new myke derill on knotweed records….techno

leskin, massimo di lena, joseph russel and rio padice (aka the early sound collective) deliver four outstanding deep & raw house/techno cuts. of course, shitloads of records come out these days that fit the deep & raw house description, but this stuff just goes beyond. without falling back into cliche, their characteristic use of analog equipment takes you right back into the early days of hypnotic, raw & soulful machine music competing with the detroit/chicago cats from back in the day.

you know a producer has got something when the first note of the first track you hear makes you sit up and take notice. so it is with 19-year-old east londoner joss ryan: the instant the jabbing orchestral motif at the beginning of >melancholy dreams< – the title track of his debut ep – kicks in, it hits your emotional centres hard and lodges in your memory. as statements of intent go, its a pretty tasty one, and tells you that this is a talent who can stand out and make an impact way beyond the ins and outs of the micro-genres and endlessly reconfiguring trends of underground music.to put it simply: joss is a grime kid who expanded his horizons. his popular mix of his own material for mary anne hobbss radio show last december already shows that the three tracks on this ep are by no means a fluke, and there is a whole lot more to come besides…

sofie hein ist bekannt als komponistin, bassistin, programmiererin und sängerin des berliner gitarrenpop-duos wagner & pohl. mit ihrem soloprojekt lucyhoneychurch hat sie den soundtrack für die dokumentation >berlinized - sexy an eis<, ein film über die neunziger jahre in berlin, produziert. zur festivalpremiere erscheint am 20. april 2012 das mini-album >berlinized - longing and belonging< auf vinyl mit sechs titeln aus den filmscores, darunter ein remix des schweizer musikers und radio-djs oliver peter. geräusche und stimmungen der soundtrack-titel wurden inspiriert von industriellen klängen und krachigen gitarren der 90er jahre. mit hilfe von field recordings, beispielsweise von schrottplätzen, generiert lucyhoneychurch verschiedenste elektronische samples, und diese reichen von kompromisslosen beats bis zu harmonischen klängen. die tracks sind clubbig, poppig, sphärisch und manchmal auch brachial.

the dream of another way, red light on her skin, smoke and sensuality in the air, broken promises and a mans embrace. born out of east london’s underground party, love fever records seeks to encapsulate the intensity of a+as late nights and early mornings. over 3 years of pioneering and party providing has seen love fever grow from a word of mouth disco in a dalston loft, to the party for the musically aware, and adult orientated mincers of london and beyond. warehouses, strip clubs, art gallerys and photographic studios have been transformed with many of the true disc jockeys in electronic music joining alex & andy to push the boundaries. a sound has emerged, cross genre, with a heavy leaning on sleaze, elitist house and romantic techno to create a pornographic energy.

with their 22nd release, culprit unleash their most narratively and sonically rich ep, courtesy ofone of the genres unique young voices, jozif. his lady b ep is a work of intricate conception that goes well beyond typical dance music themes, instead serving up a personally vivid and cohesive story. with these five immaculate tracks, culprit appears closest to fulfilling their mission statement of delivering music cinematic in its scope, true to their los angeles roots.

after his very well recieved through motion ep in 2011 the now londonbased producer returns to aus with the much-anticipated placement ep. staying true to his roots, he delivers four tracks that contribute to the continuing conversation between techno, house, garage and beyond. with a strong focus on intricate detail, lush texture and glacial melody the ep is just as captivating on headphones as it is on the dance floor. the placement ep is currently being remixed by motor city drum ensemble & lone and the fruits of their work will be released as a 12inch single on aus in april so keep your eyes and ears peeled.

manmakemusic continue their adventure into the musical hinterland beyond bass, techno, house and garage with two cuts from new signing, trikk. hailing from porto, portugal, and a recent addition to londons kaleidoscopic music scene, trikk effortlessly marries old school charm with new school edge. a-side, ‘jointly’, takes robert hood-esque jackin’ techno drums and unites them with twisted garage vocal chops and relentless bass. on the flip, ‘i fall down’ takes things down a gear with an emotive mix of cavernous synth lines, heartbroken vocals and skipping drums which harks back to the finest moments of broken beat.

dollys first release in 2012 and immediately setting a high standard for the year to come! this time aroy dee under his mos disguise is delivering the deepness, and this one could be very well one of his strongest releases to date. present as usual are his trademark vintage synths & drums, but this goes beyond the average retro chicago stuff. skillfull on the machines while its very clear the music comes from deep within. marcel fengler on remix duty adds a little techno punch, which perfectly tops of this very fine release.

