kapote is back with a new ep. the berlin based head of toy tonics, passionate vinyl digger and dj comes back with 3 new tracks. as always the kapotes music is hard to file under one genre. i hate clichees in dance music he says. my dj sets are never committed to just one style and so i want my eps to be more open than most dj records are.

hell yeah s next vinyl ep is a first solo release since 2012 from the vendetta suite aka belfasts gary irwin. it features six tracks all handpicked by label boss marco from vast unreleased vaults that have already been played by david holmes and andrew weatherall, and it comes with a great backstory

the third release for la freund recordings comes from amsterdam resident beraber. consisting of four strong and diverse tracks and a jazzy, piano-heavy remix by chicago house legend vincent floyd, sun ritual works just as well in the club as it does at home. after working on hiphop and downtempo electronica under different aliases, this ep sees baris akardere venturing into up-tempo territories, marking the debut of his beraber moniker. all tracks were written and produced during the last two years, combining digital instruments like the korg m1 and yamaha dx7 with analog gear like the roland juno-6 and korg ms-10. kicking things off on the a-side is title track sun ritual, a positive and warm tune with lush chords and arpeggiated synths. after a surprising outro, it gets the remix treatment by deep house pioneer vincent floyd, who adds multiple layers to it and delivers a stunning, dreamy eight-minute take on the original. the flipside opens with ugly, a soulful club workout with a deep bassline, rolling drums with crisp hi-hats and a hypnotic melody. next up is introspect, a serious electro-tinged cut with heavy juno chords building up tension as the track evolves. rounding it up nicely, forest rain treats us to an intimate broken-beat affair laced with rhodes chords and field recordings from bali.

bob dylan’s greatest hits on 180 gram vinyl.

the 1974 live album from bob dylan & the band back on 180 gram double vinyl. housed in a gatefold sleeve with download code included.

the 7 year anniversary of dame-music continues! following the well-acclaimed various artists ep earlier this year, which included tracks from boo williams, the analogue cops and milton bradley vs bloody mary, dame-music is back and proud to present its 36th release, this time inviting two very special guests to share the record with label boss bloody mary. the melting point ep marks the fusion of three renowned producers including kink, thomas p. heckmann and bloody mary. it s no secret that these three are acid lovers, and their combination on this release shows three different takes on the acid sound. both kink and thomas p. heckmann need no introduction. bloody mary has followed their music for many years and the melting point ep marks the coming together of mary with two of her most respected acid producers, all on the one record. dame-music promises all three tracks will damage the dancefloor each in their own way, just be sure to play them loud. over the past 7 years, dame-music has shaped its identity by continuously releasing a distinct blend of techno and house music. 2018 shows no signs of slowing down, stay tuned!

the pieces were created as structured improvisations using a monophonic synth (primarily) along with a yamaha dx7 (borrowed from a friend) and possibly a guitar. recording was made on an older otari mx5050 1/2 8 track. mixing was done on a tascam m-50 console and a revox a77 1/4 machine. i recall the project happened in two bursts: i did half of it in september 85, then i finished up and edited the album together in december 85. i dont really recall making copies for anyone. i think i played it for a dozen people and that was it. just forgot about it. i remember jeff ament from pearl jam (green river back then) came by while i had it playing on my home stereo. he asked what it was and said he liked it. surprised me a little. with regard to overall aesthetic: i like the sound of machinery, but i enjoy the fragility of human error and human instinct. i like to put things into motion then climb aboard and drive. i can’t play an instrument (in the classical sense) for the life of me, so i’ve always just played things that are mostly choice rather than a convolution of style and technique. i guess you call that the brian eno school of rock.

the prolific mc, producer and musician oddisee’s new album ‘the iceberg’ is a plea for humanity to dig deeper in search of understanding and common ground. his third release in just 12 months, ‘the iceberg’ is a distillation of stereotypical tropes in hip-hop and beyond, 12 tracks about money, sex, politics, race and religion that appear superficial until his multi-dimensional lyrics unfurl to expose the complexities of individuality and identity: how we see ourselves and how others see us. deeply soulful, and shot through with jazz, go-go, gospel, thick r&b and hard beats, the album is a timely, poetic statement.
lead single “things” acts as a mission statement for the album, a deep dance groove with lightning-quick lyrics about “things” he’s going through. says oddisee, “we all go through the trials & tribulations of life. why is it we feel the need to individualize our shared experiences? if only we could see our concerns as others do, maybe they wouldn’t be so serious.”

