returning for a fourth ep on the label, berlins nick höppner continues his exploration into an ever-developing and rich production vocabulary. the rough goes with the smooth in perfect harmony on -a peck and pawn-. höppners unique sound design leads to a dense wash of sound sparkling with airy details and his characteristic sub bass subtleties, as the whole track gels together in a pushing modern house triumph. the spaced out and traveling -she parked herself- is a real fusion of the many influences behind the producers inspiration. bubbling percussion and pretty melodic structures fuse with a melting analog bassline in this high-tech and positive jam. with its heavy bass and late-night atmospheres -swivel flick- slows the pace in a warm, dubbed and droning thinkpiece that is just as cinematic as it is direct for the club. jostling just beneath the surface youll find a wealth of details that really shows off nicks talent and dedication to a non-standard groove

for more than a year, third ear and benjamin have been selecting tracks for this ep and for an album to follow later in the year. the wait was largely due to the track no kicks, which initially used a chuck d acapella, titled no. when third ear couldn?t get clearance for the acapella, we suggested to benjamin that we try and think of another poet/rapper who could produce an original lyric inspired by chuck d?s flow. after some thought we suggested diamondancer, who was inspired to write the lyric she performs here. stay hungry stay foolish and acidic sun are delicious and dreamy, with a fat pulsing groove. hello ammmerika is more urgent, pushing the groove constantly.

remixes by serge santiago and sonic groove. taken from the avh album >new york: a mix odyssey<.

a1: the ghetto - tremendous edit which has been subject to some huge soundcloud loving. over 9000 plays and 500 favourites and counting! this track takes the basis of the original sample, adding some love with a heavy beat and groove, shuffling percussion. the soundcloud feedback cant be wrong! top track!
b1: for the love of soul - great original track, this suonho reloved version is even better! given a heavy beat, re-arranged and some brilliant percussion. this track really flows, proper groover!

after a short hiatus, the highly sought after hot natured re rubs series is back. forth in the series features four great re-edits by jamie jones, lee foss, miguel campbell and richy ahmed & s.a.s. richy and sas open the proceedings with a dirty ass slice of downtown funk and street hip hop, lee foss (modern amusement) slows the pace down and get’s stuck in to a sick 80s jam. on the flip and jamie jones delivers a perfect disco summer groove, whilst miguel campbell delivers another 80’s inspired killer! its gonna be one hot summer at hot natured mansions…

the revenge has quickly reached dizzying heights in recent years, conquering a style that escapes labeling and crowned the king of the edit

played by magda, sis, masomenos, robert dietz, dj sneak, brothers vibe, steve lawler, someone else, paco osuna, anthony collins... after the last two amazing releases from timos & paris liamis and matt star, catalogue number 13 is ready for take off. its the first labelsampler from the sonido-crew on vinyl – kommune 1 - with tracks from samuri, timos, jamy wing and paris liamis. get in the groove!

7 oz records co-founder goes solo for the first time on his own label. keep the faith is a two-faced release: one side is deep and soulful, while the other one is very groovy and it definetly suits the dancefloor.
the original mix plays it house with a great melodic spin. the remix has been produced by ivan iacobucci, one of the main artists of the italian house scene. his groove, enriched by and old school bassline, is ready to rock every dancefloor.

with the strains of the his bbc radio 1 essential mix still ringing in our ears and his brand new intec release >slide< romping up the sales charts, robert babicz prepares to unleash what is only the fourth release on his very own babiczstyle imprint. babiczstyle has been launched by robert as a platform for him to release some of the large archive of work that he has written for his live sets. >i see the label as a platform, where i release only my own music and collaborations. i do this to have a platform with the highest possible audio quality and have a place for me and my friends to release our music.< - robert babicz. the >nektar ep< is a four track collection of exclusively new material.
big with: seth troxler, funk dvoid, marc romboy, mauro picotto, agoria, john selway, groove armada, satoshie tomiie, okain, milton jackson, guy j, ...

