occasionally jay haze will take some time away from his productions on contexterrior to release music with other labels like leftroom and desolate, or he ll provide a mix for fabric. here, in 2014, jay haze debuts on soul clap - and brings some friends with him. these friends are signor andreoni, an italian producer that s not released a solo record since 2010 (his last was with haze) and the unknown jordy lockruf. -take a dip- is a new-school cut of retrospective italo with those moaning synths perfect for a rimini dancefloor, while the two joints with lockruf provide one clunky, slide guitar twanging disco jam and a shuffling house cut that ever so lightly verges on electro swing - but not too much!

itokim, aka tendo-based producer takuro ito, aligns with dj bone s subject detroit label with the subject japan: rhythm poems ep and his opening gambit certainly leaves a dent. -motechnique- has been a staple of bone s 3 deck attacks in recent months and it will have eyebrows raised and mouths open from the off. weighty but warm kicks start as they mean to go on, bursting with pace and vigour as thrusts and stabs pinprick the brooding chords. the laidback, easy-going connotations of the title to -roll up and shine- are very much the ethos and aesthetic of the production, as a playful, bubbling melody sets a warm and almost sugary tone from the off before being bolstered by a suave melange of full-bodied kick and dexterous percussion. itokim rounds off his first outing on subject detroit with -the mood device-, a to the point groover that melds elements of the previous productions to stunning effect. a genuine builder of a track with a straight and true trajectory, -the mood device- melds innumerable coatings of percussion and synth as stabs are layered and layered again, clotting and coagulating the composition in to one delightfully deep and multidimensional slice of formidable dancefloor composite.

it s been a busy 2014 so far for label head dubfire. whilst nothing unusual for the persian-born producer, with the revival of deep dish (alongside sharam), the release of their new single quincy, the continuation of the sci+tec radio show, the release of his much vaunted remix of come featuring asia argento and his relentless global touring schedule, it would be a surprise to find even a slither of studio time for original dubfire productions.

after a nine-year hiatus, sheree rashit and steve bicknell relaunch cosmic records with the transcendence ep within their lost recordings division. founded in 1993, the label ran in conjunction with the pairs infamous lost events, which introduced acts such as jeff mills, robert hood and basic channel to the uk dancefloor. past cosmic releases include productions and remixes from us artists such as juan atkins, tyree cooper, djs funk and rush alongside prominent uk names working under pseudonyms devised for cosmic. having previously released via perfecto and mute, cosmic has provided a home for steve bicknells releases since its inception. his next phase continues the lost recordings series that began in 1996 with the 8th segment, transcendence. comprising 4 untitled tracks in steve bicknells inimitable style - a depiction of the lost dancefloor - transcendence, lr 8 is hypnotic with depth and soul, transcending boundaries. initially vinyl only.

the mondo productions start with four releases dedicated to seascapes, scenarios range from sea fauna to poaching, from natural parks to sea dunes. good listening! btw: powered by running back

• vinyl reissue of impossibly rare hospital productions cassette tape
• comes in a brand new die-cut house jacket with title specific inner sleeve
• big support from the usual avian fans...
originally released on hospital productions as a limited cassette edition of 42 copies, avian is now proud to announce a vinyl reissue of dual actions auto body. behind dual action stands mathew folden from k.p., who presented his first solo cassette release for dominick fernows label in 2012. dual action combines the eerie atmospheric sound collage of crowded chinatown streets with the deafening silence of a new apartment and the hard industrial beats of subways and freeways. a dynamic, physical autonomism. body complete

the two original tracks, while very different in moods, both share lush productions and a dramatic musical storytelling while the wonderful remix by ame is taking the song into an epic masterpiece that works wonders on a dancefloor while never losing the bewitching essence of the original

clr079 is flugs first release on chris liebings internationally regarded imprint, a four track ep with original productions by the man who has become one of argentinas most promising up and coming techno artists. the quality and depth of his productions has gained him the respect of numerous famous colleagues and has placed his tracks in the record bags and playlists of some of the most significant global techno players.

