this release features a classic track by new-formed super-duo, lemi, who are stephane lefrancois and jason miles. this duos love for everything percussive and melodic comes through in *all i see is you*. treat yourself to the infectious rhythms and harmonies of the vocally driven original and the remixes by miguel graça, right2dance and koyla.
support by: laurent garnier, m.a.n.d.y, onionz, tony rodriguez (brothers vibe), rainer trubel, tyler stadius, joshua iz, marques wyatt, mark farina, julius papp, peter christianson (lawnchair generals), erik schneider (giant step / bastard jazz), murray richardson (baker street / rebel waltz), humberto matias (social disco club), jeannie hopper (liquid sound lounge / wbai / artonair.org / cielo ), doc martin, jamie kidd, voytek (my favorite robot), sascha weisz, mike burns, gvibe, mauricio aviles, giom, philip arruda, amir javasoul, trevor walker, christian pronovost (lost heroes), cesare cera aka black mighty wax, eleonora cutaia (samurai fm / m2o), dj the fox(antena 3 / dancetv / clubs), makossa (radio fm4 / vienna), dj reeplee.

a firm favourite at guy gerbers supplement facts label parties, tini delivers her first ep for the imprint with two solid cuts of deep, twisted, rolling tech. knowing exactly what works in the club tini features the vocals of joe le groove for the first track hat baxx, which adds a whole new dimension to the dancefloor experience, swirling above the stripped back raw bass, powering through with fierce energy while holding plenty of groove. over on the flip turn around drives with intricate percussion while vocals from charlotte c.a send you on a journey into a hypnotic state. both tracks are essential dj weapons for a peak time affair, guaranteed to keep the crowd pumping.

following on now from mayo soulomon, fbnm are proud to present our next release from another italian producer giorgio luceri. giorgio delivers two sumptuous house tracks here with completely opposite dispositions, the breezin balearic bliss of prophetic vibes versus the dark detroitian dissonance of woman. woman, with thudding drums and deep subs setting the picture right away. warbling synth begin to layer before the crescendo begins with fat analog stabs, rushing synth pads and airy groans. massive. detroitian. dancefloor. destroyer. lastly kai alce (ndatl muzik | atl) remixes of woman. simple but effective kzr delivers a retro house groove fitted out with lo-fi samples and old school sequenced mpc drum!

the fat dog label returns for its second outing with yet another confident four tracker designed for both the head and the feet. the proceedings begin with the sublime moonrunners. introducing contributions from new artist spooner, the production duo use their hardware to take us to the very craters with this bubbler of emotive deep techno with dissonant house touches, d link (fat dog & ny*ak) continues the basement feeling with urnogud4me, albeit at a slower tempo but still keeps the floor burning with an unsuspecting, intense voodoo-house mystery. this is raw club music. side b we head straight onto a greasy dance floor called werk. lush pads intermingle with breathy flute stabs while the building groove consistently nags attention from your feet. stop teases us back onto the slo-mo dance floor yet again with another scorching deep house groove for the hips with a subtle funk to be desired at the disco as well as the deep room. limited copies!

limited reissue of this ultra-rare gem from 1978 originally released on tiny nyc private press label wabine productions. both tracks on the 12 inch are absolute killers and hugely in-demand with djs and collectors alike. although *sail on* is the acknowledged biggie, a highly sought-after jazzy soul classic melding super-cool low-slung grinding island funk with understated steel pans and a dreamy female chorus, dont overlook side as wonderful *the martians visit* - a tight slab of sun-drenched space-disco with a solid up-tempo caribbean groove, great strings and squelching bass.

hello?repeat 022 brings flash and anavi. both tracks in essence bring a linear and continuous flow, to many, a daze maxim signature in the sense that each element does not scream for attention alone, it is the combination of them which creates the overall impact. a dose of what we need when we need it. it is to do with structure, it is about the way in which elements are thrown in adding that bit of surprise effect which is able to stunt and amuse us all in a very good way. flash starts with a solid bass line, the vocal flash, a hypnotic cosmic/trippy element and a hoovering noise on the background making up the intro. the locomotive sounding high-hats then slam in, which together with the bass line complete a dance floor bliss of a track with all that groove.