from the murky manchester backstreets, the el diablos social club main man neil diablo (aka the midnight chopper alongside cohort mr masters) stalks his balearic-rock prey with a sharp eye for a groove and a keen sense of razor sharp riffing! on this outing they turn their attention away from the over-subscribed disco edit scene, instead focusing on something a bit more bearded, a bit more rock.
the first chop is the deepest ...

nice price deal !!! following on from her acclaimed debut last year on jansen jardin, yuki suzuki and producer, max essa, return with another slab of far east magic entitled >we don?t have much time<. combining yukis sultry vocal with a very muscular, bass heavy groove, the track comes across like some pitched down (way down!) early 90s nyc garage classic. big, rolling drums push the track along while some glorious strings and piano make sure, as usual, jansen jardin have something for your mind, your body and your soul. on the flipside neville watson delivers one of his finest productions to date. pushing the tempo up and dubbing things out he provides a brilliant reworking which is already causing a fuss from tokyo to berlin. moody, emotional dance music for late nights and early mornings. one limited pressing - as before - first come, first served

2011 sees the ever-prolific milyoo stretching out from his kentucky base, heading for world domination and gracing south-east londons favourite cassette library with his presence along the way. >biogram v2< locks disparate vocal fragments and found sounds into a low-down, cranky house groove, peppered with a boogie down bassline and sweeping, straight-outta-chi-town strings. for the flipside, the in-house wncl remix department selects a few choice clippings from the original to present a jam tailored for the trackheads with their feet on the dancefloor.

ernie unveils his special blend of timeless cuts exclusively on >black noise ep<.
>burning detroit< is a voyage into the abyss through a constant stream of warm pads layered with crafty percussion whereas ordell reworks >burning detroit< into a lighter afrobeat groove.
>la posse< is a fusion of underlying analogue bass stabs with raw machine drums and >terra nostra< concludes the release as a darkroom bonus cut – rolling deep into the early hours.

the enigmatic french trio dop unleash another sonic assault of deep and visceral house music on guy gerbers supplement facts imprint with three bold and organic cuts for your sex. a dark broody and characteristically cheeky affair, your sex opens up this dop creation with a stripped back beat and looped vocal. low-end bass build up the title track to a crescendo that engulfs the senses in deep acid frequencies. this is a nod to the techno elite but fusing a new depth and sensuality to the genre, in true dop style. skipping into subtle and kinetic territory, half naked flirts with reverberating whispered vocals and crisp percussive beats. a lethargic and almost yearning record, it massages the energies of the body with a playful and soothing approach. last up paul ritch tackles a remix of the title track, elevating those throbbing bass elements to new levels with a fluttering and-high energy weapon made to hypnotise the feet, body and mind. dopis the musical summation of a 20 year long friendship between members clement aichelbaum, damien vandesande and jonathan illel, their musical relationship beginning in 1994 as the result of a rock & roll cover band formed for the french national day of music, experimenting in hip-hop, jazz, and reggae followed by various musical incarnations. in 2005 they made the transition into electronic music and last year delivered a highly regarded debut artist album on circus company, noted in the guardian newspaper as steeped not in orthodox 4/4 house and techno, but in jazz, classical, hip-hop and world music

and here it is: the second vinyl ep of niko schwinds album >good morning midnight<. it features some of the unique tracks that niko has created together with some of berlins hottest production talents. on the a side are two tracks that feature the clicky tech-house boys that are channel x, where things kick off with >back from the bar<. it sounds as the title suggests: a little wobbly, a little drunk, a little crazy, but also pretty magic. quite clearly this is an homage to one of berlins not-to-be-forgotten clubs that is unfortunately history now. but things continue on here at least with >dont turn the lights on<, a more straightforward dancefloor track, with a trumpet as the main protagonist. this is one of those tracks that keeps leading up to a real arms-in-the-air-moment if it wasn’t so damn housy at the same time. on the flip the magical connection between niko and label daddy oliver koletzki can be heard on >master of ceremony<, a chopped-up house track with epic dimensions. when things get to the piano breakdown, they get very musical and colossal before dropping back into a great house track. the stark contrast between the piano melody and the groove on this really make it. last but not least then, the original album opener >good morning< that features the singing of fran. it works great as a great album opener, but also perfectly as a slower and more thoughtful addition to a great ep

