we presenting the upcoming posthuman album “the mind is a heavy burden” coming out on netherlands based imprint flatlife records. the full album arrives as a 9-track purple 12” vinyl.
space-lab präsentiert die negen ep von human space machine, eine reise in mike jungerius einzigartige sicht auf die tieferen schattierungen des techno. die vier sorgfältig ausgearbeiteten tracks zeigen seinen unverwechselbaren sound - rollende basslines und hypnotische acid-lines verweben sich nahtlos mit komplexer perkussion, wunderbar ausbalanciert mit der perfekten dosis an melodie und harmonien.
this is the second appearance on our various artists catalog for both berlin-based acts, featuring individual and collaborative tracks from the artists.
midi mode records, a new chapter begins for the label formerly known as mini man records. a home for the unmistakable energy of electro and techno grooves.
back in the nineties, human beings were pioneers in the dutch techno scene. and the matrix may well be their finest moment. sohaso gives this stone-cold classic the re-release it deserves
a new spring, a new label, a new direction. nowhere is closely linked to the utrecht-bunch of something happening somewhere. they kick off with the acid tingled substance ep by human space machine.
split remix record with visitor strictly limited to 200 copies. remixers include kontravoid, morah, xarah dion, sarin, qual, visitor, filmmaker, and oliver.
remastered version of humanoid’s classic “stakker humanoid” plus remixes of “st8818r” by autechre, luke vibert and mike dred. limited pressing on clear magenta 180 gram vinyl, housed in double printed outer + inner sleeve.
remastered version of humanoid’s classic “stakker humanoid” plus remixes of “st8818r” by autechre, luke vibert and mike dred. pressed on black 180 gram vinyl, housed in double printed outer + inner sleeve.
emma nilsson, emil schult, lothar manteuffel and max dax are transhuman art critics. limited pressing of 500 numbered copies, including a signed silkscreen print by emil schult.
der künstler humanoid gods liefert eine packende odyssee aus einem anderen reich des kosmos voller dunkelheit, spannung und interstellarer klangwelten.
blaq numbers welcomes explorer of the humankind back to the stable with his latest work, -where did y’all go?-. combining lots of handmade drums & machines with hazy synths, he explored a new set of influences while writing and recording from 2018-2019. the four original compositions now find themselves on a brand new 12” backed by remixes from detroit’s byron the aquarius and larry houl. -where did y’all go?- expands on eoth s previously established house sound and brings in elements of bedroom pop, with lyrical content exploring the modern conundrum of maintaining relationships in the age of social media. not much is known about the lyon native, but his music has built him a keen worldwide following since his debut productions surfaced in 2017.
first ever reissue of sought after afro disco-funk / reggae lp, fully licenced, thick 350 g picture sleeve with hype sticker, mastered & cut by frederic stader
<lighter days> is a richly layered and thoughtfully sequenced record—inviting listeners into a shifting landscape of moods, rhythm, and depth. what began as a simple follow-up ep to luna ludmilas acclaimed <vibe thang> has evolved into the utrecht-based artists debut lp on berg audio: <lighter days>. known for her flawless deep pads and dubbed-out sound design, luna expands her sonic palette here-fusing deep and dub techno foundations with ambient textures and subtle progressive influences. while staying true to her aesthetic, the lp explores more raw, dancefloor-ready territory. the release also features two tracks that delve into dreamy ambient and classic dub realms, highlighting her range and versatility.
-live at the leather fly- captures the raw chaos of butthole surfers legendary live shows—21 explosive tracks mixed by guitarist paul leary, channeling their ferocious stage energy into pure sonic mayhem. as richard linklater put it: -there s a before and
3 unreleased tracks recorded in the early 90 s on tape cassette by benjamin wetherill under the moniker amethyst moon...first volume appearing on this mysterious label from the uk called moonvoid records.
2025 repress
waveform transmission vol.3 initially came out in 1994 on tresor records. the eight titles on the album marked a turning point for jeff mills. it indicates a transition from the straightforward sound he had created through the early 1990’s, into the different facets and sound pallet he will develop through the remainder of the decade. it is a significant piece within jeff mills’ masterwork.
the first hr101 mission is complete. five masterful sonic weapons with a hi-tech edge, for clubs, warehouses and the great outdoors. comes on red marbled vinyl.
yssue brings his signature mix of breaks, dub, techno, and leftfield vibes, shaped by a punk-inspired edge. human nature is raw, bold, and full of energy, dont miss it.
in 2024, vredehammer, the mighty force from the deepest north returns. vredehammer explore the depths of darkness and despair, painting a chilling sonic landscape that captures the essence of true black metal.
standard edition with black vinyl, black interior and printed center labels. nous klaer audio proudly presents paerels iii (aka pearls 3), the third and final edition of the popular 3x12” compilation series.
25 years on from the release of their debut lp “a nice hot bath with...”, acclaimed english dance collective crazy p return with their ninth studio album, any signs of love.
der maltesische meister der sound-synthese mit einem brandneuen album! eine weitere zeitlose reise in die welt des electro und electronix, die den test der zeit überdauern wird.
four talented electro-acid producers who are taking you on a diversity of adventurous musical journeys. limited edition of 75 copies with poster included.
mit dieser neuen veröffentlichung, die auf einer 12-vinyl erscheinen wird, bekräftigen spammerheads ihre vorliebe für industrial-sounds, die fest im ebm der alten schule verwurzelt sind, und festigen gleichzeitig einen sound, den sie zu ihrem eigenen gemacht haben.