reissue of the groundbreaking 1983 debut album from detroit based cybotron (juan atkins and richard davis).

ce ce rogers spine tingling, seminal hit someday gets a much-welcomed official remastered, reissue 31 years after it first took the scene by storm. produced by chicagos master, marshall jefferson, every element is unmistakable from the dynamic bass and sweeping flutes that set the scene for that instantly recognisable piano riff, to the raw soulful beauty of rogers vocals. someday is a record that truly captures the euphoric, loving nature of the early house music scene epitomising a timeless spirit and hope for future harmony within society. often cited as one of the greatest dance records of all time, it s influence is clear to be seen from the sheer number of covers and records that have since sampled it. an indisputable masterpiece, complete with dub mix and accainstrumental versions, this is an essential 12inch for any record collector out there house head or not.

h1 displays an idea of pop music that came together through years of living, long rounds of editing, re-amping, sending files to friends, a vista of san francisco and walks on the outskirts of cologne. the songs could appear in blazing sunlight, empty rooms or city nights. on the sleeves of the 330 records, acrylic colors flow together and congeal in a clear plastic mass.

after a liittle hiatus of 2 years the label which was formed back in 2013 by the founder of the ground breaking hedonistic undergound parties bohemian grove of the industrial city of manchester is back. the label will be bringing all kinds of electronic sounds mainly from the reaches of the cities industrial smog but some reaching further around the cosmos. this time we have debuting artist dane weaver with his first release on the label.

south london label and party series troy town is proud to present the first release in 3 years from warren brown aka wbeeza, insanely talented south london producer and 1st generation pioneer of what has become affectionately known in dance music as the peckham sound . djs, producers and musicians such as henry wu, bradley zero and chaos in the cbd have added to the wealth of a deeply musical community but it was the likes of brown and another se15 local, el-prevost, who first put the area on the dance music map. although he s resistant to using the word house too often about his music, the swing nods to detroit and chicago while the links to friends and collaborators, delano smith, mike agent x clark and scott grooves are clear. progressing through a musical heritage that has seen him produce across grime, hip-hop, drum n bass and techno but it s his signature low slung, heavy-on-groove and atmosphere productions that have garnered the respect of peers and critics whilst his popular and energetic live sets have seen him tour extensively around the world for the past 8 years. this 3-track ep covers a variety of moods and situations. opening with the od, a heady march to peak time on the dancefloor which has featured heavily in live sets over the last 2 years. the bassline bubbles tantalisingly as it edges through a kinetic, digital riff that sticks with you long after the lights go up. grove park is so low slung that the snare sounds like it might fall out of sync at any moment while the lead synth leads you on a drunk walk home, at times holding it s line before stumbling over a pitch bend and veering to find its balance. bizzle boogie is equal parts gritty, midwest-influenced bounce track and shimmering eyes closed rave moments.

aussteiger is a berlin based german dj / producer. he runs the dub disco label in berlin and dj’s around the world. zusammenkunft is his debut album released on copenhagen’s music for dreams. once upon a time a golden boy came back from the shadows. rumors were told that he once left the big city in a time where the music scene and clubs were dominated by cold music and average beats. he left behind civilisation, living withdrawn in the woody mountains of a covert place. from there on people talked about him as aussteiger. connected to the nature and deeply rooted in the harmonic essence, aussteiger became a part of the great whole. in a full moon illuminated clear night while experimenting with various unique herbs he accidentally found a recipe to create warm and ravishing music. he firmly believes that music is his infinite source to gather strength and positive energy after years of strengthening himself and shaping vibrant sounds aussteiger decided to share his delightful music with the world. he returned from his retreat in order to enchant the music lovers all over the world with his feel good approach and supernatural sounds. coming back to the city, he also co-founded the awesome dub disco label with his buddy serj nosé.