debut release for duo altarboy and wonder wet records which are together two of the best recognized realities in roma. they show up at your door without knocking, stepping up with an excellent single. sophisticated and intelligent sounds are their unique trademark. deep atmosphere on a solid punchy groove. warm bassline sticks together with rhythm and fine analogue synth. caspy cousins get fun with their vox samplers on both tracks. this single is definitely for smart dancefloor. for sure you will re-listen it the day after and again and again.. really well done!

its just over a year ago that the producer duo dance disorder were celebrating their illustrious bpc debut with the epic italo-dance-inspired hit >zusammen<. now the show must go on - with >metallic italic< georgina fernandez, aka baby g, and robin crafoord are exceeding the path of consistency from the lead out groove of their last record to the point that even crosstown rebels label boss damian lazarus discovered >metallic italic< for his upcoming mix cd >get lost 4<!

supported by richie hawtin, monika kruse, mihalis safras, kombinat100 and many more ....crunchy beats and bouncy basses – no doubt, this is electronic dance music. but the extensive way in which classical instruments are deployed on acker number 23 cant be described as a simple sampling play any more. rather a fiery mixture of rhythmic electronic thrust and the thrilling atmosphere of handmade music is created. >solo para mi< is based on a functional yet driving groove on which a wind player arrangement unfolds, progressively escalating to ever new atmospheric peaks. mollono.bass takes up the summery-warm tone colours of the original in his remix but keeps it a little more dreamy and subliminal. >bulgarian chicks< is stronger orientated towards the electronic elements but still also here there are instrumental and vocal entries which lend to this title a very unconventional gipsy style. finally another remix on >solo para mi< by eule:nhaupt and molle:nhauer puts emphasis on the song-orientated components of the original, taking its hybrid character even further. supported by gorge, douglas greed, luciano, mihalis safras, the glitz, kombinat100 and many more

after the echocord jubilee compilation we are now back with a new artist on echocord. we welcome sasu ripatti aka vladislav delay from finland. sasu is known from many projects, like luomo and from the moritz von oswald trio. now that sasu have the quartet where he can fully search for the acoustic music and jazz-influences and beyond, the vladislav delay solo stuff will be again focused on electronic experiments. these 2 tracks give a light on where the project is heading. something old, something new. the remix is from no one else than ricardo villalobos and max loderbauer.

played by nick curly, reboot, mathias kaden, monika kruse, karotte, sis, shlomi aber, dj t., gorge, brothers vibe... debut album of helmut dubnitzky (brise records / 8bit) at his own imprint. massive support from the scene, perfect for the summer!

>charecters< tom trago and awanto3 (aka steven de peven, one half of rednose distrikt) team up again for their alfabet project. two heavy and funky chicago loving house tracks that will put a >spell< on you! t.i.p.! this series is all about warm and dusty house music. it will run for 13 two track singles, totaling 26 tracks. each track representing a letter. >chicago thank you< is a homage to the city of chicago and its music. the infectious groove sucks you in straight away, the added funk half way keeps you moving. it sticks! more dirt on the other side, which contains the 10 minute plus >waus music<. this track demands you to listen to waus music (house music) all night long. its been doing some serious dancefloor damage around the globe already. great follow up to the first alfabet release