the fourth ep from raw waxes includes two tracks from the noisemaker, italian producer already on fire during the last years. both original tracks have got a delightful groovy soul, amplified by a dark arpeggio, which drives strong energy in stomach and legs of the listeners. the sounds he choses are captivating, dynamic, and push feelings to an high vitality. the deepness of the original tracks is perfectly interpreted by the remixers, who kept his mood and added a personal touch to it. on the a side, mike parker keeps a sinister atmosphere and beautifies it with noisy and raw sounds, which coherently distinguish his productions from many others. on the b side, haiku develops mostly the dance floor mood of the original track with an upbeat based production going through mind trip breaks and industrial pads, giving to the entire release a summer breathe.

qy live in the western part of leipzig which is dominated by industrial architecture from the past. some of the tracks created here were released on the blank slate (2013) and ortloff (2013, 2014). shortly, an e. p. will expand their catalog, released on the u.s. label roundabout sounds. in addition to new productions qy are currently working on a system based solely on hardware live set.

here we probably have the flagship of modern day techno music. the planet rhythm label was founded by glenn wilson and has been one of the leading icons in harder, underground club techno. stigmata member andre walter teams up with chris hope for a juicy collab. resulting in their trademark pounding beats and destructive bass-heavy productions this one is bound bound to be caned by all the usual players!

möd3rn is a global project from 3 wellknown artists who wanted to give a side project from their own solo career. its a band, producing, playing live but its also a label created only for the trio productions. each releases will propose 3 tracks from the 3 artists.

italian dj & producer who relocated in dublin in the 90s before coming to prominence with a series of productions for great labels like uzuri, ostgut ton, million of moments to name a few. now for the thirteenth release of hotmix, realizes a special ep with four techno/hypnotic tracks highest level.

several years in the making mike grant finally completes the second cool peepl project. originally assembled in 2002 for the puzzlebox sharevari remixes, cool peepl is a collection of detroit artists coming together for a session. focusing less on machine based tracks, the group focuses on organic productions. free features former members of the house vocalist bill beaver, longtime percussionist sundiata o.m. and the multi-talented heavyweight amp fiddler.

vinyl only! eleventh release of the promising imprint focussing on warm and soulful vibes between indie, house, soul and downbeat. some well known producers showing their soft skills with own productions or edits / re-works they ever wanted to do. limited edition of 500 copies! comes in clear plasticsleeve!

dj raw sugar is a native of berlin, but has done a 6 year stint in new zealand and now resides in perth. his productions are deep and raw house beats mixed with jazz, boogie, disco, funk and soul. over the years he has put out music via other peoples labels like gazeebo international, midnight riot and ism, but is now taking matters into his own hands via love sexy records - a label he has just started. the debut release kicks off with a piece from the man himself! it s a sweet and sultry slice of disco. inkswel, also australian based, takes up remix duty taking the track in a more club-ready direction. slow goodness all over!

well cut records is the new label project from danny ward, known mainly for his releases and productions as moodymanc, dubble d and as part of 2020soundsystem. the label aims to be a showcase for various production projects and collaborations from danny and to live up to its moniker by releasing records that will appeal to the more discerning record buyer and dj by staying true to the roots and aesthetics of house music whilst exploring its many shades and colours! this debut release perfectly captures the well cut approach, pairing two moodymanc productions on the a side with an equal amount of collaborations between ward and newcomer lenny middles

fresh from impressing with the pulsating techno of boris werner and the fuzzy live house jams of san proper, tom tragos voyage direct label turns to a man who needs little introduction: dutch legend and man of many pseudonyms danny wolfers.
best known under his legowelt alias, wolfers has spent the last two decades flitting between strobe light acid house, 808 electro, fluorescent techno and shimmering space disco. throughout, he has kept his productions pleasingly analogue-heavy, making great use of classic drum machines and vintage synthesizers. while his music may be steeped in the past, wolfers productions always sound like the future.