>vintage violence< is john cales first post-velvet underground album and was originally released in 1970. cales signature sound with the velvets was purposefully rough and aurally challenging, but >vintage violence< is a startlingly user-friendly piece of mature, intelligent pop with a smooth, satin finish.
the welsh rocker shows a pop craftsman at work on ten tracks that reference everything from country rock to beach boys harmonies to the band-style americana and beyond.
180 grams audiophile vinyl pressing.

valanx is the new project of arne weinberg. after deciding to stop releasing under his own name, the project is focusing on his new-found passion for electronic music beyond the techno productions he is best known for. this first album is the result of liberation and recovered inspiration in the studio, and the ability to express musical experimentation without boundaries. this is how arne weinberg sounds in 2012. valanx stands for edgy, dark, sinister and thoughtful electronic music without limiting rules such as club compatibility, crowdpleasing or certain expected structures, tempos or sounds that confine most of todays musical genres. everything is possible, expect the unexpected. 300 limited lp copies - no digital distribution.

although it has found emotional music from france, russia and south africa over the years, for this release it returns to the birthplace of deep house, chicago, to focus on up and coming producer matthew wieck. opening the ep with the wiry tones and lush pads of >flying feeling< whichs take you up into the stratosphere with its floaty vibe, its complimented by >hydroacoustics<, which utilises an aquatic arpeggio lead and warm, oozing pad underneath, held together with crips, charged percussive work. on the flipside >worlds beyond< demonstrates wiecks darker side, with an acid bassline riffing against cavernous piano in what sounds like a more introverted take on larry heard. altered moods boss malcolm moore finishes off the ep with >cleared direct<, an 808 jam held together with foggy chords and disembodied radio transmissions - the perfect compliment to wiecks fine material.

lisa shaw has been a proven staple in the deep house world. she helped define an era with her releases on naked music, and continues to create timeless gems. both albums >cherry< & >free< take it back to the basics, while >sweet and simply< taking it beyond. lisa looks forward to the future of her music career and strives for a constant push to explore modern sounds but most important is keeping the essence behind the music no matter how it changes.

new burial !! featuring three new tracks pressed on high grade 180g vinyl for optimum sound reproduction, and running beyond 30 minutes, the >kindred ep< is an ambitious work that pushes further into the unique musical territory burial occupies.

second sampler from the stilleben camp, representing electro city gothenburg, sweden.

francesco grant has become an institution of the finest techno/house tracks on afu and way beyond and returns with his fourth release and three brand new tunes.
>dont scream< is a prime time piece that delivers with its cool funky rhythm bed and the cut up samples that became so much of francescos trademark.
>everybody love me< takes his style even further with vocoded vocals and >still here< rounds it up with some mental ladies voice and a fat groove! enjoy the ride ...

timo maass double a-sided single >kick1 kick3 / johnny cash< comes with mixes from maetrik aka maceo plex, for his pristine vision of house music from beyond, and southampton based techno craftsman and drumcode regular, alan fitzpatrick.

zooloft records is approaching to the era of future tech-noir and this release is the result of an internal process of thoughts and ideas behind them. it tells the story of a sad wanderer who is trying to find the path to personal truth. outside, a desolate scenario of modern architectures of cold glass, standing to the edge of horizon. a wonderland of mirrors and empty landscapes: the triumph of solitude. the a side starts with a complex and claustrophobic dark-techno driver which sets a point of no-return. an obsessive pattern of sub-frequencies collides with breaths from the beyond. sound paranoia. the highest frequencies create phrenetic and compulsive rhythms to make the dynamics imploding. the heroes of modern-age industrial techno, orphx, make the path to truth harder. they trace an obscure reinterpretation of the a side with a percussive alarm that marks the time, while dense and anxious atmospheres are followed by syncopated beats and distorted high-frequencies. the breaths from the beyond are now closer than ever. the ep gets closed by an evocative, thoughtful and beatless composition. the perfect soundtrack for those who are wandering and wondering

