kuni & henriks collaborate again since dancefloor hit track once again. original version on a side, henriks trippy melody and kunis musical flute sound fits amazing. its a new style of jazzy deep house. on b side, our favotire kraut rock oriented band who base in cologne, von spar, delivered excellent remix. if you are following pampas die vogel, you will love their remix. remix package of session 2 with lord of the isle & henriks children johannes brecht remix are coming in the summer.

vinyl only
2 classic ciara rnb vocals, refixed by behling & simpson in their trademark chunky slow house style. following their extremely well received edits of faith evans love like this and julio bashmore father father on boogiefuturo, the production duo from bristol - known for their records on futureboogie, 2020 midnight visions, applepips and outernational - finally release their long-awaited refixes of ciaras classic tunes like a surgeon and goodies. strong early support from jackmaster, who used surgeon in his 2012 mastermix, as well as x-press 2, midland, redlight and eliphino, has led to a steady wave of requests for these edits for over a year, resulting in this limited vinyl-only release

norman zube (style rockets, parquet) delivers the second heulsuse including remixes by harry axt (arms & legs, kiddaz, afu) and labelowners hanne & lore.

big remix package on the best shaker plates tracks by rene bourgois. remixes are coming from stereo express (burlesque, ipoly music), beatamines (mangue, keno records), carlo ruetz (040 recordings, ton liebt klang) and drauf & dran (style rockets. ostfunk).

limited triple vinyl, contains here we go! ep (aa-16) and i m a hotshot robot (pkglp24).

with uncompromising deliberation jerome sydenhams imprint ibadan records forges its way through the overcrowded world of electronic music in search of diamonds. case in point: quell with his debut solo album them crowd kids. this montage of house music is a fitting addition to a label thats featured some of the worlds most poignant, illustrious and visionary dance music producers, including the likes of dennis ferrer, kerri chandler, joe claussell, function, joris voorn, and radio slave to name a few. quell, already a dominant force in the underground house music scene, has upped the ante with deliberate focus and acumen. through his bespoke style of production, avant-garde dj sets and prodigious thinking quell has come of age. quells music is an amalgamation of images, sounds and nostalgia that derive from his perception of a universal club sound

of course the acid rebirth is the masterpiece here, in a sense. a bloody good reprise, totally replayed with hardware of the rebirth from jones and stenfenson on bonzai. finishing on a big frustration: still some work for the dj! but also with the interstellar delivery, mr gasmask brings a superb techno trance tune. at least afx fans will enjoy the last tune, the arboria tribute:a superb acid broken stuff, in the pure oldschool tradition of this owesome style. 200 copy limited!

dj w!lds sweet & spicy ep is the 10th release on the parisians own imprint the w label and sees w!ld continue the fine form that has seen him reach the #8 spot in resident advisors most charted artists of 2012. w!lds unique style of strippedto-the-bone crunching beats, probing basslines and almost impossibly long, captivating breakdowns have seen him grace labels including cabin fever/rekids (who released his album d!rty), one records, act natural, snork enterprises, robsoul and catwash amongst many others in the past 12 months. the sweet & spicy ep continues in the same vein – all carefully roadtested by w!ld, the focus is on the dancefloor with influences from funk to acid all underpinned by those strong relentless grooves.

house roots are the new series of our long time friend and collaborator franco cinelli. been his 7th release on the label and after having released and remixed on labels like bass culture, oslo or harry klein records, franco delivers two oldschool house party bombs strigtly for the dancefloor in his very own style! expect raw rhythms and percussion patterns, analog synths and francos own trademark chords all over the place

jump kicks things off in style here, with its off-kilter drums creating a bumpy, energetic vibe, while bright chord progressions, hi-strings and looming, drawn-out bass tones create the melodic depths. sampled and manipulated vocal snippets are also introduced building their own melodic movement, while the envelopes of each element are subtly tweaked to falter and evolve throughout the records duration.

