jocelyn brown should need no introduction at this stage, one of the uss most respected vocalists famed for bringing the gospel edge into contemporary r&b and soul music. brown was the voice behind the celebrated disco and boogie outfit inner life, the focus of this stars of salsoul volume. cutting 2 lps for the label in the early 1980s, inner life came strong with club hit after hit, working with the top producers, mixers, arrangers and studios of the day the group were gaining cult status with their records becoming the taste of the dancefloors at the garage, the loft, the warehouse and everywhere and anywhere else in-between! it s no surprise then, that these records are still coveted by music lovers and djs today, classic status bestowed upon this most soulful of catalogues. featured here are those hits, in their full unedited 12inch glory. listen to the classics as nature intended, you won t regret it. a truly essential package for the die-hard disco aficionado or for those who are exploring this most important movement in dance music for the first time. curated with the full input and backing of salsoul records and carefully selected to reflect the truly timeless nature of the music contained within. for listening, for dancing, for turning on a party! remastered by optimum mastering. artwork & design by million dollar disco. fully authorised and approved by salsoul records.

three years on from 01, this tenth cassette release & the seventh volume of the oddities compilation series brings another four newcomers to low-key bristol outfit, tutamen. joel john, moní moní & half nelson follow stellar appearances across the technosphere to bless us with their wares, and define jocular presents an intriguing debut appearance.

new edition of john duncan�s 1984 album, completely re-recorded. new artwork. mastered by rashad becker. edition of 400 individually numbered copies

john daly is without a doubt one of the most influential artists of deep dub-house. the irish man s music has an unique and truly original trademark sound. with these two tracks he proves once again his exceptional quality and makes no secret about his influence, real chicago and detroit house in a fresh and timeless outfit with his special twist. already championed in sets by great djs such as laurent garnier and antal to name just a few.

record comes in translucent red vinyl, full colour sleeve and printed innersleeve. limited edition a series of songs written and destroyed . . . self-cannibalized productions spit back out in abnormal silhouettes . . . the originals shredded apart into discreet motifs� miniature rhythmic patterns, collections of melodic runs . . . selected moments of recordings from maxwell sterling (double bass) and peter evans (trumpet) introduced as �probiotics� . . . freeform ideas set to feed off of the original productions like bacterial organisms . . . creating new �growths� . . . mutating and congealing into foreign forms.

the complete show from copenhagen, march 24, 1960 on miles davis� and john coltrane�s final tour for the first time on vinyl.

the score introduces several new themes interwoven throughout the film, including identities for the character rose tico, the interactions between rey and luke skywalker on ahch-to island, and the resistance�s desperate escape from the first order. the score also reprises numerous themes and motifs introduced in the force awakens, including those for the characters of rey, kylo ren, poe dameron, and snoke, as well as the -march of the resistance- and -the jedi steps-. themes introduced in the original trilogy return as well, including -luke�s theme-, -leia�s theme-, -the rebel fanfare-, and the -force theme- from a new hope, -yoda�s theme-, -the imperial march-, and -han solo and the princess- from the empire strikes back, and, -luke and leia- and -the emperor�s theme- from return of the jedi. excerpts of the -tie fighter attack- cue, first heard in a new hope and reprised for return of the jedi, are also included. -the emperor�s theme- is the only returning theme to not be included within the official soundtrack presentation, it occurs in the film when snoke tortures rey for information. the score briefly quotes -aquarela do brasil- by ary barroso in its -canto bight- track as a reference to the 1985 terry gilliam film brazil. it also contains a brief quote of williams�s own theme for the long goodbye (co-composed by johnny mercer) during finn and rose�s escape, although this was not included in the official soundtrack release.

the fourth installment in john osborns dred records series will be from fellow uk producer harsh puri who goes under the moniker reformed society. dred 004 consists of six tracks in total three that will appear on the vinyl release, followed by another three that will be digital-only exclusives. harsh puri aka reformed society debuted in 2015 with this being his sixth consecutive release in order. harshs productions caught johns eye, or rather ear, after being sent to him last year and resulted in this release of six solid prime time deep house stompers. packaged in an understated matte white sleeve with a black and white picture of brahma (the four headed hindu god of creation) handstamped on each cover by the label owner himself, this being a continuation of the human skull dred logo. one life opens the dimensions ep and is the track given to label boss john osborn for deconstructing and remoulding into his own specific vision each release will contain a rework from osborn. if you are familiar with johns previous work you will immediately recognize his characteristic resonating percussion, the tune being a deep house sci-fi storm expedition driven by a full luscious kick covering the tracks of chords from unsettled pads. the eps title track has ambient sonic rays flowing through it, being aptly named dimensions it is also the records warmest adventure, distorted percussion juggles sparse subaqueous melodic moments, and from here we go into the 12inches final moment, chasing titanoid. reformed society goes in with full yet silent force on this one. a warped bassline co-creates the groove with a particularly bouncy beat with sharp strings piercing though.