a split artist 10 inch on white vinyl, released by the diy label toztizok zoundz, who operate from occii, amsterdam and beyond. the record features peter quistgard from the toztizok zoundz endeavor on one side and on the other side the australian/french duo maxi bacon (featuring members of company fuck, botborg, the super users, sgure, chlorgeschlecht, gazormass) the record comes with stenciled and glossy photo artwork inserts by canadian visual artist jon vaughn, the french llcooljo and americandutch helena sanders.

as obvious as techno and houses heavy influence is on 3024, one of the most consistent reference points has been the machine soul emanating from the city of detroit for the last 30 odd years. we will spare you yet another euro-centric pseudo-sociology lecture but the combination of geography, economics and community has produced music with an influence has consistently reached far beyond michigan state. for our 17th release 3024 is honoured to continue our trek into the analogue wilderness with another artist heavily inspired by the city, berlins near legendary redshape.

dan ghenacia, the force behind the inaugural label of parisian house talent freak n chic, returns alongside his closest allies dyed soundorom and shonky to launch their new imprint – apollonia. sharing the same roots, the same tastes and the same musical vision, apollonia was a natural, if not inevitable progression for the three friends.well mainly focus on releasing our own music, but of course we are also really open-minded to sign any producers we all enjoy, says dyed.the label will serve as a platform for the trio&#8223,,,,,s productions, representing new beginnings based on a solid family that have already done much to shape the underground house scene, in paris and beyond. if the former era was a learning curve for all three, in both the music and business sense, one has high expectations for the quality of production on apollonia to come !shonkys ep the minneapolis touch will mark the first release for the label. forthcoming in february 2012, it features three tracks of strong house grooves, hynoptic melodies and hushed vocals for his signature sultry sound.

the first liaison of those two guys might be entitled as a generation clash. young gun kitt bang became a famous munich resident dj in the past 10 years for instance at the famous zombocombo freaktheatre. the old dog enne spins and produces records since almost 30 years. he created and remixed tacks for labels like: compost, permanent vacation, nang, tirk, just to name a few. the miraculous - funky - weird - dance music on this 12inch is the result of plenty hours studio sessions by using minimoog, microkorg & similar analog devices, furthermore live guitar of guest musician simon i.t.c. with this 3 track 12 inch they tried to go a step beyond of the actual nu disco glut. to make it round we deliver a remix by migumatix (courtesy of freaktown records) a munich based shootingstar too.

organs of love are the power-sleaze duo of james mckinven (organs, love) and alicia matthews (vocals, love). james mckinvens musical odyssey started with playing synth in (kraftwerk, suicide-inspired) electro band berlin blondes. he then moved on to altered images. after that he worked in genetic studios learning from the modern day genius that was producer martin rushent (human league, the stranglers, the buzzcocks). then went on to form one dove and worked with maverick genius andy weatherall. after that he drifted back to where it all started, analog electro, and miss alicia matthews. alicia matthews has quite a different background – one from fine art and performance. through working together at the same bar and having many intoxicating late night chats, they decided to try to get back to a 70s theatrical, musical performance: where live music and art combine for something beyond the rock gig vibe. and luckily enough, miss matthews has quite the pair of pipes – a true vocal delight. the result is organs of love … who frequently perform live around glasgow and have quite the reputation of thee band to see. videos can be provided, but they are not for the faint-hearted! not that optimo music ever provide a dull moment …

nice price deal !!! dro carey from sydney has been making waves for a while now, as both an audio and visual artist and journey with the heavy crystallises a disconnected ambiguity that defines its own melodic path like a red carpet slowly unravelling, only to be seen to have been cut up and slashed beyond recognition.