supported by pig & dan, horatio, mihai popoviciu, abyss, benoit c amm.
the freshest fresh from elusive. we ve got two exciting newcomers on this record! radkovski and ki.mi. have both been sending some positive deep vibes out to the world for quite a while now, and it s now time for you to hear and believe it, as quality of there productions speaks for itself. on the flip side label owner slavaki supplies you with even more power for the dance floor, unveiling one of melodic tech dance monsters that will leave no one standing by the bar. please welcome regeneration va as we move on to our 20th release

treat your dj right releases seidensticker & salour from hamburg. some of you might know jakob seidensticker as one of the masterminds from wareika whose productions have been released on labels such as perlon and visionquest amongst others. after years of playing as a dj-team in hamburgs famous clubs like ego, waagenbau, purgatory etc, they are eager to focus on their own house-influenced production style.

played by : slothboogie, ernie (minuendo recordings), carlos nilmmns - ornaments berlin, demetrio giannice (enterbt rec.), jorge caiado (balance / groovement), och, amadei, samann (traxx underground), mil (music is love records), steve huerta
having launched the balance music sublabel last year in a curatorial manner with the purpose by design compilation project, chez damier returns to helm the fourth release and fans of the detroit icon will be happy to see say the word features some all new original productions. side a offers a brand new track -tudor por amor- highlight the perfectness of damier s roots in house and techno, whilst also doffing a proverbial cap to new york house thanks to it s percussive vibe. complementing this is an unreleased version of the chez classic -forever mona- that subtly recalibrates the late 90s cut for both house and techno ears. on the flip we get a taste of heart 2 heart, a new collaboration between damier and young french producer ben vedren, with -shigan- featuring in both rex dub and detroit 3000 dub form.

played by monsieur cedric (serie limitee), owain(124 recordings/124 black), swink music records, john devecchis (instinkt records), oushe
last year saw 124 recordings expand with the launch of new sub-label 124black, aimed as a dedicated vinyl only outlet for -promoting a darker, harder sound firmly rooted in the underground-. much like the debut transmission, this second 124black release is a various artists affair and features productions from federico curatolo, ave astra, jacob b and john devecchis. upcoming italian producer curatolo commences proceedings with the no-nonsense peak time burner -house music- which is matched by ave astra s subsequent contribution -all i wanna say,- a track that s fairly dominated by the low-end sub bass. jacob b maintains his 100% appearance record for 124black with the hotly tipped -murk- whilst devecchis ends matters on a deeper note with -this is-.

in 1988 krs one made the poignant declaration of never trusting a big butt and a smile on boogie down productions song *jimmy*. truer words have never been spoken. fast forward 2 years later, bell biv devoe are smashing the charts (urban to pop) with their debut single *poison*, and in taking krss words of wisdom the exact phrase - never trusting a big butt and a smile has a major part of the chorus. the world over was singing it.

after the foundations for his new chapter of productions solidified, with figure 53 welcoming him to the figure camp, cleric now continues to build on his raw yet sharp and accurately cut techno sound

a lush 90s vibe haunts this first offering by new parisian talent voiron, but not one of simple nostalgia - one of real class. the glittering layers, futuristic architecture and spaceship motions of opener -radôme- bear the true density of some early warp and reflex classic productions. one doesnt need to go any further to feel that the sleek skyline and mental landscapes voiron draws here might be the natural extension of those started by aphex twins selected ambient works or even 808 states hacienda dance cuts.

straight from the berlin pioneer of house alex agore, comes his new track the prayer remixed by the uncle of house james johnston. we have already been introduced to alexs eclectic group of productions, his many signings with past or respected house labels like: wilson records, 4lux, defected, washermans deepdownslam and kolour recordings. alex and james also own together no matter what records a vinyl label full of quality and soul. these two together create a vision of sound for the future and soul thats a blast from the past, together they bring you the crème de la crème of house music. welcome to the sound of axe on wax.

