traveling through these eighteen ambient cosmic tracks from true heirs of library music, you ll expand the surrounding space. limited to 300 copies.

the grand, sweeping sonic explorations of “pretoria”, from john matthias and jay auborn’s 2017 album “race to zero”, are given new life on this four-track remix ep.
moon gangs (better known as william young, keyboardist in bristol-based electronic outfit beak>) takes the reins first, delivering a thunderous take on the original’s faster-paced second half. typically of the artist, the track builds and builds in intensity, climaxing with an apocalypse of emotional, layered synths.
bristol’s cuts strips back the elements for a much darker reworking. a single, repeating piano note echoes into wide, open space alongside the original’s antique violins before clattering percussion and synths enter the mix for the most foreboding turn of the release.
closing the ep, former mogwai member john cummings also bases his reinterpretation around the original’s piano. but where cuts leans on moody darkness, cummings take is more upbeat, courtesy of a driving four to the floor kick and fidgety, high-pitched piano.

this is an exploded drawing, unlocked from time: nhk yx koyxen walks at any speed and on any surface he desires to trance-scend. his “parallel tempo ep” takes a mindful plunge into layers of rigorously murmuring gestures. as speed and size are streched and bent, the planes engage in parallel movement. artist and producer nhk yx koyxen has been unveiling his unique vocabulary through a continuous stream of sound for many years. performing on electronic music’s timeless dna, he offers those who step in a resonating space, in which loose objects are bound to embrace each other.

fifth album from recondite, 1 per customer
- releases on absurd/acid test, dystopian, innervisions, ghostly international, plangent, hotflush, life and death

recondite has announced his fifth album, daemmerlicht , on his own plangent records. translated as -fading light,- the new album finds the bavarian musician exploring novel territory, combining his love of instrumental hip hop and downbeat with ambient and classical music. the result is recondite s most focused, meditative work yet. from the haunting soundscapes of -lichtung,- to the cinematic beauty of closing track -immer da,- the album demonstrates a new level of sophistication to lorenz brunner s venerated catalogue of work. making conscious use of atmosphere and space, the album ultimately harkens to brunner s unique upbringing in lower bavaria.

this initial release on the new futurepast label marks davy’s first output as a producer, crystallizing his endeavours in the studio and bearing witness to his long-standing experiments in electronic music. built between london and berlin over the last four years, the long now lays down the blueprints for following ventures on the label: using old and new gear to create unique, obscure soundscapes both outside of memory and away from nostalgic projections of lost futures. in a timeless and precise collaboration, davy has brought together two historical figures for this release: 1990s r&s records associate david morley mixed the tracks, while simon davey of the exchange lent his renownedmastering skills to the project. temporality, time travel and perception are key concepts for davy, and not only in the ep’s title. the four stripped-down tracks move forwards, sidewards and backwards in a bid to get us lost – not in space but in what time might sound like should we be swimming through it. mysterious and ageless synths mesh with the beats of an unnamed drum machine under davy’s control. we move through a non-linear story told by three distinct forward-thinking techno titles: no memories planned, circular weeks and causal loop. finally, the titular ambient track pans out cinematically over the images left in our heads: an invitation to begin it all again in the long now...

it was 2016 when we last saw the venezuelan duo, better known as fur coat, drop their debut ‘interstellar ep on watergate records and now they finally return with their follow up, the ‘immersion ep. immersion kicks off with an agile kick drum setting the stage for rapid fire percussion and an overwhelmingly satisfying ascending organ line that could be the trademark of any sci-fi film score. add a few shudders of glimmering atmospherics and its a trek into the cosmic realm of techno where space and time cease to exist. flipping sides the duo dive deeper into the infinite expanse with inner circle where lush textures canvas a mesmerizing groove and hypnotic spirals of gratifying repetitive sonics resulting in a fiercely energetic yet undeniably euphoric expedition under the club lights. embracing the tools and mechanics that have made their sound unique and successful for so long, fur coat seems to have delivered their most mature and polished ep to date with their ‘immersion ep where stunning spacial details and a precise attention to detail have embodied the age old saying, less is more. fur coat is back. immerse yourself.

another kicks off 2018 with its first release. we are very happy to welcome kenneth scott (from the former duo moniker) who delivers a stunning 3 tracks ep with a deep electro and deep house feel. straylight feat dave aju has been remixed brillantly by the one and only kai alce. analog warm textures and efficient grooves all along this ethereal masterpiece.

