imprint, monsieur h with �la révérence�. produced, mastered, designed, pressed in france, hopefully available wordwide�. l�os, tomme, sommeil three cuts crafted for the dancefloor, don�t need to read between the lines�

v982 giants is the newest sonic expression produced by heath brunner on his imprint label vmax records. innocent times, encounters, hyperbaric dreams, all share a smooth and elastic 4/4-time signature providing the backdrop for giants a dark hard-hitting electro-techno track. do not sleep on this one!

warehouse music is the imprint brought to you by london based dj and producer ryan aitchison, aka mella dee.
after being named the �best breakthrough label� of 2017 by dj mag and following on from the �techno disco tools ep�, warehouse music launches into 2018 presenting a three track ep, this time under aitchison�s given name �ryan aitchison�. this new project gives the more experimental, darker sounds he is producing an identity.
dn5 is relentlessly percussive and hard-hitting, whilst corruption is laced with a growling funk and auxiliary draws the ep to a close as a dark, electro cut. wm004 is pressed to white vinyl with a bespoke hand-stamp design of the infamous doncaster warehouse.

one of techno�s most prominent prism pushers follows work on fever ray�s plunge album to open 2018 with the masterful machine control of the 3d printed songbook , dispatched thru his stockholm-based personal imprint. in his highly personalised style of scandinavian techno dub pressure, mannerfelt pursues a signature blend of raved-up smarts with cutting-edge sound design into ever more curious, densely packed but spacious gestures on the 3d printed songbook by getting ever closer to grips with his elemental electronic material. where so much techno can feel like the work of a bored neek pushing blocks on a screen or effectively doing a colouring-in book, mannerfelt is a sculptor who has picked techno and pure, abstract electronics as his medium, manifesting a sound which works just as well for those who appreciate the tactile sensuality of manipulated noise, as those who love dancing to irregular, warped rhythms and sensational tones.

back in the area. banoffee pies original imprint continues with bp007. the more serious and leftfield off shoot under the labels wing this time inviting the introduction of two new label members on this 4 track va. toma kami opens the a1 with the title rivershells, a slowly erupting swirl of percussion and progressive drums. a real head turner. the a2 comes from pablo marco with his second addition to banoffee after his breakbeat power track on their black label series imprint earlier in the year. murmuring vocals and a swirling feeling with all about - sure fire dance floor reset button included. the b1. comes from liem & eddie ness, whos split ep with acs on the earlier released bp005 analog acid record was enough to invite a return appearance this time with leftfield fujiyama, and welcoming of k-lone previously known for his involvement on the powerful bristol label, wisdom teeth with a down tempo track with warm spherical sounds.

vinyl only. four spacious and moodful explorations mark dixia sirong s return to inner balance, the daughter label of chez damier s legendary balance imprint. vinyl only. four spacious and moodful explorations mark dixia sirong s return to inner balance, the daughter label of chez damier s legendary balance imprint. further mining the atmospherics of their debut ep, both yohji and qatarsea combine organic rhythms and dubby pads to conjure a truly meditative state. sharper edges and effects on the third original, suspicions , lend it a more purposeful air, its expansive bass worthy of the grandest of stages. finally, dj honesty (responsible for the respected honeydrop releases on cabinet) delivers an ebullient, elastic take on yohji , drawing out the vocal samples of the original and directing the groove more squarely at the dancefloor.

to differentiate between his solo dance-oriented work to the darker tones, kaczmarek aka paul ritch launched his new album titled iiiiiiiiiiiiii on october 30th on his fresh imprint kczmrk. kczmrk is definitely a more personal project for paul, helping him define a newly found darker and more genuine taste to produce electronic music, which would even the most demanding audience left surprised. kaczmareks immersive sounds on his debut album were highly supported by respected artists of the underground scene such as sterac, vril, lewis fautzi, vsk and djedjotronic, who will contribute reworks that will come out in a remix ep in february 2018. the 12inch is gently introduced with a sophisticated remix of iiiii by techno pioneer sterac aka steve rachmad, continuing with vril�s remix of iiiiiiiiii who delivers beautiful ambient tones in a euphoric travel of sound. the b side begins with emerging talent lewis fautzi and his iiiis remix in a deep and hypnotic cut, followed by the curtesy of vsk and djedjotronics remixes of iiiiiiiii. vsk sticks to the dark and hard forms of techno with glimmer of deeper and industrial sounds while djedjotronic enrich kaczmareks dark techno tones with some futuristic idm.