brooklyn-based producer, composer, pianist, dj and live musician taylor mcferrin is set to release his first full length lp, early riser, in june 2014 on flying lotus brainfeeder record label. taylors musical style is equally influenced by the legends of 60s/70s soul, the kings of the modern beat generation, golden era hip hop, free form jazz and electronic music. by playing all of the instruments on his productions, while also relying heavily on sampling and chopping up his live takes, he has found a sound that seamlessly bridges myriad musical worlds and draws the listener into a constantly shifting audio soundscape. the vinyl lp comes with digital download code.

this is the first release of the low awaited sampling as an art label. owned by parisian house artist s3a, the four tracks of this ep are merging the 4 aims of the concrete parties resident: dynamism, musicality, groove and aliveness. after several years of active productions on labels as phonogramme, hold youth, 4lux, concrete music, local talk and faces records, s3a decided to make is own structure to promote his vision of music and produce the artists he loves. lets welcome this truly ethical label!! >looping strings< and >seekin sunshine< are two feet stomping anthems, with massive sampled themes. >the first year< and > the 4th <are more musical and emotional beautiful productions. this ep is very personal and is released to last decades!

nolan returns to connaisseur this month with renowned actor idris elba on vocals for *children of house*, of norway on remix duty. *children of house* is nolans second release with the german imprint connaisseur following his *ghetto bicep* ep that saw big support from the likes of wolf + lamb, droog & maceo plex back in 2012. the brighton based producer re-joins an impressive roster of artists such as kollektiv turnstrasse, ripperton, afrilounge and chymera with this release. blurring the lines between disco and house nolans productions have previously found homes at notable labels such as off recordings, get physical, nervous records and audiojacks imprint, gruuv.

now ovo, the eagerly awaited new luca bacchetti ep, is here! with this work on his endless imprint, luca seems to be delineating a new soundscape, maintaining the psychedelia he introduced into his productions a few years ago, but now more synthetic and in some ways even minimalist. in ovo we can find a brace of dancefloor tracks, no gravity and the space between us, that maintain and harness luca s emotional and intricate atmospheres whilst also employing powerful sounds and elements that embrace the movement of the body. mature, emotional techno, where ethereal dream-like atmospheres find a singular expression and their own distinct identity. it is no coincidence that the whole ep was recorded entirely high up in the tosco emiliano apennines: a place where, for luca, nature is the element that most influences this new aural pathway. as he himself states: “it’s this contrast between isolated lands and the chaos of the big city that produces this state of being: a new dialogue. they are two worlds which overlap within my soul: when i’m in new york i think of these mountains and when i’m here i think of the bustle of tour life .. but it’s up here that i find the seed, in this case ovo.”

whoever is behind the ac exp project has clearly worked very hard to ensure their identity remains under wraps, with zilch info out there on the big old internet. which is a shame because theres a degree of class to the two untitled productions on this 10- that demands some recognition. both are unassuming club tools that any deep house selector will appreciate a few hours into their set, all swirling, dubby atmospherics, tunnelling rhythms and snapping percussion.

for this second reference concerns music features three original tracks from label owner kalter ende basing their productions vanguard techno with dub sounds, minimal and experimental and a remix of mike parker unique interpretation of techno have earned him worldwide respect.

the long awaited first release from melbourne diva house/ bizarro group zanzibar chanel. if ru paul and william onyeabor had a love child states the back cover, a hint of the quirky funky productions that have come to define the sound of zanzibar chanel. or perhaps an inside joke from a group who have, until now, remained largely unknown to those outside of melbournes underground scene.