*** first available via decks.de ***
with sa012 dadub carefully collate legacies of philosophical thought and transpose them into a brilliantly deep ep. the vinyl opens with >perseverance< a slick slice of bass that writhes and twists around a syncopated core. on a2 >temptation of maya< seizes at the act of perception and what is captured is perfect for the mellow confusion of a sunday morning. on the flip side the search for transcendence goes further with >beyond the veil< which crackles towards a sense of enlightenment. the ep closes with a golden moment of contentment, >moksha<. the track titles hint at the search for revelation, which is rendered in countless experimental layers and finely wrought details. sa012 is a peek into the conceptual framework that dadub engage with to create their vision. and just as their central image, maya, is intangible in the perceptible universe, the tracks seem to erupt from an equally mystical place: molten, dark and fathomlessly deep.

first part of the dekmantel anniversary series featuring two house tracks from juju & jordash and morphosis! to celebrate dekmantels five year anniversary, the amsterdam based label will release a compilation which features tracks from friends and artists who have performed at the successful dekmantel s parties. in a series of five eps the label presents the genres that they have become know for throughout the netherlands and beyond: quality house and techno in the tradition off all the good that came out of detroit and chicago when it comes to electronic music. both dutch and international producers are featured on this comprehensive compilation. the last part will be released in the last week of march as dekmantel then will celebrate their anniversary with a big party in amsterdam.

** vinyl only release **
heralding from the south of itay, samann was born in 1990 and has already developed a sound and substantial fan base way beyond his years. following a collaboration with the house legend chez damier,this is samanns debut solo release and comes complete with remix from man of the moment vakula. the originals on the ep have a distinct old school house flavour with a raw and underground edge. vakula keeps the melody but goes deep and trippy, layering a hypnotic bleepy riff throughout his mix.an essential tsuba limited release! there will be no repress and these tracks will not appear on any download stores. be quick!

this is the first part (of four) of the much anticipated reissue series of drexciya s early catalogue, marking 20 years since the release of their first ep deep sea dweller , and 10 years since their final album grava 4 . one of the most influential techno acts ever, and part of the heritage of detroits underground resistance, drexciya explored techno like no-one else before: raw and uncompromising music that reflected the harsh environment of the city where drexciya was conceived, with a mythical approach that only added to their cult appeal. drexciya arguably stands for the darker side of techno and electro, made not only for the club scene, but a further development of the music as an expression and extension of the mind. journey of the deep sea dweller is a near-complete collection of their early works, released in four parts, with all audio remastered from the original master tapes. since the original releases have such a strong character and stand on their own, these reissue can never recreate the magic of those originals. instead, clone have stirred up the catalogue, taking tracks out of their original context, giving the committed fan a fresh experience and the new listener a document that is the best possible introduction to the aquatic world of drexciya.

supported by: alex agore, skipson, roman rauch, marquese, drei farbenhouse,ynks second ep for tenderpark approaches the subject tenderness with a lot of feel for musicality: on dana limes the young man from frankfurt combines gentle piano melodies with multi-faceted, powerful rhythms and a feld recording the musician has recorded in helsinki.park theme relies on an even more subtle feld recording from a small park in vienna, slows down the tempo and delights us with a deep black bass groove.and with the piano piece etude ynk not only proves his love for this instrument once more, but also shows compositional skills which reach way beyond the standards in the electronic music scene.

second release on is records, the a-side, the future never was combines sparse beats and pads held together by a growling stuttered bass, which gives the track an industrial feel but on a techno/house tip. on the flip, fake the feeling, draws on sounds beyond the current trend for vintage analogue in an original take on the house blueprint. the b2 track out of orbit is 4 minutes 48 seconds of tech soul, for the floor or the headphones.

repress! raw and rocking chicago-like 6 tracker ... beyond legowelt!

