fish go deep return with a double header of intense electronic house music. over a muscular rhythm track, turning stones builds layer upon layer of melody before a jagged synth riff knocks the track into another orbit altogether. the dub takes a different path, with a steady rhythmic pulse that allows plenty of space for the music to soar.

hardway bros (otherwise known as sean johnston of a love from outer space) returns to throne of blood with their second ep. after successfully exploring belgian new beat influences on last years *a/b music / shorty* release, sean continues to explore the darker side of vintage electronic tropes with the sleaze ep.

audiojacks gruuv label returns this october with a four-track package from french producer okain, featuring a remix from tuccillo. parisian artist samuel thalman aka okain has quite the standing in contemporary electronic music having been a prominent name as a dj and producer for the past fifteen years. playing at some of the leading nightclubs across the globe such as fabric, watergate, space ibiza, rex club and electric pickle to name but a few. thalman has also built quite the respectable back-catalogue in his time, releasing material via the likes of tsuba, bpitch, memento and cadenza, and here we see him add gruuv to his affiliations.

as bass culture proudly reaches its 40th release, it gives us great pleasure to welcome back john jastszebski after he last turned out an ep for us back in 2012. releases for phonogramme and robsoul in the past two years have confirmed that he is a force to be reckoned with in the booming parisian house and techno scene. his approach on the would be back e.p fits in perfectly with the bass culture aesthetic, delivering tracks with a simple immediacy, always loaded with soul in just the right places, but never shirking the all-important groove. > would be back< s sturdy beat leads neatly up to a colourful burst of piano chords and rousing strings that make this into a perfect summer house cut. > fevrier< comes on with an entirely different season in mind, as mysterious and dubby tendrils of synths and samples unfurl around each other with a distinctly wintry mood. > my girl< meanwhile keeps the energy levels up with a stripped back, punchy beat, filling the space in the mix out with rousing pads that soothe and uplift.for a remix of > would be back<, we decided to turn to a long-time legend of the uk house scene, nail. his remix takes a more emotive approach to johns original, dropping in some playful synth lines and dreamy effects with stunning results. reaching across all seasons, situations and times of day and night, the would be back e.p delivers just the kind of versatile house music that sets our souls alight here at bass culture

first release on sun cat recordings / ancient sound from outer space is by italian obscure electronic producer named healing force project, that means freedom of the soul. inspired by space jazz and experimental techno, antonio marini reconnects distant horizons until the sky falls away, sonorizing the last ancient astronaut landing on earth in five hypnotic tracks. mastered by andrea merlini and illustrated by fernanda veron, *last journey to heliopolis ep* pictures early dawns and aching nights, combining different analog and digital elements. a cosmic trip without return only makes sense if has no stops or boundaries.

sound monsters. after the fantastic debut on the prologue portefeuille 3 mod21 comes back with his first own 12inch and shows us his massive talent for complex deep techno journeys. the italian have produced 6 galactic sound bombs and delivers exactly what prologue speaks for. instinctive, hypnotic rhythms with multi dimensional techno beats and ambient structures. lets meet together in the dark space.

nice price deal !!! 2nd release picks up where the 1st ended, under the tutelage of the pittsburgh track authority, as 2 young pittsburgh producers grab the reins, & take the labels sound deeper into funky space-age techno.

unified by dubs loose sense of space and deep sub-frequencies, chllngrs unique amalgam of soul, pop, stripped-down beats, and decaying atmospheres has earned the copenhagen-based artist, steven jess borth ii, adulation from press and peers alike.

nice price deal !!! after a first explosive success release spaghetti monster doesnt wanna stop and presents u a ticket to a deep space journey with russian dj & producer spaceanddisco. his original mix opens the ep and take u to a 9 min space adventure with lots of intergalactic percussions and deep bases

deadly population one album from terrence dixon on rush hour...future classic alert tip!

producer and boss of mathematics records, jamal moss a.k.a hieroglyphic being is a one-off musical explorer. jamals music takes cues from the ebm and house that played a huge part in the city s musical underground in the late eighties and early nineties, notably ron hardy and adonis, but also industrial, avant-jazz and noise. his tireless schedule of rough low-key releases over the last 12 years and his intense, very physical, psychedelic music, have made him a key exponent or maybe even a pioneer of what has recently come to be named outsider house, although he prefers the more sun-ra like descriptors of rhythmic cubism and cosmic be-bop.
the double vinyl lp includes a download code for the full album.