we are proud to present sare s fourth album softmachine. it is a ten track synthesizer epic which takes us through multiple musical flavors of electronica, italo, dancefloor, disco and smooth soul pop. all threads are neatly bound up and unified by the common principles of smooth electronics, solid melody and slick song-writing. the album opens with the intro track and scene setter, dreamachine. it is a dystopian synth algorithm which is one part aural mindscape, one part electronic opus and one part sci-fi soundtrack. a perfect scene setter. everybody freak out bursts open the flood gates with a tide of funky swing, brash disco swagger and catchy lead lines. softmachine shows sare s finely honed song writing prowess with its lazy grooves, 80s sparkling synths and meandering robotized main vocal line. next the dancefloor calls with a peak-time disco vocal groover like you wanna do. it features a vocal from vaarka delivering a fine performance. multi-layered guitars, perky bass guitar and a pulsing groove power this track along. here comes that sound carries on the dancefloor vocal vein with its 4-4 beats, driving bass and sweet strings sitting perfectly alongside a multi vocalled chorused vocal from barbara grabar, kristina strasek and vanja dizdarevic. on the flipside things open with riot, sawtoothy synth waves and darting keyboard lines lead the way in this sci-fi sound track with a core of antagonism at its core. science of the beat follows with its stabby synth bass, rolling stabs and vocodered main lines. music and lies layers in sweet synth pads, melancholy meanderings and just a touch of forlorn sadness into its melodies. to round things off no chance to dance digs deep into the chic vibes with its percussive chop-guitar, on-the-beat bass guitar and swinging hand-clap disco beats. the album closes with the painfully optimistic perpetual rise, a metropolis meets vangelis like analog synthesizer masterclass

john morales geht dahin, wo noch kein dj war. das universalgenie aus der bronx, das in diesem sommer resident dj bei defecteds glitterbox-event auf ibiza war und aktuell in londons angesagtem bussey building auflegt, veröffentlicht ein abendfüllendes programm. er präsentiert unveröffentlichte mixe mit klassikern von weltstarts wie donna summer, barry white, diana ross, level 42, cher, teddy pendergrass, eddie kendricks und vielen anderen. satte vier cds oder zwei separat erhältliche doppel-lps ist diese einmalige zusammenstellung lang. john morales legt seit mehr als drei jahrzehnten auf und hat in dieser zeit über 800 remixe produziert. der vierte teil seiner -m+m mixes- ist zweifelsohne sein bislang ehrgeizigstes projekt. 32 stücke hat er seiner komplexen und unverkennbaren behandlung unterzogen und sie so noch einmal neu erfunden. dafür bekam er, was kaum einem dj gelang: man gewährte ihm zugang zu den original-mehrspuraufnahmen aus den archiven. wenn boiler room ihn als einen -der besten produzenten und arrangeure von disco-musik- beschreibt, ist das eher noch untertrieben. keiner mixt wie john morales.

ltd reissue - classic

forriner is lee forster and oli worriner.
i made music together with lee for years (alongside mick rolfe) as last waltz. he also worked as lizards with james hadfield (james released solo for me me me 02), oli worriner, is a talented young northerner who’s already making a great name for his solo output, both under his own name and his traela alias, as well his label “tunnyl recordings”.
i’m really flattered that they’ve let me release their first full solo release, and i love how they’ve brought out each others deeper and more emotive sides in these 2 tracks. shit robot is a hero of mine. i basically wore out the grooves on a bunch of his dfa stuff from just over 10 years ago, and i’ve avidly bought everything he’s released since. i met him this summer for the first time when we shared the bill at a festival, and was so happy to find that he’s also lovely guy in real life. they say you should never meet your heroes, but i don’t subscribe to that as this meeting led to not one, but two fantastic remixes for me me me 08. the originals are a bright mix of melodically analogue left leaning house, while the remixes zero-in on a punchier dancefloor vibe, with an epic version goodnight, as well a more heads down disco dub.
so yeah, links within links, and keeping it northeastern again i guess.