bristolian dream team, waifs & strays vs. lukas meets chicago legend, dj sneak sums up the next jackathon jams package from queen of the scene, heidi. loaded with bleeps, bumps and bass, aside >gimme love< is driven by its disco chugging bassline and low slung groove, while the >stokes croft dub< version gives the track a warped, stoned haze. second original dance me (dance you) combines heavy low end with more 90s female vox swagger and dj sneak delivers his unmistakable funked up chicago style in a rendition of gimme luv with strains of boogie.

nice price deal !!! new a made up sound! following up on the frantic start-stop action of the ahead/endgame whitelabel from earlier this year, number 6 in the series features two expansive semi-live trips. after hours offers a brooding alternative soundtrack to that most underrated of scorsese movies, while what preset sounds like a launch into stratospheric jazz territory by way of some restless broken hardcore shuffle. highly recommended!

the boss of robsoul back for his favorite system. the art of sampling

mr. afro bionic djinji brown brings us an eclectic palette of grooves and sounds that breathe deeply from the soul of music. djinjis corner cleverly reaches though his diverse influence creating an ep that is deep, primal and soul filled. his gift lies in the ability to take music to the edge, stretching beyond the limits of any one genre. as a tribute to his father, jazz artist marion brown, he used a song title taken from marions album titled afternoon of a georgia faun written in 1970 in honour of the birth of his son

second release for the athens based recording label lower parts and debut 12inch for the also athens based producer faint object i. three tracks flirting with the dancefloor sound, filled with space boogie vibes and dub infused house stories of darkened figures hypnotized by his magical, uk-influenced dancehall rhythms. startling by all means .only harmony seeds an extra deep subtle warm techno track , some dub influences but brighter beats too for house appeal. tropical sting an electro influenced track , stiff and sharp drum groove , and sizzling analog synths if six was nine is the closing bang, a darkened techno-dance steroid that never lets go its melodism for the shake of the form. aggressive like a machine gun and unearthly cosmic like it has been conceived in the twilight zone, this is a haunting piece of pure bliss! plus it offers one of the best twists in a track that youll get to hear recently mastered by helmut erler and cuted at dubplates & mastering a limited edition of 200 pieces printed in a unique iridescent sleeve illustration by chris ioannou

the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.

3 x 12 inch lp featuring 11 full length tracks in all their glory coming in a beautifully designed spined sleeve holding all 3 vinyls from the release.

brad peterson, the talented producer from edimburgh, uk, creates a groove-laden atmosphere in its beats and a wholly mental climate with deep pads and chords, with fabulous energetic tension. in the other side banfield audio plays with hypnotic analogues basslines and deep sounds of pads, without stopping moving into the depths with its earth heart.

is it balearic drop a 10 inch slice of acid house perfection from one of the true masters of the genre in foolish felix dickinson! *ousana* grows slowly over a driving house beat as warm synth pads and synth leads take the track along nicely with a subtle acid line until the bassline drops. a vocal refrain joins the groove seductively cooing *i want to take you home* over the acid layers that develop in deeply hypnotic fashion. straight into the basement. on the flip coyote take the tempo down, bring out the percussion and create a balearic acid stomper. bleeps dubbed out vocals all swirl around the percussive rhythms then the acid line drops subtle and reminiscent of a certain acid house classic. early doors or at the beach bar for this mix.

limited edition of 400 copies on high quality 180g 12 inch vinyl in full colour printed matt gatefold sleeve.

the prospect of a music is love release has become an increasingly notable proposition for electronic music fans with their assured consistency of groove-heavy beats having already resulted in four high-grade releases. the label has effectively cemented their reputation as a trailblazing imprint for fresh sounding house and from the introduction of new jack city through to the much hyped maxwell, their latest rendition further emphasises their status as reliable purveyors of effortlessly deep, contemporary house.