2014 has been a slow year for sequencias in terms of releases. most of our energy has been spent towards the development of different projects, like our new webstore, that has become an outlet for us to share some of the records that influence the way we do things. so, with the wax offering slowing to a mere trickle, who better to entrust with our sole release for the rest of the calendar year? dcantu, of course. cantus electro-heavy sound is fleshed out here and while still lean enough for dance floors, it makes bolder moves into atmospheric and melodic territory.

*in a dream* is the third album from the juan maclean. if anything, this new lp is further evidence of the *undeniable creative chemistry between house music wizard juan maclean and vocalist / former lcd soundsystem member nancy whang* (pitchfork). the album takes its musical cues from moroders munich to the funky nassau sounds of compass point and to anytime in downtown nyc. co-produced by nick millhiser (holy ghost!). the vinyl lp includes a download code.
attention: whole pressing has crackling noise in track d1 (the sun will never set on our love).

die serie der greensleeves lp-wiederveröffentlichungen geht weiter: hier ist das album des sängers linval thomspon aus dem jahre 1983 im originalartwork. *baby father* wurde mit den roots radics und dem bläsersatz bestehend aus dean fraser und nambo robinson im channel one studio aufgenommen. am mischpult saßen dabei soldgie hamilton und der sänger als produzent in eigenregie. linval thompson (geboren als phillip alphonso im jahr 1954) hatte seinen ersten karrierehöhepunkt mit dem kultalbum *dont cut off your dreadlocks* im jahre 1976 für bunny lee. zu diesem zeitpunkt hatte er bereits das studium zum toningenieur in new york abgeschlossen und später begann eine erfolgreiche produzentenkarriere, u.a. dennis brown, cornell campbell, the wailing souls, barrington levy, eek-a-mouse, sowie die zwei scientist alben *meets the space invaders* und *encounters pac man*.

500 unit limited jeff mills longplayer. color jacket of the artwork by gustavo alberto garcia vaca

after one year from the foundation of arts, label boss emmanuel focused on giving space for all the other sonic artists that he found on his road. he is back to give directives for the label, and give more sonic spectrum for the people. mentality is the result of a long process, it focus on mechanical quality and precision, scenario is a picture of something you do not know, but would like to see.

standard edition transparent blue vinyl pressing with white inner sleeve and printed cardboard sleeve.
the project stems from an idea of hypnotism and low frequencies which are an integral part of the musical premise. in an ever-changing field of music, blow creates a fusion between the genders in a spiritual perspective becoming part of the contemporary underground movement. both tracks are live interactions and excerpts from archival material of the opera mutica. the acoustic elements that characterize the artists sound are flutes, drums, percussion, guitars and ambient sound environments. between the surreal sounds he is able to initiate a search within ethic harmony. through musical research the project evokes a certain significance, enough to take on a certain character which makes space for more conventional acoustic elements.

another early 80s nyc club classic from the vaults of west end records, just in time is yet another sublime record mixed by the martinelli / todd team & features many of their trademark touches & the ladies of raw silks incredible voices.

incl john dimas remix

fracture is a new label which aims to release quality music on a medium we care about. this is why we chose to work with matt colton from alchemy mastering, and also why we decided to put only one track per side of a 180 gram vinyl. after a first ep earlier this year by berlin s i/y, this second release features signalweiss, one of the alias of prolific and talented italian artist dario tronchin (also known as chevel), here supported by a remix of milton bradley.the past years have seen dario exploring many directions, from intelligent dancefloor tracks to surprising housy & technoesque pieces. artificial is another occurrence of him blurring the lines between different genres, dreamy and abstract, it successfully creates a refreshing and unique atmosphere. milton bradley skillfully brings artificial completely into the realms of techno, keeping the original s track attention to space and melody, the track in his hands turns into a mental and punishing dancefloor bomb.