big with: chris carrier chris lattner, chris wood, nick curly, jimster, luke solomon, varoslav, mr. statik, tini, technasia, steve lawler, robert dietz, retrac, osunlade, dan drastic,.. our second imprint on >deep series< features an up-andcoming artist from moscow. as a studied pianist kammerton knows the fine art of funk and soul, which serves him well in writing mesmerizing deep house and dub techno. his dj-sets have been compared to the likes of moodyman or theo parrish, giving you high quality unapologetically. on the a1 you will find >take off<, a funky house tune founded on subsonic bass-rolls underneath gently tweaked sequences. this groove to make you move will get any floor going with its characteristic live arrangement. >infuse< on the flip is somewhat slower at 110bpm and surprises with broken beats, chords and vibras - the real funk. the b2 >fosters hats< has shown its full potential in the club, with a steady build-up of drums and chores. this peace of black gold belongs into every house-dj bag!

supported by:ricardo villalobos, raresh, loco dice,.. noidoi, the oslo new comers from 2010 are back with 3 tracks that will save the dj summer.on the a side we have a huge track, dupa joi, very deep and able to be the peak time on every party. the hypnotic groove and the strong volcals will not go out of your mind.for the b side the romanians guys prepared 2 tracks based on development, very percussive and loopy, but the never forget to come to the point. dont miss the first oslo record for this summer

so addictive: the title says it all. this housey tune builds up with layers of digital swirls powered by a kickass beat. chopped up disco-feel vocal snippets create the dancefloor vibe of ?club lasers meet glitter ball?. we?re hooked but be warned - you?ll never get enough. starstruck: a cocktail of electro chord harmonies with a delicious shot of catchy oohs give this groove something to slam too. it?s disco audio waves roll up on the funky shores of vocal snippets with just enough white-crested synths to give this housey number dance-driven pleasures.

lowkey & kardinal are undoubtedly the most excited french techno duo at the moment. their groove is incomparable. they provide us once again a fat electro techno, with pumping beats. b-side stands 2 banging remixes from al core (micropoint) under his new electro pseudonym hartigan, and disturbed traxx. a very dancefloor 12 inch !

after a short hiatus, the highly sought after hot natured re rubs series is back. forth in the series features four great re-edits by jamie jones, lee foss, miguel campbell and richy ahmed & s.a.s. richy and sas open the proceedings with a dirty ass slice of downtown funk and street hip hop, lee foss (modern amusement) slows the pace down and gets stuck in to a sick 80s jam. on the flip and jamie jones delivers a perfect disco summer groove, whilst miguel campbell delivers another 80s inspired killer! its gonna be one hot summer at hot natured mansions

we are very happy to present you two great remixes from our last ep. both pol_on and good guy mikesh & filburt are two of our favourite producer teams right now. they laid their hands on >new york< and >groove< taken from our last ep. to complete this new single we made two new tracks, one is called >glance< a deep groover with jazzy and soulful hooks .enjoy these deep cutz

as pete isaac from jelly jazz said, makala does tasty club rocking tunes that fuse old school rumba, salsa, reggae, swing and mambo with breakbeats and chugging 4 to tha floor beats. remix action here from our friends and heroes dusty and dubben. both delivering amazing takes on the originals. watch out for makalas new album, coming soon!

nice price deal !!! for elim009 we bring you a very special ep from atlantan live wire distal. making his mark on the current underground scene with tracks such as >grape donut<, as featured on the soul jazz compilation future bass, the monstrous crunk/footwork mashup >coke bottle< on grizzly, not to mention a plethora of top quality online mixes, his always quality embassy label and bringing the cream of bass talent to his sub traction nights in atlanta.
support from: 2562, breakage, distance, benufo, moldy, ramadanman, pinch, appleblim, joy orbison, joe nice, loefah, addison groove, sinden, starkey, kastle, dubbel dutch, julio bashmore, clouds, dave q, incyde, xi, wonder, mensah.

