sideral is the debut 12inch of talaboman, the super-duo of hivern discs john talabot and studio barnhus axel boman. the record is released as a joint venture between the labels and comes with a slow-burning remix by köln based producer matt karmil to accompany the boombastic original version, which was also featured on john talabots much praised entry in the dj-kicks mix series last year.

luciano esse s own blend of techno has led him to release on acclaimed labels such as safari electronique, trapez ltd and material among others, and to be invited as a special guest on john digweed s kiss 100 radio show. his decade long gig schedule has seen him take the stage at superclubs like fabic

remixes by john talabots & locked groove

following the success of the first parquet most wanted ep, here comes the second volume with another 4 future classics! finest melodic house & techno by einmusik, solee, whomi, dale middleton and mashk! already huge dj support by marcus worgull (innervisions), hot since 82 (noir music), john digweed (bedrock), max cooper (traum), betoko, sasha, oliver schories (der turnbeutel), hernan cattaneo, deep dish and many more...

my little dog welcomes the 2014 summer with another solid vvaa ep. the first track comes from the skilled hands of the chilean producer rodrigo laffertt. *punta de flecha* is a sweat, groovy and dark trip, seasoned with a deep and elegant spanish voice. a serious candidate for this summer house hit in the best open airs.
supported by reboot, marco carola, maya jane coles, booka shade, john selway, stacey pullen, mihalis safras, hermanez, jay west, martinez, d- formation, toni rios, hanne & lore, andre butano, david duriez, vanilla ace, tony thomas, oscar l and many more!

airhead, (aka rob mcandrews) a resident, founding member and spiritual ocelot of the 1-800 dinosaur crew, will be releasing a four track ep *believe*, the first of a series of releases from dan foats emerging artist collective. this believe ep is a turning point for airhead, equivalent to the moment in the film *witness* when harrison ford, as john book, realises that the hitmen (witnessed by the amish kid in the toilets) are actually policemen. the inward has been exchanged for the outward. where airheads critically acclaimed debut album *for years* was all about tip-toeing barefoot into thick carpeted darkened rooms, this new ep, inspired by two years of 1-800 dinosaur parties, is all about the boom-boom oscillation and hands-in-the-air machine gun parties.

wiederauflage als 180 gramm vinyl-lp mit vier studio-titeln von the christine perfect band aus dem jahr 1969, die den original yardbirds-gitarristen top topham featuren, zzgl. fünf titel aus dem jahr 1970 von post peter green, fleetwood mac mit christine perfect, danny kirwan und jeremy spencer neben mick fleetwood und john mcvie.

the parisian label flyance records newly set up by janeret, ka one & st-sene comes back with their second releases *cycles vol.2*. as the first one, cycles vol.2 is a various with 4 tracks focus on the deeper side of house and techno.
played by: owen jay (battibatti/minuendo/uq), brian james, life recorder, dubbyman (deep explorer music), gaetano battista, toni be, marc cotterell (plastik people), marcelo tavares, toki fuko, doo, brad peterson, supertape, carl h (northern purpose), janeret flyance records, colman buckley, john massiande, anaxander, ka one (flyance records), djp

its not exactly a dance album, although there is music you can dance to on it. its more filmic in nature.

ein lang verschollenes und gesuchtes album ist jetzt wieder erhältlich! und dazu auch noch auf vinyl!
divine machte sich in den späten siebziger jahren zunächst einen namen als skuriller schauerspieler in john waters filmen (u.a. hairspray, pink flamingos), bevor der travestie-künstler dann in den frühen 80er jahren von erfolgsproduzent bobby orlando (u.a. pet shop boys, the flirts) auch für plattenveröffentlichungen produziert wurde, die den typischen bobby-o disco-sound hatten. innerhalb von knappen 3 jahren landete divine dann auch einen großen hit nach dem anderen, bis er schliesslich 1988 auf tragische weise ums leben kam. doch seine songs sind bis heute unvergessen geblieben.

following a rapturous reception for their latest album *the feast of the broken heart* and a triumphant sell out london show, hercules & love affair release new single i try to talk to you feat. john grant lovingly rework by seth troxler, morgan geist and ha-ze factory.

