electronic music artist from istanbul with releases on labels such as apparel, vibe me, tablon. sarps productions are making big noize and gaining the respect of many peers. osunlade talks of him as the best new artist on his guardian interview, maya jane coles drops his tunes on pete tongs essential selection, he has been charted by many top djs and artists (stacey pullen, osunlade, bill patrick, dapayk, marco resmann, niederflur to name a few) across the globe,...

another master class in sleek and solid techno from jerome sydenham on his right-setting apotek label. upon relocating to europe from new york in 2007, jerome sydenham has been a standard-bearer for a resolutely seamless and modern techno: having created and spread the sound on a myriad of labels and with an array of major artists. however, his latest release on apotek sees him flying solo with four tracks of varied, yet relentless techno

the revenge is at the helm for the first release of his new label roar groove. the body fusion ep continues to pair discos groove with the deeply contemplative musical roots that have earned him worldwide respect. the 4 featuring tracks fit between the lines of live electronics and more endearing deep slow burning club jams bringing inspiration from graemes pre-revenge band project.

*airglow fires* is the first new lone material to emerge since his masterful *galaxy garden* album, his most complete body of work to date. departing from the themes of the rave/hardcore revival and cinematic interstellar travel, *airglow fires* sees him exploring a more considered and intimate sound alongside a rediscovered love of classic hip-hop, as he explains: i love hip hop and house music when it is at it is rawest - to me airglow fires has that kind of 90s basement vibe to it, where the lines between the two genres are kind blurred.

markus fix has been one of the early companions of deep vibes recordings and were happy to see him back with this stunning 3 track solo ep

without trying to making it into a thing in its own right, there is a bit of a coincidence that is appearing for some of our houndstooth artists. following dylan richards chrysalis-like metamorphosis into house of black lanterns, alec storey is the latest artist to shift phase and re-christen his output after signing to our label, progressing from the al tourettes moniker in favour of the more becoming, second storey. whilst his new name might be in homage to the musical path set forth for him by his father, the four-track margosa heights ep sounds very little like anything you have heard from the bristol based producer before.

the music of tokyo-based englishman max essa is like a fine wine, it can be only stored in the finest oak barrels, it can only be aged correctly and it can only be drunk when completely ready. maxs approach is far from conventional, emotional content plays a major part in his works and now we find him on his third bearfunk long player won ton sunrise.

cutters records are pleased to announce the debut vinyl (and vinyl only!) release from their latest signing, the la based artist kauf. since 2011 he has been honing his own dark twist on modern electronic music, with heavy drum production, dense, cinematic synth buildups and high-pitched, echo-laden vocals. his aesthetic lies somewhere in between the worlds of slow house, industrial dance and drony indie pop earning comparisons with the likes of caribou, matthew dear and toro y moi. an internet-only single caught the ears of cut copys frontman dan whitford, who promptly signed him for a forthcoming ep, entitled as much again on cutters records. the first taste of this ep comes in the form of the relocate 12 inch, including remixes by psychemagik, nile delta and moons. kaufs relocate is an dark anthem for the late-night-slow-dance, featuring sparse metallic percussion, chugging synth bass and vocals drowning in a sea of reverb. psychemagik take this vibe and run with it for their 7 minute house tinged rework. cutters own nile delta ups the energy with his signature acid-injection and moons (no recordings) rounds out the release.

lil jabba isnt like the rest of them. while they are busy joining the dots between house and techno or whatever is safe right now, he is throwing paint all over the page. he is not american, but he is affiliated with chicagos teklife crew (dj spinn, dj rashad, etc.) and divides his time between baltimore and brooklyn, exhibiting his visual art, riding around with his bike gang and making some of the most hypnotic juke and footwork you will ever hear. local action have been figuring out a release with him for over a year - eventually an ep wasnt enough, and they persuaded him to make it a full-length album, scales. some of scales has already seen the light of day through youtube or limited cassette releases, some of it is unheard. some tracks sound cleaner than others, that is because they are newer. that is how these things work. what is consistent throughout scales is the quality: across 12 tracks, jabba flips, twists and inverts the footwork template with endless layers of samples, gurgled vocal tags, jazz licks and whatever else he feels like. these arent trax, they are tapestries.