the grand, sweeping sonic explorations of �pretoria�, from john matthias and jay auborn�s 2017 album �race to zero�, are given new life on this four-track remix ep.
moon gangs (better known as william young, keyboardist in bristol-based electronic outfit beak>) takes the reins first, delivering a thunderous take on the original�s faster-paced second half. typically of the artist, the track builds and builds in intensity, climaxing with an apocalypse of emotional, layered synths.
bristol�s cuts strips back the elements for a much darker reworking. a single, repeating piano note echoes into wide, open space alongside the original�s antique violins before clattering percussion and synths enter the mix for the most foreboding turn of the release.
closing the ep, former mogwai member john cummings also bases his reinterpretation around the original�s piano. but where cuts leans on moody darkness, cummings take is more upbeat, courtesy of a driving four to the floor kick and fidgety, high-pitched piano.

a benchmark project that has been in fruition over the past year, one against time is the magnum opus of john dimas career. it is a pivotal milestone that embodies his depth of knowledge and his personal fascination with the mysteries of life and the universe. spread across 14 tracks, one against time sees dimas really broaden his artistic capabilities, drawing from a melting pot of influences and woven together by his desire to channel a feeling of intrigue and curiosity taking a journey outward into the deepest recesses of outer space while simultaneously traveling inward to that same area of deep space inside his own soul...

classic , recorded in may 1977

baad john cross�s new revolution is a afro-electro-funk-boogie-disco banger that could only come from 1980s nigeria. bright, optimistic, with an unrelenting eye on the dance floor, it is regarded by many as a prototype of the electro rhythms that would become the signature sound of nigerian boogie.

erstmals auf vinyl: der mit dem oscar prämierte original-soundtrack von john williams zu steven spielbergs filmklassiker jaws (der weiße hai) von 1975 (das 1975 erschienene mca-soundtrack-album war ein re-recording). von co-produzent mike matessino remasterte auflage auf 180g doppel-vinyl mit bislang auf vinyl noch unveröffentlichten material.

the legendary duo christian smith & john selway have teamed up again for a powerful single. on this ep they delivered 3 tracks that range from detroit inspired bassline techno in metamorphosis to dark peak time business in sprawl. firing up all cylinders!

following up to three albums on kompakt since 2011, the latest being signs under test (kom321/komcd119) in 2015, los angeles based house and techno producer john tejada returns to the cologne-based imprint with his thirteenth full-length, dead start program - an eleven-track journey spanning a prismatic array of styles and patterns, from john s signature soulful techno tunes to the further mazy, hypnotic motifs of his trancey electro hybrids. be it solo or through a host of multifaceted collaborations, tejada keeps himself busy on all fronts in and off the club environment, be it by contributing the 44th number in fabric s seminal mix series, playing drums for detroit legend daniel bell (as dbx), testing the limits of acid with tin man or joining forces with the hilarious self-proclaimed disinformationist reggie watts as wajatta. since his beginnings and the drop of his debut 12inch, waxing , released through his own label palette recordings over twenty years ago, john has been carving out a lane of his own combining and assembling elements from all ends of his wide-spanning spectrum of reference in a way that allows a more direct transition from the realm of the mind to the circuits of the machine, as confirmed by the deliberately limited studio setup used in the making of the present album. navigating across the lines, from the arrhythmic machine spook of the album s opener autoseek via the straight out thumping and jacking pulse of hypochondriac and heavy-lidded breakbeat of sleep spindle onto the kosmische-infused vibrations of telemetry, vibrant slo-mo inertia of loss and wistful club-ready winds of duty cycle and heal, john threads his way through genres and tempos with optimal chameleonic effect. cloaked in a beautiful sleeve art courtesy of johns long time friend juan mendez aka silent servant another key contributor to the los angeles scene worldwide

john lee hooker�s 1969 album back on vinyl.

