daniel mehlhart steps up to the plate for kindischs seventeenth release, origami - an exquisitely deep, languid house jam laced with strung-out, processed spanish guitar and gently euphoric xylophone arpeggios. >origami< is languid, yes, but not exactly laid-back: its held up and propelled forward by a gently vibrating lattice of kickdrum and snare hits, through which a dubby, molten bassline and taut, time-keeping chords dreamily but determinedly flow. the perfect soundtrack to the mixed pace of summers long days and even longer nights. mehlhart harks back to his acclaimed past releases on karmarouge and neutonmusic for >alles klar alles easy<, which sees brushed drum and shaker sounds edited into a quietly explosive techno work-out with serious swing. >fata morgana< begins in a more linear, four-to-the-floor style, but those percussive flourishes quickly accrue into something more strange, and then out of the ether comes an entrancing, south american-style chorus line. the voices mingle imperceptibly with woodblock strikes and caustic snares, injecting the techno dna >fata morgana< with a sick and psychedelic voodoo funk. with this 12inch kindisch once again proves itself to be a preeminent stable for experimental, expressive dancefloor music, and daniel mehlhart affirms his status as one of our most daring and capable producers

hector moralez forms another formidable partnership with jump recordings dj jaz. coming from the west side offers 2 top notch original cuts and kicks off with a bang on a1. drive slow combines smooth female vocals with organic keys to create a deep twisted house groover. summer windy is a peak time affair that uses live sax loops and sleek beats and arrives just in time for the start of those hot summer months. hudd traxx label bosses slum science pick the pace up on the b side with a remix that would fit in well into sets of jocks like inland knights, dj heather, ralph lawson, chris carrier & dj raoul. the slumsters work out tough beats with clever stabs,...

the deep and powerful track voyager and really gets of on b1 with minimax 1. minimax 2 takes the pace even higher with punchy snare beats and spaced-out effects. every one of these tracks is ideal for the dance-floor and will work well in a party set: just what you need to get the crowd jumping

tomash gee (methadon, methanabol, kne deep) from poland and leo laker (tresor, ownstyle, methadon) from finland, two hot shot names in the hardtechno scene, teamed up for this smashing ep !! both responsible for numerous releases over the past years, this one is once again a great one for the bigger crowds.. a rough sound at a high pace, a must have for those who love hardtechno !!

homewreckers - close your eyes til the morning the amazing success of their last release >its about time< challenged the homewreckers to push their sound a little further out. >close your eyes til the morning< is hardcore groove with a great, burning synth bass that funks along until new york singer dennis legree brings some excitement to the proceedings with his tremendous voice. its pure underground deep house - intense, abstract and dramatic. no wonder that felix da housecat and marshall jefferson supported those guys when they were teenagers! a vital alternative to the melodic clichés and rhythmic orthodoxy of the electronic music mainstream. langenbergs remix gets the b-side under way. backed up by a strong beat it rolls steadily ahead with unflagging propulsion. next up is >hot hot hot<, an exciting up-tempo number which gives kemo another opportunity to show his lyrical feeling while >smile< slows down the pace easing into a down-home hip-hop affair. this is the second of four records representing the vinyl collectors edition of the homewreckers forthcoming album >american ruhr<

the second freak n chic release of 2008 brings the premier release from long-time fnc dj collaborator dyed soundorom. 01 >question< lays down a dubby slow-moving groove from the start, as the grooves pick up the questions land, letting the pace take you up and bring you down to the deep-grooved finish. 02 >infection< instantly creates a deep and dubby late-night vibe that holds back the pace and keeps the funk grooving. support coming from.. claude vonstroke, ali schwarz, anja schneider, damian lazarus, kiki, sebo k, shonky, shinedoe, camea, chloé, jennfier cardini, todd bodine, benno blome, anthony collins, jamie jones.

nice price deal !!! presented on a one sided 12inch etched blue coloured vinyl. megatron has been a staple anthem on the worlds dancefloors for the past 6 months. with its epic half time intro and powerful atmospherics setting the pace, optimus prime steps in to signal for the warfare to begin.

