after his successful debut ep fiasco/fiat lux philipp gonzales is back on bondage-music with his new collection of deep and pumping some day ep. the originals deliver a striking smooth balancing act to disclose the pure soul of deep house - with focus on the more techy end of it. actually its unnecessary to define a specific genre as philipp runs decent dissolution of borders. we are proud to have him back in the bondage-music family and present his second ep * some day*.

orbe label is back with number 006, fernando aka orbe him self and label owner hit us now rescuing an old gem from the 90,s made by damon wild sinewave new york honcho label & steve stoll main head from proper nyc and an artist who is already familiar and part of the orbe crew since 2014. the well known track - we left the planet - released on the golden years is coming back! but now including exclusive and functional remixes from orbe him self and the sergeant major spanish techno eduardo de la calle . the 12- plastic certainly will go direct to many record bags worldwide. both remixes have a very high grade of modern character maintained the freshness from the original track but mixed up with new and sophisticated elements. this are two large pieces of rare techno indisputably. essential record for those who love pure techno.

when it comes to ossia, blackest ever black perhaps summed it up best in describing him as -one of the bristol underground’s most vital behind-the-scenes operators.

early september will see the release of paulo olartes el escandalo de tus ojos lp via barcelonas galaktika records. columbian producer paulo olarte has been a long time friend and affiliate of the galaktika imprint having been releasing with the label since its early years a decade ago amongst further output for the likes of liebe detail and diynamic. here we see him back on galaktika with his new long player, set for release in september via a special vinyl edition with a digital release to follow.

bergen’s christian tilt returns to norwegian label ploink with his debut album ‘alt skjedde jæla fort’ this september. norwegian christian tilt’s dedication to techno over the last two decades has securely placed him in high ranks to play alongside the likes of the zenker brothers, margaret dygas and ploink label head thomas urv at clubs such as berghain, jaeger and Østre - all in the last year. here though we see christian tilt make a return to ploink for a second time with a five track lp comprised of an intricate cross-section of syncopated rhythms and dubbed-out techno. ‘dos were the days’ slowly builds hi-hats and punchy kick drums, before a deep-synth melody drives the composition forward. up next is the stripped back ‘btl’ that combines otherworldly aesthetics with a steady bass rattle throughout, before the gritty ‘a visit from france’ unleashes a dark low-end, murky synth drones and frantic pad sequences. a relentless 9 minute affair titled ‘i only work late nights’ then swells and pulsates over an unremitting beat, before ‘Øreverk’ rounds off the package with frenzied clangs, muted hits and rhythmic percussion.

peter kremeier, aka losoul, has always been an artist weve greatly admired here at hypercolour, so its a real thrill to have him on the label at long last. a huge catalogue of eclectic, distinctive and funky music for labels like playhouse, moodmusic and freak n chic, losoul turns in two exceptional tracks on the slowly turning release here.

it is very difficult to present david duriez without writing an encyclopedic tome as its influence on the house music in france was decisive. since its inception in 1992, david released over a hundred records under his name, tens under various pseudonyms, mainly on vinyls on the most renowned labels like 2020vision, ovum, systematic, pokerflat, f communication, under the counter, stickman, crosstown rebels, the end, etc .. (the list is long, see discogs.com to be convinced) and as many remixes for some of the greatest artists (think moby, dj sneak, gemini, dj hell, llorca, telex, random factor, johnny fiasco, paul johnson, jori hulkkonen, ralph lawson, random factor, kenny hawkes or mr.c). founder of the label brique rouge and a whole galaxy of other labels, he participated in the creation of internationally recognized labels such as robsoul with phil weeks, freak n chic with dan ghenacia (from apollonia) or rz muzik. at a time when david had federated online the cream of the house producers via a forum (far and long before social networks), ivan smagghe had nicknamed him -the producer of the producers.- , a true house music activist, but most of all david duriez is a devastating dancefloor dj, he did several tours around the world and played in some of the biggest clubs in the world between 1995 and 2010. truly one of the most important players in the french electro scene, david is back on tracks after a few years hyatus. but don t call it a comeback because he has never really gone awol, he has been watching the scene and now he s back in the studio. you can expect a (very) long serie of releases for 2016, you have been warned!

