forever cursed with deep and tech-house labels by the press due to decisions taken 10 years ago before he had any idea how this industry worked, avatism returns mildly angrier than ever before with ate-up, an ep the producer actually started writing during an mdma-induced lucid dream after vakant label boss spiked his drinks in 2011. to give his poor soul some credibility, weve enlisted aqxdm (aquarian & deapmash, fresh from their storming debut on bedouin records) and the mysterious maenad veyl (veyl, pinkman, death & leisure) on remix duties.
package with 2 (!) vinyl only remixes + manually stamped + download + a2 poster! kenneth scott finally making his debut on vakant, long overdue, such a great dj and repeated guest at vakant parties. phew. remixes by the exaltics, co-owner of acclaimed electro imprint solar one music, and evigt mörker of northern electronics fame. the exaltics & evigt mörker remix will only appear on the vinyl.
after a 3 year hiatus from his avatism moniker, thomas feriero, one half of cw/a and owner of parachute records, returns with an ep for his home label vakant. a rough yet refined release, unassuming in its effort, thomas channels both his previous solo work and his cw/a project into a tightly wound package with 4 solid cuts. various influences converge yet a straight line is etched for all to follow. these are up-front, hard working tracks. body music with an undercurrent of breakbeat. his first ep on vakant since his album. file under need / want.
state-of-the-art techno from nico purman. the argentineans vision of contemporary club music has always been located somewhere between techno and electro. his pattern recognition ep turns out to be nicos most uncompromising work since his early releases on vakant and scores with three bold and infectious tracks for the club.
after first performing together at sonar festival with what was essentially a live version of our respective b.o.a.t.s. and adamant albums, thomas and i decided to expand on these ideas for something more broad and improvisation-centric.
nico purman returns to vakant with his most technoid record since his 2009 va025 euphrasia ep. a cut the bubble reveals the direction nico is taking with this ep. contemporary techno with a classic touch and the distinctive twist that is characteristical for purmans works. b-side blow my mind slackens the pace a little bit and gives room for more trippy yet groovy moments on the floor later in the morning. mind bending.
unusually for a record (for me,at least), constants collects tracks written in four very different moments in time: some are recent - so recent ive only had the opportunity to play them out just a handful of times - while others are over one year old. i really wish the story behind this ep would be a bit more interesting so this text could completely blow your mind but im afraid there were no dragons, no sex, no drugs and definitely no rock n roll involved. all four were mostly produced by me while sipping coffee and wearing boxer shorts in front of a computer. i could somehow try to describe the music on here but it would probably take less for you to give it a listen. however, if you happen to be one of the humans that prefer reading about music. anyway, im really happy to see these finally out, especially on a label i have always looked up to like vakant. i really used to think smoke, kaden and ozer were aliens at some hopefully you will enjoy this music as much as i loved writing and playing it out.
once again, with spring, comes another addition to vakants fruitful and ever expanding family. we welcome the man formally known as cesare vs. disorder, for the first time releasing under his given name cesare marchese. in such a short period of time, cesare has amassed quite a discography and legion of fans around the world who follow him wherever he goes. yet another formally trained musician in the vakant camp, cesares music has progressed a great deal since his first release in 2006. every release drips with more and more depth and melody. his aether ep debut for vakant yet again proves why cesares accent is unstoppable. while just a 4 track ep, the aether ep covers much ground spanning afterhour afternoons to indie influenced incorrigibility, but always with that certain kink and freak that comes from a background of techno and global trotting nightlife revelry. to say deep and freaky would not be enough. to say anything would not be enough. these are tracks that must be experienced and not written about. from complete house electronics, to altered acoustic uplifts, to deep orbit accents, its all here courtesy of our new sicilian cesare
urban nomad tolga fidan continues vakants limited series valt with a much sought-after track which has been around for a while. fidan, just moved to berlin a few weeks ago, says >so long paris< in such unique style that that we hope he will never leave berlin again. vakants valt series has been kicked off last year with onur Ízer and keeps on delivering music straight for the dancefloor.