the second outing on his midnight themes imprint, marlon hoffstadt touches on featherlight acid, proto trance and jacking house across three tracks, also brimming with sub and dub. fresh from recent releases on hot haus, ransom note records and his own retrograde, marlon hoffstadt is reemerging as a defiant staple of dancefloors far and wide. with his newest release, the berlin producer encourages listeners to engage with the music without the parasitic interferences of 21st century life. so for the next 20 or so minutes - screens off and blinds down to enjoy some pure awareness.

after his appearance on born free records, rollerboys recordings, and rett i fletta, johannes wilkstrom aka yourhighness contributes to cocktail d amore music with stratofortress. the berlin based imprint gathered techno guru rrose, born free records owner samo dj, and international japanese wave representative gonno, to offer an ep with a wide range of interpretations of the title track. the original mix is an acid based, industrial influenced techno banger. highly energetic, for sweaty late-night dance floors. on the same side samo dj transforms the techno blaster into a funky ebm ballad, characterized by a deep male voice and a breakbeat groove. rrose is on remix duty on the b-side. stratofortress suddenly turns into a dubby, everlasting build up, that eventually implodes in the depth of a black hole. closing the ep gonno offers a slow-mo rework. deep and very cinematic, this remix will please every cosmic hole connaisseur.

2018 repress .. disco deviance welcome new kid on the block love drop to the imprint and he delivers two absolutely stomping disco reworks that pay homage to the raw cut up n paste style of glorious disco days gone by. employing equal amounts of jack and disco they are both guaranteed to relight your dance floor in the style of better know editors like rahaan and frank booker. and demonstrating a real ear for how to use the blade to work the groove love drop announces his arrival in convincing style. enjoy the music!

for the second release of their own imprint -rapid eye movement-, memorial home heads the way and signs an opus chock-full of profoundly personal character, high sensitivity and forceful refinement. the ep features three original tracks and two remixes composed by kas:st and awb. properly titled -somewhere-, it is driven by an aesthetic quest for the essence of musical creation, when it becomes a channel of connection with the deepest self or intimate soul.

hayes is an electronic music platform dedicated to techno and experimental electronics. based on strong sonic exploitation, it embraces experimentation as a driving force for artistic production devoid of prejudice. the sound objects that come from it have their own imprint, an aesthetic that is marked by the position that it intends to assume. it assembles as an artistic collective, record label, agency and curator, promoting art as a fundamental element of enculturation and critical capacity.

new release from the french shop and label groovedge records. after a first k7 on the imprint and a recent collaboration with light on earth owner sentiments, franck gerard delivers ambios, a patchwork of 6 smooth tracks ep. its kind of braindance and ambiant with delicate drums or sometimes not. synthetisers in the high way, its powerfull and it should your new soundtrack of everyday life.

man power his raw electronic sound, organic flourishes and diverse selection make him a perfect match for dgtl, both on stage as well as on the imprint. next to releasing a steady flow of records on established labels like esp institute, optimo trax, correspondant and hivern discs, man power is running his own shop as well: me me me. this gives him an outlet to release music by both friends and himself. for his release on dgtl records he created a three-track ep called apologue ep, that showcases just two of different sides of his multi-faceted musical scope. the a-side features two firm, acid influenced tracks. the first of these two, the duelist, is an emotive house record, with a soundscape of piano melodies, synths and syncopated percussion laid on top of an acid bassline. el mago del tiempo features heavy hitting kicks combined with a sharp synth pattern. it has a long build up that keeps evolving throughout the entire composition. halfway through, the track breaks in to a raw and fierce rhythm accompanied by yearning, drawn-out synth pads. on the flipside, put your hands on the car (and get ready to die) brings back memories of a long gone past with nods to balearic pop, ebm, and the soundtrack work of stewart copeland, james horner, and jan hammer. this multi layered production has a warm and analogue sounding feel to it that rounds off a 3 dimensional release.