the 2nd album from rainbow team aka luciana cirrillo & michele violante, originally released in 1982, now available on vinyl again.

is it balearic? started the uber sublabel up a few years ago, but 2017 has undoubtedly been the strongest year so far for the imprint. following excellent stints from serene, wawawiwas and bonnie & klein, max manetti makes a debut appearance with a self-titled ep loaded with just the kind of slick, instrument-led island grooves we ve come to expect from the uber stamp. from the dense tropical trip of -jungle prayer- to the laconic guitar licks of -dub macumba-, the cyclical mysticism of -changuinola- on to -garrison- with its considered piano chops and stiff breaks, this is an ep of proficient musicianship and eclectic funk for all manner of situations.

die 80s pop annual edition beinhaltet die wichtigsten titel der 80er jahre auf 180 gramm vinyl. bei 30 der besten songs des jahrzehnts sind künstler und hits wie wake me up before you go-go (wham!) / footloose (kenny loggins) / kids in america (kim wilde) / girls just want to have fun (cyndi lauper ) / heaven is a place on earth (belinda carlisle ) und viele weitere vertreten. diese zusammenstellung ist exklusiv nur als vinyl-edition erhältlich.

rawax welcomes two talented russian artists to the family. pasha mikheev aka kolomna experiments & alexey krjuk aka bogdan. we re sure this is just the beginning of a long musical journey between them and us!

welcome little brother, or mezin, to the start of your new adventure with “ramane intre noi ep”. constantly experimenting and evolving, the next logical step for alin was creating an outlet to let loose some of his music, new, old, or in between. with early support from petre inspirescu, rhadoo, cezar or sammy dee, this little brother’s journey is just beginning.

aus121 deadboys auogeides 77 aus welcome allen wooton aka deaboy for his debut release in ‘auogeides 77 wootons bold, rugged club music has really reached its zenith in recent years following key releases on local action and numbers, ‘auogeides 77 is no different. rough analogue drums, broody melodies and a smidgen of that uk flavour hes well known for all feature just in time for post festival heads down basement club season

sunstrumental is a double single of two neck breakin, raw, dirty, mpc cuts. it s a nod to the boom-bap school but at the same time also breaks that dogma with fresh current details. instrumentals that many mcs would love to jump on but it s even better they didnt. sunstrumental is the first solo vinyl release by sunnysun, but expect this to be just the beginning of what is to yet to come. sunny is an all-round player: established as an mc (croatian freestyle vice-champion), he lately shifted his focus more on studio work and djing. he created the first mixtape of exclusively slovenian rap music selotejp, his beats underline the lyrics of numerous mcs and appear on compilations like stiropor, ctrl n and btf x rx:tx. all in all, an unorthodox whiz never afraid of gazing into different directions, never limiting himself to just one side of hip hop. truly one of the key players, linking the various clans, posses, crews and cliks. these are his beats.

you may know aretha franklins scintillating one step ahead from its vital role in the oscar-winning movie moonlight. you may also know it as providing the beautifully melancholic backdrop for mos defs 1999 hit ms fat booty. the inaugural be with 7inch is a special one indeed, containing the first ever officially licensed reissue of arethas all-time deep soul classic. one step ahead was not included on any of her columbia studio albums, and remains one of her rarest releases. on the flip, i cant wait until i see my babys face is a thrilling, goosebump-inducing killer and an unfairly slept-on rendition of this eternal track. the single comes housed in a custom printed full-colour company sleeve and is limited to just 1000 copies