180 gramm doppel-vinyl im klappcover, downloadcode und booklet inklusive.
-hard believer- wurde in 17 tagen im legendären sound factory studio in hollywood aufgenommen, erneut in zusammenarbeit mit produzent billy bush (garbage, beck, foster the people). urban, bluesy und lebendig ist das album eine meisterhafte sammlung von songs eines künstlers auf dem gipfel seiner kreativen energie. -we wanted to go deeper this time, and be more ambitious with the music to move the sound forward without losing touch of where we’re from.- (fin greenall) nachdem fink von ninja tune unter vertrag genommen wurde, sich vom gefragten club dj und electronic-produzenten zum songschreiber für acts wie amy winehouse, john legend oder professor green mauserte, bestieg er selbst die bühnen dieser welt mit seinen bandkollegen guy whittaker und tim thornton um seine eigenen songs zu spielen und verbuchte für seine live-qualitäten, als auch seine ersten vier studioalben, allseits das lob der kritiker und fans. sein neues album -hard believer- erscheint auf greenalls frisch gegründetem label r coup d in zusammenarbeit mit ninja tune. fink sind fin greenall (vocals/guitar) zusammen mit tim thornton (drums/guitar) und guy whittaker (bass).

der sympathische hip hop-produzent, dj und labelinhaber aus columbus, ohio, veröffentlicht mit *the legacy* sein vorerst letztes solostudioalbum, bevor er sich auf produktionen für andere mcs, instrumental-projekte und sein label polar ent. konzentriet. dieses mal tritt er in erster linie und wie selten zuvor als mc in erscheinung und reimt über produktionen von befreundeten kollegen wie kev brown, rashad, lakim, bombeardo, dj o-sharp, mighty dr und rob riley. unterstützung erhält er von gästen wie illa j, oddisee, nottz, wordsworth, masta ace, john robinson, u.v.a.

it seems like no part of the world has evaded discos ubiquitous inuence, including the caribbean. the caribbean in the late 70s and early 80s was a hotbed of musical activity and this compilation focuses on the best disco-inuenced tracks from trinidad and tobago, jamaica, and the bahamas. all of the tracks here were ocially licensed and reissued for the first time ever. highlights of the 13 tracks included on this compilation are: the under-the-radar cosmic disco tune -got to have you- by joanne wilson, a rare p&p records-inuenced track -dance with me- by odessey one, the icy cool synth-trenched -living on a string- by wild fire, the incredible dance oor-friendly -instant funk- by merchant, and the disco reggae cover of -rapper s delight- by prince blackman. this compilation was compiled and researched by deano sounds and includes edits by al kent, the whiskey barons, and waxist selecta.

talahachi introduce themselves with a four track compilation of melodic techno and deep house. john beltran opens a crystal music-box on pisces. glasgows stephen lopkin treks across rannoch moor. dancer, choreographer and producer sir lord comixx constructs breakbeat techno from his unique perspective and invitation au voyage visits the centre of the periodic table.

with their cinematic music and john carpenters cover albums, we wondered when a real soundtrack by zombie zombie is going to be out? well, here it is now , the two zombies cosmic neman and etienne jaumet finally sign their first film music for the first feature film from director , narimane mari, loubia hamra (bloody beans), to be released in spring 2014. and we found them there, where we do not expect, because it s not a horror movie, but a free movie, a journey of a group of children from a district of algiers during the war of algeria, who becomes aware of life and death.director narimane mari talks about her experience with zombie zombie and creation of the soundtrack for her movie:-i really wanted the music to be as blood flow of images and that is what it is. sharp, dull, full of strange noises, inner or surging, harmonious or disturbed by noise disorder, which allows to read beyond the visual narrative. we are in the bowels of childhood and it shakes us up when we let our-selves be takeover by the living: the profusion. i didn’t want to make a movie where psychology and reason rule and dominate until our senses are weakened, but a movie that we experience with the body and it is them who made it possible, this total immersion.

volume 7 der about: berlin serie auf limitiertem 4-fach 140 gramm vinyl, inklusive download-gutschein.

after the highly anticipated release of his third studio album decay, efdemin presents the first part of a remix series featuring his favourite producers. bristols underground hero asusu inflates the reduced album opener some kind of up and down yes with deepest bass and beautiful scapes to the max in a true photek-style. last years control by staffan linzatti was one of the favourite constants to be played in every efdemin or lawrence set. luckily his version of solaris is another epic hymn here with futuristic enhancements of the third kind.the most extraordinary piece on decay versions part 1 is the borderland states rework of parallaxis. efdemins studio-mate john gürtler recorded that beauty with adding acoustic instruments only and sounds like a meeting of moondog with wim mertens.