macadam mambo 5th release is ready to rock! after the success of our first four issues, we are proud to introduce our new selection of edits. featuring disco adjustements by : raphael top secret with >love & compute<, a robotic dancefloor killer boogie, very cosmic. roger suchard with >tout en emotion<, super >electromotive< new wave british style synth-pop. bob bernard with >jewish party<, a psychadelic & kitch monster hebraic groove. albion with a hudge obscure indian electrofunk >welcome welcome<, pure bollywood - meets - the beat style!guillaume des bois made the last one, >conan le berbère<, magnificent ambient and balearic tune digged out of library

30 year old london born ali pearce, aka stealth is a dj/producer that has been on the scene for many years. his diverse style and maturity of sound has seen him successful in many areas of the drum and bass spectrum, achieving releases on some of the industries most respected labels including – v recordings, renegade hardware, subtitles, frequency, intasound and many more… after honing his skills as a teenager on the illegal rave scene in the late 90s, his early days as a dj saw him picked up to be a resident warm up artist for the legendary promotion movement, going on to play at some of londons top nightclubs over the years, as well as abroad, and hosting weekly shows on origin fm. the last few years have been focussed more and more towards his productions, allowing him to cultivate his skills as an artist, and securing dj support of his work from the likes of – andy c, chase and status, subfocus, marky, bailey, bryan g, calyx, teebee, dbridge, break, ulterior motive, zero tolerance and xtrah to name a few! the future definitely looks bright for this budding producer, as 2013 kicks off with an ep due out on subtitles early in the year, as well as material lined up for release on andy cs new imprint program, so keep your ears peeled!

its dub- and detroit-techno, esser style. after 4 years label boss returns with a new ep on his own wltd ltd. ambiguity and introspection have always been a big part of his work, this ep just takes it to the next level.

topset is the first vinyl release of the nu music label from hamburg, called tach & nacht. topset is a rich mix of deep bass, dry minimal babble with calming melodies and tech house kicks. newcomer dice start with their own and first vinyl ep. dice, also known as rausch & metrik are together in style and sound and they complement each other brilliantly. they offer an individual form of music that doesnt fit into once specific genre. the release is backed up by the renowned remixer miyagi & m.tuschy (topset). they are both influenced by deep & tech house with slightly hypnotic techno sounds, what is heard in the remix of topset very clearly. and of course mareue, better known as heymann & stietzel with their northern seaside influenced style. have fun and listen

having recently relocated to london, urulu & chaos in the cbd join forces for needwants next stellar release. sharing the same musical passion and vision, yet each holding distinct style and influences, they were able to come together and deliver something really special. a combination of four deep, diverse cuts where old school meets the new school.

all good things must come to an end. synth sense close proceedings on the symbol series in fine style. four sublime cuts that evade genre classification but firmly push the boundaries of electronic music.

anyone familiar with mop mop will already know that their refined style has already lend them a unique place somewhere between the worlds of jazz, funk, latin and the italian postmodern style allowed the band to achieve the international film business as part of woody allens to rome with love movie soundtrack. but with this latest lp isle of magic, mop mop digs even deeper to bring us one of their most engaging and organic records yet.
the vinyl lp includes a download code.

massive techno sound coming from mik izif. banging bass, melodious lowfreq bassline and slamming charleys will drive the dancefloor up to madness. even when you believe the kick is there, it is not the kick grows and grows and grows. screaminfg crowd passport style!

brilliant, diverse electronica/ambient mini album in true acido style.

an unmissable 12 inch collection from legendary soul-jazz organist charles earland. first up we have the wonderful over and over. co-produced by organist earland and randy muller, the man behind brass construction and skyy, this nine-minute masterclass in jazz-funk greatness was as big on the uk all-dayer scene as it was at david mancusos loft and blows up any dancefloor today. over on the flip is steppers delight, the classic anthem let the music play. released in 1978, this superbly fast and furious jazz-funk workout blasted onto the disco and club scene leaving a lasting impact today. last, but not least, intergalactic love song brings the tempo right down with a great spacey sound which doesnt lose earlands unmistakeable signature keys and sleek jazz style. essential!

boysnoize records präsentiert eine grandiose neue remixedition aus dave clarkes legendärer serie >red< (bush rec), die zu den all time techno top 100 des dj magazins gehört. das stück >wisedom to the wise< kommt im neuen berlin-style von boys noize und marcel dettmann, während bassmaster a. mochi mit seinem neuen edit sehr nah am original bleibt. die gesamte auflage erscheint natürlich auf rotem vinyl.