consistency and a diverse but functional aesthetic have kept berlin based record label vakant ahead of most imprints operating in the same space. having released records since 2004 they have focused on working with only a select number of artists as they believe this is the only way to endure in a scene which is susceptible to trends, with premiesku being part of the family as well as the likes of dewalta and avatism. having already released a highly successful ep on the label in 2014, and more recently being a part of the labels latest anniversary compilation, 10 years vakant, the romanian trio return with a driving four track ep. this ep features catchy melodies, vivid emotion and driving, floor-focussed percussion, which consists of three original tracks as well as the ever-dependable varhat stepping up on remix duties. one of frances most exciting exports, varhat has already released a string of impressive records on labels such as mulen and howl. his interpretation of cu balans brings a signature sound which portrays a lighter more bouncy feel to the track. premiesku which consists of livio & roby and george g are a romanian joint alias that have been releasing and performing together for over nine years. their widespread influence on the flourishing underground scene is no secret, their innovative live performances, and constant flow of cutting edge productions remain one of their nation s leading lights in the field.
vakant comes back with a very special release from an unknown group of creative entities. three cuts of tribal space techno weaponry aimed at the dancefloor. we have received a message from entities lost in between the stars in the vacuum of interstellar space. the transmission was encrypted in an ancient code we were able to translated into frequencies understandable to earthlings. a psychic telegram has been sent to us, activating the body and the mind, divided into aggregations of codes that form three tracks of straight in your face, high-octane fueled, acidic tribal techno, riding on solid bass lines, trippy synths, shiny percussions and abstract ambiences.
its not a simple thing to write about your own tunes. your concept is innate, the music itself is in your mind and comes out as a natural flow, talking about it is a different thing. this time i wanted to come up with something different for my new ep on vakant. something unexpected for the ones who know cesare vs disorders sound.
repress 2015 , up first is a rework from hamburgs dj koze, a man with no need for introduction. koze lays into the albums dub track >kawaba<, featuring the voice of japans singer tomomi ukumori. deeply pitched vocals and kozes very own groove give this remix a very special appeal. on the flip, spanish dj and producer affkt, resident of valencias famous barraca club, delivers a peak time tech-house remix of >macleta< which is already causing some storms amongst selected dj sets. more >studio 10< remixes will be released across the next months, watch out!
for the second instalment from quantum entanglement we delve into the misty past, a time when moving parts ruled the dance, when the power of the night rested on a needle and a bassline, and before cdjs calculated the bpm for you…you had to touch things, buy things, and the bassline ruled over all. acid thunder, a classic by fast eddie, was the first dance record i ever bought. it was important. the guy who sold it to me, at the time a spotty school kid in his school uniform, was called john stapleton, and the shop was sidetrax in bristol.
for over 12 months thomas feriero aka avatism, our friend and label partner, has been staying at home and working on his album. he moved to berlin to work on it and now sadly (for us) yet (gladly) for him he is moving back to milan. poof! just like that. so what did this year entail exactly? well for some of us not much. we got to see him in his studio comfy pants a couple of times (he wears slippers) we heard his studio woes, ate pasta with him, drank beers and of course got to hear his album at every juncture. while this self-imposed exile may have been a little worrisome the result is fortunately spectacular. adamant is a glimpse into how a city shapes a life and how intrinsically life then shapes music.
quantum entanglement is one of the strangest phenomena in the universe, overcoming barriers of space and time and knitting the entire cosmos into an integrated whole. fin greenall (fink, sideshow) and myself lee jones (hefner, mymy) met at college in the early nineties and played a lot of chess to the soundtrack of aphex twin and future sound of london.
so here i am, happily an album older, introducing the first of adamants remix packages. since the whole project was, generally speaking, a personal affair and a lot of the album was not necessarily club-ready (does that even make sense?), we invited our friends on board to do the dirty deeds for me and rework my sounds into something normal people can dance to. first up are mind against.
last copies left !!
first 500 copies with a2 poster packaged in a gatefold cover!!!! the thunder from thuringia, genosse from gera, mr. minimal samba, the man that goes by many names is here to present to us his very first lp on none other than his solo action vakant home. about 2 years in the making, studio 10 takes mathias kadens life-long work as dj and producer, world wide tours, twenty something years of listening and thinking, machines and people, wraps a bow around it all, and delivers it with roses dipped in chocolate. always taking his time with production, mathias focus on quality over quality continues to pay dividends no matter the state of the economy. unique in many ways, studio 10 was also unique for the producer himself. never before has mathias incorporated into his music so much hardware, field recordings, messages, and invited friends and orchestral musicians to collaborate
hello listeners, blunt heads, fly ladies and prisoners. this is the future of the music industry. not the music, just the idea of the artists writing their own pr faffle. next year ill probably have to carry my own bags on tour too tragic.