formerly of france, now based in brazil, d3 elements returns with their second instalment of the beatz series, this time with jazz artist, bruno e, also hailing from brazil. bruno, who has been producing and performing since the late 90s, has worked with and remixed the likes of silhouette brown and gilles peterson, as well as releasing albums in his own right. this limited colour 10inch release features three versions of the track ventos do outono, (loosely translated to autumn winds). first up is drummer, composer and producer, pat van dyke, taking a break from composing the soundtrack to jerry seinfeld s comedians in cars getting coffee, with a breezy, laid back version of the original. featuring lush horns and flutes, along with vintage keyboards, the track urges us to get down, while straddling the boundaries of jazz and golden era hip-hop. still on the a side, it s bruno s turn, delivering a wonderful broken beat track. full of beautiful keys, strings and intricate rhythms, this track is reminiscent of the sound championed by kaidi tatham and nu era. flip over to the b side, and techno legend, kirk de giorgio takes us on a deep, futuristic ride. the track starts off with banging drums and a pulsating bass line, priming us for the cosmic pads and keys to come as the uk producer takes us on a journey to outer space and back. another quality release from bryan hervieus label, with three diverse versions of the same track, sure to appeal to a wide variety of tastes

the cosmic perspective lands on eternal friction records for the labels second output. dark quadrant takes you once more on a journey into space. further exploring the boundaries of the techno landscape. drifting down ever deeper into the incomprehensible vastness of the universe.

as mosaic reaches release number 40, steve o sullivan dives into another studio collaboration with his new label mate and expert hand, mike schommer - bringing in the talents of rod modell on remix duties. etching two slices of dub heavy grooves that cover either side of the techno and house spectrum, their first effort emphasises the former on title track -submerged- (b1). it doesn t pull any punches - precision moulded bass takes centre stage around evolving synths and classic delay action. their 2nd -depth charge dub- (b2) leans more towards the latter as the duo focus on the combination of a rolling sub, laidback percussion and subtle stabs that cycle gently around. the cherry on top comes in the form of rod modell s -deepchord s negative-space exploration version- as he takes a 9 min trip to the hinterland of his sonic imagination, elegantly finding new layers and spatial effects. call it what you will, dubbed out house with a splash of techno or dubbed out techno with a splash of house - this is heavyweight material.

always a reliable destination for cult talents operating on exciting frontiers of techno, meandyou this time shine a light on j.s. zeiter, who adopts the analog 1 alias for some dense, meticulously crafted trips into the strange psychedelic underbelly of dub techno. sm4l features pastoral chord swells straining behind a babbling brook of high frequency sound design, while mistral takes a classical approach to ambient composition, all yearning arpeggios and lingering keys. interlude is a brief twirl around blown out drums and textural impulses, and then skiv loop (rework) sets a more positive tone for the end of the ep, pushing classic dub techno sounds into a hazy, summery space away from the usual icy tundra the genre normally inhabits.

to celebrate the 10th anniversary of dekmantel’s goings on in the world of events, festivals, and great music, the team behind the label have been releasing a record a month featuring some of their favourite artists, as part of a ten-year anniversary series collection. featuring acts close to the label’s collective, debuts, and legacy talents the crew have always wanted to sign, the series has seen the likes of gigi masin, call super, fatima yamaha, and more. this penultimate ep, sees dekmantel debut releases by lena willikens, space dimension controller, and dutch lo-fi star betonkust and palmbomen, in addition to a special cut by bufima

a benchmark project that has been in fruition over the past year, one against time is the magnum opus of john dimas career. it is a pivotal milestone that embodies his depth of knowledge and his personal fascination with the mysteries of life and the universe. spread across 14 tracks, one against time sees dimas really broaden his artistic capabilities, drawing from a melting pot of influences and woven together by his desire to channel a feeling of intrigue and curiosity taking a journey outward into the deepest recesses of outer space while simultaneously traveling inward to that same area of deep space inside his own soul...

felines 5th release sees madrid based artist obre (analog solutions, be as one, palinoia) unleash 4 tech fused tracks, aimed straight for underground dancefloors around the world.