desolat label boss loco dice is back with what is sure to be a massive autumn package: he has remixed the seminal dance track ‘go’ by the legendary moby, twice, and has made it all his own in the process. moby needs little introduction: the american dance producer and live performer’s albums are classics of the genre that are celebrated far and wide. they have been used on thousands of adverts, have given rise to hit singles all over the world and have made him one of the most celebrated electronic music stars of our time. his ‘go’ track was what started it all for him back in the 90’s, and was a bona fide club classic of the day. it still resonates today and always gets crowds going. now it has been remixed twice by loco dice, who has added his own stamp to it in distinctive fashion. his first excellent version is eight minutes of chunky and tribal drums, with rubber kicks, clipped horn stabs and big hits all building the pressure. those most famous vocal cries really finish it off in style, and ensure that dance floors will go wild whenever it is dropped, as do wonky synths and big piano chords at the breakdown. the second version is more emotive, with big sweeping strings smeared in the background to help make it all the more dramatic, teary eyed and impactful on the floor. this one is for the peak time in any set and is sure to make the most memorable moment of any night. both remixes here pack a real punch, and whilst remaining true to the original, they both sound just like you would expect from modern dance heavyweight loco dice.

with his first ep on orbis, binny is ramping it up, once again. we’re very pleased & honoured to host him, his 11th appearance on a vinyl record so far. someone to watch out for! on the b-side, lee holman takes it to the raw side of analogue techno.

at sneaky we are very pleased to welcome g.markus. what can we say about him? not much apart from the fact that he makes super groovy old-skool house beats like not many can these days. spreading perverted twistedness mixed with great classic housey vocals, ‘smoking hut’ will be how your dance floor will end up when you play this record out. recently also known for releasing great re-edits on soul clap records and as part of s.h.a.g edits va on roots for bloom. what else can we say? well, not much, really. g insisted on having a clause on the contract that clearly states that his true identity shall not be revealed. all we can say is that he’s a real mofo and that you’d be better off listening to his music instead of to this silly banter…

black vinyl

it started as an event series by re.you where he invites other appreciated djs to share the decks with him - so far he had younion nights with &me, tiefschwarz, anja schneider or adana twins. now heis transferring the >re.you invites< concept to a label idea. he invites his favorite artists to release with him on his new imprint >younion< - for the very first edition he signed terranova, who gained a lot of attention with their lps on kompakt - furthermore he is releasing a newcomer duo from berlin called eins tiefer who already released on upon.you records and last but not least re.you himself is delivering a track for the first ep.

verona s finest underground club space veniceberg is proud to introduce its newly minted label with a brand new deep house ep from italian maestro enrico mantini. since debuting in 1990, mantinis tough yet sensuous cuts have appeared on tastemaking imprints such as umm and smoothsounds, and have seen him make his mark internationally as a dj at venues like tresor, pacha, ministry of sound, and space. together bears the signature of producers decades of experience, and announces a special outlet for crafted club music.

samo lived in hong kong for a bit. he rescued a dog and brought him back to stockholm. he skates but that’s not him on the front. he put together one of the best very records on lies but this four-tracker kills it dead. ben ufo’s been rinsing it. the dog’s name is denzil.

for the fourth outing of the mekanism s worx label, sishi rosch makes his debut with a highly infectious acid house ep that comes saturated with raw grooves and powerful rhythms. with releases on labels such as viva music, heidi presents jackathon jams, get physical and more under his belt, sishi rosch has been a force to be reckoned with in the underground house scene. worx 04 comes jam packed with menacing 303 bass lines and robust drum ensembles which can be easily compared to the early 90 s seminal chicago days where ghetto and acid house ruled all clubs. easily one of sishi rosch s most avant-garde releases to date and making a clear statement in impulsing him in the top-tiered acid house world echelon.

anna reusch returns to the bouq.-family with he second release and two peaktime lifesavers for the summer. canadian artist ellroy impressed so much with his remix for butch s new moon harbour release that there was no way around asking him to also rework anna reusch s track arabian nights with its oriental flavor.