this record flivvers vol.2 is the second volume in a story of the end of one love one life, and the beginning of a new love and new life even greater than i had known before. it is a story of total life transformation and risk taking. of following blindly ones own dreams and desires without fear. each song is giving you more detail to the events that transcribe my life into vinyl. you may not know now my name, you may not know my face, but if you know my music you know my life, my joys, and my sorrows. if you know my music you know my heart
what we have here is an album which is, if i may say, relatively positive and generally good for home listening. this album was recorded in about 10 weeks in a living room (the sofa being my bed), with restless swollen eyes at dusk and a love/hate relation with my machines, microphone and electric guitar.3 machines gave up on me during the making of this lp.i hope you will like it. tolga.
after their vakant debut in 2011, exactly one year later the romanian duo livio & roby is back with their latest creation for the label. shinichi, hatzumotos little sister for the ones who know, is a proper 2 track ep, both cuts in unmistakeble romanian tech manner, raw, driving and twisted as only inhabitants of the carpathian mountains can deliver. as a digital bonus you’ll find just us, livio & robys more deep approach on modern electronic music and the perfect appendix for this ep.
in recent times it has been fashionable for european producers to try and recreate the classic sounds of detroit. the true vibe and feel can surely only come from the city itself? as his name suggests, whilst we know very little about anonym, we do know that he hails from the legendary motor city, and the true essence of his home town can be heard and felt in his music. classic sounds constructed with a modern touch. gritty, raw and crying out for sweaty basements. in 2011 anonym has finally arrived on vakant and is set to release his first record on the label. his > flivvers vol.1 ep< will be followed by vol.2 later this year.
i just woke and its pretty cold outside. i havent opened the window yet, but i somehow know it and im listening to these six tracks again and try to make an approximation of why and how i have done this ep. they are pretty different from each other but tell the same story or at least are part of the same one as a matter of fact. maybe they were done as an excuse for my overdue album which is scheduled again for this year or maybe just because i was going through some odd times and needed to immerse myself in doing something. in this case music. more the latter i guess. ok so, the opening track is in a way the end of an era and the last one the opening of a fresher one. and the rest fills in the gaps in between those two moments i guess. i hate conceptual things anyways. i never know or want to know why i do certain things. concepts define something before it already begins its existence and trying to explain why is pretty useless. so here it is. the recording of a certain period of time in my tiny existence. with collaborations with jaw (dop), my brother atilla, who is also responsible for the artwork, and jonny cruz. by the time its out itll be a distant memory for me but hope it lasts a bit longer for anyone that listens to it
the ever evolving ever inspiring argentinean turned berliner musical talent that we call out nico purman, once again honors the house of vakant with his latest disco inspired offering to the gods entitled visions ep. in such a short period of time nico has come so far both physically and meta-musically. within just a few releases one can easily hear him developing, maturing, and mastering his chosen art medium. from the mechanical tech funk of his tuesday ep (va017) and euphrasia ep (va025), to the space jazz masterpiece that was rhapsodies (va032), his first step toward disco was in fact with his contribution >xpress yourself< to the family values compilation (va034). with visions ep, once again nico effortlessly transgresses whatever style he wishes and makes it his own. taking a few pages from the book of disco as well as a touch of chicago and a pinch of early new york house, nico both tips his hat to those influences as well as taking things several steps further to create something completely original.
to kick off 2011 vakant presents romanian rising stars livio and roby, the first new artists to join the label since 2008. after cutting their teeth on some of the biggest labels and world stages, livio & roby impart their excellent deep funk laden grooves on their first record for the perfectionist house of vakant.
the third and final remix package for mathias kadens masterpiece album -studio 10- comes along with two reworks of mathias vakant label mates onur Özer and dewalta. onur Özers >hâre remix<, a massive, bass driven rework for kadens >chazz<, takes the track to a deeper, more jazzy level, until it fades out with a dreamy yet abstract melody after 11 minutes and counting. david koch aka dewalta takes on >ikenga< (an african god of time, success and achievement), which is surely kadens most played track of the album. david maintains the acidic vibe of the original, adds his very own funk and sends the track back to the dance floor.