hand-numbered clear mint vinyl 12inch in spray-painted sleeve limited to 200 copies (comes in different coloured sleeve we cannot guarantee which one you will receive)

an ardent heart is a focused techno mini album that brings forward stefan goldmann’s most dancefloor-centered material in a decade. the tracks push and pull relentlessly. despite their linear appeal, there is an intricately balanced interplay between the heavy-handed kicks, the bouncy bass accents and the sizzling, yet clear-cut details whipped up by the rallying drums. the peculiar, seemingly “vocalised” mode of synthesis is maybe the most unifying sonic characteristic of the six tracks and one coda. formant shaping, vowel filters and airstream perturbations let a wide range of sounding elements speak in the tongues of a cybernetic babylon. layered polymetric patterns perforate the aural plane with alien scripts. clearly structured, yet opaque messages that seem to have traveled for aeons emanate from the red-hot circuitry. they spill into a network of delays, channeled down into labyrinthine corridors, enveloped in electrostatic noise. most tracks build on chance patterns evoked with hardware sequencers and freeform modulation sources. the resulting synthetic systems are as cohesive as they exhibit vast internal variation and range. thus balancing simplicity and complexity right in the middle, the results are just as immediately gripping as they can feed sustained attention. a wide palette of distortion and overtones mark the contours of individual elements that seem to have near-physical qualities – as if there were metallic strings, thick membranes, a resonating sphere, all struck by electric mallets, caused to vibrate by mechanical bows and sung by silicone lips.

“finding people” is the newest recording from croatian amor, the morphing alias of loke rahbek. with last year’s croatian amor album, “love means taking action”, we witnessed a transformation in the project, its wide-eyed gaze having stared deep into the news feed, reengineering its heartstrings. finding people takes this even further. white vinyl presented in a clear pvc sleeve.

you know the score. another must buy release by gerard hanson. besides e.r.p.s gallup string there are 2 excellent remixes by ideograma and svreca. limited repress comes in clear vinyl!

to conclude the unsung and defeated series we turned our attention to the distopic wave group wavering hands. the duo comes from bern and zurich, and this is their first vinyl release. the use of real drums, guitars and vocals is an unusual field for us, nevertheless, as it is clear now, we have shown no fear in going wherever our interest take us. and this time is pure new wave, kraut rock inspired music. a perfect ending for this series of unsung and defeated local heroes.

the pale and the colourful is the first album of internazionale presented on vinyl by posh isolation after a near flood of limited tape releases both through his own remarkable janushoved label and through posh isolation. the pale and the colourful is a logical summary of internazionales work up to this point and is the prime example of the sensual synthetic meditations he has come to be known for.
the clear pop sensibility to his compositions are clouded with noises and ambiguous field recordings and it is somehow hard to really figure out if the music intends to lift us up or hold us down. what is certain is that no internazionale release up to this point reaches the level of this new album.

in the studio prototype 909 was a group that rarely agreed on a clear idea of exactly what they were trying to accomplish. the entire project was an experiment, and every time they hit record there was nothing better for them to do than to just try stuff. whenever it came time to put together an album they would go through what they had recently done and nd the tracks that seemed to fit together well, or that at least sounded like they were made by the same group. that left on the cutting room foor some really amazing worst that somehow just didnt fit their goals at the time. at schmer, we remember. p-909 leftovers have schmer written all over them. these four tracks were all recorded live in the studio in between their three studio albums 93-97. brenecki ( half of ontal ) provided his remix inspired by one of them. hyperdrive and -datafash- were recorded shortly after acid technology was released in 93. they come from the -lets make acid technology vol 2 approach-. that would have made a really cool record had they done it but they decided on making transistor rhythm instead. anoisenyc aka the tracs that dietrich hates is what you get when you let jason go nuts on a doepfer maq-16 ( they never made that mistake again ). bobo is possibly the most prototypical p-909 tracks ever: it took three guys making their own tracks simultaneously almost ignoring what the others were doing but somehow mixing them into a flow to make this one, but it all comes together nicely in the end. its amazing that they never released it before. you ve enjoyed the wait, now enjoy your new prototype 909 while it still is new!