fresh again, silks favorite dunce-dance diva, maria minerva, tries on a new wardrobe with her bless ep. busting out with sweet n swingy single black magick, minerva caters her classic la-la lyrics about an occult/joke-cult romance over a new waif, schneider-esque pop-rock lobsta beat. space 4 u slips echo-drone vocal monologues over a laface-style rnb booty bumper, while symbol of my pleasure sneers with a walk this way funk lick, both reminding fans of minervas naughty/playful creep-creativities. rounding out the ep are soul searchin – a sleazy, down-tuned, junk-jungle comatose doser – and lady blacktonikas black magick garage trippin remix – a layer cake of luscious tush pushin and an ode to another sassy lady, miss kier herself. confidence is key, and this is maria minerva struttin,’ on and off key, through her newest collection of wand songs.

hypercolours latest release comes in the form of haggerston ep, a brand new release from label co-owner alex jones who drops a 3 track ep of proper dancefloor bombs heavy basslines, breakbeats & vocal samples all held together in jones unique production style.

the first release on a new label, aa trax, which has been set up by the acid originator himself dj pierre with the aim of introducing classic house and techno sounds to a new generation, the aa stands for afro acid. kicking things off in style is a 3 tracker from the legendary detroit grand pubahs comprising paris the black fu and the mysterious mr o.

their new ep by shadow moses is maybe a style breaker leaning more towards a techno vibe with detroit roots,spanning the years between basic channel and modern love. but still in the usual quality, which means solid releases aiming on the special moments on the dancefloor and not on the charts! shadow mosess most recent 2-tracker boasts textures befitting early springtimes emotional relief: tonal warmth permeates cold, floating atmospherics, while chugging drum tracks warm up bodies...and speaker stacks. full of energy and joy with the long winter finally being over.

vinyl is limited to 300 and comes with a code for a free download.
jonas munks work as manual has never sought to radically reinvent itself. rather, he has spent the time since his debut ep in 2000 perfecting and refining the sound that is so distinctly his own - with each successive album meticulously exploring certain aspects of the manual sound. there is an ongoing insistence that there is originality and beauty in his finely crafted productions, even in times when they seem terribly out of tune with the current trends. in munks view originality isnt so much a constant renewal of oneself but rather the creation of a unique and confident style that is continuously relevant.

first pressing in dark red vinyl! in remarkably short time, van bonn has developed a well-deserved reputation as a forward-thinking dub music producer. he is tying up electronic listening music with dance music structures for the german label telrae and trapez since 2011, but his newest invention van bonn01 is another step forward. van bonn records now for the first time provides him with a platform, that is his own. it is a sound laboratory pushing his ideas as well as giving him the possibility to feature like minded people. the first edition on vinyl, comes in dark red with a nice artwork. gradient (cph dub) shows a new side with van bonn, expressing a certain form of industrial & romantic privacy in a very radical way. his epic 12 minute track explores the time and space continuum in ways of symmetry. this is a perfect extension of what we know from various dub techno productions of the past. rich filtered delays balanced with a monotony of a mighty & distant beat, makes it an hypnotic piece of music. gradient in its original version is the more hardish and forceful..companion of the a-side, being more raw an direct. van bonn uses here a lot of fx sounds to build a bubble which perfectly embeds the stomping machine liked beat. the >do not resist the beat< owner milton bradley and artist on prologue (and more) has delivered a remix of >gradient< in his genuine style avoiding commercialism and creating his own atmospheric, claustrophobic, cinematic style of techno. listen here to his remix for van bonn.

repress / reissue - wiederveroeffentlichung des gesuchten longplayers fuer greensleeves! seit der originalveröffentlichung von 1974 (auf fay music) bietet sich jetzt wieder die gelegenheit wirklich tief in die historie des dub reggae einzutauchen. studios: lee perrys black ark studio, joe gibbs studio, king tubbys studio mit dem finalen overdub in den londoner berry street studios!

