distinctive records introduce >chase<, the debut release by ill audio, featuring the one and only roots manuva on the ones and twos. its a dubbed out excursion into deep hybrid territory, with elements of dubstep, reggae, hiphop and electronica and rock.

quality prog breaks 3 tracker by hexadecimal!

pressed on 180 g heavyweight vinyl

soundscapes, electronics and breakbeats.

nice price deal !!! dopefish releases a big, bad wolf onto the floors, scott cooper teaches him a few different tricks while juttla shows him how to howl a dubstep.

shining a light on hypers explosive production style and showcasing jim davies (ex prodigy + pitchshifter) astonishing guitar work, the end is an intriguing snapshot of some of what to expect from hypers eagerly anticipated long player. with its richly layered synths, thunderous bassline and anthemic vocal hook >the end< grabs you by the scruff of the neck and takes you on a five minute journey through massive build ups and breakdowns. think pendulum meets cooper temple-clause. with remixes from interface, beatman & ludmilla plus minus monumental dubstep re-rub watch closely as the next chapter of the hyper manifesto unfolds. you have been warned …

as a final hurrah on hybrids most excellent fourth studio album >disappear here<, we are pleased to present some great new mixes of one of our favorite tracks on the album.
new prog-trance kings myon and shane 54 are first up with their skillful progressive re-interpretation. the pair add lush strings to the original while keeping things chunky and melodic.
retroid keeps the breaks flag flying with his beefy beats, slick production and polished sheen. to round things off for all those hybrid-istas who have been asking for the instrumental ... here it is!

the bristol based general midi return with great hurrah for >absinthe<, the most accessible track from their 2009 album >operation overdrive< the pair have taken the impressively catchy vocal tones from the original and spread them wide across a most impressive remix package.
the bristol waters run deep as fellow city resident and big dog nick warren contributes a progressive chunker. trademark, progressive grooves and gu crunching basses abound just as you would expect. also leading the pack is the dancefloor version from the midi boys themselves. tight programming and cascading whoomps and effects lead this mix directly to the dancefloor, not passing go.

nice price deal !!! soulful dubstep incl dub menace mix

the single sees midi joined by foreign beggars orifice vulgatron, spitting double time over a pulsating fusion of syncopated guitar licks and throbbing bass lines. blending punk-esque riffs against electro beats, midi proves he knows more than >4 million ways< to raise hell on the dancefloor and bring the

james harcourt/ tim andresen/ danny chase & steve willis mixes

banging atmospheric breaks bizz with live drums and bass and this huuge synth riffs!!! massive...

pre-release copies - somewhere between electro, rock and minimal

crunchy breaks remake of the kinks >you really got me<

massive remixes by eleite force and future funk squad not to be missed

romantic balearic breaks feat manuel goettsching a must have

crunchy brash loud and intense rocker that will set any floor alight by santos flip for a darker workout with distinct old school flavour

big electrotune from way out west.. smoovi remix by kaito (kompakt)..

finest electrotechno with floorburnin slam remix!!

since first bursting onto the scene with the now classic album wide angle in 1999 hybrid have been known as one of the most forward thinking and technically skilled acts in electronic dance music. after four extremely well received albums, over twenty singles, countless remixes and a raft of movie & game soundtrack work it is time to reflect on some of the bands numerous highpoints. hybrid classics celebrates and relives some of the bands finest tracks from their breakthrough classic finished symphony to an exclusive cover of depeche modes enjoy the silence (as chosen by an ask-hybrid-to-cover-this fan poll in 2011).