a1 volta cab & the legendary 1979 orchestra -­ the ideal now: this track planted the idea for a collaborative release. a superb house track for the summer months, what a bomb! the track has an amazing groove, melodic keys and heavy percussion. feel good stuff!.
a2 volta cab -­ sakura: volta cab at his best, a chilled out deep house. huge atmosphere on this one, deep bass and gentle percussion gives a slow groove.
b1 the legendary 1979 orchestra ­- juicy warmth: this is the track that attracted us to 1979. chopped samples, nice atmosphere and a killer bass ­ just how we like it!
b2 volta cab - in the middle of the night: volta rounds up the release with a slow and sexy, deep house beat. a big vocal sample, beautiful brass and tender percussion. killer!

2000black is back on wax with 2027black, a huge release from shokazulu.
a-sdie: part 4 - funky bass really stands out on this track. cool synths, keys and an awesome groove from the percussion. big, big track!
b-side: dis yah one i love - heavy track with a garage feel to it. breezy synths tie it down but the real focus is on the percussion, the beat is tremendous!

this time around we will be celebrating the third release on arpa records from label owner dj sodeyama entitled >life<. this release sees the ever enterprising dj return to his roots with an uplifting house track with a deep rooted acid bass and a booty shaking groove that can explode on any dance floor. for the remixes arpa records have been lucky enough to invite the talents of the one and only radioslave who has provided the lucky listeners with over 12 minutes of pure unadulterated minimal bash

cesar merveille first joined the cadenza team in 2009 with the outstanding ep. descarga, produced alongside fellow artist pablo cahn and garnering high critique from industry and public alike. a well known and much loved figure within candenzas vagabundos ensemble and equally the international club circuit, it is with great pleasure that cadenza welcome cesar for his debut solo release on the label. maayancholy is a beautiful and heart wrenching record, showcasing the delicate and fiercely musical palette of the french producer. introducing with shimmering open cymbals. light and airy they rustle simultaneously and offer diversity via their multiple manipulation. unsettled and sporadic, they splash throughout the remainder of the piece in an ethereal manner, casting light over delicate steinway piano keys and stabbing muted chord sequences. argentinean artist guti composed the aforementioned piano, his jazz and pianist training clearly used to full degree on maayancholy with simplistic singular key arrangements and piercing chord sequences. as the ascending chords rise, they dance magically alongside the pitter patter of percussive drums in a stripped back and raw demeanour. maayancholy effortlessly lays bare the emotive side of merveille through this ambient and surprising track. luciano picks up the remix duty for with a 16 minute interpretation. as condensed cymbals and piano chords are electronically warped, urgency prevails and groove sets in, securing lucianos twisted version as the perfect companion for the simplistic original. pace quickened and intensity sharpened, luciano demonstrates the clear dance floor attributes within . maayancholy in an electronic reinterpretation fit for the floor

danilo schneider and the hypnotic sound of his production pour mes amis is brouqades opener for the summer and comes with full support of tim xavier, butane, timo maas ... the elegant housy sound of >lecole< signals a post-winter, head-totoe thaw, with hook-lines and snatches of vocals glinting thru smart beats like the fi rst rays of spring. the buck remix is likewise summer-bound, catapulting shimmering fi ll-ins and a straight bass that are right on target! >sabliere< steps up with a clear beat, wakes up a bass-line and pushes ahead with percussion at its fl anks while horns and vocals swell, and fill-ins try with all their might to tame the rampant groove! yet steady and undeterred, the song keeps its eyes on the mainline: to shiver the speakers and hold the dancefloor hostage

the a side >feel my tears< is a warehouse burner on many levels. perfect for those summer evenings of drug loneliness.
b1 >courting< is a big room post-post-dustep uk garage-house stomper with a very loud snare drum.
the last track on the record how we do is a strange jazz techno house hybrid, taken from the early years album and now available on vinyl due to popular demand.

