aretha franklin is a giant both of soul and american popular music. aretha was recognised as a talented musician at an early age. a gifted pianist and with a voice already containing the power that would become her trademark. this collection puts a spotlight on the early columbia years and gives a unique insight into the development of a singer who has long since become a household name. pressing on 180 gram vinyl.
back in 1962 when this. their third album was released. the group consisted of smokey. ronnie white. pete moore and brother and sister bobby and claudette rogers. while he had yet to be featured in the billing by name that came in 1965 robinson’s photo was top and centre of the lp cover. the ten songs featured barely amounted to 27 minutes of music. but what i ll try something new may have lacked in quantity it more than made up for in quality. and the reason was clear. six of the ten songs stem from robinson s pen five solo efforts and the sixth. closing track this i swear. i promise . a co-write with janie bradford. let s savour an album that. as one perceptive critic put it. features the miracles at their early best... as young. eager kids just starting out. filled with optimism. youthful exuberance and enthusiasm. long before record-company politics. favouritism and restrictions changed the group forever.
west side story became the smash hit stage musical of 1957 through a combination of leonard bernstein’s dramatic score with jerome robbins exuberant dance routines. the long awaited film version arrived in 1961 and starred richard beymer as tony. rita moreno as anita and natalie wood as maria. its original soundtrack album clocked up 53 weeks on top of the billboard stereo albums chart and 12 on the mono. making it the album with the most weeks at number 1 of the rock (post 1955) era.
the life and work of jacques brel will forever be celebrated by fans of the chanson. and the evidence is present here in a package that comprises tracks from his first six studio albums. released in the mid 50s through to the early 60s and containing some of his signature songs. pressing on 180 gram vinyl. housed in gatefold cover.
at the start of the fifties miles davis career had hit a barrier which. for a period of time. seemed insurmountable. but by mid-decade. with his substance-abuse troubles behind him. he had established himself as one of the major artists on the modern jazz scene. kind of blue can often be found at the very top of jazz record polls and. despite competing claims. is probably the best-selling jazz record of all time. the listener should be in no doubt that they now own some of the most essential music of the twentieth century and on gleaming blue 180g vinyl!
at the start of the fifties miles davis career had hit a barrier which. for a period of time. seemed insurmountable. but by mid-decade. with his substance-abuse troubles behind him. he had established himself as one of the major artists on the modern jazz scene. kind of blue can often be found at the very top of jazz record polls and. despite competing claims. is probably the best-selling jazz record of all time. the listener should be in no doubt that they now own some of the most essential music of the twentieth century and on 180g vinyl!
night train serves both as a marvellous offering for james brown completists. and. on another level. as a brilliant on-record instrumental jukebox. full of booting saxes. guitar sounds that practically force you to get up and dance. and all propelled by a beat that’s spanned the years without ageing one little bit. so there you have it… a great album that proves what james brown and his friends were doing at the start of the ‘60s still sounds amazingly fresh.
pressing on translucent red 180 gram vinyl.
this compilation should enrich everybody’s soul with a mix of something for everyone who likes or wants to explore the variety of early soul tracks which are finding new favour on today’s uk soul scene. from the lesser known tracks from big name artists like aretha franklin. otis redding. gladys knight and the drifters. to established hits from the valentinos. sam cooke. steve alaimo. chuck jackson and timi yuro.
in 1949 miles davis. gerry mulligan and gil evans - they’d never met before - gravitated together with the natural affinity of kindred souls. combined. they gave each other a spiritual boost that resulted in many all-night sessions of earnest discussion. writing and playing-productive work on new musical ideas. new voicings. new concepts of jazz. their first appearance startled a delighted jazz public. and marked the birth of the cool. today. these famous miles davis instrumentals are as exciting as ever. and here are in all their glory.
this soundtrack remains so powerful and evocative it could almost stand alone from the classic western it accompanied. just close your eyes and it won’t take long for you to start conjuring up images of grizzled mountain men. intrepid wayfarers. murderous outlaws. boom-town mining camps. lines of covered wagons across the skyline and the great american outdoors that just seems to go on forever.
alex north’s work for ballet. symphony orchestra. television and film continues to stand the test of time almost 25 years after his death. although nominated 15 times for an academy award. it wasn’t until 1986 that he was finally given due recognition when a lifetime achievement oscar was bestowed upon him. but. as this soundtrack lp so amply demonstrates. his pioneering work on streetcar remains one of alex north’s crowning achievements.
this compilation contains some of the vital and most important music ever committed to vinyl. it covers the first recording years of elvis aron presley. years which saw him progress from teenage memphis truck driver earning 35$ a week to a multi-millionaire performer with the music and movie worlds squarely at his size 11 feet.
double 180 gram heavyweight vinyl in gatefold cover.