special triple pack for all you freedom sessions lovers out there - contains 3 classic releases:
frees06: petr serkin - we will greet you
frees07: petr serkin - magic roots ep
frees08: petr serkin - old tales from the future ep

having recently appeared on bosconi records and altzmusica, daisuke kondo is a producer on the rise at present. this outing on vibraphone adds fuel to that particular fire with four distinctive cuts that push to the outer edges of house music without losing sight of the groove. -hold on to love- is, on the surface, an upbeat, disco-infused house jam, but there s a certain trippy approach kondo takes in the processing department that edges the music into a different head space. -life- meanwhile gets gritty and bass heavy at one end of the frequency range, and airy and melodic at the other. -feelin blue- gets even dustier and scratchier with its sample treatment, and then -fallen star- lays down some unflinching machine beats with wonky, distant piano licks.

as weekend circuit approach their 20th release, argentinian duo yyyy return for their second full length ep on the label to celebrate this benchmark. the yyyy modus operandi is already familiar to the initiated - expressive, raw techno experimentalism from the outer reaches. carry this blood is a collection of 4 moods and sounds, carved out with emotion soaked ambience, synapse flaring distortion and machine fracturing rhythms. repent , as the title suggests, takes no prisoners, leaving no survivors in it s wake, it is a glimpse into a tear in the time-space continuum where chaos rules. hands towards the giver is epic, glacial, spacial widescreen techno. dramatic and urgent, the soundtrack to a doomed planet collapsing from within. carry this blood bestows an eerie, cold feeling. an atmosphere of regret and loss hangs over it like a thick fog on a hillside, punctuated only by a heartbeat mimicking kick drum offering a human touch. of thrones and comfort snaps us out of the haze, the fog clears and we are faced with the frenzied electronics and thundering kick drum of this most sinister of tracks.

white on white is an absorbingly dynamic, multi-layered album of improvisations made on the seminal ppg wave synth, inspired by the work, life and theories of the great, if forgotten, british constructivist artist marlow moss (1889-1958): a radical, gender-bending british jewish lesbian and innovator of non-figurative art who was a then-contemporary influence on piet mondrian, with whom she worked alongside from the late 1920s as part of the abstraction-creation artists association in paris, until the nazi’s forced her from mainland europe back to england, where she settled in the far west of cornwall.

following two sought after, sold out 45s on the label, kevin hendrick’s m i d d e x project releases it’s debut lp for mid-february and right from the off this is no everyday minimal synth project. 10 brutally sharp, icily industrial, analogue synth blasts which tip their hat to those hugely influential days in the late 70s where across the uk, tiny pockets of forward thinking, electronic experimentalists were creating groundbreaking, analogue electronic music, under the radar from almost all, unknowing at the time of course about their impact even to this day. limited edition of 300 numbered copies.

remixes of last years seminal chmmr debut album by telephones, dj dog & double dancer. time to check out the album again, niceness for the cold weeks to come and likewise to dig into the new remixes, de- and re- constructed by gentlemen that need no introduction!

a familiar and reliable musical force, jonny cut his teeth behind the counter at phonica & blackmarket records during the 00s and has has proven his tastes time and time again with his disco hamam and hamam house imprints and releases on labels like cocktail damore and oye edits. this three-tracker rides middle eastern waves, reflecting mystical vibrations to take you through time and space. jonny delivers reworks of radio morocco, an italo tainted work out that rumbles and punches, housey mousey, an exquisitely eery acid house jam from 88 and yab yum, a wild and percussive trip. all three are sure to roar like thunder on the dance floor!

francis harris is a founding member of the scissor & thread label a brooklyn-based imprint established 2011 as an outlet for deeper, more personal sounds, as well as music from a range of associated artists including black light smoke, bob moses, frank & tony, dj aakmael, desert sound colony and aris kindt, to name a few. harris own output has gone from tightly wound tech house cuts as adultnapper in the early days, sublime deep house as frank & tony, intricate and expressive musical journeys as evident in his two solo-albums ‘leland and ‘minutes of sleep, and ambient shoegaze with two aris kindt albums, co-produced with gabe hedrick. most recently harris branched out with a new label kingdoms a home for his love of a more adventurous sound. now we are proud to present his new solo single, the first since the release of ‘minutes of sleep, ‘minor formswhich includes two remarkable remixes by valentino mora. more we cannot do is a perfect example of harris feel for depth and dynamics a track that feels submerged in a warm amniotic fluid cocooning the listener in a thick subby bassline, providing much of the groove, with skittering percussion on top and intricate fragments of melody throughout leading to a wonderful moment with live vibraphone provided by new york player will shore. minor forms, the eps title track is cut from similar cloth emerging from a subtly distant place to inhabit a melancholic, beautifully evocative space somewhere between ambient, jazz and the dancefloor. joining harris is greg paulus on trumpet, a long time friend and collaborator adding his signature touch to an already moving piece.