jesus was black goes to chile thanks to the new vinyl release by the hand of producer andre butano & felipe. push cat ep, the artists first release for the label, is a refreshing fusion of the organic beats and the avant-garde music. the title track brings on an underground micro house essence with a thick bass rhythm and crazy voices. the ep features two cold remixes from the spanish talent jairo catelo (darkroom dubs, plastic city) with his bubbling synths and house rhythms making a master deep piece. jorge savoretti (viva music, little helpers) make it with hypnotic broken beats and maintains the deep feel that brought him to jesus was black. closing the ep we can find an awesome original track like -rework- with vinyl popping accents and a couple of vocal hooks, a track to make everyone sweat on the dance floor.

coloured repress!!!! the original move your butty (1992) gained cult status and the time seems right for a re-release of this gem. it was originally out on the legendary london based irdial records. thee j johanz decided to replace samples with synths, which gave him the freedom to create a totally fresh and moody remix, good enough to keep our buttys moving for the next 20 years. the strings of the elka synthex give you wings, while the typical move your butty bassline is pumpin you up. expect the unexpected from prins thomas remix: very refreshing funky eighties electro vibes, or is it the sound of the future? an original approach with an oasis of move your butty references in the middle. an excellent remix of the remix

the third release by the finnish producer leftover on the label. as always the tracks are full of deepness with a well balanced mix of echos, reverbs. this is again a fantastic release from him, which will become a future classic!

diesen sommer veröffentlicht dev hynes freetown sound, das dritte album unter seinem aktuellen alias blood orange. aus einem reichen oeuvre an techniken und referenzen schöpfend, entfaltet sich das album fast wie ein theaterstück, beschwört unerwartete stimmungen, stimmen und zeitalter herauf. freetown, die geburtsstadt von devs vater und hauptstadt sierra leones ist titelgebend. inhaltlich ist es das bislang persönlichste und auch politischste album von blood orange. verhandelt werden themen wie rasse, religion, gender und sexismus. musikalisch ließ sich hynes von den alben der dust brothers inspirieren: its very cut and paste. like my version of paul s boutique. it kind of plays like a long mixtape.

double lp of new material from new jersey musician, unearth noise. the album compiles selected compositions made over the last three years. as a kid roger berkowitz was inspired by the celestial sounds of ravi shankar’s strings, an album that was introduced to him by his father who was an engineer for rca. in his youth he played in various punk bands and dabbled in experimental music after being exposed to the likes of john cage, harry partch, brian eno and mahavishnu....

trevino aka marcus intalex joins recent aus signings recloose and cassy with his casino ep. marcus intalex is widely known for making ground breaking drum and bass. in 2011 he started the trevino alias to feed his desire to get back to his roots and rekindle his 4 to the floor spirit. this new phase of his career propelled him to move to berlin where hes continued to develop a hugely impressive discography thats included releases on ben klocks klockworks and martyns 3024. casino brings together three deftly structured and dance floor focused tracks that blur the boundary between house and techno in true trevino fashion.

nice price deal !!! dopefish releases a big, bad wolf onto the floors, scott cooper teaches him a few different tricks while juttla shows him how to howl a dubstep.

after years of releasing quality house eps, brighton based black key records scores something of a coop: its first full length is a sixth album from tom ellis, a core member and resident of the esteemed freerotation festival who is already well known to those in the know. his beautifully titled, eight track lp from the cabin above the clouds is due on april 4th and comes ahead of him launching his own new label.

2016 repress incoming!
jay lumen needs no introduction as he has been important to the tech and techno scene for years now. after several releases on labels like drumcode, octopus, relief, suara, off etc. we are happy to have him back on noir music with this fantastic tech stomper our freedom that has a little bit of everything. the remixes comes from la fleur and traumer. both are among our favorite producers at the moment and we are happy to write that both did an excellent remix job making sure we got fantastic alternative versions here.