hot on the heels of the dj mix of 2013 from john talabot and following luminaries such as maya jane coles, maceo plex and breach, next in line to mix it up for the esteemed !k7 dj-kicks series is aus music and simple records boss will saul.

after releases on john osbourne’s label tanstaafl bill youngman once again rips it off for killekill with our catalog number 019.from straight forward, hard hitting techno as in levitate he crosses over to the typical youngman style 2-step/techno hybrid as in magnetic. broken beats and playful me- oldies as in teardrop turns to solid are definitely not new to him, but the combi-nation of these two elements, as we find it here, definitely is. a beautiful masterpiece that works for the lonely hours as well as for the peaktime dancefloors.

hot on the heels of the dj mix of 2013 from john talabot and following luminaries such as maya jane coles, maceo plex and breach, next in line to mix it up for the esteemed !k7 dj-kicks series is aus music and simple records boss will saul.

der rhythm & blues-fachjournalist lois wilson (mojo, record collector) hat für fantastic voyage tracks aus dem chess katalog aus den genres blues, r&b und rock n roll ausgewählt. die vinyl edition enthält 32 clubtaugliche stücke und einen farbigen einleger. mit dabei sind songs von muddy waters, chuck berry, howlin wolf, bo diddley, john lee hooker, u.v.a.

for the second instalment from quantum entanglement we delve into the misty past, a time when moving parts ruled the dance, when the power of the night rested on a needle and a bassline, and before cdjs calculated the bpm for you…you had to touch things, buy things, and the bassline ruled over all. acid thunder, a classic by fast eddie, was the first dance record i ever bought. it was important. the guy who sold it to me, at the time a spotty school kid in his school uniform, was called john stapleton, and the shop was sidetrax in bristol.

with georgis sinnmusik debut receiving support from the likes of laurent garnier, john digweed, joyce muniz and shadow child, label favourite georgi barrel returns with another batch of dusty samples and deep, infectious house grooves.

ende mai meldet sich das allseits beliebte elektro-kollektiv hercules and love affair mit einem neuen album zurück. -the feast of the broken heart- ist das dritte werk der fahrenden disco um mastermind andy butler. schon beim debütalbum führte butler einen reigen voller talentierter musiker und djs zusammen, die mit singles wie -blind- die szene nachhaltig prägten. auf -the feast of the broken heart- finden sich abermals namhafte gastmusiker, darunter john grant, rouge mary, gustaph oder krystle warren.

hot on the heels of the last release from francisco in slow motionss new soundtrack series comes this stunning four track release from marco antonio spaventi. while recalling influences as diverse as jan hammer, john carpenter, goblin, giorgio moroder, daniele patucchi, the de angelis brothers and many other legendary (mainly italian) composers from the soundtrack side, these tracks are just as comfortable on the electronic dancefloor and provide a dancing experience every bit as engaging as a listening one. synth-heads, soundtrack afficonados, space-freaks and dance fiends are all set to enjoy this one in equal measure! move fast as copies are limited and demand is high.

the ever essential bokhari label return to showcase yet another vital new artistic talent scientific dreamz of u serve up two fresh, mystical john carpenter-esque tracks that share the dancefloor and rub shoulders with the darker, pitched down end of the sonic spectrum. this outing, as always comes complete with a superb rework: an 11 minute long chugger from black merlin beautifully packaged, limited edition bokhari special !

philipp composes and performs in a way of russian avantgarde and moscows conceptualist movement.

bobby b (a.k.a andre ferreira) is perhaps best known as bobby browser, as he is previously issued a pair of eps for the 100% silk label under that name. those records were excellent, but its fair to say that his icee hot debut finds ferreira exploring a richer, deeper sound. >history< is slow-burning deep house jaunt that subtly nods to detroit along the course of its soul-drenched journey. >so true< warms things up, but only slightly, as its relaxed tones, warbling melodies, and loosely stitched breakbeat offer a blissed-out path to the dancefloor.

five years on bbe is proud to present third installment in their trademark strange breaks & mr thing series. the double vinyl comes in gatefold sleeve, including a cd with the full mic by mr thing.