repress , s.o.n.s is back with the last instalment of the -t.o.k.y.o- series. this time it is a double 12- called shin-okubo one night stand. this record is made to be played using a turntable at home, at your friend s birthday party or at your uncle s wedding. club use is possible too but no refund will be granted if you clear the floor. disclaimer: this record is not made to practice karaoke. this record is not made to replace the wheel of your bicycle, and using this record for this purpose can be harmful. no refund will be granted if the record or his owner is damaged this way

only a month on from their ‘born again ep scar are back delivering yet another collection of heaters, this time on metalheadz platinum

we remain suspended, fluctuating
in these waters of unknown wellness
flooded by a silence of emotions.
emotions that make our loneliness
more deep, clear and awful.
as nails that dig died skins,
as eyes that bleed making skins acid
as hair that strangles the crowd s voices
thus we,
remain suspended
in this air rarefied by thoughts
to make us more conscious of the restless lack
of the hope from us stolen.

limited to 250 copies, next up in tartelet’s limited-edition series is renaissance man n.o.t.e. with “night frames” – a compilation of barrel-aged sounds for the warm nights ahead. n.o.t.e. is a new project by an already established artist who might be of swiss or italian origin, depending on who’s asking. a seasoned sailor of musical waters, he enjoys jazz piano, fine wine and silk linens. though none of that matters. the first release under his new name could be described as a mini concept album where different routes are explored, bringing n.o.t.e.’s musical diversity and capabilities to light. starting with “falsa laudis,” n.o.t.e. takes the listener back to the 80s with clear references to italian boogie and jazz-funk of that era. the track is warm, fat and sparkly, and best enjoyed with a cocktail in hand. following this is the title track “night frames” – a bruk-jazz escapade not shy of elaborate rhodes solos and filthy funk. the b-side opener moves further south: “obaleyako” is fueled by tropical energy, mixing african percussions with soft piano chords. it’s weird, mysterious and red hot! last but not least, n.o.t.e takes on the finest deep house sound with “en route,” where endless layered melodies and percussion form the farewell. this is an ultra limited-edition release of 250 copies (strictly no repress!), written and produced by n.o.t.e. and mixed at panalama studios in copenhagen on the neve 5088 shelford console for good measure. enjoy!

hike: cristal clear lakes, impressive mountains, soothing forests and berlin techno music.
for our hike 006 we’ve got cyrk for you. meanwhile the boys are root artists on hike and we are very proud to present their upcoming release. this time we present you a hiking path around pforzheim, a city known for its jewellery industry in the black forest. the westweg trail is one of the black forest’s best hiking routes. with it’s 285 km long-distance hiking path from pforzheim to basel, you have the chance to appreciate the region s landscape and cuisine from the peaks of the black forrest.

limitierte ep mit 4 remixes zum moby & the void pacific choir-album -these systems are falling- (2016), insipiert durch die gleichnamige hollywood-animation von max fleischer aus den 1930er jahren. die 4 remixes kommen von nava ryan, zarva, blanck mass und moby selbst.

a much welcomed reissue of the 1978 idris muhammad gem boogie to the top. released a year after, arguably, idris most well-known anthem, could heaven ever be like this the similarities in style and composition are clear. expertly produced, rich instrumentation, expansive drum fills, gospel tinged full-bodied vocals, all the while epic and life affirming in it s nature - what more could you want? young pulse steps up on the b-side, to add his own subtle touches and tweaks to the original. looping the guitar and echoing out the vocals whilst working in more of the synth lines. the addition of a crisp clap and extra percussion add an element more vibrancy into this mix, keeping the original feel intact whilst revitalising it for 2018.

traffic013 with etienne. clear view on technomusic with this four-tracker.

from the very first track, its clear that abby echiverris debut, the ab initio ep is something different and rare: a polished and fresh interpretation of electronic music that incorporates classic electro squelches with intricate broken beats and expansive synthesizer zone-outs.