side 1 features italo disco classic takin it straight, giorgio moroder label mate meco space sentry and man this is my girl by kikrokos (made famous for ron hardys jungle dj edit). side 2 features 2 unreleased ny boogie disco edits by dubbed version. limited white label!

two performers. two modular synthesizers. a composition based in the rich traditions of emotional, organic, melodic music from tangerine dream to detroit techno. recorded in real time under the desert sky.
the double lp comes on 180 gram vinyl in gatefold sleeve, including a cd-copy of the full album.

to mark the labels 20th release, the cassette library invites various members of the gang to remix each others work. bobby champs, west norwood cassette library, kevin mcphee, j tijn, j tijn, knowing looks, kamikaze space programme, west norwood cassette library.

a new record straight from outta space!

limited repress of 500 copies on blue colore / black marbled 180 gram vinyl in gatefold sleeve plus download code.
the debut album by this important new british artist. exploring mystic and occult audio space with cello, field recordings, violins, hand made percussion and the human voice, this is barely conceivable as an artist s first album. the depth and quality is tangible in every hair-raising moment, at every crescendo when one is left teetering above the abyss...

sebastian groth gets more and more popular in the recent years. with releases on labels such as italo business, naked lunch, tk-records or masters of disaster he gets so famous that he was nominated even in the german magazines partysan as newcomer 2013

after a long summer, memoria recordings is back with a 3 tracks release of the romanian all-rounder marcman! three totally different tracks, each with its own story. this is how memoria works on her eps: dancefloor music, but also space for experimental sounds suitable for afterhours and special moments. with *inspection* by marcman the dutch label did it again.

afro-space-disco contagion - shuffling and wiggling, synthy and bubbling - from this re-incarnation of willy nfors mighty flames, recruited mostly from the wave of cameroonian musicians drawn to nigeria in the late-1970s by its heavy new funk sound.

fernandos debut for leng was the universally well received mid-tempo monster *blue impala*. now he is back with yet another hypnotic bass heavy workout. *giant desert* takes the same low slung approach with some heavy guitar work from fiorucci. this is really is chugging music at its best, with flashes of vocal, analog synths and a dirty rock guitar combining to keep that head nodding. the extended dub allows fiorucci more space to hit the groove and the guitar work becomes epic.

2014 repress with new mastering !! supported by: raresh, laurent garnier, kiki, dj sneak, karotte, lee curtiss, alex kid, jimpster, brothers vibe, etc.. i guess we dont have many words to describe this new esperanza in which we are proud to present on this vibe from the one and only fred p (black jazz consortium) and a delightful remix by sistrums favourite patrice scott. the original track is an amazing late night detroit ride which evolves slowly until it makes you feel floating on clouds. it may last 10 minutes but it s absolutely the kind of track you would want to be endless. on the flipside, patrice makes some twists and turns to the original track to put his own trademark signatures delivering another breath-taking emotional space walk. we are proud to release this record and hope you enjoy it as much as we do!

nice price deal !!! parisian fellow stephane laporte joins the antinote crew with a very introspective and dreamy full length record. it features 11 tracks of homemade synthetic scapes and weird atmospheres. stephane works at night on a 4 track akai tape recorder set up on a cosy fur carpet. while listening to fourrure sounds you will likely meet françois deroubaixs ghost or may even have an early kraftwerkian feeling. the world that stephane laporte has built through this lp is unique. antinote hope you will enjoy this cold yet warm synthetic trip.

black drop effects is named after the black drop effect, the dark bridge which appears to join two almost-touching bodies against bright light: famously, venus becoming teardropshaped on its transit across the sun, just before it moves into the darkness of space. all four tracks on this ep from italian-born producer palese are named after scientific aspects of the planet venus, confirming that industrial can most certainly still be intriguing. the ep surprises you with twists and turns, defying any stereotypical assumption of techno being all uniform monotony.