honorary rebel mathew jonson will soon be unleashing his long awaited third artist album on crosstown rebels but first a slice of the canadian minimal house pioneers inimitable style with two tracks of distinct tonal contrast both with the unique stamp of a jonson production.

nice price deal !!! already drowning, a song-cycle inspired by various myths & folktales about female water spirits, marks something of a departure for aidan baker. while still retaining his trademark sense of ambience & texture, the tracks on this album are much more structured & song-oriented, embracing a minimalist post-rock, slowcore style & featuring a different guest vocalist on each track.
limited to 300 copies on heavyweight 180 gram vinyl, including free mp3 download code.

baby ford signature sound for ugold series a: snakes and ladders: ..hypnotising extra-dry-style with a little floating reprise. getting better and better every time listening to it..again and again.... those vocals.. this hook.. and lots of space between. b. side: curfew spheric soundtrack for your own, personal... enlightenment.

last night on earth continues to support and pluck artists that are turning heads, with ejeca at the forefront of ushering in the recent heavy 90s revival. his nu-house, garage style is ever present in his latest frequency ep. the first two tracks hi rollin and neva 2 far are dripping with classic vocals and vintage house sound. nassau storm brings a dubby side to the ep, while time for change adds calming intelligent beats fused with soul. last night on earth hit the spot once again as the supreme ejeca puts out another incredible release.

chicagos dj rahaan comes correct on this latest release from dublin disco heads fatty fatty phonographics. dirtyboyz takes an old bobby o production and sticks a rocket up its arse, blending in rough chi-town beats and some vocals from another music box/warehouse classic for some proper peak-time dancefloor devastation. getting up and dance is the kind of string drenched disco-boogie that he laces throughout his epic club sets, with some fiery ron hardy style edits to drive em wild. clap your hands, stomp your feet, meanwhile, rounds it off beautifully, a summery dancefloor swinger with a hellishly catchy chorus and a bouncy groove that just wont quit.

in recent years spanish producer baldo has built a great style and following in the modern house scene, catching the attention of andrade who has recruited him for this fantastic new five tracker ep called far away. with a well developed sensitivity, baldo has featured a sensual combination of house and susceptible feelings to create an outstanding and very special cocktail. three crisply produced tracks likely to spoil the senses with delicate melodies and bass-driven sound. the music speaks for itself. once again we welcome our friends on the remixes. hold youth main man, le loup, the protagonist of the paris scene and known for his releases for wolf+lamb, eklo and fragil, re-creates a dubby version of in the crowd, setting an impressive atmosphere and deeper experience.

house of black lanterns is the brand new project from dylan richards, formerly known as king cannibal (ninja tune) and zilla (warp). retaining the earlier influence of dj krusts sprawling drum & bass soundscapes, house of black lanterns sees richards develop his sound to incorporate the dub-inflected techno textures of rhythm & sound whilst nodding to the catchy, yet occasionally bleak floorfillers of trax, all inspired by the modern noir visual style of michael mann.

pure freshness. pure style. pure energy. pure art(nalogue)..pure dmx krew.

hot on the heels of ornate musics last release featuring the bumping house business of digs, the imprint set their sights on welsh producer leif, who has been turning heads with his masterful deep house for labels like fear of flying and fina since 2003. kicking off with *circumstance 4*, whose smooth organ refrain drifts over a lightly rolling groove, the vibe switches up with *every cloud*, whose gentle jazz-inspired piano and abstract, dubbed out soundscape is strongly reminiscent of floating points more freeform productions. however, it is *each day made new* that provides the eps most surprising moment, an andres style hip-hop track with a cut-up, sunshine drenched quality calling recloose to mind.

last year amirali burst onto the scene with the style defining debut album in time, and several stand out singles for the label that discovered him, crosstown rebels..

ltd red vinyl, three tracks in cool detroit techno style

with a techno career stretching nearly a decade, finlands samuli kemppi is a natural choice for the fourth edition of themas continuing chronicle series. his intensely rhythmic, futuristic style has been making its mark across europe since 2004, but it was really four years later, when he was picked up by ostgut ton, prologue, and kosmisch, that the world found out the true impact of his sound. since then he has enjoyed his strongest support from the last of these imprints and, even more importantly, from luke slaters powerhouse mote-evolver, a go-to since its inception in 2006 for the freshest sounds techno has to offer. following the summer launch of his own deep space helsinki label, we are proud to announce kemppis chronicle debut with voyager, an ep of deep, science fiction sounds backed by intense beats.