nelistening back, ‘interlude’ will feel like the perfect opening to ‘skylax’. a jazzy encore crawls in, morphing into a skippy hip-hop instrumental with jason’s signature flourishes all over it. aptly named as it is, this is the breathing space between whatever came before in your day, and the eleven deep house gems that are to follow. speaking of, ‘the love’ will have you gripped from the first bar. it glides the listener in, then subtly drops that signature, tightly-tuned bassline of jason’s and continues onto soulful vocals from there. ‘old dayz’ touches on a bit of a nostalgic note. the spoken vox cuts harken back to 90s hip-hop joints, playing over a looped latin sample-led beat. from there, ‘rawkicks 2’ shows jason’s rough and ready sampling style in action. a seemingly simple track, but one which has that special something which guarantees to keep people on the floor moving for its duration. ‘cut b’ contrasts this nicely, being a much cleaner production with tight drum programming and synth work. that said, it still has the classic jg atmosphere we love. closing out the first half of the album, ‘definition’ slows the pace ever so slightly, with its eternal pad structure that builds up the track’s momentum into something very mellow and deep.bringing in the second half of ‘skylax’, ‘john blue’ takes things back a notch further. a deeper tune, yet one that shows off an uncharacteristically punchy bass hit from jason. ‘last night’ is a track more reminiscent of jason’s first lost cuts ep on wax classic, sounding as if it had been freshly taken off an old tape with its sample-led beat and background hiss. the last four tracks of the album see a return to the ‘mastercuts’ and ‘lovedits’ series which fans will recognize from the ‘lost cuts’ records, with ‘lovedits 7’ and ‘mastercut 5’ respectively. the former is a laid back female vocal edit with the entire suite of signature jg touches while the latter is a garage house hit more crafted for the club. ‘bb’ brings the album to a close, twisting a disco/funksample over a pallet of drums and effects for the near six-minute duration of the track.all in all, this is the perfect follow up to jason’s debut album ‘313.4.ever’, with tracks for both the club and home listening. if you happened to miss the first album back in 2012, don’t forget that now you have the chance to grab it in a special double pack with ‘skylax’ on cd!so, needless to say, this timeless record is a must purchase for all collectors and djs out there

first release in a series of vinyl-only 12 inch eps from new label balearic blah blah featuring a choice collection of original balearic gems and edits carefully selected and respectfully reworked by kbe. dont sleep – limited edition.

doc scott was on the decks. it was at tribal gathering (i think), 1996, standing in front of a wall of speakers to one side of the stage, enjoying myself, like you do, when this sound started growing inside my brain. my head was then ripped clean off my shoulders! words are still hard to find! it was the first time i ever heard shadow boxing and its the only thing i still remember from that night. om units 2014 remix is paired with the 1996 original.
dj support from: fabio, mark pritchard, friction, surgeon, toddla t, laurent garnier, pinch, zinc, baliey, rob both, billy nasty, krust & john b.

part 3 of 5 in the classic series features material previously released (andres and john tejada & arian leviste) on the m&g compilation >beneath the surface< but never pressed on vinyl. also featured are planned but unreleased nuggets from brad peterson & ewan jansen.

the original soundtrack of an unreleased movie became the soundtrack of a comic book. 14 tracks produced by krazy baldhead, mr flash, busy p, feadz and the mysterious 40106 (aka mickey moonlight). influenced by john carpenter, wendy carlos and vladimir cosma, the ed banger records artists imagined the perfect soundtrack of a >la ed wood<movie. nostalgia and sound anticipation, vandroid should be listen reading a comic or the head in the skys. a concept album which allows the artists of the label the least exposed to prove their talent.

it is soul time down at the cassette library! produced by bob bhamra. additional production on *clavichords* by the early learning centre. mastered by sam john, precise mastering. manufactured by agr manufacturing.

limitierte ausgabe inklusive kunstdruck.
-someday world- enthält neun songs, gemeinsam komponiert und eingesungen von eno und hyde, mit einer beeindruckenden liste von gastmusikern und -vokalisten wie tessa angus, nell catchpole, marianna champion, will champion, kasia daszykowska, don e., darla eno, georgia gibson, andy mackay, john reynolds, fred gibson und chris vatalaro. das album wurde von brian eno mit dem erst 20-jährigen fred gibson produziert, und führt die schon länger währende musikalische kooperation zwischen karl und brian fort, die 2009 mit dem -pure scenius- projekt begann, an dem auch leo abrahams, jon hopkins und die australischen the necks teilnahmen, und nun in dem ersten gemeinsamen album überhaupt kumuliert. -someday world- erscheint als 2x12 inch lp im klappcover mit downloadcode. ps: brian enos letztes solioalbum -lux- wurde 2013 für den grammy nominiert.