revno return and how! the mysterious gino fontaine is unmasked - a nom de plume for non other than the chicken lipped, emperor machinist himself, andy meecham time and again he has proved his mettle, and it is safe to say this is an absolute killer, with esteemed gentleman of dance music, bill brewster having already picked up on lead cut *revnorev* for his acclaimed after dark (nightshift) compilation and quite right too, if you can find a better example of an anthemic light / dark chug-fest, we would be happy to hear it! the mix featured here is an exclusive version for this 12 inch alone! scorching bass pulses and atmospherics, powered by synthesized drums finally give way to a cool chicy guitar line and ymo style top lines for an epic space-disco finale… konkondo graces the flip, and could easily be a mysterious early 80’s cosmic holy grail with its gentle wave washes gradually unfurling into an mesmerising roland bassline and back again. a stunning release then, limited and lovely as ever - dont sleep !

a collapse of any truth, absence of light, and spectroscopic industrial manoeuvres in the dark: this is isolated process ep realized by kwartz. isolated process is a robotic monotonic thought deep down the furthest abyss. belling drums alongside drones and solid grey basslines appears on first function and second function: two different points of view, two moments about the same hypnotic march. milton bradleys remix is a slower exploration of what remains alive underneath the space. slow and cyclical beats hits back the mind once lost in the ocean. pure machine darkness.

savage grounds are cco and daniele cosmo, co-owner of lux rec. a techno related outfit to explore a darker, noisier and more menacing sound. the ep has been realised by using only three machines. a roland 808, a modular synthesizer and a roland space echo. every track has been recorded live with a minimum of post processing. come over the fence and dance with the savages.

the first release by the respected test pressing comes from nautic - laura groves, bullion and tic with a remix in support from open space (the new moniker from andrew hale of sade and paul byrne a.k.a. apiento)

deo & z-man, the blood-brothers from hamburg, pulled off one of the most creative feats of last year with their debut album, no bullshit , with zero bs but plenty of inspiration, the pair melted together a range of influences with a healthy dose of tongue-in-cheek humour for their underground opus. the remix lp to follow this ep solidifies their commitment to the eclectic, drafting in friends and family like lee burton, erobique and tigerskin to rework the magic.

concrete music is once again supporting an emerging techno talent of the parisian scene. the record label behind the pioneering boat parties of the same name is welcoming prolific french producer ben vedren for the 7th reference of its high-end catalogue. equally dabbling into ableton teaching or sound art installations (for renowned institutions in paris and rome, among others), ben is also building up a definite career in production that first took off with an ep on minibar and a remix of carl craigs classic bug in the bassbin. immersed in contemporary classical music, techno and various house subgenres, he claims a diversity thats been showcased in all its subsequent interventions on labels such as eklo or balance...

on tross debut album 16:11 released on hoga nord rekords you hear influences from the city and the woods, the sea and space - inner and outer. tross deintellectualizes the jazz whilst taking clubmusic back to its roots. the kraut machine is motoring on some tracks, while others are more clearly driven by dreamy melodies than by a monotonous beat. feel the pleasures of participating in a playful context of mind expanding tracks put together to please the escapistic side of your soul!

vinyl only, culture hub returns to invisible circles great support as previous releases, hypnotic percussion and mysterious layered sounds as exspected!

nach zwei jahren im studio veröffentlicht der münchener justin faust endlich sein erstes album auf dem portugiesischen discotexas label! das album zeigt die gesamte bandbreite seine könnens, von clubfreundlichen klassikern wie girl talk über nu disco und pop ausflüge bis zu langsamen nummern, ist das abum wie eine sommerbrise voll guter stimmung. für na sowas konnte er sogar den legendären gitarristen mts björklund gewinnen, der viele aufnahmen unter anderem mit boney m. und giorgio moroder tätigte. das album enthält auch seine hit-single space rhumba sowie eine neue version seines klassikers high hopes und des titeltracks seiner ersten discotexas ep holdin on names slowin down. der titeltrack spellbound ist die erste singleauskopplung und weist mit einem pumpendem mix aus nu disco und house den weg auf die tanzfläche.

on this new 12 inch, we present 3 big names of the digging scene: tokyo matt from the otaku soundsystem originally based in hong-honk, and mori ra & asn from tokyo oyama edit, well know for their releases on curt jackson rotating soulss label. the 4 edits they are presenting are just out of this world. all very atmospherics, they are the ideal combination of space disco, balearic rock, jazz, pop and fusion. another ep to take very seriously.