a1 - hot beat: beautiful groove, heavy beat and awesome vocals. what a track to get swde back into the swing of things. absolute killer!
b1 - closer: another super track. heavy beat once it drops, nice deep bass, shuffling percussion and a brilliant vocal sample.
b2 - no you: the heavy beat theme continues on this track, nice bongo percussion and bass line is equally as heavy as the beat. cool chopped vocal sample, deep disco house at its very best!

deep space orchestra have been carving out a very nice name for themselves over the past year, and alongside the likes of cottam and krl it&#700,,,s safe to say that they are helping to establish an exciting new movement of raw, detroit-inspired house. the diy approach is very much a part of their ethic, as is the underground feel and aesthetic which imbues their own use of weapons label as well as their recent releases on similarly minded vinyl-orientated labels such as foto and kirk degiorgio&#700,,,s legendary art. the release we have here is perhaps their most refined music yet, showing a development in their production level on two tracks which are brimming with a warmth and fatness whilst retaining that critical raw edge which only a handful of the most exacting producers seem capable of. lo pan builds around a fat, bouncing bass line and a brilliantly lilting groove created by straight 808 hats and shuffling shakers. the feel keeps shifting throughout the song, sometimes superswung, sometimes straight and driving, all the while simple detroit strings build and analogue arps are layered up building the tension in the arrangemen

horror disco melds these soundtrack and aural ideas with a 100% disco album. one that drifts away from most of the soulful elements of disco and one that is dirtier, warmer and less polished than contemporary scandinavian nu-disco. the album is wide and varied - slashdance gives us a goblin-esque robo-vocoder-disco, roger bacon is pure cosmic groove, whilst the italo-disco-thriller disco for the devil features the vocals of italian-based, uk-born session master douglas meakin – who back in the day was lead vocalist in simonetti s easy going and crazy gang cult disco projects.

>going on< from geeks & gaz is a deep 140bpm roller with rich synth swells and grainy disembodied vocals which lend a washed-out melancholy air, while a limber 2step house rhythm propels a truly transporting five minutes of eyes-closed burial-esque low end groove, making for a track that will hit equal targets on the dancefloor and in the headphones. daily delivers >untitled<, an old-school uk garage-inspired track which comes to life with a slow rising synth line underpinned by a sparse beat, before breaking brightly open into a scene of high pitched buzzing keys and some seriously complex percussive intricacies, rapid on the conga skins and hard down on the blunted kick drum. for further triple-win value, hype west london producer jack dixon offers a jaw-dropping refix of >going on<, massaging the original into a sensuously twisted uk funky / garage hybrid shape, introducing dramatic synth lines, hypnotic vocal stabs, and a hightened detail in the beat programming which somehow increases the tunes club-tooled precision while simultaneously enhancing its wistful and reflective mood.

summer 2010. neuland. here, we were met schieres and his machines. lovely. this ep is dedicated to neuland and zucker. we love you – we miss you – we will miss you. dont think about what you have lost. warm nights, between burning couches and nothingness. empty ideas were born. we are lost and people are sure to forget.

his debut four track ep highlights his individual approach to song writing with the gorgeous, deep and moody >i am machinery<, a fitting title for a track where the human voice integrates seamlessly into the analogue electronics of the machines. >pointers’ changes the mood and aims at the dancefloor, with strings and synths fully indebted to detroit techno, but with a constant human touch from his jazzy scat cutting in and out of the heavy groove. >some days< has the biggest sound on the ep with multiple vocal tracks layering over the crisp drums and pulsating synths. hes combined his keen ear for melody and a firm grasp of the dancefloor for this track, making it many djs favourite on the ep due to a club friendly structure, yet striking originality. >set myself on fire< closes the ep at a mellow tempo, and can easily hypnotise the listener with its repetitive vocals, haunting whistles and sleazy beats. this is only for the beginning for debukas, these four tracks are just an introduction to one of the finest talents from the uk electronic underground