with our ten year anniversary firmly behind us, dumb unit continues unabated into the future! the family has grown larger but our vision remains the same, to bring the world stimulating music for the dance-floor and beyond. this season, we present dumb unit dynasty, a special year- long focus on our tight-knit du family. in addition to our regular output, a number of special releases are planned. the first, dynasty ep 1 showcases 3 superb tracks by the dumb unit crew

luciano s cadenza imprint welcome fresh blood into their reputable fold of producers for the stunning debut cadenza ep from davide benedetti. italian davide, better known as davidino, has been making unforgettable impressions over recent years with his spell binding and peak time music, cadenza now proudly introduce davide benedetti and the >through the years< ep. kick starting with hearty kicks and menacing sirens, >can t do this< reeks of euphoria from the offset as tenaciously strung hats slam, cymbal crashes shimmer and tempos accelerates beyond bounds. flooding the dance floor with sheer force, davide plays with the core structure of classic house and techno music in >can t do this< as he builds and breaks for the ultimate fist punching opener. on the flipside, >through the years< presents >moody elise< with a dark and sultry bass line bellowing through the lower end firmly into our memories. chopping the track s structure with immaculate precision, moments of sophisticated brass break as spitting drums bind the groove once more. as always, davide injects his contagious energy into the ep with stomping, modern house music on >moody elise< as it begs for late night tales and debaucherous behaviour.

kill the pain: epic is the only way to describe the extended intro of kill the pain, featuring acoustic guitar and an earnest male vocal. then, just before two minutes in, things quickly take a nasty turn as choppy breaks splinter into pieces and the bassline reboots the texas chainsaw massacre. an aggressive, genre bending, sure fire floor smasher.
letting go: teaming up with kryteria for the flip, a eurphoric, trancey intro leads into a chainsaw reece, setting the scene for the chaotic chiaroscuro to come: beyond the drop sweeping synths and ethereal vocal snippets somehow successfully coalesce with heavily edited breaks and sawing bass, creating a kind of beautiful violence. subsequently, side effects of letting go include spontaneous eruptions of feet on the floor and hands in the air.

limited edition , a classic club landmark, > moonwalk< is reissued here as the latest installment of slow to speaks core series, a fine testament to the expansive, totally-mesmerizing sound of authentic deep house music at its point of inception in the sweaty, blacked-out club-spaces of the ny metro-area and beyond.

though classically trained, arthur russells major contributions to the music world is in the dance genre. despite the fact that his pioneering work in the late 70s and on through the 80s was only quietly acknowledged at the time, his long-term impact is best described as formidable. russell died in 1992, but his art lives on and his influence is still felt in the world of dance music and beyond. his innovative, leftfield dance records flew way ahead of what people were used to hearing at the time, due in part to his involvement in new yorks downtown avant-garde music scene.

15 years have passed since alex cortex began to create his own vision of electronic music - timeless and beyond trends, without a buzz or hype, steadily winning the following of djs and home-listeners, collectors and critics worldwide. his style can be described as unpredictable to a certain point, while maintaining high aesthetic standards. playful with quotes and references, always low-key and focused on psychedelic immersion into sound that shifts the attention from the artist to the music. kihon is a very personal effort, as suggested by the self-portrait on the cover that puts ear, eye, and mouth -reception and production- into context. the carefully elaborated design of this gatefold double lp speaks as a whole and in true minimalist fashion about the passing of time, without ever declaring nostalgia to be a means for itself. this also reflects in the music. alex cortex evades large gestures and obvious quotes, but is certainly conscious of locating his album within a framework of references to other works of electronic music that are important for his own musical evolution. in 11 nameless tracks, kihon takes us on a journey through organic worlds of sound that invites us to flow with the music and connect with the feelings contained in it. the title kihon that relates to japanese martial arts translates to basics or fundamentals, the training of which does not even cease when reaching master grades. those basics that are passed on beyond time are also the foundation of this album. by concentrating on the bare essentials, the music begins to speak, turning the album into a harmonic whole. kihon therefore is also a return to listening, away from a utilitarian perception of music as a background sound. this does not mean it would not work perfectly well in a club context -in the right hands it indeed does- but more notably, kihon is a work of art worth your attention and destined to stand the test of time

in a time when rock critics saw the prodigy as a glorified keyboard player flanked by a couple of weird and scary dancers, liam howlett & co showed the world how dance had evolved away from the club scene and into the festivals & arenas.
and they did that by staying true to their own sound. while dance moved from acid house to rave to ambient to breakbeat & drum n bass, the prodigy changed their brand of hard-hitting breakbeat with king-sized hooks and unmissable samples only sparingly.
always outnumbered, never outgunned was the long-awaited album after their breakthrough smash fat of the land. featured on the album are namesake liam gallagher, kool keith, twista and even juliette lewis, morphed and wrangled beyond recognition on an album that goes back to the core of what the prodigy stands for: a thumping bass, mad beats & noise flying every which way but loose!