hand stamped! two disco classics get a sprinkling of space dust, courtesy of the astronaut

rebolledo’s you and your hippie friends imprint grows its groove footprint on international dance floors with the full-length debut of gÜero, the latest vinyl outing from the hippie dance sister label and also its first fully fledged album project. to attentive hippie friends, the artist name should ring a big, funky bell – one that sounds exactly like the cut “convertible ride” from the notorious “a very nice combinado volume uno” 12” release (yayhf 01). back then, our hero was travelling under the somewhat more convoluted “el güero fresa” monicker, but has since dropped some of those conceptual pounds in an effort to reach maximum sleekness. in the same vein, his debut album is a testament to ultimate funk-a-ficiency, digging deep into fizzy arpeggios and chunky basslines - and the occasional guitar cameo, giving tracks such as bubbling synth opener elektronique, the neon-lit night cruising, bouncing electro disco roller alto final or the programmatic space drifter just that little extra riff.

abandon all expectations ye who enter here, other lands (previous, druid-like incantations on firec015 mac-talla nan creag) got you covered with a truly compelling assortment of jazz snaz and post-armaggedon cosmo-disco oddities, occupying the space between alien-revisited exotica, classic jacking house workouts and a boc chromakey dreamcoat kinda vibe, seemingly elusive at first but definitely familiar to the ears of uncool survivors like you and i. one thing s sure, other lands could throw a balearic party at one of berghain s most secret leather-friendly backrooms that it wouldn t feel out of place. never mind the weird, inverse sun-tan lines.

terekke drifts gracefully onto music from memory with a long player of looping ambient pad pressure. big tip! the recording of improvisational loops began in 2012 during yoga classes at body actualized center in nyc. in the spirit of past new age or minimal music, it aims to open up a space within the room giving the listener a chance to explore inward or outward. it was recorded using a digital synthesizer, reverb, and looper. terekke, january 2018

jonny nash (guissian curve / melody is truth) and firecracker s lindsay todd get barefoot and turn out a stunner of an lp. over the course of twelve compositions we find the pair utilising their recordings in a whole host of ways, avoiding the well-trodden cliches of the exotic and instead attempting to achieve a personal interpretation of the flora, fauna and climate of the island. spending time amidst the insects, rice fields and scorching sun, the pair gathered a library of found sounds which were then taken back to a studio space to be stretched, mangled and manipulated alongside a variety of electronic and acoustic instruments. the outdoor studio itself became a living instrument, with the duo setting up multiple microphones for durations of up to 12 hours around the space, layering and processing the results in tracks such as fauna mapping and a series of small frogs

a firm favourite with the hot creation camp, jey kurmis returns to the label with his jessycat ep. following acclaimed releases lil’ nic french, kari and not too flabbeh on the imprint, we once again see the talented producer at the top of his game. the ep stays true to jey’s trademark sound as the producer delivers three tracks to take the dancefloor through to the small hours. the ep opens with jessycat, a bubbling tribal affair that implores you to move. an array of vocals bleeds into the record taking you on a journey to outer space. fien features co-producers nukov & yelmet and takes a darker turn with a rumbling bass and intense vocals that state “my head spinning like a merry go”. the outer space sounds continue into closing track vanstone, unfolding with a swinging bass and distorted stabs. part of the industry from more than a decade, jey kurmis has previously released on labels such as, moon harbour, leftroom and kaluki. taking his dj skills to new levels he has played the world’s hottest parties- from sonar to bpm, and the warehouse project to dc10. the leed’s based music maker has also commanded residencies at do not sleep and paradise.

lp + download code. television days is a standout and unique record that both showcases an array of ambient sound techniques as it pays tribute to its love affair for new wave.