the cryovac machine is repaired and ready for service again. its components are tightened and aligned on course for another round of sonic manipulation. the path is always defined by the times that are endured and the moments of clarity that move production forward. cryovac is a machine that preserves a time and space into physical form. the objective is to move as one and speak in vibration of an existence that continually changes. the people of cryovac are a like-minded band of artists with strong integrity and vision for the soul of techno. their character is imprinted on the sound they make and each viewpoint is a unique direction. corbin davis inhabits a lonesome steady grind that moves without reason or reluctance shaping an environment. keith kemp is a seasoned operator versed in the sultry funk of a sophisticated pimp mind-set. annie hall has traveled the world gathering the correct frequencies to design deep and serious minimalism. a. garcia is dirty and simple, ready to turn the atmosphere to child-like warmth. these artists are the components that form a machine and also a team, focused on producing a brand that stands the test of time.

introducing the house of 12 vol.3, including new artists on this one, who are all italian based! a1 is with abissy, proper use of vintage gear with a great great knowledge of the machines! always respect! a2 is a mysterious man, twilo, with his first release! catchy dreamy pad and ethereal atmosphere with roland beats... for the dreamers b1 is mike lee, and his love for italian house from the early 90s, made with love and soul and respect to the originals!! b2 is a name i don t have to introduce, giovanni damico, here with a funky-all-played-song made with machines and his swing magic touch!

carbon chic, a native of minneapolis, delivers a high-impact redux on a soulful kick for the a-side. while for the b-side, a deep and cozy after-hours excursion effortlessly begins. two tracks at home both on the dancefloor and in your space. beyond the speaker invites carbon chic for the label s sophomore release after legowelt and willie burns shared the successful label debut, angels against dust. with a broken man, beyond the speaker expands its horizons by committing new talent to wax, furthering the label s vinyl expedition. carefully mastered by alek stark, a broken man in redux form does not compromise, upping the tension between burrowing bass, satisfying beat and vocal machinations. on the flipside, deep affection offers a more comforting assortment of synthetic melody and late night warmth while maintaining a firm dancefloor footing with gently rolling hihats topping everything off.

last copies left !!
a bold move to cover a daft punk record? perhaps but off msg and vocalist hadi create a respectful update of the oft overlooked romanthony penned finale to daft punks second album. too long is one side of vinyl and 6 minutes of classic infectious house music as uncomplicated as it is effective. sounding not unlike an early marshall jefferson / jungle wonz record. hadis vocal leads the way, underpinned by loose house beats, live tambourine, a when house was discos little brother bass line and analogue disco stabs that punctuate the space. strictly limited to 500 hand stickered, stamped and numbered with no repress. these will not hang around mastered by original two lone swordsman mr keith tenniswood.

tribal psychedelic meets roots dub style. 2014 urban tribal vibes!. mystic tribe follows up on his debut ep meditation stick ep on sd records which surpriced many and this is is brand new project on his own mystica tribe records hailing from tokyo delivering some deep, tribal and spiritual music that goes beyond age or space

jazz and house newcomer some trumpet, some keys, and some samples, with solid beats and melodies for his debut 12 inch. hailing from the nyc, kareem created eight tunes that show off his imaginative composing skills.

following the success of the digital release of sleazy mcqueens *you know how ep*, upstart label, cvmr were compelled to press the remixes to vinyl. the proceedings open in superb style thanks to the revenges live dub. a bass heavy tool with equal parts classic house and disco, with a touch of arthur baker-style drums. on a2, sleazy mcqueens space coast take things to the basement with the help of romano arcaini (latenight society), warm rhodes, live bass and an absolute drum-break-freakout add a decidedly different dub flavor to the package. b/w compost blacks main man kasper bjorke offers his acid tinged interpretation, driven by a gritty saw-wave bass hook, rolling snare hits, wanderings arps and crunchy drums, a simply stunning piece of music as expected from the undeniably talented copenhagen born producer. closing out the remix ep, cvmr in-house producer, century strips back the vibe to a dropped tempo, emotive workout fuelled be heavily reverberated piano chords, echoing vocal lines and a general chuggy, low-slung vibe throughout.