after a hiatus of 3 yrs : the master is back !!! vinyl only

finally the long-awaited second series of invisible family outings has arrived.label boss and compiler gk machine has this to say beyond ecstatic to get these tracks out. the gazeebo track i ve been playing in my sets for years. digital only but so great it definitely needed to get pressed onto wax! i would dj with it using ableton and speed it up a lot so for the vinyl i asked jon (nedza) who ive been a huge fan of since his community recordings releases on grayhound and imperial dub, whether he could speed it up a little bit before we pressed it up. now its 100% perfect: a moroder-esque cosmic stomper thats sure to set any dancefloor alight. the apiento track is another one that s been gestating for a long time first appearing around the time the original e.s.p. 12inch appeared on the wonderful golf channel recordings in 2014. secret circuit gave it a complete overhaul, in fact several complete overhauls, plus some of his signature guitar and has turned the already blissful track into an afro-esque, trippy, beautiful, beautiful piece of music that (imo) is one of his best yet. utterly gorgeous! then there s the boy-girl retro-future duo der kundalini coming from the wonderful lectric sands stable in ny who gave us zoovox. this one s also been hiding on my hard drive way too long! finally relative newcomers konzel (of junto club/optimo music fame) & natural sugars (pardon my french) round off the package just perfectly. the former so distinct that i felt it was a perfect opener for the a side. so, i hope you dig it and keep an eye out for the super limited 12-track cassette too! limited to 300 hand-numbered copies.

moodoïd is a psychedelic rock band founded in 2013 by pablo padovani, the projects leader and mastermind. early nicknamed the new prodigy of french pop music, pablo wrote and conceived a first very peculiar, pop and psychedelic album. they notably toured with phoenix and played with renowned musician and producer damon albarn. soaked in psychedelic pop and world music, the songs written by pablo padovani evoke just as much os mutantes tropicalism, connan mockasin dreamy atmospheres and gong progressive liberties.

yet more blissful listening comes your way courtesy of the impeccably talented deepchord. as we prepare for the release auratones, the detroit native’s 5th lp for soma, rod delivers the calming northern shores ep.
epic aural formations are always at the forefront of deepchord productions, every minute detail is constructed perfectly as each track gives off subtle nuances that nod to each aspect of modell s sound designer skills. the crystalline sonic formations in cirriforms blend together effortlessly allowing you to drift beyond while the ethereal pads of sky maps guide you through each unending swathe of reverb, each track bonded by subtle rhythms. crystal horizons sees modell delve even deeper, working more with percussive elements as his quintessential synth work seems to sit just beyond perspective, gliding in gently to remind you of an ever reaching presence. sand and shore has deepchord near strip the track of any clear rhythmic structure, with only faint sub bass allowing his uniquely processed field recordings and tranquil yet fluctuating synths to enhance the flow of the track.
a producer like no other, deepchord creates new sonic realms with each release.

mit -galvany street- und der kombination aus modernen beats und sounds und 80er und 90er pop-referenzen, gelang booka shade in kooperation mit archive-sänger craig walker anfang 2017 das ambitionierteste werk ihrer karriere und das wichtigste seit ihrem meilenstein -movements- (2006). nun erscheint zum jahresabschluss ein superlimitiertes boxset mit 2xcd, lp, den drei 12--vinylen, sowie einer brandneuen pure audio bluray mit dem vollständigen album plus der extended version eines bonustracks in dolby atmos-mixes. kompatibel für alle bluray-player, erfährt man mit diesem für multikanal-filmsoundtracks entwickelten format eine einzigartige 3d-klangdimension und erhält zusätzlich headphone surround 3d-mixes für kopfhörer und hochqualitative stereo-dateien in 24bit/48khz. das boxset erscheint in edler, weisser vinyl-box mit schwarzer banderole (im original-album-artwork) und ist auf weltweit 300 stück limitiert.
- packaging: weiße stülpdeckelschachtel (316 x 316 x 30 mm) mit schwarzer banderole (im original-album-artwork)

inhalt:
pure audio blu-ray (dolby atmos mixes)
2cd galvany street (ltd. 2cd deluxe edition)
lp galvany street
12- babylon
12- numb the pain
12- loneliest boy/just like tonight

4 prime house tracks on clone royal oak by mr millionhands black aka tee mango. a very versatile ep that continues the tradition of the royal oak series. continually breeding new offsprings of the classic well-known 80 s and 90 s styles, all with a strong sound signature of the artist. tee mango leaves the traditional path of 90 s house music and delivers 4 intense tracks all looking for that perfect groove that you just dont want to stop. looping vocals, woozy chords, irresistable laidback basslines, jazzy keys... after hour vibes, peak time heat... this ep got it all. big up mr mango... this is some proper house music!

das dritte falco-album als 180 gramm vinyl, inklusdive downloadcode.

at night, things get a lot more unpredictable. a stranger can become a friend, you suddenly become intimate with a woman or a man whos name you will never find out, while darkness also allows you to conceal your true identity - even become someone else. inspiration for this album emanates from the fascination towards the intensity of what nightlife has to offer , euphoria and melancholy, spotlights or incognito, sexual contact or lonely voyeurism... francois x entertains the listener with playful ambiguity and unsettling, yet sensual atmospheres.