to kick-start 2018, happy skull serve up a rare ep from italy s d arcangelo brothers. the sibling duo have been active since the early 1990s, when they played a pivotal role in shaping the sound of roman techno alongside contemporaries lory d, leo anibaldi and their automatic sound unlimited production partner, max durante. in the two decades that have passed since, fabrizio and marco have consistently delivered off-kilter, futurist electronic masterpieces for the likes of nature, analogical force and, most famously, rephlex. the four tracks contained on this happy skull outing are not re-discovered archive cuts, but rather fresh slabs of mind-altering musical intoxication. the alternating bliss and acid-fired psychedelia of -saba tree-and the creeping late night paranoia of -pull seven- set the tone. the effervescent fun continues on the flip, where saucer-eyed chords and idm electronics combine on the rush-inducing -13th cider-. to finish things off fabrizio and marco treat us to -korty-, a mesmerizing, deep space slow jam full of backwards electronics and rumbling flashes of sub-bass.

the prescription pricing authority duo hails outta london town and delivers the second 7inch inch release ever on gamm! with a slab of funk infected disco on the a (1-2-1) and a jazz-funk-fusion jam (lucky duck) on the flip we hope this lil 7inch will own a permanent space in your 7inch inch box. its a pretty bad ass release that comes with a classic vintage dinked (big hole) label design

repress 2018 - it is not a secret anymore that manchester has been a deephouse capital city since quite a while. the meandyou. party series is the main spot here with resident djs juniper & arnaldo amongst others spinning alongside their favourite acts like lowtec (whose track on smallville 14 was already a homage called meandyou.dub), jus-ed, dj qu, kassem mosse, move d and the smallville posse. for our catalogue number 30, juniper & arnaldo are delivering four house tracks from outta space, that fit perfectly into the smallville vein. the global village of sweet house music is rising.

beware: schnitzels cuts 4 in outer space! coming back to you with laser-fried perfection, rebranded in a cosmic blend and revamped to deep space perfection. imagine a twist of afro-synth history combined with a roller skate jam from the u s of a, re-rubbed with chopped vocals, disco bleeps and arpy baselines. now available at any intergalactic reseller for only 412457 space credits or an equivalent in your currency of choice.

repertoire head north for their first 12- of the year courtesy of rising manchester murker artilect. -something else- is a spacious rolling piece laden with a strong late night desert atmosphere complete with snare-shaking rattlesnakes. homemade weapons is the perfect remixer of choice as he digs his claws into the space and completely switches up the drums to a combo of rolling hangdrum and thunderclap splashes of breaks in all the right sweet spots. finally we get -lost- amongst some superb razor sharp steps, haunted paranoid textures and classic rave-referencing humanised hits. absolutely authentic.

slamming legowelt style

two dutch institutions in delsin and 2000 and one team up for a reissue of the 1994 ep belongings. it was an early release on 2000 and one s influential 100% pure label and found him in full on space-techno.

mattia aka lapucci releases his first ep on understate:ment. five highly sought after cuts that symbolise modern electro: sleeky pads and machine based vocals accompanied with crisp drums. space grooves with an unmistakable mattia sound will give you a trip deep inside the heart of mannheim, frankfurt & berlin.

after shifting through a few different monikers the last year deepblak rhythm czar afrikan sciences returns to form. laced always with his elastic funk forward grooves the reciprocity ep continues to build on his legacy. one that has consistently morphed diasporic rhythms into new colors. creating new space on the dance-floor as well inside the mind. four independent yet intertwined tracks all meant to make you oscillate inward outward.

antideepressant records, where fusion deep space house meets nudisco, deep techno and creates the eclectique spiritual grooves for your mind, body & soul. there are a 4 tracks ep that emphasise on the musical side, the instrumental parts, the atmosphere a gem! most of you would say this is deep, but we say it s freakin great deep influenced house.

hold tight for a shocking, rare discovery from the dusty vaults of a forgotten 90s breakbeat house outfit s minidisc archives. the two tracks that make up the repertoire of the two bad jews crew are steeped in the wistful optimism of the good old days - they just don t make them like this any more. -holland memory- rolls on a measured use of a break and a simple chord sequence that could melt on for days, plus there s space for the odd cheeky sample to remind you of the unpretentious era these tracks herald from. -tony hayers (dub)- meanwhile ups the dx7 funk with a rollicking house cut that would sit right with any true deep house head who wants a little uk attitude in their soul stew.