edit king leo zero returns with something very special to kick off a new run of no frills dancefloor bombs that have been tried and tested over the summer on a packed worldwide dj schedule from stockholm to tokyo and beyond. first up is an intensive slice and dice exercise on probably the best track from definitely the best band in the world: the clash. leo takes their most disco friendly outing >the maginificent dance< famously spun by mr levan at the garage - and with the more dubby rare levan version he homes in on looped 1 bar sections, skating along to create a new arrangement - added to the brew are bootleg recordings form the clashes infamous live show at nycs bonds ballroom, and even some baseline demos digitally siphoned from people practicing guitar along to the clash on youtube!….. we are left with is an epic labour of love edit that has already found its way into the a-listers record boxes - from derrick carter to laurent garnier who are all spinning this solid as a rock dub disco bomb. on the flip we have a classy house re-work of al hudson & partners >music< which sticks a chi-town kick and snare up its rear end along with some serious sub bass, and in the middle things get all wobbly with some trademark leo zero space echo rides and before we are quickly warped back-in and onto the floor… big with a load of top jocks too including severino of horse meat disco fame.

out 26th of sept. mikkel metals new tartelet ep travels deep into the spectral voids of space. empyrean pads and raw drums reverberate in our ear meatus on cassini -soft kicks with shrill claps and a prodding bassline bringing back memories of mikkel metals earlier dubby excursions. phasing, relentless, and a favourite in the early hours of both the night and morning, cassini has everything needed to become a mainstay for all djs brave enough to venture beyond our known realms. mazurski, a galaxy of beaming details and radiant synthlines colour it deep, while the echoes of light gone by envelops the transient listener. following on the same side is the dub version (vinyl only), outlined by a scrapping kick, filtering sequences of sonic waveforms and abraded sub-basslines. all this rough beauty is fully submerged in a crystal pond of levitating strings and sparkling monotones. these cuts will transport you beyond, both in front of properly charged sound systems and laptop-powered earphones. referencing both the recently resurrected new age wave and the analogue power of london, mikkel metal has brought a completely new dimension to the tartelet universe, the quality is undeniable, the construction timeless and the foot-tapping ensured, so get floating.

played and supported by chris liebing, speedy j,perc, tommy four seven, markus suckut, dino sabatini, jonas kopp, dadub, slam, technasia, dasha rush, max m, electric indigo, bcr boys, audio injection and more.
the first vinyl release of the record label was born from the mind and the taste of freddy k. a person with many years of experience, which is currently behind k1971 etc.. in the past, one of the minds of elettronica romana, virus, remix shop .. and one of the producers of the old roman techno scene (see acv records etc. ..). the choice of artists is very precise: new artists who have something to say in the future of the techno scene.the first vinyl release is signed conrad van orton. already known by many producers, djs, radio and magazines that specialize in techno. he has many releases already out with its c.r.s. recordings (along with vsk) and beyond. his style is very modern and innovative.

three folky tracks burned beyond recognition by three absolute masters of the beats: damian schwartz, mweslee and charles trees. brought to you on a very limited transparent vinyl. and theres some auto-tune on there, too!

minimal wave is proud to present a full length lp by french mastermind philippe laurent. the lp is entitled hot-bip, a pseudonym laurent used throughout the 80s and 90s and also the title of his 1983 cassette on fraction studio. hot-bip features tracks recorded between 1979-1988, most of which have either remained unreleased or only previously appeared on scarce 80s experimental cassette compilations. laurents music can be described as spacey synthpop, containing much depth and range. it is edgy, political and pushes the limits, transforming his sound beyond one specific genre. hints of classical influences as well as electro influences can be heard. hot-bip showcases laurent’s best musical output from the 80s and includes some very avant-garde pieces from as early as 1979. a limited edition of 999 hand-numbered copies, this lp is pressed on 180 gram, translucent red vinyl and housed in a black and white matte printed heavyweight sleeve.