- having talked to marc houle over some years now about getting a wave inspired tracks from him, we’ve finally worked it out. and what a record it is, two terrific original tracks, backed with two divers reworks by some other favourites, red axes & the go

nice price deal !!! third release on komplement recordings for label s owner ludwig buez. after a short break we re happy to hear him again with quality tracks both very different. day after is a more detroit techno oriented sounds with huge chords,smoky synths topped by huge toms & drums rythms for a dark and effective result.this is techno the way it should be! on the b side with mesa verde ludwig give us his vision of an atmospheric and melodic moment by adding seductive synth melody lines on top of uncluttered & tight minimal drums.

nice price deal !!! pacifica kicks off proceedings with a bang thanks to 3 dynamite re-versions from dominic >djd< dawson. doms heritage stretches back across releases for some of the best dance music labels ever to have existed and with scores of original productions, collaborations and remixes under his belt the time has come for him to deftly drop 3 edits that show your average software bumbler how things are done.

danny wolfers is stuck in a groove right now, a hugely prolific production groove which has him tossing out new material on a seemingly weekly basis for all manner of labels.
hot on the heels of that nacho patrol 12” for simonetti and a under the cover album for blue moon safari comes this this three track debut for the equally relentless unknown to the unknown label.
the star gazing ep makes for a wondrous display of legowelt’s talent for implementing those trademark melodies within various rhythmic frameworks, in the case of stand out track “visions in my mind”, it’s a hypnotic disco jacker lent no small degree of melancholy by the titular vocal.

hhatri are pleased to announce the third & final chapter of the far east transcripts series. the far east transcripts iii gives you mr terada s absolutely mesmerizing disco cuts. as always, what is presented are some of the finest pieces that have ever came out of soichi terada s far east recording catalogue back in the early 90 s. these tracks are a true demonstration to the iconic mentality, soichi terada exhibited when making music. sincerely, marking him as one of the most exciting producer/performers to emerge from japan s house nobility, past, present and future alike! freshly remastered, these historic house tunes are back in business

testarossa is third studio album by brinstaar. he says that this album is dedicated to redheaded blue-skinned goddess. this work is reflecting brinstaar’s deep and emotional chase for the elusive moment of infinite bliss that keeps him alive and conscious.
while using mainly processed guitars for infotswetock and synths for mielisss, brinstaar uses a lot of acoustic instruments and field recorded sounds in testarossa now, thus creates much more intimate compositions. of course, his specialty mesmerizing synth parts and precisely constructed guitar timbres are still here too.

ayman rostom has really taken to the maghreban, with a succession of singles for versatile and his own zoot label that have shown him fully capable of bringing his sampling talents to the realm of house, disco and techno. the latest missive from the maghreban comes on black acre, a label rostom has previous with after that superb library music lp as dr. zygote a few years back. two tracks deep, lose it presents all that we love about the maghreban, the title track sees a classic “girl i’m starting to lose it” phrase lifted off an early jungle classic from boogie times tribe assembled with a monstrous analogue bassline and plenty of feverish effects tweaking in the mix. “wrong move” is just as smart, delving into the darkest depths of rugged breakbeat science.

beef records label head michal schwa returns with his solo ep. schwa (one half of shades of gray) is now based back in gothic techno capital - prague – city which influenced him to jam out four stripped back techno/house cuts. yet forceful, dark, abstract and emotional… with eltron john remix on the b side. pure machine heaven. be fast or sorry. no repress.
big with: marco nastic, Âme, apendics.shuffle, 2000 and one, hermanez, danny tenaglia, deepchild, brother’s vibe, slam, cats n dogs, rainer trueby, kuba sojka, acid pauli

straight after his contribution to the splendid delusions of grandeur compilation and collaboration with sebastien vorhaus aka soul of hex as well as his latest eps on the russian capital bass label and swedish brandy ponty mython is back with a full swung ep packed with cosmic deep house tunes. how to get your life together and succeed sets the pace for the record, bringing together a kaleidoscope of sounds in ponty mythons signature style, soul meets dance floor punch.

four new loose and beautiful metropolitan house grooves from prolific nyc producer j albert aka jio albert whose mantra (as always) is to keep it simple, and of course, keep it strictly j! in addition to the grime beats he’s been releasing on soundcloud under the dj osom alias, jio has also explored other genres with a recent black opal release and a 12inch on his own exotic dance records imprint. strictly j, though is his scruffy take classic house on zones more into the hot music-soho vibes. characterized by busy percussion, off-kilter downtown beats, stops and starts, scattered breaks, and weirdly breezy melodies, these tracks are roomy def down for the summer. interestingly enough, i was subletting jios room last summer in ridgewood, queens and was sitting next to him as he made some of these tracks while i worked my tech support job. he was listening to a lot of buddy rich, bill evans, and jeremy steig at the time.

