the grand, sweeping sonic explorations of ďpretoriaĒ, from john matthias and jay aubornís 2017 album ďrace to zeroĒ, are given new life on this four-track remix ep.
moon gangs (better known as william young, keyboardist in bristol-based electronic outfit beak>) takes the reins first, delivering a thunderous take on the originalís faster-paced second half. typically of the artist, the track builds and builds in intensity, climaxing with an apocalypse of emotional, layered synths.
bristolís cuts strips back the elements for a much darker reworking. a single, repeating piano note echoes into wide, open space alongside the originalís antique violins before clattering percussion and synths enter the mix for the most foreboding turn of the release.
closing the ep, former mogwai member john cummings also bases his reinterpretation around the originalís piano. but where cuts leans on moody darkness, cummings take is more upbeat, courtesy of a driving four to the floor kick and fidgety, high-pitched piano.
Ďrace to zeroí is the new album by musician and composer john matthias and producer, musician and composer jay auborn.
the albumís starting point was a series of acoustic improvisations recorded in a variety oflocations, from a 700 year old chapel in the devon countryside to a basement studio in reykjavík, iceland. in an attempt to create a fractured sense of space reflective of the digital condition, the duo found themselves working within a place that could only exist in the digital landscape.
by crushing the recordings through a hundred different virtual rooms of reverb and other chaotic digital processes, they collided, soared and splintered into sweeping new rhythms, melodies and drones.
the outcome is a unique landscape that blurs the line between the virtual and physical worlds.
the vinyl release includes a download code.