some may have thought the trail was cold, but battant (chloe raunet and joel dever) have just been running as far as they can. not running away from something, just keeping on moving. from the headless wave of their first lp, towards the strange shores of their second album, as i ride with no horse that is produced by its a fine line (aka ivan smagghe & tim paris) and will be released worldwide in october 2011. first glimpse: shutter. this is one of the many places where they now stand. a dry, sparse yet catchy romp. on their own edge (between early cure and meth country if you need ready made tags), electronics still dance in the corner, reigned in by the sharp its a fine line (tim paris & ivan smagghe) production. the live take of clearcut is what it says. ghosts in the machines, spookiness never in vain, this is a real song. the idea of a cover of westbam and nenas classic old school, baby had been in the mind of the team for a while. this track is a part of our history. not an easy tackle but we like to think they have made the anthem theirs. going beyond the anecdote, here is a seriously rocking wink with early support from optimo, james holden, tiga, chloe and more.

when david hasselhoff was touring munich the first time, it was a fucking dynamite show. word. dario was totally into him since knight rider came onto german tv. who is cooler then kit and the hoff? nobody. fact. so this record is a tribute to darios childhood influenced by the turbo boost beyond the purple sky and hoffs outfits. hoff is just sex! the ladys melt away just hearing his name. i have been looking for love! and freedom.

>facing forwards< and >who can say?< is the second single to be taken from talis hotly anticipated forthcoming second album >dark days, high nights< which features collaborations with benny page, dirtyphonics, shimon, skism, ed rush, atlantic connection, and lynx to name but a few. the album is released on shimons much hyped new label audio porn, which after little over 10 releases, has become one of the most talked about labels in drum and bass, dubstep and beyond with releases from the likes of camo and krooked, dirtyphonics, xilent, shimon, ram trilogy and of course tali herself.

berkane sol present the vinyl debut of erra. erra comes bursting through your speakers with a riot of tuff drums and sweet melody – its like the sound of someone who has rinsed their console so much that its gone way beyond high scores and into a full on system meltdown. >stax< starts out with a dreamy intro which leads into the rudest of wake up calls – a proper peak-time jackin synth stab married to a smartly evolved bassline, all driven by concussive garage flavoured rhythms. >jookup< on the flip again demonstrates erras irresistible talent for blending blissful keys with hectic dancefloor moments, this time really bringing the sickly grime synths to the front, with some cute but disembodied vocals punctuating the action. the 12 inch follows up erras popular l2s digital release >cake music<, and neatly shows off this young producers rapid development. these tracks have been getting love from people such as: al tourettes (applepips), mary anne hobbs, brackles (rinse fm), n type (wheel and deal), dj flight (1 xtra), spamchop (wigflex), 2562 (tectonic), shortstuff (ramp), cardopusher (hyperdub), martyn (3024), martin kemp (blunted robots), elgato (hessle audio), selector dub u (hotflush), skipple (sub fm), west norwood cassette library (teal), king thing (fortified) ...

yes ... we release records. yes, its marvellous to see that journey from the spring to the sea, that spark of inspiration in an artists eye as it traverses its way to a beautifully packaged piece of 180g vinyl ... but sometimes, its also nice to remember why we started a label in the first place and to visit that dusty corner of the studio where synths, patch cables and spring reverbs lie in wait, taunting us go beyond that perfect 3am comfort zone of the 8 bar loop, hazy red/orange lights and aromatic combustibles.
in order words, heres what we did last summer ... two new ifeel studio tracks to stimulate your solar sensibilities, guest starring (via the wonders of skype) richard hawleys band, a reclusive mittle european synthesist and (lest we forget) his eccentric and slightly mad octogenarian lawyer.