saverio celestri is back, this time teaming up with late consequence, who’s the new moniker of an already known fellow italian producer. expect house and techno grooves with feeling and power, made fresh, but with the clear influence of past days.

for his inaugural ep under new guise ‘yem gel, nts manchester resident and visual artist alecs pierce comes through with a four-track cacophony of sounds for dave maclean (django django) run label kick + clap. from previous experimental outings as obsidian pond, gristed petunia and, handi dogh he returns with this new project based solely on electronic compositions, giving the multi-instrumentalist artist a chance to further explore his electronic leanings. operating with a clear mission statement, yem gel moniker seeks to live up to its names reference to malleable ‘fictional future plastics by offering a set of genre-spanning compositions, drawing from multiple influences from ambient, drum ‘n bass or grime and leaving us wondering where he might take us next.

in a greek mythology, the river styx is the connection to the underworld, but also one of the few river goddesses. according to the myth, the river styx represents the border between the world of the living and the realm of the dead. the souls of the dead hoping at the riverbank to crossing into the underworld so as not to remain there forever.
the second release of the label unterland defines the stygian sound with its mystic and underworldly tone. additionally, the artwork underlines the musically interpretation also in a visual way. the image was created by talented photo artists salar kheradpejouh. his identity thrives on cinematic vision and matches perfectly to interpret the stygian sound artistically.
unterland 02 is a various artists ep by monoloc and jonas landwehr. with his dark production the young artist gained the attention of monoloc already 1.5 years ago, who then started to followed him closely as an artists as well as his creations. for monoloc it was clear that he wants to publish jonas’ music on his new arising label. jonas landwehr delivers three melancholic dub techno production, which are mostly influenced by his stay in the taiwanese capital taipeh.
monoloc continues to determine the stygian sound with three further productions. strong atmospheric plains, which are characterized by various cinematic sound elements.

insula records returns to the shelves with a brand new ep by 3kz, a unique collaboration between the gifted italian producers z.i.p.p.o. & kaelan. the record lifts off with outta here , a journey into other heights with glissandi melodies rising over arpeggiating sequences to a solid driving techno track that is functional, spot-on material for the floors. this side is complemented with urban jungle , a clear-cut heady track with upfront drum programming that leads to a driving atmosphere. the b-side is something special and is fully covered with the 15-minute spanning title track d50 tears . this beautiful washed out ambient arrangement, full of emotion and soul, channels the mind to other places. a cinematic masterwork that shows the sophistication of 3kz in full depth

as dancefloor-friendly as it is mystical, bienaventuranza is as chancha as it gets- with elements from cumbia to dancehall to andean folk to global house, crystal clear production, and collaborations that are evidently natural and genuine, the record holds true to the sound that canale has played such a huge part in creating. from a new generation of producers to more listeners in unassuming parts of the globe, pedro has been humbled to see the sound develop- and proves with this album that he s grown swiftly alongside it.

beath presents his debut album -dreams from last night-. a conceptual album in which the spanish producer brings us closer to different sounds that would be part of any day in a luxurious tropical paradise. the 8 tracks included in the vinyl would revolve around the smooth funk with a clear influence of the sounds of the 80s. in addition, the artwork of the album includes the cover illustration by the japanese designer yoko honda.

the italian act geometric vision has earned a solid reputation as one of the best post-punk bands out there. this ep, with specially remastered versions, is an extract / advance of their very awaited new lp -fire! fire! fire!- to be released next april 23 at swiss dark nights on digital / cd and on vinyl standard lp version on manic depression records. somehow near of the best the cure but with clear reminds to the stone roses for the exquisite use of the reverbs and delays on all tracks, but all that, surely, with a more agressive and darky approach. volkan caner of she past away helps gv to close this ep with the amazing -jelly dream-. it arrives on 12&#8243,,, ep format and produced in a one-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid black vinyl. all tracks have been specially remastered for long cut vinyl by eric van wonterghem