after an astounding year for apollonia storming all corners of the earth, the three welcomed further success with a momentous fiesta at bpm to commence 2014. working the label in tandem, the list of pioneers featured thus far – point g, callisto and kerri chandler – is mighty impressive. jovonn is a name that sits naturally alongside them, the difference being that the forthcoming ep on apollonia is not a repress but juicy new productions. a highly respected international dj and producer hailing from brooklyn, jovonn made his mark within the underground house scene with classics such as >i cant make up my mind<, >garage shelter<, and the standout collaboration with dj deep >back in the dark<. an intrinsic inspiration to the apollonia trio, a personal relationship first formed at wmc miami last year. enjoying a production comeback following music on dogmatik and la vie en rose in 2013, talk of working with apollonia has fruitfully resulted in - the ep - . proving he can still produce a house bomb with ease, trippin is a jovonn future classic dripping in sexy hushed vocals, with a dub alternative that sticks to the tracks fundamentals. the march journeys forward into the deepness of dreamy synths, while the contagious beats lure you into a swinging metronome effect. in the words of jovonn, >its spiritual<.catch jovonn playing alongside apollonia at treehouse on 24th march, as part of this years wmc miami festivities

nice price deal !!! limited re-release. west norwood cassette libarary aka bob bhamra, one half of data 70, presents the debut release on wncl recordings. >what it is< hangs techno stabs sub bas, old scook bleeps and a shuffling break around a dubstep tempo. brackles on remix duties, stylishly takes essential elements of the original and shifts the tempo to provide another one of his genre bending productions a psychedelic space jam thats broken enough for any dancefloor. support from ben ufo, headhunter, kid kameleon, 2562 martin kemp, pangea, shortstuff,untold, boomnoise, mary anne hobbs.

mike wall has become a regular guest at the our club, the suicide circus, and this is for a reason. his sets are banging, and so are his productions. when rain falls on a1 is a techno monster with a daf-influenced bassline ripping it. the black chamber on a2 comes along as a dark and spooky tune with lots of playful sounds in it. on the b-side the black chamber is being turned into a superfunctional and effective dancefloor weapon by samuel l. session in his remix.

anchored between the end of the 80s and the beginning of the 90s, when industrial music courted funk, when electro(nica) made a shy appearance and house was visceral and plaintive, also inspired by current r&b productions and futuristic hip-hop, tropics of love is a slow tempo record that shines like a steel sun and rings diabolically romantic.
the double 12 inch lp comes in gatefold sleeve with cd-copy of the full album included.

ennio morricone composed and arranged scores for more than 500 film and television productions, making him one of the most influential and best-selling film composers since the late 1950s. he has sold well over 70 million records worldwide. his score for sergio leones once upon a time in the west is one of the top 5 best-selling original instrumental scores in the world today, with about 10 million copies sold. collected is a definitive journey through the vast work of morricone, stopping by landmark spaghetti westerns like a fistful of dollars, for a few dollars more, the good the bad & the ugly, once upon a time in america and most recently, quentin tarantinos django unchained. pressing on audiophile 180 gram vinyl, housed in gatefold sleeve.

after forming a successful dj and production duo, live set, club nights, and solo gigs, it is only natural what comes next. in march of 2014, i m in love becomes a record label and hits the shelves with their first release – a vinyl only debut from the hands of joschka tschirley. *alpha centauri* and *proxima centauri* are brilliant examples of tschirleys journey through techno since forming raucherecke in 2007. both tracks exude his warm style with emotional pads, balearic infused percussion, and just enough melody to lose yourself in. tschirley captures familiar moments from the duos past productions while layering his new ideas taken from countless live sets, dj sets, and only the best memories from the i m in love club nights.

the latest bass culture presents an exciting partnership between label boss d julz and his long time friend cassy, resulting in three tracks of the kind of refined house music that you would naturally expect from two well-travelled djs. her global status as a dj ensures cassy is never far from the minds of switched-on house heads, but its a rare treat to enjoy her own productions. when she appears on record she makes it count, and its no different here as her and djulz tap into what makes them tick as djs and dancers alike

the second vinyl release of deeptech is a sampler 001. a selection meticulously selected by label boss duky, whom yet again out does himself with this on-point compilation of four mind blowing original productions of fresh and innovative deep, dark and minimalistic, all showcasing the core sound profile of deep tech records. tracks by duky, brett jacobs, chad andrew and miro pajic

tiagos interzona 13 label has two sold out and superb eps to its name already and we are very happy to present their third. tiagos unique reputation as a dj is matched by the distinctive quality of his productions primeira visao sounds like a track that might emerge in the mix on a vintage chicago cassette, iberican jazz-funk top lines and raw, snapping drum machines beneath. segunda visao could quite easily be a vintage black cock or noid release, a wonderfully psychedelic disco rewire, that goes way beyond the world of ten a penny edits finally cruzar facas takes a tougher path to dancefloor emancipation, marrying a fierce, pitched down techno groove to some seriously heady soundscape and tonal effects another beauty then from this outstanding, diverse and incomparable imprint.