180 gram double vinyl in gatefold sleeve

slamming release from mike grants excellent moods & grooves imprint, proving that this is one of detroits top labels these days. dutch producer john consemulder comes up with a strong moody female vocal cut thats driven by a throwback kms-styled bassline and stripped-down drumwork. on the flip piranha head offer up a soulful, jazzy mix for the amp fiddler fans that fits nicely with their own recent moods & grooves release. essential dubapella included here as well.

future times is feeling super blessed to announce a reissue 12inch featuring two hard to-find cuts by john selway and his seltav project with andrea taverna. a side shimmerdown has been a rare grip for a long time on the original csm wax, due to its status as one of the finest rhodes-soaked, late-into-the function cuts ever made. spqr, on the flip, is a massive house tune. heavyweight action on both sides for the deejays. both tunes remastered by dietrich schoenemann at complete. yes!

featuring gary wertman and billy zaboy.

john morales geht dahin, wo noch kein dj war. das universalgenie aus der bronx, das in diesem sommer resident dj bei defecteds glitterbox-event auf ibiza war und aktuell in londons angesagtem bussey building auflegt, veröffentlicht ein abendfüllendes programm. er präsentiert unveröffentlichte mixe mit klassikern von weltstarts wie donna summer, barry white, diana ross, level 42, cher, teddy pendergrass, eddie kendricks und vielen anderen. satte vier cds oder zwei separat erhältliche doppel-lps ist diese einmalige zusammenstellung lang. john morales legt seit mehr als drei jahrzehnten auf und hat in dieser zeit über 800 remixe produziert. der vierte teil seiner -m+m mixes- ist zweifelsohne sein bislang ehrgeizigstes projekt. 32 stücke hat er seiner komplexen und unverkennbaren behandlung unterzogen und sie so noch einmal neu erfunden. dafür bekam er, was kaum einem dj gelang: man gewährte ihm zugang zu den original-mehrspuraufnahmen aus den archiven. wenn boiler room ihn als einen -der besten produzenten und arrangeure von disco-musik- beschreibt, ist das eher noch untertrieben. keiner mixt wie john morales.

john morales geht dahin, wo noch kein dj war. das universalgenie aus der bronx, das in diesem sommer resident dj bei defecteds glitterbox-event auf ibiza war und aktuell in londons angesagtem bussey building auflegt, veröffentlicht ein abendfüllendes programm. er präsentiert unveröffentlichte mixe mit klassikern von weltstarts wie donna summer, barry white, diana ross, level 42, cher, teddy pendergrass, eddie kendricks und vielen anderen. satte vier cds oder zwei separat erhältliche doppel-lps ist diese einmalige zusammenstellung lang. john morales legt seit mehr als drei jahrzehnten auf und hat in dieser zeit über 800 remixe produziert. der vierte teil seiner -m+m mixes- ist zweifelsohne sein bislang ehrgeizigstes projekt. 32 stücke hat er seiner komplexen und unverkennbaren behandlung unterzogen und sie so noch einmal neu erfunden. dafür bekam er, was kaum einem dj gelang: man gewährte ihm zugang zu den original-mehrspuraufnahmen aus den archiven. wenn boiler room ihn als einen -der besten produzenten und arrangeure von disco-musik- beschreibt, ist das eher noch untertrieben. keiner mixt wie john morales.

the next bedrock release is the result of a collaborative project of the highest order from three of the scene s most respected creative mavericks - gabriel ananda, john digweed and nick muir. their collective concept of electronic music ventures into a vast, unexplored field of endless possibilities and is the futuristic two-part tachyon dream. a year in the making, the project started with john (who is a massive fan) reaching out to gabriel to see if he would be interested in working on a project together with nick. gabriel already had a demo in mind that he had started and the project was soon up and running.

bob dylan�s 1967 album available on vinyl again.