with »redsuperstructure«, robert lippok created a new foundation for his musical endeavors. now – 7 years later – this system properly comes to life on »applied autonomy«. the title of the new album is a clear indicator as to what the berlin-based producer has been up to during the last couple of years, both on a conceptual level as well as how he molds his ideas into tracks. »applied autonomy« orchestrates a certain state of frantic standstill, which occurs once a structure is set. has this state been reached, the artist is free to focus on other equally important aspects, balancing the various shades, pushing ideas even further to really make them shine and blossom in their self-declared autonomy. the more light one lets in, the more layers become visible. layers are key when it comes to understanding »applied autonomy«. big chunks of the material with which the album has been produced derive from sketches specifically made for a club performance. rather than meticulously devising each and every detail, lippok focussed instead on recording as many fragments as possible in a short period of time, elements which he could later combine and layer on stage. based on this material and his experience experimenting with it in a live environment, the album slowly began to shape. an album culminating in a collaboration with klara lewis, with whom lippok spent 2 days at the ems studios in stockholm, approaching the idea of autonomy from yet another angle. during the session, both musicians played and performed simultaneously, yet not explicitly together, lost in their own thoughts and ideas, only subconsciously taking in what the other one was coming up with. the result is »samtal«, 14 minutes of a constantly evolving state of poise, magically connecting all the dots lippok had already defined as »applied autonomy«. the artwork for »applied autonomy« has been created by the berlin-based argentinian artist luca gutierrez. over the last couple of years, he has made a name for himself with his spectacular av performances.

record store day 2018 release limited to 3000 copies. includes a 24 page justice league comic book and folded 24x36 inch justice league poster in a clear vinyl sleeve with rsd sticker.

double vinyl in gatefold sleeve with 24 page lp-size booklet and download code for high quality wav / mp3 files.
a great compilation can open the gate to another world. who knew that some of the most exciting afro-funk records of all time were actually made in the small west african country of benin? once analog africa released the first african scream contest in 2008, the proof was there for all to hear, gut-busting yelps, lethally welldrilled horn sections and irresistibly insistent rhythms added up to a record that took you into its own space with the same electrifying sureness as any favourite blues or soul or funk or punk sampler you might care to mention.
ten years on, intrepid crate-digger samy ben redjeb unveils a new treasuretrove of vodoun-inspired afrobeat heavy funk crossover greatness. right from the laceratingly raw guitar fanfare which kicks off les sympathics’ pile-driving opener, it’s clear that african scream contest ii is going to be every bit as joyous a voyage of discovery as its predecessor. and just as you’re trying to get off the canvas after this one-punch knock out, an irresistible afro-ska romp with a more than subliminal echo of the batman theme puts you right back there. ignace de souza and the melody aces’ “asaw fofor- would’ve been a killer instrumental but once you’ve factored in the improbably-rich-to-the-point-of-being-nat-king-cole-influenced lead vocal, it’s a total revelation.

clear vinyl limited edition rubedo edition - the fourth and final edition of the magnum opus series features two striking new remixes of previously released tracks by schwefelgelb and blind delon respectively. on the solar side schwefelgelb’s fokus gets the caustic treatment trom sarin, replete with off-kilter, catastrophic sonics and annihilating beats. on the lunar side hiv+ contributes an intense, menacing vocal line to the epic synthcore grind of blind delon’s fuzz

‘family horror x good times’ is an extensive 15 tracks compilation, where the leipzig label reflects on an intense and impassioned decade. kann asked close friends and long time idols to play their part to the full to complete the third edition of the label’s family horror compilation series. the outcome is a clear snapshot of the musical inclinations of the three label founders, sevensol & map.ache (aka manamana) and bender, encapsulating an idiosyncratic, modern house sound that demands an emotional response. the compilation comes rounded off by a booklet of photographs from ria aka lux which just like the music captures some of the beautiful ‘good times’ from this very special period, this time on paper.