following up to three albums on kompakt since 2011, the latest being signs under test (kom321/komcd119) in 2015, los angeles based house and techno producer john tejada returns to the cologne-based imprint with his thirteenth full-length, dead start program - an eleven-track journey spanning a prismatic array of styles and patterns, from john s signature soulful techno tunes to the further mazy, hypnotic motifs of his trancey electro hybrids. be it solo or through a host of multifaceted collaborations, tejada keeps himself busy on all fronts in and off the club environment, be it by contributing the 44th number in fabric s seminal mix series, playing drums for detroit legend daniel bell (as dbx), testing the limits of acid with tin man or joining forces with the hilarious self-proclaimed disinformationist reggie watts as wajatta. since his beginnings and the drop of his debut 12inch, waxing , released through his own label palette recordings over twenty years ago, john has been carving out a lane of his own combining and assembling elements from all ends of his wide-spanning spectrum of reference in a way that allows a more direct transition from the realm of the mind to the circuits of the machine, as confirmed by the deliberately limited studio setup used in the making of the present album. navigating across the lines, from the arrhythmic machine spook of the album s opener autoseek via the straight out thumping and jacking pulse of hypochondriac and heavy-lidded breakbeat of sleep spindle onto the kosmische-infused vibrations of telemetry, vibrant slo-mo inertia of loss and wistful club-ready winds of duty cycle and heal, john threads his way through genres and tempos with optimal chameleonic effect. cloaked in a beautiful sleeve art courtesy of johns long time friend juan mendez aka silent servant another key contributor to the los angeles scene worldwide

new flesh records 19 ever wonder what would happen at the first minuts of an alien in-vasion? answer can be found on geometric vision, the debut ep of hungarian electro don norwell on french new flesh records. real name balazs semsei, norwell has turned out a steady stream of releases on labels like dalmatia daniel, pinkman, chabu recor-dings, seagrave and his own farberwechsel imprint until now, always coming on strong with a personal artistic vision plus a sense of drama. across four craftily cuts on umwelts label, he revisits his own dystopian universe made of sonic frequencies fused into rich atmosphere with a strong array of emotions. from the haunting opener geometric vision to the explosive final conversation patterns, nor-well signs one of his best release to date. fascinating synth melodies supported by raw drums and insane electro textures compose this must have 12inch and an essential addition to the new flesh catalog. heavy electro darkness for serious heads, this is a soulful ep full of depth, impossible to ignore!

eomac expands the roster of his recently inaugurated eotrax imprint with the introduction of two forerunners in berlin s techno scene: kaltès and nene h. both have built respected reputations as exciting artists to watch, as kaltès organizes tresor berlins female:pressure-affiliated party series and nene h. turned heads with her fountain of fire performance at berlin atonal festival. their collaborative record, the protest ep, presents a call to arms and an empowered take on gnarly techno with a stormy industrial underbelly.

recently created by 3 members of the legendary late parisian techno collective container, intervision is an eclectic label with strong aesthetic statements.
residents of three huge electronic french music crews (container, blocaus et tripalium) dj varsovie, blndr and paulie jan are launching their first intervision imprint: vampires ep, produced by dj varsovie and including three perfect remixes by iconic artist known for their hybrid approach of music, as well as their mix of power and emotion, namely i hate models, codex empire and the horrorist.

the newest release from dan farserelli & seb zito as f&z on the vinyl only imprint f&z record

argentinian imprint for club welcomes cazaux for it second release. four tracker ep from the bottom of cazaux mind.

timo maass rockets & ponies returns after the sellout moby porcelain remix release earlier this year and looks to kicks off its tenth year in action with a huge new package. featuring two originals by james teej & silky and a sure to be massive remix from tiefschwarz, this is set to be other winning offering from the imprint.

possession records proudly present the new album by soft riot, entitled -the outsider in the mirrors-. soft riot is the stylised musical alter-ego of jjd, canadian by birth and an ex-resident of london and sheffield, now based in glasgow (so not unfamiliar with sites of post-industrial decay!). with over twenty years of playing in various post-punk and synth-punk bands, he has been crafting the sound of soft riot since the early turn of the decade, releasing a slew of albums across a multitude of labels and touring obsessively around europe and beyond. with -the outsider in the mirrors-, his sixth full-length, he has found a new home for his sound on possession records, a fledgling glasgow imprint founded by jjd, claudia nova (aka hausfrau) and andy brown (ubre blanca). their aim is to bring together their pool of musical talents and provide a more permanent home for their future creative endeavours, whether it be music, video or otherwise and to experiment with what it is to be a -label- in the ever evolving 21st century. future projects and releases will see them getting a select group of their peers and friends involved in possession s focused vision, locally or from further afield.