following a succesfull 2016 with his well received eps golden tides,sunlit forest and one of our fave releases bahia, joe offers up four cuts for pleasure unit. continuing the producers passion for new age , paradasical ambience and dreamy deep house,lead title -jacaranda skies- might be what telephones and met mr heard would of sounded like had they met in rimini circa 91. a dusky atmosphere provides the backdrop to ecstacy inducing chords,an elevated brass sequence and afro percussion driving a tight groove. mangrove dawn is an aural quaalude hit, gentle synth washes fold over each other,while nature sounds buzz through a distant 303. the lost garden opens to a reverb soaked slide guitar and soaring pad section before a jaguar snarl gives way to subtle kick pattern atop m1 chimes and bali bells. skies reprise closes off the ep with a beatless take on the original, the melodies given more space the sonic equivalent of open air swaying under hazy pink skies.

new ambient / krautrock / weirdo / cretin project by half member of the pilotwings from lyon : louis e bola, in collaboration with musicians geddes hadden, arthur tempo, akino karma, sound of duty free & pierre mortimer-dubation. a mix in between christian morin - aquarella and berlin school artist conrad schnitzler.

american musician aaron spectre turns up the volume with four tracks of jungle punk rock intensity, continuing his mission of uniting cultures at their roots. here we have four tunes of guitar, relentless amens, deep bass, and soulful soundclash vocals, ready to rumble your space of choice. also on the menu is a collaboration with fellow ragga junglist feyder, rounding out a brilliant ep which inspires and shakes foundations.

job sifre is one of the guys bringing new blood into the amsterdam scene. this is the follow-up to his recently released debut on the new artifical space label, where he continues his path of solid ebm fueled electronix. the record ends with the gorgeous at least we try, showing of his more tripping, rhythmic side. beautiful complementary artwork by stefan unkovic.

tony scott drops his 2nd single for soma under the edit select moniker and continues to experiment with his deep and pervasive soundscapes. as we work toward his debut lp on the label, scott turns in 3 perfectly crafted and hypnotic techno affairs, drenched in smooth, calculated rhythms and mind bending atmospheres.

for this release metrist delves into a set of carefully constructed and deeply rhythmic but ear-grabbingly idiosyncratic, mixed fidelity dancefloor-geared oddities. the first three tracks are united, in a fashion, by the artist’s skill at programming a series of drum tracks that set a definite tone for the productions. within a quite partisan field of often microscopic generic variety, largely pinned down to the tempo and timbre of electronic drums, here metrist has pursued a tricky-to-define path. the bounce of new jack swing is twisted amongst stripped back polyrhythms, equal parts groove and glitch seasoned by some futuristic acid filters that create a constantly shifting aura of space and textural nuance around the individual drum hits. quite often arrhythmic interjections punctuate these ‘grooves’, be it the sawing bursts of noise and snarled, incoherent vocals on ‘an soaep’, the non-language and playful, bubbling bass surrounding the half time feel of ‘on golden seize’ that builds to something approximating an industrial take on uk funky or the brash sub-wobbles that intrude ‘pantomimer tongue’s juddering knife-scraping-on-a-balloon stutters. ‘caaacel the horze’ closes the record in a less weighty style, with crunchy arpeggios running on a synth that sounds like it’s picking up interference from a radio channel, as snatches of moaned vocals allude to a deeply ambiguous yet chilling narrative behind the music. thudding kicks intrude on the skittish melody but in a non-rhythmic way reminiscent of someone trying desperately to snatch your attention by banging on the adjacent wall. gauzy melodic textures in the background provide a calming counterpoint to the uneasy qualities of the composition

vinyl only release featuring remix from sakro

five dazzling remixes of population one s classic hippnotic culture lp by the detroit minimalist himself. kicking off with a 20th anniversary mix of rush hour, the track that inspired our company name! big big tip and a great honor.play it loud!objekt: these are wonderful. no surprise though- population one, also known as terrence dixon, offered a first remix of his mysterious, minimal detroit track rush hour for the celebration of the label s 10th anniversary and now blesses us with new takes on five hippnotic culture album tracks. the impressive hippnotic culture lp was originally released in 1995 on the long defunct utensil label, which was run by claude young.

memory distorts itself, reshaping past & future alike.
rosewater ctz’s crush ep exists in the space between fantasy & recollection. its ethereal soundscapes, guitars and driving drum breaks depict a fragile utopia. this 6 track ep alternates ambient and club tracks, weaving together states of absence and presence.