evensloped is back again on 9volt. paul.groove and lars gustavs new 12 inch is an per(c)fect mix of raw techno, driving grooves and a bit dirtiness. rumbling basses, mind blowing breaks and the exceptional sound design will keep you at the floor. prime time techno at its best.

kasket (aka charlie baldwin) returns to apollo with his second ep. warm regards, a collection of four songs left to simmer with traces of ambient, jazz, and dance rhythms, opens in dramatic fashion with a majestic title track of billowing synths and plaintively struck chords that serves as an ideal introduction to kaskets most realised work yet.

in 2011 when mad mats and tooli went to sonar festival in barcelona they met ludovic llorca aka art of tones outside a club. little did they know back then that two years later on they would release a 12 inch together. the same thing ep opens with the title track and kicks pretty damn sweet with its strong vocal, the guitar, bass and rhodes jamming on top of a tight groove, there is also a dub version included on the b-side. last but not least, the great sgatmi is a jazzy and bumpy house take with lots of samples perfectly balanced. all in all, classic art of tones material and the work of a producer firing on all cylinders.

after the recent success of their expansive debut full length on idle hands and while they bask in the glory of their recently well received resident advisor podcast, jacob hodge and matt lambert push on with a new ep on bristols futureboogie. to date outboxx have fomented their own ebullient house style that is imbued with a keen sense of uplifting melody, plenty of analogue dust and some heavyweight bass, largely on bristol based labels, and this new ep sees them continue in that fine form.

what more can be said about need for mirrors? with a track record as long as my dick nfm have trail blazed through a veritable who s who of top d&b labels, including metalheadz, shogun, v recordings, dispatch, symmetry, clear skyz and their own imprint zoltar.
with *voltaire* causing upset with club sound system engineers worldwide as feral youths wile away into a sensory-overload downward spiral and *heron blue* making hints towards dillinjas take on strontium jazz this 12 inch is undoubtedly going to upset you. that is why we think you should take a punt and buy it.

major people is a new label from santiago salazar. the debut track *new beginnings* is more of a theme song for salazar as he introduces the major people label. modulating synthes can be heard throughout the track and the catchy bassline will warm any dance floor.
*technik* is a slice of sleek, contemplative techno that is far out on a late-night tip, leaving only a bouncing bassline and skipping tech-house beat to hold down the groove amongst the tune’s more ethereal sounds. on the remix, chicagos defend:r (ricardo mirandas alter-ego) takes apart the original to form a hybrid electro style remix laced with sub bass grooves and just the right amount of synths to take it to the next level.
this is the beginning of much more to come from major people.

last time we visited satta outside we have been blown away by the music of young lithuanian producer 96wrld who had a couple of singles with monday jazz and renegades of bump. we signed him right away and we are excited to finally share with the world his debut ep *private language* on 12 inch vinyl, limited to 300 copies. a collection of eight tunes that showcase 96wrld s potential as a producer and songwriter that embraces different composition styles, typically in a single tune. his arrangements are complex and give away all detail only on repeated listen. however, tracks like bruce willis can put any club to pieces easily ... test yourself.

wbeezas first release on his own label, pfly music. two cuts. a side perfect high is a deep jam that kicks. b side i like it is a hard and heavy jacking groove with a delicious vocal sample. killer cuts

liquid spirit marks gregory porters blue note records debut, which arrives on the heels of two critically acclaimed indie label albums that quickly propelled porter to the upper echelon of contemporary male jazz singers and earned him two grammy nominations. don was, president of blue note, encouraged porter to stay true to his artistic vision.
*i firmly consider myself a jazz singer but i enjoy blues, southern soul, and gospel,* porter says, *those elements make their way inside my music. and i ve always heard them in jazz.*

seb zito steps up to the plate for the next release on fuse london with his never ep. title track never delves deep with a moody atmospheric groove whilst sub dubs 111 toughens things up with a stripped back flavour. on the flipside, remixes of never see enzo siragusa and rich nxt inject a d&b style b-line whilst ben rau brings a melodic vision to his version.