maurizio vitello returns to metroline with some seriously deep bass-driven techno. a devastating ep. the lead track is a driving, stripped down techno groove. full-bodied toms and a seriously fat bass keep the track rolling while filtered vocals and understated synths add the dynamics. heavy! looking good keeps that groove going with a bassline so heavy you will have to pick yourself up off the floor. a bubbling percussion break evolves throughout the track, building in complexity, but kept in check by some nice metronomic hats at the high end. on movers maurizio lets the drums do the talking. everything locks tightly around the solid kicks. the multi-layered break adds a sweet cubano vibe that you simply wont be able to shake off. let the bass drrrrooopppp! pleased? yes we are. this playful track is going set the summer floors on fire. vocal samples weave in and out of the mix, and sharp-as-a-needle 80s-tinged synths stab through the deep, heavy rhythm track to awesome effect.

third release on colourful has tobias linden, orange muse wander into somewhat darker territories. title track oyster comes with a rolling groove, techno rides and stabs straight outta d-troit. add to that an infectious guitar loop and sexy vocal chants et voilà - we have a true floor burner for the wee hours. on remix duties we are superstoked to have mr john selway deliver a new york techno nugget, seriously funky with a killer bass line and great atmosphere. finally wed like to introduce an upn coming producer from s.a, lebstar, sharing with us a throbbing afrotech joint with loads of attitude, string hooks and strong percussion. expect more action from this young man in the near colourful future…

limited edition of 200 clear marbled records! elusive records is back with two slices of dubby electronic pleasure served by labels head slavaki, supported by deep atmospheric musical mindtrip on the flip side delivered by the master of funk and atmosphere himself, mr. yapacc. with this record we continue to bring joy to all of you, true lovers of subtle groove and electronic music with soul. first limited number of copies come on beautifully designed clear marbled 12 inch. already enjoying great support from friends around the world, this record is simply set to become a timeless classic.

perlon86.. going next level with miss dygas. 2 vinyls / 6 songs / 46 minutes. you are welcome!

the response to sven kacireks album the kenya sessions (pingipung 20) was overwhelming. the cooperation between the drummer-producer from hamburg and musicians from kenya links electroni- ca with african recordings in a unique, exciting fa- shion. it therefore has been and still is being praised in various scenes from techno to jazz to world mu- sic. the cd will receive the award preis der deut- schen schallplattenkritik in may 2011, category: nu and extreme. also friends of the label have been enthusiastic about e quality of this material. pingipung therefore re- leases a 10inch vinyl with reworks of the album in the end of may. lawrence, hamburgs most melancholy house artist, co-owner of the labels dial, smallville and laid dedicates himself to the track kayamba tuc tuc. he reduces the track to its essen- ce, without adding anything new, and edit full of wisdom with heartfelt warmth. taprikk sweezee is the best known moniker of the musician nikolai von sallwitz next to gizmog or fussel . taprikk sweezee builds his soul glitch beats with ease, and he is by the way the most convincing electronic performer we know these days. one single track was not enough for his mix. wed love to see him dance with all the kenyan musicians who play on his two originals of choice, kayamba tuc tuc and mariae. furthermore on this 10inch: a rework of paperflowers by sven kacirek himself, created in cooperation with samy de- luxe producer sebastian winkler. finally, less a bonus but maybe the secret highlight: the ex- clusive sven kacirek track takaye village!

melbourne is the place to be right now with many fine producers coming from down under here we have an ep from mic newman aka fantastic man gorgeous lo slung house includes a remix from the uks andy ash. pressed on limited yellow vinyl!!!

intecs jon rundell joins the rekluse stable with some fine tribal infused dance-floor madness.
ep supported by: richie hawtin, adam beyer, loco dice, umek, marco bailey, stephan bodzin, slam, gary beck, uto karem, spektre, pan-pot, joseph capriati, kaiserdisco, wehbba, tom findlay (groove armada), sharam, karotte, sian, danny tenaglia, stacey pullen, hernan cattaneo & many, many more!