cititrax is excited to present the third in a series of four song samplers showcasing the talents of some of the most innovative producers of the moment. cititrax: tracks volume three features the a powerful new collaboration between amato (aka the hacker) and mariana saldana (medio mutante, boan), the brutal industrial techno of barcelona based british producer the sixteen steps, a polish mastermind based in miami known as his dirty secrets, and the nyc underground duo further reductions (shawn o’sullivan and katie rose). the overall sound can be described as modern, uncompromising and guttural. each artist reinvents dance music by bringing their own unique vision to the floor. artwork designed by veronica vasicka and sourced from polaroids shot in nyc clubs in the 1980s, cititrax: tracks volume three is pressed on blood red clear vinyl – limited to 999 copies and housed in a matte printed sleeve.

the palm tree needs no introduction to anyone who has visited this part of town. diamond boozer and blitz survivor, it stands solitary on the regents canal between mile end and the roman road, quietly resisting the urge to move with the times. on weekend evenings you can enjoy the jazz standards of the great american songbook played by the musicians who feature on the album, no ticket required. tom oldham (@tommyophoto) is a london-based portrait photographer, shooting portraits of musicians, sports stars and talented folk all round the world. his work has been widely recognised by the taylor wessing photographic portrait prize, the open series in the aop awards and most recently the sony world photography awards 2018. andy gangadeen is a drummer of international renown, playing with bands as prominent and diverse as duran duran, massive attack, spice girls and chase & status. he a true pioneer of live dance music drumming and has been known to pick up the sticks at the palm tree from time to time

the 30d records machinery does not stop. a new stylistic adventure has been concretized in the new label’s series “eyes have it”, which will be conducted by the well-known sonar and 30d’s resident dj, angel molina, as a&r. the lucio fulci’s movies iconic scary-eyes synthesizes the series essence perfectly. “eyes have it” builds the fundamentals for the boundless experimentation, lightlessness, cold and mechanical dynamics. the ep “shelter” is the very first result of this new proposal, an incontestable work signed by isolated lines. the swiss artist has a solid background in underground music throughout various projects, in and outside of electronics. that means a wider creative resources that can be easily noticeable, for instance, in the music harmonies. avant-garde, solid sound and savoir-faire, that is what defines the isolated lines production. “shelter” ep stylistic codes are crystal clear, brazen obstinacy of the rhythm base which sets the basis for epic distorted textures, that may become deeply emotional, like in the cases of “onshore” and “landfall”. steadfast rhythmic cycles on slamming sound mantras. furthermore, the ep includes an industrially nervous revision of “onshore” constructed by 30drop. isolated lines’ “shelter” ep is an utterly flawless starting point for this strongly promising new 30d series. so henceforth, keep always an eye on “eyes have it”!

mihail p first came to light on respected label seventh sign before popping up just recently on verdant recordings alongside esb, and now he s back once again with the multiverse ep on distant worlds. his influences are clear, from the elegant melancholy and attention to detail of early uk techno to the snappy electro rhythms of drexciya, and he exercises those influences brilliantly on each of these four tracks. there are abundant tender synth lines criss-crossing intricately programmed drum machines in a true celebration of machine soul, all shot through with a heavy-lidded ambience that makes for some of the most captivating techno out there at the moment

vactrol park are kyle martin and guido zen. besides responsible for 2 unforgettable eps on esp institute in 2015 & 2016 under this alias, kyle and guido are prolific producers, with kyle being part of spectral empire (alongside black merlin), as well as half of land of light (with johnny nash) and more, while guido has been producing under the alias of brain machine amongst others. since malka tuti has been a fan of all of the above, it is no surprise the duo found its way into the ever growing family. with an lp scheduled later in 2018, this ep, self titled, is a door into the sound of vactrol park and its evolution - ever deeper, abstract, and mature. always clear, coherent and flowing, never boring. expect big things from this duo, as their live show, incorporating self-built modular synths and effects is destined for greatness…