2018 repress - eric prydz infamous pryda label returns on vinyl with choo.
pressed on limited black vinyl in a spot uv die cut sleeve. shrink wrapped.

the remixs: pointsman – we dont know who he is but he provide a deep big room monster.
tripmastaz - probably the only funky russian you will ever meet. the only russian artist with releases on cocoon, minus, desolat, cadenza. the only russian artist with 4 vinyl labels. hes funky housey remix is the most faithful of the four.
bpmf – schmer label head provides a grimey and noisey big bottom soviet style jam.
steve stoll - nyc acid legend made a hard banging acid tracer.
in 1996 serotonin label heads selway and szostek went to moscow to perform at the invitation of &#1055,&#1058,&#1070,&#1063, magazine. synapse performed at the -waterclub- and met the legendary dj compass vrubell. they went to his -studio- where he had perfected the art of making entire tracks out patterns on the yamaha dx-5. szostek brought a dat of these jams back to nyc and schmer-003 dj rx-5 -a taste for crap- was released as a small run white label in 97. the run sold out and disappeared to be forgotten forever... until 2016 szostek casually mentions its existence to techno uber-nerd nina kraviz who just had to have it for her -fabric 91- cd. so dj rx-5 was back from the ash heap of history and schmer got a new release from him on schmer07. then schmer got the word out far and wide that they d like a remix ep for two of the originals: compass provided stems because like a miracle he still had the patterns after 20 years. heeding the call were pointsman, tripmastaz, steve stoll and schmer s own bpmf. so this is what you get: -a taste for remix-. it will leave your lips wanting more, for sure!

nice price deal !!! finally we made it! after such a long time of cooperation with domenico dagnelli and several attempts trying to put his ideas on vinyl, levelnonzero is presenting the friends ep. it is not just a special release because domenico is a very close friend of pascal & chris, it is also an important release, cause we reach the catalogue number 30. domenico must be known by most of you folks from his work for partysan, rave on snow or electric delicate, but also from a lot of partys, where he was acting as a dj or organizer. up do date for the opening of his new club chaca chaca in munich, we release three tracks of him, wich accrued in cooperation with chris wood & pascal feos.

it is time to discuss fundamentals. for his second appearance on laut & luise constantijn lange shows his interpretation of human mannerisms that contrast so much while being closely entangled. able to deliver both pain and satisfaction alike, its apparent simplicty may deliver the purest bliss while the complexity of its impact can at times feel devestating: power & love. for the first part of this pair onosizo stands by to passionately proclaim and address the true nature and dangers of power. in contrast the second part of this ep is a musical dedication to all the light hearted and emphatic moments, a chance to brighten up and an invitation to feel untroubled, if only for a few minutes. just like a mapleseed rhino would do.

if you are wondering what the artist wanted to tell you by choosing this title, we will give you a small hint: it’s a cynical statement on something that for sure every party promoter has experienced at some point. the rest, we will leave up to your imagination… in real life, there’s no mercy – neither is when it comes to the sound of this new snork release by syntax error. the four new tracks with meaningful names are not only a social criticism and another artistic processing of the current development of the techno scene, but also a classic syntax error: rough, tricky and good to groove. each track stands on its own, telling another story. “collateral cosmopolitan” is a straight forward piece with a highly memorable beat talking about the uniformity that is creeping in the waiting lines of more and more techno clubs. “i wear my grandpa’s glasses” presents a totally dodgy sound, which might be a little oldschool and even a little irritating – just like some fashion items you encounter on today’s big city streets. “no fog is no solution” is a tight song that definitely needs some good fog and a harsh strobe. and finally, the last track sounds like a futuristic fairy tale from outer space looking on the world as if it is a “society bathysphere”.

