b-stock! cover with seam split. vinyl unaffected & mint. 2021 repress!!! phat double vinyl , housed in gatefold cover!!

one of russias most exciting and lively organisations with their latest outing! philipp gorbachev with a new 5 track ep.

incl remixes by marcel dettmann, barnt, bejenec, mashkov, inga mauer

bellringer by day, dj by night, philipp gorbachev returns to his own pg tune label for his fascinating third lp, kolokol

len faki is ready to share another batch of his personal secret weapons, this time giving away three floor-focused edits, starring a pair of russian producers philipp gorbachev and nocow. first up are two takes from gorbachevs recent lp, a throwback into the rave scenes heyday. featuring anthemic synths and even front-row vocals by polina. the catchy album opener gets rigged with a solid fundament and peak time-friendly bpm, while similarly sumptuous cut lazer waltzes through fakis tested and well-proven percussive layers. boasting massive low-end impact on the flip, the hardspace mix of nocows k$$$$ hits a special spot, mixing heavy bass, idm-grade level of detail and ghetto-ish vox into a unique and heady power-blend. as with all releases of lf rmx, the proceeds of this record will be forwarded to the berlin organization straßenkinder e.v. to be used in actions against child poverty.

it is making my blood boil. man, my jaw is hanging down listening to this stuff. read the email from butthole surfers man and producer, paul leary, when he heard the demo for what would become the debut philipp gorbachev & the naked man album. philipp gorbachev, the russian musician and dj, has been throwing killer parties and making some of the most innovative and exciting electronic music to come out of moscow in years. in 2014 he released his debut album silver album but when invited to perform a live boiler room he had something else in mind: a band scenario. the resulting concoction was not something locked into a 4/4 beat but rather a much more organic, groove-based sound with funk-strutting bass lines and live drums that rolled and flurried around the beats that jumped around leading the charge of the songs along with gorbachev’s damo suzuki-like vocals. taking that experiment into the studio, i dont give a snare is a wild ride that jumps genres, switches paces and alters tones frequently. the opening goodman exploding in intense rhythms and heavy, spiralling riffs that at times recall sabbath but the ever-shifting drums and gargling electronics give a wonky freshness that feels impossible to place into genre. whilst gorbachev cites a range of influences from beck to blind willie johnson as being core to him, the primary motivation is the live nature of the project itself. the main influence is the constant live experience we have as music players and performers. i want to get the most out of every party, every jam, and every dancefloor.

philipp gorbachev’s sophomore solo album continues the narrative of his previously released trilogy on cómeme, and serves as the inaugural lp on his own pg tune imprint. from imaginary places like the delta, down to the dirty district, and with reverence for the heritage of the russian avant ­ garde, ‘unlock the box’ pictures a static and demodulated dance floor. welcome to the 5th new century.

the weeping tune was originally released (digitally) in september 2015 on pg tune and premiered in arma17, moscow. barnt: artist, friend, dj and one of the minds behind magazine label, created his own version of the weeping tune to fit into his dj sets, one of the first times being at amnesia, ibiza. these energies naturally formed this release which opens the vinyl catalogue on pg tune: a must have record packed into a pg tune trademark sleeve, created with a thermal camera during tigas first ever live show at berlin festival. limited to 500 copies worldwide, pressed on 180 gram vinyl.

2021 repress!!! phat double vinyl , housed in gatefold cover!!

philipp composes and performs in a way of russian avantgarde and moscows conceptualist movement.

techno music that is more rock n roll than any guitar nowadays could be

delta is a symbolic and poetic place, the space, where the flow, the river enters the ocean or the sea. the delta gives the feeling of the rhythm. the delta is the supreme destination. delta refers to hanging out in the street in a city (in the district, for example). essential in the delta is the spirit of conscious spontaneity, collaborations with artists, instant moves, jam sessions, highs and the lows, the right thing, night, stories to tell and other basic habits from the primordial age of music. the delta provides one with a primal style for the music. it is the place where music begins. recorded in moscow, nikolina gora, russia and in berlin, germany and mixed by daniel maloso in barcelona.

russian-born dance avant-guardiste philipp gorbachev is in self-exile - from moscow to berlin - due to his political views and his purpose to join c—meme in 2011. this collective of musicians and artists, operating between latin america and europe, is known for a killer instinct in producing forward thinking dance music beyond any standards of contemporary music industry

seven years of love is our second label compilation with nine original tracks by resident artists and friends from around the world. the versatile vibe spreads across two parts, each dedicated to a certain dancefloor mood: system 108 and radugadiscoclub. outstanding artwork has been created by uno moralez.

part two of five years of love

decka stays on the move with release #3 for his unterwegs label.

miami in the house! a unique combinations of 808 miami bass overload, the freestyle electro anthems, the murk legends, the electronic freaks from the schematic crew, and some external influences together fertilized the new omnidisc label! it head starts with a 4 track collaboration ep between danny daze, 214, deroboter, drvg cvltvre & philipp gorbachev. miami is keeping it real!

first remix package with mixes by barnt, the mole and philipp gorbachev

after only a tiny time-out cómeme can t help but remain restless and return even more internationalist than before, since this ep brings together artists from moscow, medellin and cologne, as well as guests from spain. its a collection of tracks that translate comemes ever quintessential voltage into different musical temperaments, drawing the bow from infectious semi-electronic body music and cumbia-inspired rhythm affairs to detached pitch-frenzied sequence-disco and a sphinxy creature with fanfares and whiplashes.