more techno-house hybrids from the australian based crew, sticking with the family oriented approach. baby, don t you sounds like something we ve grown to expect of freddie norwood, approachable and female friendly, with a hefty injection of muscle in the bottom end. lies rides out a peculiar and twisted groove up the climax, what happens after that is up to you. mic mills hits strong with the disco-not-disco moretti. mbm round things out with the bong song, suitable for dance floors and communions alike

messalina records return with a fantastic ep of eclectic dancefloor bubblers from fellow we love space residents jamie fatneck low and lucci capri (aka dj callum). first up is the eagerly awaited vinyl release of fatnecks incredible acid rework of michael jacksons classic billie jean, highly in-demand since receiving heavy rotation from greg wilson (the only dj lucky enough to have a copy) who nicely sums the track up...i love the way fatneck has put a somewhat psychotic twist on billie jean via his acid interpretation - inspired west yorkshire wacko madness! next up lucci capri delivers the quirky balearic chugger dame un beso, with super-sweet latino lyrics and a great reggae-influenced swing. flip over for the beautifully understated because today i saw u which melds a cool deep house groove with esther phillips yearning vocals. rounding off the ep in style is fatnecks superb dancefloor-friendly edit of the aretha franklin version what a fool believes. great stuff - welcome back messalina!

after three sold out releases on gamm the edit king the reflex is back with vol.4 in his re-vision series! this time around he goes slightly more rare groove-ish than before with three amazing re-edits.
first up blood sweat & tears gets a breakbeat rework that kills the original by the miles if you ask us. the dope jazz brake in the middle is extra nice.
to follow up we go on a funky blues trip on *gone is the thrill* and last but not least a hot (!) ohio players jam gets funked up to the max.
the reflex and gamm have done it again!

analog chronicles returns on decabaret records with the electrofield ep. carribean sausage is a funky techno track with a groove that never stops and preacher is an uncompromised electro track showing the duos unique mixing style. finally dj skurge takes us back to detroit with a church remix. including an always collectable artwork by alan oldham.

this second instalment of the various artists series >no dough, just cookies< may have something for all. times are ruff joins forces with junktion, awanto3 and pete bandit to deliver an ep with a rich blend of music.

beware: must have release! three cuts of ballistically designed cutting edge dance music. one fast gritty experimental electro cut. the appointment program has been deepening its investigation on resonant frequencies and on the limits of groove dynamics

ukrainian duo woo york debut on soma with the first in a two part series entitled ancient light. denis & andrew have been regulars on the underground scene in kiev for many years now and with a live act armed with drum machine, samplers & groove boxes they bring their experience direct to the dance floor. this ep explores the deeper side of hypnotic techno.

laurent garnier on tribute & fantasy ep: since the very first ep arno released a few years back on his own imprint, i have been a big fan of his productions. arno has always stood apart from the so-called hype and has developed his own style of trippy-as-hell dancefloor grooves.

e.a.r always pull something perfectly summery out of the bag just as the sun pokes it head from behind the clouds and with *mercado viejo*, it is no different. this carnival style mood lifter is destined to have heads nodding and feet tapping in beach bars and around pools all over the world. news has it that it is already heralding the summer season in ibiza in a wonderfully cheerful way.

real house master phil weeks makes his debut on guy gerbers supplement facts imprint with a trio of dancefloor bombs packed with his signature bump, funk and bass. title track sharks looking for fishes is a fuzzy, warm affair with warping pads and shimmering cow-bells building with dusty samples combined with a jacking bassline. on the b-side bees assault is pure heads down techy business, unhinged and driving its the peak time banger of the release and an assault on the senses. lastly, hold onto the memories brings back the french deep touch with another solid jacking groove and faded vox.