4 selected tracks have made it onto the black gold, even were loving each tune like a mother loves her umh.. eight children. mathias kaden presents a 2010 edit of his first ever solo release ‚circle pit (va004!), followed by dewaltas deep but yet bouncing stinger bell string experience. on the flip, this ep opens up with nico purmans ‚xpress yourself which lands somewhere between rick james and francois k, followed by alex smokes freaky ‚i-73 night which, to quote vakant pal tolga fidan, is a reminder of how dance music should have been if it hadnt gone generic…its punk.
tolga fidan presents >rezil<, the latest one in the vakant limited series! whoever said >we need more cowbell<, will be more than happy to dig this tune. a little unusual in arrangement and sound for mr. fidan, rezil goes perfectly with the valt format.
STUDIO 10 REMIXES PART 2 BY WAREIKA, M.TANZMANN LUNA CITY REMIX
12" Vinyl D22.06.10
after dropping the first package (dj koze and affkt) last month, heres another set of splendid remixes for mathias kadens highly acclaimed album -studio 10-. the a side sees a remix by mathias long time friends, luna city express and matthias tanzmann, who reworked the 36 second disco interlude -roots- to a full length house hitter. on the b side -studio 10- collaborator florian schirmacher and his wareika project reworking -state of statsis- (featuring vocals from gjaezon). schirmacher manages to turn this detroit influenced tune into something crazy from outer space.. so get with
vakant is continuing its valt series with nico purman after dario zenker’s excursion into detroit techno some months ago. nico, who just moved to berlin recently, drops a dirty disco bomb which is our soundtrack to your spring! enjoy.
tolga fidan, in his last tasty impartment on vakant before his solo debut album due out in october of this year, brings 2 full sides of the most expansive mind and body moving you will find outside of a gypsy circle on jupiter. if techno has a jazz fusion subgenre, a-side >gaijin< is it, making tolga our own personal chick corea with a strobe light.
vakant continues its valt series with the third installment of uncompromising club tracks. started in 2008 with onur Özer and followed up by tolga fidan in 2009, dario zenker brings up valt3 in 2010. vakants representation in the decent south of germany locates belfort as close to detroit as its indefinite in time. was it written by little dario in the 90s? or maybe on a us tour in detroit itself with some helping hands? we dont know, but surely have a timeless piece of music here
nico purman is back for his third instalment on the marching band in the sky that we call our vakant home. purmans sound continues to evolve, covering truly large distances with every release. since his robostrobe inspired earlier vakant works tuesday ep (va017) and euphrasia ep (va025), nico drops 3 large-and-very-much-in-charge space jazz masterpieces that he fermented in what sounds like a midnineties new york house basement.
our jazzy multi instrumentalist, dewalta a.k.a. david koch, returns to vakant with another popping fresh release, as earnestly house as house can get. since his first vakant release in 2008 (va021 salgaro/farina) davids music has taken him around the world in black largely covering our earths northern and southern hemispheres. side a is graced by move yo sitting as close to late 1990s baby ford as one can get without a time machine and personal guide to londons underground. david somehow owns this genre while still making it distinctly his. b1 night shade keeps the housey goose bumps going with a drier and more direct approach. cheeky bleeps and chunky bass balance dark spacey vocals to land the track somewhere between night and day. >angels trumpet< at the b2 position closes this stellar ep out with a track that again borrows from the genre, but continues way beyond its standards with melodic elements that push and pull you in multiple directions resulting in no less than dance floor catharsis.
the mind melt keeps melting. pretty soon we will just be puddles of freaky essential oils, reduced down to our effervescent essence, like jasmine, or dry kool-aid. of course we are talking about onur Ízers album kasmir, the gift that keeps on giving. once again renowned artists have come out in full force reworking selected tracks off onurs album for vakants remix-only vr. first up is mr. rajko m³ller, better known as isolÚe, who having spent some time growing up in algeria, continues with the african remixer theme (tunisian born loco dice remixed eclipse on part 1. you know us, as if we even need an excuse to work in africa somehow.) isolÚe takes onurs otherwise chilling innervoice and reinterprets it into a thick warm blanket of reassuring bounce. flipping the record inverts dimensions of time and space. abyssfully deep legend baby ford takes the already ethereal aida and turns it into the soundtrack for finding the god particle. its scary, yes, but ultimately it could explain everything.