ELECTRONIC MUSIC... IT STARTED HERE (GREY 180G 2X12 LP)
coloured 2x12" Vinyl l UK30.05.17
the artists and inventors. along with the many other notable composers present on this 2lp compilation. are the true innovators in the sounds and science of electronic music and its production. they are the ones responsible for the dawn of a much revered genre. the originators of the musical concepts that have since developed into what we now know as electronica and dance. these are the true pioneers of electronic music.
pressing on grey coloured 180 gram vinyl.
of all the musicians that emerged from the jazz avant-garde of the late fifties and the sixties. ornette coleman has been the one whose music has best stood the test of time and entered into the mainstream. as a performer he has long outlived many of the musicians who committed themselves to the new music all those decades ago and. in the process. built up an affection. not to say respect. from many who doubted he could last the distance given his uncompromising and individual approach to jazz performance. initially. of course. he had to find musicians with an empathy for his personal take regarding improvisation. on the album presented here. 1959’s the shape of jazz to come. he was accompanied by three individuals who dovetailed perfectly on what became a groundbreaking album.
in federico fellini’s classic 1960 film “la dolce vita” (literally “the sweet life”). the legendary director brilliantly and vividly brought rome’s beautiful people - the embodiment of that sweet life - to cinema audiences worldwide. the film’s global appeal was enhanced by nino rota’s cool jazz score which can be heard just as vividly here on 180g vinyl.
enjoy the legend that is quincy jones on 180gr vinyl. the successful bandleader. composer. arranger. producer and instrumentalist recorded a lot of songs. this release focuses on his time at mercury between 1959 and 1962. included are the classic tracks “soul bossa nova”. “desfinado” and “moanin”.
serge gainsbourg may primarily have been known outside his native land for the heavy breathing masterpiece *je t aime (moi non plus)*. the only french song ever to top the british charts. but to those at home he stood as one of the more potent cultural figures of post-war france. discover why he is held in such high regard with this 180g double-vinyl set.
the sound of jamaica in the early sixties was bluebeat. dance music that >had a good beat and was bluesy<. the definition came from sigmund >siggy< jackson. the man who licensed the music from the islands record labels and brought it to london where emile e shalits melodisc records took it to the market.
cooke is regarded as one of the handful of artists who single-handedly created the soul music genre. so whether you are only sixteen or a lot older. then sit back and bask in the wonderful world of sam cooke.
here you find all his classic tracks from 1956 - 1962 on limited edition 180 gram double-vinyl in gatefold sleeve.
“kind of blue” is probably the best-selling jazz record of all time. we precede the familiar stereo version with the legendary “kind of blue” mono mix - legendary because columbia records claimed that the tapes had been discarded long ago. the avaxhome audiophile website approved of the new perspective mono offers on a time-honoured classic. saying: “if you’re only used to hearing it in stereo. this will be a different experience. it sounds kind of “forward”. particularly the saxes. overall it has a nice timbre. especially in the midrange.”
vinyl 1: mono version (cl 1355)
vinyl 2: stereo version (cs 8163)
BRILLIANT CORNERS / THELONIOUS HIMSELF (2X12 LP. 180G)
2x12" Vinyl lp UK25.10.11
pianist and composer thelonious sphere monk is quite rightly heralded as one of the major figures involved in the birth of bebop and consequently revered. alongside such luminaries as charlie parker and dizzy gillespie. as a father of what became known as modern jazz. but. in so many respects. his stylistic approach to the music differed from his illustrious contemporaries. for whilst parker. gillespie and his fellow pianist bud powell often displayed their considerable technique at ridiculously fast tempos. monk s approach was entirely different with a keyboard technique that used a considerable amount of space and relied greatly on its percussive qualities for impact. he fitted into the world of these who wished to take the world of jazz to the next stage after the swing era. but became part of the be-bop scene by default. not design. two iconic albums *brilliant corners* and *thelonious himself* are included on this special 180 gram vinyl 2lp gatefold edition.
this compilation combines the 1957 album *round about midnight* by miles davis and the 1963 *miles* by the new miles davis quintet. two jazz masterpieces on 2x12 inch heavyweight 180 gram vinyl in gatefold sleeve.