the incomparable mark henning blasts back on soma with yet another dose of machine funk as he drops the jaguar ep. mark has consistently been one of soma’s top artists due to his amazing sound design and keen knowledge of exactly what make a top dance floor track and this latest ep really shows him operating at his highest level.

nice price deal !!! sandro perri released his album impossible spaces lp in 2011 on constellation records, earning him rave reviews worldwide, including an 8.3 pitchfork rating + a best new track, for the stunning single changes. this track, plus the album track love & light, have been remixed/reshaped by diverse talents zongamin, mickey moonlight, eluvium & max gross (glissandro 70). the remixers approach these 2 tracks quite differently – but all 4 versions have 1 fortunate thread – perris vocals – which are preserved, highlighted and reimagined in wonderful ways.sandro perri & dfa have long been seeking a project to create together, and this release seemed like as good a place to start as any.this is a great addition and continuation of the impossible shapes lp listening experience, and also a lovely way to revisit these remarkable tracks

tim green is back with another brace of high impact club tunes of the sort that have made him one of the most in demand producers of the day. whether serving up rolling techno treats for cocoon, essential mixes for the body language series on get physical or laying down compelling club sets in the dj booth, brit tim green is unstoppable right now. here he steps up to the get weird imprint with two more tantalising cuts that show just how broad and brilliant an artist he is. stirring opener ‘for a memory’ is eleven minutes of wordless and intoxicating female vocals, slick rubbery drums and plunging bass. the overall effect is hypnotic, rolling and perfectly groovy, and it will no doubt have whole dancefloors locked under its spell. some little melodic explosions, sweeping filters and luscious pads all help add a real air of grace to proceedings that mark it out as another classic from green. ‘for a distant memory’ is a subtle but noteworthy reworking of the same cut. in this one, the drums are less direct and more stripped back, there is a focus on the angelic, glowing pads and on spine tingling slices of synth that are reflective and emotive as they drop in and out. it is a perfectly trance inducing, heart warming cut that the likes of lee burridge at his all day i dream parties, or various djs playing on a sun kissed terrace around the globe, will all lap right up. these are two more essential tracks from the ever on point tim green.

nolan the ninja is a throwback in many regards. in an era where many are just thrust into the realm of music without having gone through a proper stretch of artistic development, nolan has been through the gauntlet and honed his abilities to the razors edge over the past few years. nolans debut ep -fck the hype-dropped on left of center and attracted praise from 2dopeboyz, huffington post, pigeons & planes, egotripland, urb, watchloud, respect and numerous other outlets. after eye opening live appearances on dj eclipse s halftime show and tony touch s toca tuesdays shade 45 show it was clear the world needed a full length album from him.

special summer deal! bouncy & soulful late night house groovers & effective dj tools

patrick topping returns to hot creations with his taking libz ep and demonstrates why his reputation carries such weight with three special tracks that act as a master-class in how to create music that will consume dance floors. first up is brayed which takes the listener on a loopy and enriching journey, whilst howk is a classic foot-to-the-floor number. concluding the ep is taking libz, the title track that sees topping firmly hold onto his crown with this unstoppable cut. i-d magazine described patricks style that is characterized by punchy,chugging baselines that have become weapons in the sets of many a dj. started his career djing at the club night motion in newcastle, he was quickly snapped up by jamie jones, for hot creations. releases on the label and a residency at paradise dc10 in ibiza soon followed and 2014 saw him release get beasty, forget and voicemail featuring green velvet and concluded with a hattrick of awards including winning the dj mag best newcomer, track of the season and best tune awards in their best of british awards.

electric rescue is back on his own imprint to his new album, the third one and the most powerfull one no compromises techno and electronica music, a film of his 2 years past life, authentic, personnal and unique vision of the actual techno scene and life, pure ! ...