the skokie intruder ep is the first ever release by the french / american producer royer. his productions reflect astounding sampling skills and a penchant for detroit style grit and groove. skokie intruder was mastered and cut by helmut erler at dubplates and mastering and will be a hand stamped red label in edition of 300. featured on the release is a remix by brian leeds (huerco s., royal crown of sweden) under a new alias: independence ave. orchestra.

chris mcwaynes productions tie in his hip hop & jazz themes then pushed to the outer realms much like his friend afrikan sciences. includes the title track, and the gorgeous winding islands of dust. afrikan sciences chimes in with a remix for islands of dust.

the cellar boyz *pay me* is taken from ben cenacs timeless cozmic house ep on thug records. pay me which was recorded in 1986 is the only track from the cozmic house e.p that had available parts. the stems for deeper & deeper, seems to me & who loves you were never recorded. this was due to the fact that all of bens projects through out the 90s were tracked midi only at mix down, with only the vocals being recorded to tape! thug would never have had the opportunity to release ben cenacs cozmic house 12 inch if it had not been for simoncino. simoncino did all the a&r for the record. a gift not only for thug but any fans of ben cenacs amazing productions. with that in mind, simoncino has provided 2 remixed versions of pay me, alongside a remix from close friend nicholas!

frankfurts frank heinrich aka reboot was raised on a diet of real techno, gorging on many nights at sven väths legendary omen club. today he gathers influence far and wide for his own productions, often delving into the realms of world music and jazz, and combining them with his unique and relentless dancefloor rhythms. now one of the most in demand producers on the scene, reboots music regularly features on labels such as supplement facts, moon harbour, cadenza and cocoon.
reboot makes his circus recordings debut with two new cuts that encompass a desire to own the dancefloor, coupled with his micro-particular drum programming and relentless demonised funk. label mate harry romero returns to lend a hand on remix duties, stripping samson of his locks and replacing it with loopy techno. another huge ep from circus recordings.
pressing on translucent blue vinyl.

after last years album *love & devotion* the husband and wife duo of mike paradinas and lara rix-martin follow up with *weird drift*. the album shows just how much their ability to write confident and thoughtful pop songs has developed, while still being able to retain the sleepy cushion of steamy synth pop that made the first record so rewarding to listen to. this time album features the vocals of a vezelay, a.k.a. french singer and producer matthieu le berre, who brings a gentle poised falsetto to the duos productions along with a delicate but hopeful angst. the vinyl lp comes with download code for the full album.

following hollowed - the yorkshire based producers debut ep for sonic router - and his successive collaborative ep with vocalist segilola for the king deluxe label, bambooman returns with a reinvigorated arsenal of productions on the dulcet ep. pouring a lot of ideas into the seven original tracks he tackles numerous tempos, contorting his trademark brittle percussion and his command of bounding melodies across several different forms.

weve complied two blackman and maurice joshua productions for the fourth house of trax 12inch. its a bit of a dirty one... to say the least. althought more polictically incorrect then a dutch politician, these humourous trax will set fire to the speakers for the right reasons too. the little known blackman had a 1993 release with >beat that bitch with a bat<, a song which later got popularized by johnny dangerous. the original 12inch got pressed up in small quantities and is available for the first time in 17 years. on the flip theres both the vocal and instrumental version of maurice joshuas (with hot hula hands) >i got a big dick<, which originally came out in 1988, as the a-side of his more known >this is acid<. both tracks are pretty rare these days and will still go down a storm on the dancefloor.