we let the music speak for itself. more hotness and hot mess just around the corner, more volumes to follow later

the first ep with mr al kent did so good we just had to make a follow up... just like on the first ep we stick to the formula with a lush mid-tempo philly jam on the a side, over on the b, banging it out with a big disco stomper. together you get a 12inch that combines the best of both worlds one for the warm up / end of the night sessions and another for the peak hours. a seriously good value 12inch release

the 1997 album from inxs back on 180 gram

the self-titled debut form inxs, originally released in 1980, now back on 180 gram vinyl

‘utopia’ is the ninth studio album from the iconic artist björk, out november 24th via one little indian records. the album s artwork was created in collaboration of m/m, jesse kanda and james merry and reflects the records sonic direction, optimism, lightness, utopia. of the album she explained to dazed this summer that, ““maybe that’s why it became a utopian theme – if we’re gonna survive not only my personal drama but also the sort of situation the world is in today, we’ve got to come up with a new plan, if we don’t have the dream, we’re just not gonna change. especially now, this kind of dream is an emergency.” björk wrote, produced and recorded the album between reykjavik and new york, working closely with arca and writing for, conducting and recruiting a thirteen piece flute orchestra which will be on the road with her next year.
double heavyweight lp in gatefold sleeve with mp3 download card included.

nice price deal !!! texture series vol7!! as the title of franco cangelli s (head of mowar) new ep suggests, it s all about blending the raw aspect of dance-floor grooves with the deeper emotional side of the spectrum. denizen combines elegant and funky sh-101 riffs with dreamy pads and old skool 909 beats. the title track raw emotion can easily be summed up as jacking beats, larry heard bassline, deep detroit strings and dbx-like bleeps. in other words, all the essentials of machine funk! a floor filler without a doubt, both summing up the essentials of techno with a hint of oldskool. on the flipside, just before dawn is a stripped down house groove with smooth rolling beats, suggestive chords and funky goodies. who stole the soul throws raw beats and a deep bassline at you, but is mellowed down by rhodes chords and sweet melodic deep house in a glenn underground style. special rerelease of this killer release !!!

the 2nd album from inxs, originally released in 1981, now back on 180 gram vinyl with download code included.

nice price deal !!! hotflush presents the full label debut of uk funky figurehead roska, following his appearance on the recent back and 4th compilation and seminal remix of untolds >just for you< in 2009. this release brings together two cuts that emphasize a healthy evolution of the roska style that has made such an impact on bass music in the last couple of years. retaining the customary hard-hitting percussion and raw syncopated rhythms, a slightly futuristic twinge moves us into more unfamiliar territory, with the energetic synth arpeggiation of >error code< backed by the spacier, dubbed-out >abrupt<.

fushara aka thushara goonewardene is a london based electronic musician working with breakbeats, samples and synthesiser. a constant theme for his music is urban decay. from the late 90s fushara has been involved with the london scene as a raver, dj, and producer. he has produced experimental work for labels such as pineconemoonshine, mjazz and more recently scientific recordings. in 2015 he set up an imprint lone foundation to showcase experimental bass music collaborating with daat and others. more recently he has made a return to work with breakbeat collaborating with infest for one of his tracks on his debut on criterion records and has signed to flex recordings for a forthcoming ep. here he makes his bow on 7th storey projects with two amen-driven monsters - the a side features ascension , an epic roller with industrial atmospherics and haunting vocal snatches. this is backed up with nerve on the b side, a nine and a half minute militant amenistic assault that hits hard, just the way we like it! we re delighted to welcome fushara to our roster of talent, we are sure you will be hearing plenty more from the man going forward!

just in time for the end of summer dark leader snaps back with it’s third release for 2017. for dark leader 004 collins brings us 3 futuristic electro cuts for his die mädchen ep.
it all starts off with luna (traum model), a track that takes the listener to the part of the mind reserved only for very late nights and early mornings where the lines between the real and unreal become blurred.
next up is lotte (kampf modell) an aggressive electro number that turns the dance floor into a battlefield from a war where humans finally overtake the machines.
finally collins takes us on a hypnotic journey that interweaves sadness and beauty with alenka (trauer modell), a track that reconnects you to memories and past experience, an odyssey that you won’t soon forget. dark leader 004 is housed in a full color jacket featuring cover artwork by eleanor’s mannequin art, design by eric adrian lee, and mastered by timothy stollenwerk.

to feel. without it, without love, without anger, without sorrow, breath is just a clock... ticking.