fcl is the pairing of two reputable producers in the underground house circuit, namely san soda & red d, individually and under the fcl guise, both artists have made a huge impact, although retained a quality over quantity approach, with only a string of releases out there on the likes of we play house, ferrispark, and delusions of grandeur. although these singles acted a striking indication of quality with each one garnering huge support from the masses, especially the duos critically acclaimed lets go, on the 2010 vocals for everyone ep

tin man has been creating a stir on dance floors worldwide for many years with his unique vision of acid, techno and house. in recent times he has opened his production toolbox to a wider variety of styles, also focusing on songwriting, often adding vocals. the underdog series, produced last winter in new york, emphasizes on deep killer techno – this new release – the underdog ep part 2 – features three floor shaking techno cuts in different shapes. on the a side the aptly titled >swarm< features an epic minimal acid tune building over 10 minutes driven by twirling soundscapes resembling a swarm of killerbees on attack. flipping over there is >hack<, which bows towards soundhack with its dirty funked up sample chords and cut up groove. the ep finishes off with >rocky<, a masterpiece in reduction – hypnotic and deep techno.

decoy07 takes a deeper turn with the third act ep. miss sunshine (kms, monocline, tictactoe) has been working flawlessly in the studio for the past six years and this ep is no exception. third act is a heavy workout of riding bells and an old-school synth line which grooves its way through percussion builds and changes. intimidate is deeper and darker with a chugging groove and twisting effects growing into a more graceful melody. ground loop captures miss sunshines more ambivalent mood with a haunting groove that is perfect for those basement techno moments. markus suckut (figure, sckt)supplies the remix with his interpretation of ground loop, taking it more minimal and stripped back but maintaining the groove in his own familiar style.

excellent deep hypnotic chicago house groover, coloured vinyl

faray is the latest addition to the voltage musique family. fabian reichelt and raycoux jr. are already familiar names when it comes to club life. for example fabian is widely known for ~marian~ his collaboration with marek hemmann. a broad musical variety comes with faray s first release on voltage musique. while ~anger~ is a powerful groove monster ~just us~ shows how stimulating techhouse with a pinch of funk can be. the debut is completed with a splendid remix of ~anger~ by andreas henneberg. faray - welcome to the club!

limited nice pice action
its been a while but now, finally, freedarich and stiggsen are back on freizeitglauben with more dreamy and dubby minimal entertainment. two tracks full of rich textures and subtle melodic seduction to pleasure your senses. and since the ep already miracously found its into the groove charts, it was time to finally release these amazing tracks to have a happy transition from the last open air afterhour to the upcoming autumn.

second release on bouq.sub, the new sublabel of butch & amirs bouq. with two french heavyweights. or at least one heavyweight, the legendary kiko together with his young mate spencer k. an infectious combination of skills to design the perfect groove and the right arrangement to make your floor go bazinga.

catched in the groove, a sound between house, oldschool und techhouse.

vinyl only. mastered by helmut erler @ dubplates and mastering berlin. smooth & rare house groove by ddrhode aka sohrab to be out as volts first release as a part of yellow socks ep!

unxpozd presents the 5th project from dj aakmael, deep theories ep. up first is *dearest one* featuring the vocals of jmellodees, putting you in a setting of an old smoky jazz club (ala billie holidays time). the buzz on this track is already heating up, and will be sure to bang at a party in a large club environment or small and intimate setting!

full intention bring back one of the most defining era of house music, with a double a side ep ! icon is a huge club track, already tried and tested in ibiza, with warm deep chords, a cheeky bassline and strong beats ! madness has pure house vocals, a nice old school organ and disco snippets, to make you bounce and groove through the night.

supported by: ben klock, catz n dogz, djulz, deetron, dj deep, gary beck, jimpster, kiki, locked groove, marcel dettmann, matthew dear, mr. g, ryan crosson, skudge...