the latest emission from firecracker sub galaxy unthank! three tracks of wigged-out soul from the mysterious booshank.strictly limited vinyl,500 copies with no re-press silkscreened two colour artwork by house of traps clear 10inch vinyl with custom 78rpm style metallic labels

the black madonna returns to home taping with another classic release in the making! we still believe captures that early sound of chicago when you could still hear the euro and italo influences as they were re-interpreted through the beat boxes & synthesisers of the windy city, and made to jack. on the flip, home taping favourite the revenge delivers his own take on that classic sound with an understated and yet pumping rework. packed full of authentic beatbox sounds and warehouse style keys, it works it to the boom boom. last but not least, the black madonna finishes off the package with say my name - a dirty, menacing and incessant groove that makes out like a wild new street dance that just got turned loose. the black madonna is here to stay!

2nd single cut from his debut album respect yourself (endless flight cd 10/release on 18th march). title track is old school new york house style and his friend nicholas made more clubby version. it reminds the production of kenlou or house syndicate. nicholas remix is for all house djs.

2013 repress, limited white label repressing
born in chicago and raised on detroits west side, delano smith represents one of the last of a rare group of detroits first house dj s & protege of detroit-original deejay ken collier, this is the eighties legend back in fine style. recording for labels like third ear & his own mixmode imprint smith has carved a deep house groove for many years, here he teams up with long time friend derwin hall for the smith hall project and picked up for the excellent kolour recordings offshoot undertones hailing from houston texas but based in detroit this is the second release from ut and doesn t fail to deliver with some serious pedigree. one not to miss!!

impressive voyeurhythm debut by elliott thomas, straight out of portland oregon!! elliot delivers a journey filled first record. known for his kick ass live sets in the bay area, camera shy elliot shows true mastery of his tools well beyond his years. the a side sirius is a serious instrumental number filled with analogue sweeping synths and percussive roland drums reminisce of old recloose and carl craig. the b side desert light has elliot come to the floor with his own vocals, dubbed out bass and shows hes ready to forge his own style of electronic music. available in limited run vinyl.

with the deep circus 011 we present you lilith, a young talented artist from los angeles who delivers an impressive debut on our imprint. raised in several european countries, lilith was exposed to many cultures, musical tastes and traditions. she was classically trained in piano at an early age, and enjoyed a full spectrum of music genres, from classical to punk. a passion for electronic music grew early on and after a move to dublin ireland, she began digging deeper into the music, stared producing and achieved her own unique style, which has been described as a fusion of deep, dark, dubby, and sexy minimal with house/techno rhythms. a kind of style that really hits your ears and brain, which makes us even happier to present lilith engine repair e.p. on our deep circus label. besides the original tracks *engine repair* and *silicone*, the record contains two massive remixes by oliver klein and sweet n candy.

after sweating out the winter heatwave generated by chris mitchell and grey people with proper trax 4, alex falk distills a purified form of techno from the often unnecessary complexities of the style. terse—the fifth limited twelve from proper trax–further solidifies the labels unflinching commitment to the rough n tough sounds of the southern us underground. dont sleep, as this one is aimed to take its place in the record bags of the globes in-the-know heads. measure ones approach for a drastic result.

another 7 inch roots release from the archives, this time featuring mike brooks in conscious roots style on an up-tempo rhythm track, re-mastered at phat dubz studio prior to release and on the flip side a dj-style version featuring dennis alcapone & earl16. the single is supplied in a picture sleeve and on transparent vinyl.

finally, a new, true doering, whose other name dirty is something of a fake-out: >i would< captivates the listener with clean, maximum minimal beauty, in typical doering style. the melodies swing gentle as a cradle, the beats take effect in a supporting role and the vocals, though sparsely deployed, complete the demand for inner harmony. the elements combine to create a languorous, warm feeling around the heart û a flawless hit.