following on from the white collar boy & somadrone outings for numbers 001 & 002, bodytonic music have called in some friends in high places in the shape of james savage aka naum gabo & l.i.e.s. bossman ron morelli (debuting his ghost 202 project with l.i.e.s. labelmate svengalisghost) to remix the debut release of adultrock, or gav elsted to his postman. a 5 track spaced out funk excursion concocted in gavs secret synth lair in dublin, *chants* is already getting heavy rotation from the likes of james holden, john talabot, pional, annie mac & more.

following on from the success of ekkohaus debut album, no school, last year, moon harbour now offer a selection of high quality remixes. the chosen ones include watergate mix star and bona-fide house godfather kerri chandler, made to play boss jesse rose, label regular sven tasnadi and greek producer john dimas.

in february various release the first offering from new signing hardware, already getting airplay from rob da bank (radio 1), marry anne hobbs (radio 6) and john kennedy (xfm). this 12 inch will definitely start of a busy year to a great start.

the third album of depeche mode construction time again (1983) was the first one to include talented band member and arranger alan wilder to the mix. the album was recorded in john foxx s the garden studio in london and mixed in the famous hansa tonstudio in berlin, the latter being famous for its delivery of classic albums by artists like david bowie, iggy pop, nick cave and u2. experimenting with brand new instruments like the synclavier that allowed sampling to be manipulated musically, construction time again was a groundbreaking record that included industrial influences. these influences would come to full fruition on subsequent albums some great reward movlp940 and black celebration movlp947. songs like *pipeline*, *love in itself*, *shame* and *everything counts* turned out to become classic depeche material.
exclusively remastered, pressed on audiophile 180 gram vinyl and housed in gatefold sleeve.

2016 repress ... alecs newest strike after the orville ep on microtonal. supported by richie hawtin, popof, stephan bodzin, technasia, m.in, someone else, dinamoe, matt john and many more!! also frustrated by superfluous junk? the new uncrufter 1000 is the perfect medium to free your ears deep-cleansing from all the every day s cruft. it reliably removes incrustations and prevents brain corrosion. get it today in your local lampenladen (ipoly recommends kaufmann & ferdinand), get a piece of bonus finishing by haito and reprise true tidiness. knock off needless stuff û with the new uncrufter 1000!

volume 6 der about berlin serie auf limitiertem 4-fach 140 gramm vinyl, inklusive download-gutschein.

super price deal... last copies left !!
f-com artist with big spacin stuff !! plays by john digweed, pete tong and dubfire

the first supply showcase: four label-newcomers range with veteran authority from deep house to driving techno. the opener is a grooving house burner: an infectious loop and low-slung drums build triumphantly. anders hellberg drops in some acid, with a strident 909 beat stalking an open, melodic soundscape. kicking off the flip, label co-owner jb teams up with bostonian paul morse in an icy, tantalizing variation of elastic, swinging deep-house, before stojches outward opens up an ending, its pounding beat laced with bitter-sweet detroit strings.

1810, blind jack (john metcalf) sadly passed away at home in spofforth, north yorkshire. dream house volume 1.4 delivers even more depth to their winding journeys. featuring specifically invited artists heko, marius, gnork and new boys lock eyes!

following on the success of our cellar the imprint returns for the second releases with james mile , salvo castelli, nadia popoff and strck.dancers and dreamers for supporting the music, ideas and feasts of our family and friends. by the sounds that a typical wet earth offers. support by: ame, dubfire, tini, ben sims, ilario alicante, rino cerrone, john osborn, woo york

additional support: blm, ethyl, vince watson, flori, luke solomon, truncate, ben sims, brothers vibe, boris, ed davenport, lo shea, anthony collins, john osborn, chris duckenfield, a sagittariun, mr g, joris voorn..
nyra returns to never learnt with the follow up to his best of ep which saw huge support at the wax only imprints debut 12inch. ensemble takes in four tracks that each play with dub influences in house and techno ranging from direct dancefloor works to more esoteric cuts.

returning to the party like an unwanted family member, drunk, staggering and harbouring broken toys of acid and drum, z o d i a c 4 4 lurches forward with its second release of the 12 release run.