experimental cinema sonics, electroacoustic research practice and shadowy wind instruments come together to form this unique interpretation of the mythical city of gold. utilising rare, half forgotten soviet era synthesisers vladimir karpov creates immersive soundscapes under the name xyr. the formanta mini keytar and the alisa 1377 lend karpovs music strange, seldom heard atmospheres which the st. petersburg native then combines with field recordings, toy percussion and wood flute to further build upon his utopian narratives. part concept album, part nod to popol vuh, his attempt to channel the thematics of the ancient tale of the muisca people through his modest home studio left a lasting impression on us here at 12th isle and were proud to present a selection of the tracks on vinyl for the very first time. originally confined to just 25 cassette tapes, for this edition we have assembled some of the most inspiring tracks from the sessions as well as the bonus closing piece aguirre song. immediately engaging, sincerely heartfelt and strikingly original, these are recordings we have returned to time and time again. limited edition lp comes housed in screenprinted sleeve. el dorado recorded april-august 2014, originally released via illuminated paths (march 2015).

after the acclaim of time travelers im made of stars lp last year, followed by two successful eps on his chronicles diary imprint, michele pinna brings his time traveler moniker back with remix report ii + chapter ix ep featuring powerful remixes by three key names in european and us techno. the ep opens with the veteran visionary dave clarke who delivers a complex industrial version of interstellar made of deeply distorted tones and punk influences. detroit techno militia take over with their reinterpretation of b-29 where a groovy and energetic atmosphere is set from the start, adding a vigorous touch to the track. brian sanhajis raw techno roots are showcased in alpha, with pulsing and dense beats yet precise cuts, turning the track into serious dancefloor material. time traveler is closing up the ep with hammering beats and distorted riffs and three menacing tracks in line with his dystopian sci-fi vision.

another new series from banoffee pies records. when will it end? probably never. introducing the new imprint for miscellaneous sounds with bpmisc01 airing the newly a&r d band, the walls of love with their self titled 10inch ep. two tracks and a direction that reflect some influences of the past with some indie and alternative sounds. plenty of live elements for you to wrap your ears around including vocals, guitar, a bass, drums, synths and a very saucy saxaphone. get tuned in. tip.

apollo presents a sublime mini album from melbourne duo albrecht labrooy aka sean la brooy and alex albrecht which will appeal to fans of suzanne kraft, tornado wallace and dawn of midi. the release is inspired by a visit to the beautiful wilson s promontory, a remote national park on the south east coast of australia. the tracklisting runs from morning through to nightime and tries to capture the feeling of each snapshot in time. their music is a delicate fusion of ambient electronic textures, live instrumentation and field recordings gauzy guitar melodies, dreamy synth arpeggios and throbbing rthymic pulses that feels equally at home in outdoor amphitheatres as well as dark nightclubs alternating between their cosmic/balearic deep house and more laid back introspections, tidal rivers gorgeously lush sounds are remarkably consistent rich, warm and organic with an emphasis on atmosphere and the transportation of the listener. each track was the fruit of albrecht labrooys long improvised jamming process heavily involved in their local scene, the duo co-run the analogue attic imprint, championing this gentler side of electronic music in australia which has proven a fertile incubator for their own development, across a series of ambitious and ear catching eps, alongside local cohorts such as sleep d, rings around saturn and udmo. this involvement also extends to including local players on their recording sessions as well as their cosmic live shows. the tidal river album includes a quartet of jazz musicians including label-mate matthew hayes on bass guitar, guitarist oliver paterson, spanish cajon courtesy of joseph batrouney and night time saxophone debut by josh kelly.

this four-track ep named curiosity from techno duo, abstract man marks the beginning of the new on the 5th day imprint, the latest branch to extend from the heart of the london-based underground techno project. the final outputs of a year-long creative journey in the studio with a focus on analogue machines, curiosity (including mike parker remix) represents a chapter of exploration into sound design and manipulation, and the unity and evolution of two separate musical identities through the collaborative process

common labour celebrates a milestone anniversary with their biggest release to date - odd jobs vol. 3 pays homage to its hand-stamped, sticker-sealed history calling in house and techno favours from the likes of nachtbraker, thomas wood, sames and potholes to celebrate over five years in the game. vinyl only as per usual, limited to 241 numbered copies worldwide.