back in 1962 when this, their third album was released, the group consisted of smokey, ronnie white, pete moore and brother and sister bobby and claudette rogers. while he had yet to be featured in the billing by name that came in 1965 robinson’s photo was top and centre of the lp cover. the ten songs featured barely amounted to 27 minutes of music, but what i ll try something new may have lacked in quantity it more than made up for in quality. and the reason was clear. six of the ten songs stem from robinson s pen five solo efforts and the sixth, closing track this i swear, i promise , a co-write with janie bradford. let s savour an album that, as one perceptive critic put it, features the miracles at their early best... as young, eager kids just starting out, filled with optimism, youthful exuberance and enthusiasm, long before record-company politics, favouritism and restrictions changed the group forever.

surgeons new full-length, luminosity device, takes bardo thoedol - the tibetan book of the dead - as a starting point for a rhythmic journey into those interstitial spaces where body, mind, and soul no longer seem like distinct categories.

using a modular system comprised of make noise modules (as well as a prophet 5 synthesizer), kaitlyn aurelia smith created abstractions as a live score for the film of the same name by visual artist harry everett smith. comprised of a single track across the records two sides, abstractions presents a unique experimental release within kaitlyns stellar catalog of contemporary electronic music. this make noise records release was digitally mastered by shawn hatfield at audible odditieshttp://www.audibleoddities.com/ pressed to 12inch clear (140g) vinyl and inserted into a black inner dust sleeve and matte jacket featuring artwork by harry everett smith (comprised of film negatives from abstractions, licensed from the harry smith archives), assembled by sean curtis patrick

his latest release i know from elypsia records is a quintet of detroit inspired remixes of the song i know. inspired by kevin saunderson, his original techno mix (7:06) is a hardcore and high energy track with intensity to match the wildest of crowds. the ep also contains 3 remixes of the track, each exposing and accentuating the brilliant aspects of his complex tune. it begins with the lucien foort remix (6:41), a lively big room hit with a punch fit for an epic saturday night. uk mix (6:46) follows with subtle electric melo-dies and rhythmic drum and bass patterns that give listeners the feel of wonder and excitement under a clear starry sky. with a clean and gravitating groove bit float remix (7:42) would fit perfectly in any ibiza party with flair and style.

25 years later, the legend of drexciya still lives on, and a clear example is this new ep by the young rnxrx.

kontakt records returns with two slamming chord driven tunes and a bass heavy urban cut by berlin artist van bonn who produced these tracks while living in copenhagen. ctrls remix answers the question how a trippy and dubbed out version sounds like. limited clear and crisp blue vinyl.

after a hectic weekend you awake dazed and confused deep in the urban jungle. as the sun starts to rise, in the distance a lush pad starts to drift closer. the sounds of your past... a time when everything in the world was right, perfect. tearing breakbeats release, kinetic energy moves your body and you start to reminisce about friends, love and music. days gone by, the vibe never ends. jem one kicks off 117 spring with 3 fresh cuts pressed on a special edition clear & white mixed vinyl.

12inch marbled yellow vinyl in heavy clear sleeve, hand stamped labels, vinyl only, limited edition of 300

here appear is an invocation, a salutation, and a celebration — of past and perfect lives, forgotten and remembered, exchanged and borrowed. eve essex’s solo debut is a multi-instrumental fea(s)t combining synthesizer, drum machine, alto saxophone, piccolo, electric organ/harpsichord, harmonica, slide whistle, bells, guitar pedals, and voice— composed, arranged, and performed by essex herself. what began as an improv set at berlin’s harlekin bar, developed over the past two years into a complete body of work evoking multiple time periods, genres, characters, and sonic landscapes.

a new collaborative project from blue hour & a-jx
stunning uv glossed disco sleeve
limited clear vinyl
full colour printed a6 postcard
introducing ‘tracing xircles’ - a new collaborative project from blue hour & a-jx. the duo explore classic uk rooted sounds, breakbeats and cinematic atmospheres with the 3 track ep ‘gaia’s requiem’.