gregor tresher selects the 9. volume of tracks which are breaking new soil for him. the lucky ones are etai tarazi, the yellowheads, rob hes and paul nazca. curious to know which one you prefer

coordinated ep presents two tracks relating to two different spots, so two different atmospheres. whereas 51°54 01.6-n 4°28-05.0-e corresponds with the maastunel in rotterdam that connects the banks of the nieuwe maas, 51°54 33.0-n 4°29-13.7-e matches the erasmusbrug (erasmus bridge), a combinedcable-stayed and bascule bridge in the center of rotterdam connecting the north and the south parts of the city. whereas the a-side presents a techno and trippy side, the b-side reveals a more atmospheric and percussive one. in summary, both tracks are quite linear, a linearity that hypnotises and sucks the listener up till bringing him in a trance that makes him feeling in another dimension.

scotish producer boom merchant has been djing and making music for more than years next up from him is a futuristic warehouse inspired 4-tracker on resopal. on -this is ...,- he offers up a bass-driven house number that hints at it’s chicago roots while pushing forward into garage territory. on „warm haze „he delivers his most straight-up, heads-down house production to date. next up is the quirky -warehouse,- which twists into a moody, convergence while rise is pure reduced techno.

the contemporaly house tracks which combine his established heavy groove, smoothness & beautiful essence! -secret floor 002- misterious, raw feeling & the roop of vocal sample are intertwined together to be miraculous sounds-saturday night- melodious and uplifting house track-o-nature- unique sound quality made by mpc & the trumpet sample greatly melt together -sky lounge- slow down...dope track with a spice of japanese sample blackoly profile:dj, beatmaker, and sound producer in tokyo, japan. born in 1981, his parents taught him to play in a forest and make what he wants to play by himself. started his dj carrer when he was 19.the first track he played was -bucktown- by smif-n-wessun. in the ensuing year he started making tracks under the name of dj shibaki. kept releasing his own tracks by casset tapes and cd-r and released -document-(12-) in 2006. after that he released mix cd -abstract- and -gravity-, and he has done around 100 of play in a year with his style of going back and forth freely among various sounds evolving abstract, breakbeats and hiphop.in 2009 he played together with dday one, dorian concept without knowing who they are. when he played together with dj kensei, he got a meaningfull comment -do you always do such a mix?- in 2010 he became immersed in creating tracks with mpc2000xl which was not not used for a long time, and started doing dj & live only with his own tracks by using cd-r & kaoss pad. thereafter he started making house tracks under the name of blackoly influenced by house djs & dancers whom he has played with since 2000s. the various music in his background & the dancer s excitement on the floor like -house- atmosphere greatly melted together and it led to build his unique sounds. in 2013 he released -dirty channel-(12-), in 2014 -dr.circus-(cd), and his work continues to this time.

alex suarez is part of a new breed of producers based out of brooklyn carving out their own unique sound experimenting in the world of raw primordial electronics. under the name cienfuegos, he has prior releases on brooklyn s primitive languages imprint as well as the france s unknown precept label-with his new -lost in god s country- ep we see him debut on the new york centered bank records. through the four tracks cienfuegos harkens back to the time of early industrial music, not far off from the early transmissions of spk or even hinting at sounds akin to e.g. oblique graph. suarez has a knack for developing textures and tension in his music sewing it all together with plodding rhythms and the occasional creeper vocal. heavyweight stuff coming most highly recommended.

this is the second episode of our various artists serie. the fallen (a collaboration between plural (james johnson) and fbk (kevin kennedy)) opens the e.p. with interference, a fast paced killer hypnotic dance floor friendly dub track: they create a sound that is unique, fluid and extremely danceable. philippe petit follows with exposed, a stripped down, bleepy bass-heavy rhythmic piece of techno. julixo brings us own structure, an aggressive jackin techno track leading to a warm synth line that will leave nobody indifferent. terrence dixon closes the e.p. with odd numbers, a track that only him can do. sub bass melodic techno reduced to the max: ace!

we have become big fans of paul ursin at the noir music headquarter as he just keeps creating fantastic music from his studio in sicily. he gained lots of heavyweight dj support from his ep on nm2 in may and we expect him to take you by storm with this (his first) release on noir music. if mr. ursin is not already on your radar let this “sinthesis vol.1” convince you. no more words ... let the music speak for itself.