played by efdemin, ellen allien, karotte , lawrence, luciano, len faki, monika kruse, raresh, shinedoe... hailing from the southeast asian jungle, globalization, diaspora, and the unchecked native baboon explosion have all seriously endangered patuá, so we are afraid that poor patuá has very few brothers and sisters left in this world. lucky for you, as the vakant freak out bus has transversed the planet so many times now, we have indeed found (gasp) patuá and present patuá here for your delight and revelry. all it took to lure patuá onto the bus was some animal crackers and a 1989 game boy. truly momentous, yes we feel like noah. once onboard we immediately put patuá to work and this double a-side is the result. apparently house is big everywhere. smooth and warm, a-side macaista reaches out to the remaining patuá of this world and says, i am here, do not fret. if patuá reaches out with macaista, aa-side chapado is the reach around. much like his newfound masters, patuá is quite cheeky. thick and spacey chapado is the patuá mating call to all the remaining tribe members earthbound and beyond!
munich man dario zenker is back again for his second vakant ep following 2008s >sam und er/womde!< (va019). still fresh faced and just as hungry, dario continues to bring the bavarian goods to our freaky masses. a side -would be nice- makes more twists and turns than a sausage factory while consistently pumping out the mystery meat thick and juicy. if you want freak, thump, space, expanse, its all here. b1 -blue champa- is perhaps more on the vegetarian tip: light, nutritious, guilt free and always leaving you a little hungry. fun and bouncy, -blue champa- easily proves that you dont need to eat meat to get phat. at b2 position you will find -while rain gets air-. we have no idea what dario means here but if you were asking yourself >wheres that track on this vakant record that wont let close my eyes at night cause i heard this track at 7am and im still a little freaked out,< this is it. listeners beware
fast forward 2008. may be later bridges sound and mood from the summery and sublime to the dark and throbbing. while mars cello floats and warms, burdelia chugs somewhere between chicago and early nyc house. fade me in zips along with furious kink and dubious vox by dinkys longtime friend jorge gonzalez. seven 2 seven, when aimed at 8am berlin ravers, massive freak outs ensue. she is moving features minimal vocalist extraordinaire big bully, together they attain that vital equilibrium of naughty and nice. the album closes with mind, an electronic fusion moving, looming, eerie, and reassuring. may be later is an open door to ms. alejandra iglesias development exposing the path, connections, and influences that brought her here. the beach, nyc underground in all its flavors, berlin, the stage, detroit, electronic waves from all directions, chicago, mega-clubs, it is all here and it is all her own!! re-release !!
hot off the heels of onur Özers most excellent mind melt album kasmir, released october of 2007, comes the reinterpretations on vakants vr division. wonderfully thought out, vr handles remixes exclusively leaving vakant itself pure to its artists. this constellation leaves everyone free to the corruption of their fancy, allowing the artists to choose their own remixers. with onur, finding willing interpreters is not a difficult task and the heavy of the heavies representing the light and dark sides of the force are here on vr04. on the a side loco dice, aka tunisian born yassine ben achour, takes onurs instrument laden >eclipse< and puts it through the treatment. what comes out the other end is popping state-of-the-art tech house with onurs depth and loco dices spontaneous flow. on the flip things get serious. jens zimmermann , the deep, deep, freak out master hailing from frankfurt, contributes his own spin on >sahara<
glaswegian alex smoke aka mr. menzies, the man who helped kick start vakant in those blissfully uncorrupted early days, returns with a fresh no-frills attack since his last hanged man ep, va013, 1and half years ago. a sides whirrfless funky abrasiveness stomps heads in a way alter ego would if they were happier people and saw more sun. b1 fud paces along with sprightly spring in its step half cheeky, half roboadventure reminiscent of the early days of perlon. b2s onomatopoetic flingclunk zealously jacks for itself. it is all glory minus the glam and trans-fats. smoke, adding to the current relentless vakant onslaught, makes every reveler feel as limber as 14 year old russian gymnast
like a proper immigrant family enjoying the life of culturally greener pastures, the vakant family continues to grow in berlin. closely following the exponential trend of mergers and acquisitions in the multi national corpo borg, vakant heavy industries signs the third in a series of new talent to the team. berlins dewalta a.k.a. david koch, long time friend of vakant, has completed assimilation into the freaky fold. a side salgaro is about as obese as a track can get. its happy, its huge, its pan ethnic, its sensitive, its irreverent. its so good it was immediately used for onur ozers up coming club dj mix cd. on the aa side farina lives. its freakier, its smoother, its quirkier, its cup runs massively over. we are talking insulin shock plump. we cant even identify which genres it spans. it sounds like the amalgamation of everything currently succulent and lots more that will be
vakant presents valt. valt stands for vakant limited and means a new 12 series for straight dancefloor tracks. number 1 is being produced by onur Ã–zer and showcases his all new direction after his heavily acclaimed masterpiece album >kasmir< from 2007. valt 1 will be limited to 1000 copies, single sided and available on vinyl only!