following the success of his first ep on the label, professor inc delivers again 4 gems on a variety of styles, from deep to techno.a personal and unique sound - we are definitely proud to have him on the family

freche fruchte present 4 tracks of deep underground house music.the lead track comes from man of the moment james johnston turn around is an elegant deep houser with a solid timeless feel, next up on the a side is a dark and deep house track with a gospel influence and a ridiculously large bassline from robert reinartz with praise him.
the lead track on the aa side is the result of a collaboration between leigh d oliver and label boss alex alterskye who present a house track bursting with energy and groove, and finally lewis p strips things back with a major underground house workout!

ludovic llorca aka art of tones is a composer who spent his youth in the north of france, learning music-making with computers (commodore 64 and amiga). after releasing a couple of techno/house 12 inches on small labels, he signed an artist contract (using his family name as a moniker) with french label f-communications on 1997, releasing three eps, followed by a lp (newcomer) on 2001. the albums huge success (more than 170.000 copies sold) leads him to stages around the world, touring for more than 3 years with musicians and singers, performing live in famous festivals (montreux, nice, vienne, den haag, les vieilles charrues) and in prestigious venues.

manik makes his fourth release on culprit, making him (along with lee foss) the labels true resident producer. alongside him burnski makes his full debut for culprit, having been responsible for one of the label s most memorable songs of 2012 ­ his remix of subb­ans what i do.

perseus traxx is no stranger to the legion of underground warriors who place quality above quantity, having released on bunker, m/o/s, photic fields, boe recordings, boomchik, chiwax, sequencias, and future flash to name a few, as well as being one half of nite vision with the man behind mantra/myriadd.the muses are the nine goddesses who promote literature, science and the arts, the personifications of inspiration. though only named and assigned characteristics as recently as the roman era, they were revered by the ancient greeks, who documented that them as having been recruited by the egyptian god osiris as he passed through ethiopia prior to embarking on a tour of asia and europe to teach the arts of cultivation to mankind. itís with this in mind that perseus traxx, makes his first release on newcastleís flight recorder label, delivering an ode to four of them directly rather than the forms they have inhabited while they visit him. bubbling and cutting, heavy synths and dusty tones are jammed out live to tape, ranging from the playful to the stark as they characterise the appropriately named tracks. an ordered tangle of wires and patching in a unique set of acid-free sonic experiments, that sometimes feel as cold and edgy, as they do warm and carefree.

sam kdc presents a four track ep for his first appearance on the main auxiliary label. since we signed him up and started to push his music, he is slowly but surely started to garner more attention and respect for his craft. this ep will further cement the talent he has for composing his unique style of 170bpm music with no genre classifications attached.
pressing on purple coloured vinyl.

dj legend, producer icon, avant-gardist, pioneer. only few influenced the music scene of the past 28 years as deeply as pascal feos. he is responsible for 4 solo albums, over 200 releases and hundreds of remixes. still his hunger for sound experiments is satisfied by no means. although it has been a bit quiet around him in the past few months, you might rather call this the quiet before the storm. feos wouldnt be feos, if it wouldnt have been for him to have his fingers on controllers and knobs on a daily basis, creating and tweaking new sounds. finally the time has come. pascal is back, and he gentlemanly wrapped up a present for you, marked departed 2 return. what is in it? not only feos fifth album, but also a musical answer to the question what he has experienced and what he had to go through in these three creative and self-reflecting years of his musical hiatus.

hardly a rookie these days – perhaps more of an intrinsic part of the great british renaissance and current techno climate, tom dicicco brings his new label run out run to the table with a superb 1st release. treading a more layered path than on his previous outings, tom shows his teeth here with brilliantly creeping, menacing riffs at the fore while retaining the house and dub sensibilities in the rhythm section that have already gained him much support – certainly something for everybody here on this worryingly confident own label debut!

flexing a glittering discography on influential imprints such as boka and black acre, von d has remained a consummate ambassador of the low-end movement since he emerged in 2009 … and we are proud to have him on board for our long-awaited seventh release.

the electronic dance world has seen the many sides of and.id as a talented musician, a multi-faceted producer and a live performer on the dance floor but his latest musical rebirth has sparked a new jolt of inspiration to travel back to his early days in thessaloniki where he passed the hours of the day discovering and analyzing a world of dance vinyls that ultimately shaped him as a live act today. the product of this rebirth is mobilees next album release, eternal return.