the ultimate collection of elton john�s greatest hites - newly remastered and pressed on 180 gram double vinyl. housed in a gatefold sleeve

remastered re-issue on 180 gram vinyl

limitiertes silbernes heavyweight vinyl in spined sleeve inklusive mp3-downloadcode.
der pop-avantgardist john maus präsentiert sein viertes studioalbum �screen memories�! nach dem erscheinen seines aufsehenerregenden albums �we must become the pitiless censors of ourselves� (2011) ging maus auf ausgiebige tour, veröffentlichte ein jahr später �a collection of rarities and previously unreleased material� und verschwand dann von der bildfläche, um sich seiner akademischen ausbildung zu widmen. nachdem er diese mit dem doktortitel in politischer philosophie abschloss, widmete er sich dem bauen von modularen synthesizern und eigenen panels. gleichzeitig komplettierte er �screen memories� in völliger eigenregie in seinem abgeschiedenen zuhause, der so genannten funny farm in minnesota. der erste vorgeschmack des resultates war ende august mit dem album-opener �the combine� zu hören. darin singt maus mit sonorer stimme und im charmant-elektronischen barock-soundkleid: �it�s going to dust us all to nothing, man. i see the combine coming.�

schwarzes heavyweight vinyl in spined sleeve inklusive mp3-downloadcode.
der pop-avantgardist john maus präsentiert sein viertes studioalbum �screen memories�! nach dem erscheinen seines aufsehenerregenden albums �we must become the pitiless censors of ourselves� (2011) ging maus auf ausgiebige tour, veröffentlichte ein jahr später �a collection of rarities and previously unreleased material� und verschwand dann von der bildfläche, um sich seiner akademischen ausbildung zu widmen. nachdem er diese mit dem doktortitel in politischer philosophie abschloss, widmete er sich dem bauen von modularen synthesizern und eigenen panels. gleichzeitig komplettierte er �screen memories� in völliger eigenregie in seinem abgeschiedenen zuhause, der so genannten funny farm in minnesota. der erste vorgeschmack des resultates war ende august mit dem album-opener �the combine� zu hören. darin singt maus mit sonorer stimme und im charmant-elektronischen barock-soundkleid: �it�s going to dust us all to nothing, man. i see the combine coming.�

previously unreleased on vinyl - now available as 180 gram 2x12 inch in gatefold sleeve

after a career spanning more than 25 years john beltran lands on the belgian de:tuned label with the long-awaited follow-up album to his widely acclaimed classic 90s masterpiece �ten days of blue�. on �moth� beltran opens his heart by combining melody, emotion and soul with infectious grooves. as such he lays down the definitive and timeless detroit sound with a clear nod to the early innovators. from 4/4 dance floor burners to tribal shufflers and ambient interludes, �moth� is a well-balanced journey full of blissful atmosphere for both the mind and feet.
the matching artwork was designed by the talented plastica from spain. matt colton took care of the mastering duties to ensure the highest playback quality. the album will be released as a 180 gr vinyl double pack.
de:tuned would like to thank john and everyone that has been involved in the making of this wonderful album. stay tuned!

super rhythm trax welcomes phenomenally talented producer john heckle to the label . john has rightly picked up quite a following due to quality output on labels like mathematics, tabernacle, creme and more, not to mention his killer series of techno 12�s under the head front panel name. on this release you�ll find heavy nods to detroit as the music is bursting with soaring chords and emotion but all the time underpinned by the heaviest of 909 beats ! enjoy !

great experimemntal / ambient four track vinyl

this 12-, out on the limited-run livejam limited imprint, wants to propose three club-oriented cuts exctracted from john swing s debut album assorted moods , on a more dj friendly format. the 4th track on the ep, -bonus track-, is a previously unreleased raw house groover in typical john swing s style. 350 hand numbered copies.

new 030303 release. john heckle s first one for 030303 starts off deliciously with translate- being a moody and melodic and bouncer that caters to a twisted dance floor. terix, the opener on the b-side is a beautiful reminder of derrick mays detroit, rhythm is rhythms kao-tic harmony in particular. the end of this record then, is like the end of most nights: with lots of melodies going on and a stomping rhythm hear me is by far the most mind bending track of this excellent 12inch.

this is the first release in our new illuminati series. each comes with a limited edition & stickered 12- pale glow fluorescent vinyl, translucent by day, an eerie glowing white by night. a download card is also included with each ep purchase, providing free access to the full digital release once it goes live two weeks later.

this new release from best record italy contains for the first time the 3 tracks edited and mixed by john jellybean benitez between 1981 and 1982 of the italo disco songs by kasso (the pseudonym used by claudio simonetti) who became a classic in the underground house music scene of n.y. and chicago!