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus- years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 longer than usual tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period. the 11th edition of the golden ravedays album will be released on hippie dance in november 2017. side a brings brothers. with two decades of spinning experience in disco’s, nightclubs, festival arenas, shady after-party zones and intimate studio soirees there is no doubt that superpitcher is seasoned in throwing a damn good party. brothers is party personified and a celebration of the night and the wise owls that respect its magical rituals. its ultra-chic disco groove and dreamy female vocals transport one to a carnival of blessings. side b features sleepy head, a hypnotic lullaby carefully tucked away in a hammock that rocks to and fro like dozing mermaids in a wavy curtain of seaweed. sleepy head is a smart artistic statement and whimsical pause just before the release of the grand finale of the the golden ravedays saga.

temple traxx is my brand new label specializing in material from the early days of techno and house. at the time i was living in nyc and ran the electronic record shop temple records and a weekly techno party called “killer” at legendary save the robots. i was releasing my music on force inc./mille plateaux, djungle fever/structure (now kompakt) or harvest/emi for europe and in the states with smile communication, direct drive, or freddy fresh’s electro imprint socket, besides my own temple records nyc, super-8, and el turco loco labels. now, 22 years later, i am excited to curate a new outlet for sleazy-machine-music called temple traxx in homage to the pioneers and early electronic music community i still call my friends: jammin’ unit, dr. walker, who together form air liquide, kerosene, dj silver (paolo dinola), bolz bolz, alec empire, freddy fresh, mike ink, and bionaut just to name the closest circle. all re-edited and freshly mastered. “bad computer” was originally released in 1995 on temple records nyc and is now the first 12” on temple traxx. produced by brother jammin’ unit, who also signed for re-mastering, and myself as bizz o.d. in wild pitch matters. cube 40 was always meant to be the ramones of techno by repeating the same track idea over and over. compare with “you make me function” and you’ll get the idea. currently in the temple traxx pipe-line: mass-turbator “s/t”, jammin’ unit “remote car baby”, khan & walker “schleichfahrt”, 4e, and captain comatose “$100” old and new mixes.

the very best of inxs, available on vinyl for the very first time!
cut at abbey road studios, pressed on 180 gram double vinyl with download code included.

from the opening bars of this debut album you instantly just know it’s going to deliver the tunes, and it doesn’t let up until the last note. the allergies’ modus operandi is taking vintage sounds and reshaping them for modern dance floors, and they go about it with style.
effortlessly fusing funk, soul, disco, hip-hop and breaks, dj moneyshot and rackabeat provide the perfect brand of feel-good, energetic ear candy that will leave a smile on your face and give you happy feet. but that’s not all..., they have teamed up with some top mc’s in hypeman sage and blurum13, as well andy cooper of long beach’s world-renowned rap group, ugly duckling.

if you want something done right, sometimes you just have to do it yourself. in a world filled with false gurus and misguided leaders, so goes the mantra of the new york duo walker & royce. after a swift rise in recent years during which time they pioneered a sound that is often imitated but never replicated sam walker and gavin royce have used this mantra as the impetus for their debut album self help, on their label home dirtybird. in order to grow, one often has to look inward, and the pair set out on a trail of self-discovery and advancement. their journey has resulted in a diverse album that evokes a range of emotion and fervor, one that can be appreciated both on the way to a club as well as feverishly dancing to it in one. walker & royces signature production is in exceptional form on their solo tracks, such as why tho, warkin it, best track ever and sunday. the way they contrast heavy, low-end bass and beats with pristine melodies arises from the first thing they ask themselves when they fire up their studio: will we play this? the pair has also continued to push the boundaries of their minted formula for a bigger purpose, enlisting several distinct vocalists and collaborators to captivating effect. the legendary green velvet lends his vocal talent to rub anotha dub, and longtime friend dances with white girls appear on two memorable tracks, including the hit single take me to your leader. other collaborators such as sophiegrophy, oncue, forrest and mr. jpatt each introduce their own individual elements to the album, rounding out the varied tones and feelings that comprise the self help masterpiece. the road to self-discovery is filled with many bumps and obstacles, but with self help, walker & royce have proven that theyve got the keys and in the driver’s seat