more than six years into his career after several eps and a full album, there isn’t much known about ben gibson, and he is clearly keeping it that way with intent. gibson first emerged on jeff mills’ experimental, influential 6277 sublabel but then again vanished into the ether, he only reappeared three years later on perc trax, even more surprisingly with a full-length. since then, he’s gone on to steadily more notice with perc’s imprint, sect records, and most recently m_rec ltd in spite of the continuing lack of information. exposure isn’t the most important thing for us at chronicle though, and after hearing these five tracks, we saw exactly what it is that drew mills to him from the beginning. it is a sound that we find a perfect fit for the techno futurism of our chronicle series, and here we offer a platform for gibsons more sci-fi, ethereal sounding material, exclusively on vinyl for the fifth edition of our sublabel.

yoshihiro hanno invites us to take part in a comprehensive storytelling session. he gathers some expressive voices around him who are skillful contributors to the art of narration – just like the japanese producer himself. setting up an array of soundmarks to be followed continuously, with ears wide open, radiq supplies a reduced framework of themes and subjects where guests are welcome to get involved in. they are here to accompany hannos visions, to leave their own impressions, to deliver various ingredients of personal flavour, to provide some very special and unexpected aromas to the story of eastern hemisphere ep.

yoshihiro hanno invites us to take part in a comprehensive storytelling session. he gathers some expressive voices around him who are skillful contributors to the art of narration – just like the japanese producer himself. setting up an array of soundmarks to be followed continuously, with ears wide open, radiq supplies a reduced framework of themes and subjects where guests are welcome to get involved in. they are here to accompany hannos visions, to leave their own impressions, to deliver various ingredients of personal flavour, to provide some very special and unexpected aromas to the story of eastern hemisphere ep.

spanish dj and producer uner is looking back on an impressive but intense career. after first milestones on top notch labels like saved and diynamic he scored even more points with his last releases on the Überlabels cadenza and visionquest which made him one of the most wanted minimal-techno-producers around

divine: the immobile odyssey. for a long time before the success of noze led him to discover the rest of the world, ezechiel pailhes remained a prophet in: his country. for a long time as well, he worked on creating what became his first solo album, waiting for the right moment when he could no longer contain all the melodies that populate this 14-leg epic.

m1 sessions presents chips n chittlins vol. 1, featuring the talents of paul randolph and his timeless world view of musical influence. the full album previously released in limited numbers on cd will be released in two volumes on 12 inch. this project offers a 2 step garage sound blended with house and r&b. randolph has only begun to leave a magical legacy of sound behind him as his trail blazes light years in all directions of the universe.

ms. smooth socal soul meets mr. nocal dirtybird swagger and they have a baby together. that baby is justin jay and at 19 years old he is already making his 3rd appearance on dirtybird. i have a feeling this is justin jays breakout record. the a-side static is at 119 bpm and will sweep you up then rip your pants off. but even when you get hit with the massive bassline, an old school anchor stays intact. waves b-side has a classic deep dirtybird feeling, with tuned 808s and a surprising melodic element showing off the sweeter side of this up and coming young gun. justin jay has more potential than anyone i have heard in a while and if he continues to play like he has been lately, he has a long dj career ahead of him as well.

ltd 2013 repress !!
illusion recordings is bringing an absolute stomper from the appropriately titled ny stomp with a track called >the ny house track<. a massive track inspired by new york, jersey house music and designed to get every party rocking! ny stomp is a special project by gerd (clone/4lux) who made this track to add to his live set with no intention to release it. it was just a cut made for his live sets and done as an hommage to the early days of ny and nj house. however after playing this at a party from the illusion guys in leeds he got tortured by the guys to make him release it... and lets be honest... it would have been a shame if these cuts never made it to vinyl! one the flip side a slightly more introvert track calles >can you feel it<. on remix duty its nicholas and dj aakmael both doing an excellent job by smoothening things up and take things a bit deeper. proper house music!

alex niggemann is pleased to present his new label aeon. bringing us back to alexs roots, aeon will showcase the music which inspired him to start djing and also begin his career as a producer.
a strong release that forms the foundations of what is set to become the go-to label for authentic house and techno, alex niggemann showcases his production prowess alongside his a&r nous.
transparent vinyl pressing.

hayden james is a singer/songwriter and producer from sydney, australia. he makes music with organs, noisy synthesisers and guitars. this being haydens first solo project, its given him the freedom to create music that resonates on a very personal level.