serotonin records, the little neuron that could, returns with a compilation of futuristic electronic funk. its what we live for: volume 1 is the first in a series of compilations sharing our vision of tomorrow and/or the sound of the day after yesterday serotonin has always been what weve lived for, now well try and make sure it�s what you live for too.

john t. gasts inna babalon was originally published as a cassette on gasts 5 gate temple in 2016. an important offering in the british producer s output. revitalizing anglo-saxon folklore through bassy dub magic.

sein ruf als einer der produktivsten elektronischen musiker nordamerikas eilt john tejada aus guten gründen voraus: einer wäre der stete, seit über zwei jahrzehnten andauernde strom an veröffentlichungen auf legendären underground-labels wie etwa 7th city, plug research, tigersushi, playhouse, areal, pokerflat recordings oder seiner eigenen plattform palette recordings, ein anderer die schiere qualität seines musikalischen outputs. klassische tracks wie �timebomb�, �mono on mono�, �the end of it all� oder �music for doubles� sind zahlreich in seinem hochgeschätzten portfolio vertreten, was einen künstler mit ernsthafter hingabe an die eigene zunft verrät. als mitglied der kompakt-familie seit dem 2011er album �parabolas� hat t ejada weltweit die plattentaschen ambitionierter tanzflurkuratoren mit zwei weiteren kompakt-langspielern (�the predicting machine� in 2012 und �signs under test� in 2015) und einer reihe eps wie etwa �lakewood drive� (2016) gefüllt. vom sorgfältig vermessenen schub des titeltracks ceol zum zackigen roller prelude to madness und aislings impressionistischen, melodischen grooves pflegt auch seine aktuellste 12�einen unbachahmlichen sinn für die balance zwischenden treibendem t echnoschlagwerk und house-synthies, knackiger produktion und hypnotischen texturen. beseelten verträumt

nice price deal !!! 1x 12inch , taken from the sino 103 lp

excellent futuristic techno, four tracks written by john shima for instruction records. vinyl only!

penelope is the 2nd installment from the ag & john robinson ep series produced by ray west. this time around they call on the prolifc west coast wordsmith blu on the title track �penelope� where all the emcees are painting verbal pictures of their own personal dream girl, this track also features frequent collaborator dave dar. the soundscapes provided by ray west are ill collages of jazz loops, live horns, percussion sounds, vintage drum machines and more. each of these recording sessions were labeled �tea with the butcha� by the collective and it truly does describe the essence of the sounds and conversations on these recordings.

john tareugram presents his first physical ep on tartine records. it includes four good groovy house compositions aligning strong rhythm sections. side a is very punchy and contains the title �panier de basket� wich came out via le tournedisque last year. side b, more audacious and made up of two delicious snacks will make you hungry for more in the late hours of the night�

the trickfinger project was recorded 10 years ago with no intention of being released at the time, made purely for discovery and learning experience. in my opinion, making music with no intention of releasing it is the best thing a musician can do for his own development in this day and age. the trickfinger lp was made in that mindset, and it was the beginning of a new musical life for me. when i hear it, it sounds like i am opening up doorways to new worlds, and i never have had that feeling listening to music i made for the purpose of releasing it and selling it.

album of the week (mixmag), album of the week (the independent), the drive soundtrack with a rocket up its arse. (dj mag) - just three of the reactions to john bs latest >light speed< album from earlier in the year, a neon-soaked journey into one of the most epic drum & bass lps of recent times.
now the title track is about to be unleashed with a package of remixes that go beyond the norm, ready to hit all corners very hard indeed. for johns most ambitious single release yet, some of the most exciting young producers from around the world have been drawn in to offer their take on the uplifting stadium anthem >light speed< featuring the vocal talents of nsg.
from the totally re-worked club house mix through to hyper-boiled drum & bass smashers and electroid dubstep, no holds have been barred and if hi-rolling drumstep is what you are after, johns even got that too. a massive dynamite release from one of electronic musics most flamboyant figureheads.

pablo mateo makes his debut with dred records and the hype is real. pablo delivers two cuts of machine man house & techno. fazing trees is an emotional ride transposrting spirits beyond physical worlds and deploys house music�s most formidable instrument, the piano. free drama arives with urgency with melodies that glide the dance floor on an internal journey of light. john osborn remixes the title track with swirling effect chains, huge kicks and cascading pads. this release is a timeless club hit, limited units only, no repress, ever. oversized stamped artwork