NEDS (TOLGA FIDAN REMIX) / LISA (ALEX SMOKE REMIX)
12" Vinyl D05.12.06
on the second release from its remix imprint vr, berlins vakant label comes with the goods, turning out what might be its most far-out release to date - and at the same time, its most punishingly effective. going head to head, glasgows alex smoke and paris man tolga fidan tackle each others tracks, twisting up knotty rhythms and gauzy electro-acoustic sounds into a battered syntax that expresses one thing, move !!
the synkope ep ushers in a new sound for mathias, one that is more full and less percussive than before yet also one that will not leave previous fans in the dark. taking his cue from his keen knowledge of the worlds dance floors, kaden translates this awareness straight on to vinyl without losing sight of todays complex sequences and sound structures. with the flood of faceless releases that threaten to sink even the most discerning record buyer theses days. there is a growing sense of urgency to make records that will remain classic and listenable even 10 years into the future. if you dont mind us saying we think this might just be one
p. diddy may have, ahem, >invented the remix<, but now berlin s vakant label is turning the concept on its head - using the remix to (re)-invent the label itself. vakant r is the newest addition to the imprint s crowded house, alongside the parent label and audio-visual offshoot vakant x, vakant r rounds out the minimalist trinity with a stunning debut release featuring mathias kaden and onur Özer going head-to-head in a no-holds-barred battle of the remixes
all three tracks are solidly grounded in the blunt, toe-stubbing funk thats become a trademark of berlins vakant label, home to mega-talents of minimal like alex smoke, mathias kaden, onur Özer, and robag wruhme..
onur Özer was rated one of groove magazine s up and comers for 2005, now he returns with another stellar ep for vakant. at only 25 years old the minimal assailant is back to claim another dance floor victim. already broken in on the dance floors of his residency at indigo music hall in istanbul the twilight ep is sure to put you in your place. so sit down and pay attention! with the twilight ep, onur once again demonstrates why he is the master of the new funk. every corner opens up into a new space, with efx washes covering you like a blanket made of sharp glass. forget 3d, we are into the age of 4th dimensional minimal, the past and the future seen perfectly at the same time
the young gun is back and is # 1 with a bullet. after his fabulous circle pit ep. the much talked about newcomer mathias kaden is putting his money where his mouth is with this monster ep. the pentaton ep is another twisted rumble through dark and bleepy terrain. this time mathias steps up the swing and shuffles you furiously around the room like a drunk sailor on a sinking ship. deep bleep to move the most hardened partyier. check!
with this twelve alex really explores the parameters of his unique sound and delivers three club killers. the ep begins with the anthemic titti , here he builds a relentless, driving groove with a penetrating bassline and scuzzy melody. next is tv is pish a demented discoid cut-up that freaks irresistably. the pulsing slippers & slappers growls this superb ep to its conclusion
ltd nice price action !!
a masterpiece !!! the thunder from thuringia, genosse from gera, mr. minimal samba, the man that goes by many names is here to present to us his very first album on none other than his solo action vakant home. about 2 years in the making, studio 10 takes mathias kadens life-long work as dj and producer, world wide tours, twenty something years of listening and thinking, machines and people, wraps a bow around it all, and delivers it with roses dipped in chocolate. always taking his time with production, mathias focus on quality over quality continues to pay dividends no matter the state of the economy. unique in many ways, studio 10 was also unique for the producer himself. never before has mathias incorporated into his music so much hardware, field recordings, messages, and invited friends and orchestral musicians to collaborate
now, there s the third album by dinky, who catched all her impressions of sound during her time in santiago, nyc and now: berlin, where she lives.her lifelong connections to villalobos, luciano and dandy jack brought her to the electronic club sound.so its no surprise that her actual album comes with freshest electronica paired with early nyc house and minimal vocals as we love it.