all any dj touching down in san francisco needs is nikola baytalas number on speed dial. whether youre a frequent visitor or a virgin to the west coast city, its imperative to call on him for an in-the-know tour of the citys finest spots. apart from underground san fran expeditions, baytalas legacy comprises some of the most kinetic and dynamic club tracks ever released, an eclectic record collection so big it requires its own postcode and a vintage car and bike collectionnicely referenced in the artwork for his first release on pets recordings.

the unstoppable boris bunnik is back once again, this time as vernon felicity with a four track ep for mos recordings. the tracks see him explore his usual analogue heavy sound, but there is a little more space in his arrangements, a more rueful mood...

no more paper tigers! the exaltics return to creme with this mondo otherworldly rip roaring robotronic assassination squad that exposes judge dredd as the cartoon character he actually is and tear him to shreds while theyre at it. free of charge! this will be released as a limited single sided etched 12inch, by the freaks, for the freaks

superb reissue of ron trent s all-time deep techno classic altered states. made when he was still school-age, and released in 1990 on armandos seminal warehouse label, this record was an immediate underground club hit, turning ron into a local hero, kickstarting his hugely successful production and djing career and making him probably the only chicago house producer to rate one of the best techno singles of all time! this classic acid workout is stunning in its simplicity and has been described as one of the most perfect and moving tracks ever heard. the other tracks are also very beautiful in their own right despite having been overshadowed by the epic altered states - the afterlife was included on dj hells x-mix-5. all tracks digitally remastered for superb sound quality

technorama records is very happy to bring you this superb new project by french producer mush (sharivari, ndatl muzik, night vision) with an additional remixes by rolando and rod, to be released on limited transparent red vinyl.
dj, producer and sound designer from france, olivier mutschler aka mush has released tracks with orlando voorn, kai alcé, or chez damier, and has remixed juan atkins, alton miller, or pulshar. he is also owner of sharivari records, releasing music on vinyl by kink, art bleek, ken ishii, marcelus, subotic, dan curtin and more ... after three years of absence, he is back in production with an unusual style for him.

one of the uks most established and consistent deep house producers, jimpster, is due to drop his eagerly anticipated porchlight and rockingchairs lp. his first studio album in six years sees him continue where he left off on the 2006 masterpiece amour by taking the blueprint of house music and infusing it with an attention to detail and musicality often lacking in much of todays more disposable dance music. during the interim period, jamie has maintained a key role in two of the uks most successful house labels, freerange and delusions of grandeur, where he continues to pick up and establish new talent at an impressive rate. over the course of his 23 year career so far he has remixed everyone from josh wink, osunlade and solomun through to bob marley, airto moreira and seal, as well as continuing to dj week-in week-out at many of the worlds best clubs and festivals.

as if our recent releases hadnt already been spreading the sound of circus company into new and exciting places, now our very own silver-tongued enchanter jaw emerges with the first details of his own autonomous project. somewhere in between the electronic drive of his day job in dop and the folky, organic instrumentation of les fils du calvaire, jaw shares with us a new venture that has thrust him into the studio with lebanese musician kevork keshishian.

excellent hypnotic house groover !!
new yorks borned and raised fred peterkin needs no introduction to the electronic music, world. having released on labels like underground quality, strength music, mule electronic and his own soul people music, ahd welcomes him after being fans of his music for years already and this ep is no exception to his extreme and unique quality. *reach* on the a side is a total dancefloor burner. one of the best tracks we have heard lately. keeps building from start to the end, having the peaking point when the arpeggio comes up fading in at the middle of the track. b side, *in the blue*, is the deep cut of the record and its a perfect example of freds dubby and warm feeling. check it out

move d is a true legend in deep, house music. we own a lot of his records. when we found the track * wanna do* on the 50th groove magazine cd full of exclusive tracks, we contacted him to ask if he would be interested in a vinyl release. the track was too good to be only available through that cd. so move d sent a second - also really great - track along, and the result is what youre listening to at the moment. the first 300 copies are available on marbled purple vinyl

move d is a true legend in deep, house music. we own a lot of his records. when we found the track * wanna do* on the 50th groove magazine cd full of exclusive tracks, we contacted him to ask if he would be interested in a vinyl release. the track was too good to be only available through that cd. so move d sent a second - also really great - track along, and the result is what youre listening to at the moment. the first 300 copies are available on marbled purple vinyl

for this new release serie, we decided to bring you guys a very hot project : one of the most influential & mysterious producer from now: jason grove teamed up with legendary hardrock striker & deliver us 4 heavyweight hs classic tracks revamped by him! deephouse bombs, essential item, no digital.

adam beyers unique vision of the afterparty uses phased percussion, tripped out drums and an ethereal like pad and melody to create a stand out remix that blends together two unique ideas momentously. ben klock steps up to take on the afterparty too with the sound ever so synonymous with him. he uses rhythmic stabs and an unusual melody that works so well within the atmospheric landscape he has created.

masterpiece!! >awake from a dream< is a whole journey through the night distilled on one ep. rising sun takes you with him to four delightful moments of a real house night and beyond. from the warm welcome of >come together< to the hypnotic percussions of >change< and along with the rough grooving edges of >ny 94< you will find your way to the soothing >when the morning comes<.newly founded record label wake up! from lüneburg is more than excited to start its path with such a unique release.

d.fine is a young house music producer from bordeaux, france. his house renditions of popular hip- hop songs like asap rockys *wassup*, mercy, and the weekns zone are what originally garnered him the attention that he is currently enjoying. foul & sunk is hosting the three-track ep from d.fine titled backyard slated for release next month. the melody he creates with synth over not-so-unusual house beat arrangements, his very own bass, the rap gimmicks hes still fond of, and the smooth atmosphere he is putting us into you will recognize for sure. foul & sunk label head shaddy is delivering the remix to elle..

dj w!lds sweet & spicy ep is the 10th release on the parisians own imprint the w label and sees w!ld continue the fine form that has seen him reach the #8 spot in resident advisors most charted artists of 2012. w!lds unique style of strippedto-the-bone crunching beats, probing basslines and almost impossibly long, captivating breakdowns have seen him grace labels including cabin fever/rekids (who released his album d!rty), one records, act natural, snork enterprises, robsoul and catwash amongst many others in the past 12 months. the sweet & spicy ep continues in the same vein – all carefully roadtested by w!ld, the focus is on the dancefloor with influences from funk to acid all underpinned by those strong relentless grooves.

mr. oleg poliakov joins the phonogramme team. also known for his releases under the skat moniker, olegs early production career was built on creating beats for hip-hop mcs and lending his studio skills to rappers. switching to radio production, he went onto to work with french national stations, further enhancing his technical skills. it was at this time his began to explore electronic music as a composer. with a sound that strays from specifics, he looks to create his own compositions using a subtle combo of all electronic worlds. his early releases on labels including karat and sthlmaudio won him acclaim, but it is his releases for circus company that have really put him on the map.

second out on jean claude gavris coco bin wax imprint sees him deliver two superb retouches of a certain classic record from the eighties.
the original artist has been rather popular over the years, a hero to many, known for floating in tin cans, sporting screwed up eyes and a screwed down haircut, a man who has fallen towards his home planet and questioned life on others.

no stranger to the basic fingers camp koko have already graced us before and thats why we are also bringing him back a third time for another release with rnb & soul drenched disco gems. light of the worlds >time< has got everything you need to encourage feet movement. an infectious bassline, horns, strings, percussions, sing-a-long-chorus and is presented in beautiful way, giving the original enough room to breathe. flip over for a great re-edit of melisa morgans >fools paradise< - funkier than a mosquitos tweeter!

london-based shenoda has been slowly cranking up the dial with quality releases on hypercolour and an ep for losing suki that was a firm favourite round these parts. his latest outing sees him team up with huxleys increasingly impressive imprint saints & sonnets for the three track i feel ep

i had dinner with breach in london and he told me: hey, i have a track that is really dirtybird. i would put it out but its really sounding right for you guys. i took this with a grain of salt but then i heard lets get hot and i found out he was right. it has got the swagger and the sound. it makes girls grind their asses into boys crotches on the dancefloor. perfect. signed. so i then asked him to make something even more sexual, thinking it would be ages before i got something back. 10 days later the a-side came back to me as a 2 minute clip while i was on the train to warehouse project in manchester. i liked it so much that i edited it on the train to stretch it out to 5 minute. as expected, it slayed the room and the final version breach has delivered is one of the best records of the year in my opinion. with the simple title of jack you can see for yourself when you play it. this is the real deal. love, vonstroke