jona is back with manta: a sick, expertly crafted new e.p. for get physical music. 24-year-old belgian jonathan troupin s true arrival on the house and techno block his debut 12- for get physical, the learnings. since then, he s chalked up another acclaimed e.p. for physical, tizia, not to mention assorted releases for labels like fumakilla and resopal red, and high profile remixes for michal ho, soffy o, daso and labelmates booka shade and m.a.n.d.y. jona doesn t mess about: title track manta immediately establishes itself as a no-holds-barred, peaktime club weapon, with a hard, pure-of-purpose kickdrum taking centre stage while kinetic drum edits and pressurized fx patter in, out and around it. a dizzying synth motif adds to an already mind-bending brew, while each successive build and drop ravishes the listener into submission. this is music to immerse yourself in, for sure, but above all it s music to really, really dance to. at this point you might expect the pace to let up, but b-side amon is a similarly hectic, energetic cut. all rolling bassline, acidic synth cycles, crisp percussion, jump-up vocal samples and surging narcotic effects, amon is a blast of magnificently controlled chaos for the party s more intense moments. the 12- draws to a close with exoplanet dub a no less formidable but certainly more spacious club track. its addictive, zig-zagging melodies reminding us of the more playful side to jona s music. with manta, jona furnishes us with three vehement yet elegant tracks guaranteed to turn a dancefloor near you inside out

the long awaited sequel on abschuss records is ready to take off. expect the usual weird and drolly sounds combined with a monster synth and catchy vocals. frank kvitta escalates the pace a bit more and drops with his wik it up rmx a rocking monster on the flip. on top you will get some phatt bass on b2

rmxs by paul ritch & guillaume & the couto dumonts >2 fast 4 u< was one of the stand-out tracks from kook kook, a tune positioned somewhere wonderful between techno, house and disco, and of course it appears on this 12” in its original form. but for the lead track, lopazz hands over the reins to paul ritch, whose string of fine releases over the past year or so – for labels like resopal, fumakilla and get physical – have made him one of the scenes most sought-after names. a single-minded 4x4 pulse sets the pace, providing the basis for increasingly intense, tribalesque percussion, and dubbed-out samples of lopazz s original instrumentation. this unbelievably deep, hypnotic remix demonstrates an allegiance to both classic detroit techno and the razor-sharp vanguard of modern day minimal techno. on the flip, lopazz offers >2 4 fast u< to another underground techno visionary for re-interpretation,this time guillaume, also known as guillaume and the coutu dumonts. beautifully produced, exuberant eps for mutek and hartchef discos have seen guillaume become a producer of note to those in the know

after a short break highland beats is back with a new sound and a new start. release number 40 coincides with highland beats 12 and a half year anniversary. supernova jan liefhebber and studio partner nimbuz get back down to basics with solid driving track. the minimalistic deep bass lines amalgamate with an spontaneous melody at the steady pace of 130 bpm

following their celebrated >meat is murder< ep, meat, aka carsten schuchmann, teams up with get physical regular einzelkind, arno völker and migual ayala, for >words from the frontline<. the ep opens with its title-track, words from the frontline. indeed, the word >frontline< is appropriate - the firm kickdrum sets the tone and pace before a hi-hat tattoo reminiscent of a military march asserts itself. rushing synth effects edge in from the sides before the track expands to accomodate a bending, feintly jazzy keyboard motif. this is quickly absorbed into the tracks fierce, linear 4x4 progression, and the addition of crisp snap-claps make this a winning modern take on 2nd wave detroit-style techno.

hammered by steve bug, ralph lawson, simon baker, mike shannon, tommy four seven, phonogenic, so strong! after a fab 3 track ep on 2020 vision in the last couple of months, burnski is back with his second ep on morris audio. >skip tha< is a great peace of house music, which sounds great in either the warm up or grave yard slot of the night. with smooth melodys, funky bassline and a great groove, is has everything to get people jackin! on the flip comes a awesome remix from slg (trapez, channels records), who speeds up the pace and gets things moving with his trademark tricky patterns. a absoloute must have record for two artists causing alot of hype at the minute - this record shows why!

t junction & osiris team up with mc syco to drop this brand new hardcore bomb livin the hard life!a track that breathes through the hardcore blood and oozes energy when unleashed at high volume. melodies and kickdrums change pace from distorted kicks alongside in your face vocals to breakdown chills.both producers deliver an individual contribution to the release with two solo produced tracks on the b side under the titles of remember the name and guns and missiles.a superb 4 tracker trapped on 12 inches of vinyl with the potential to hit hard, t junction & osiris take the hardcore mass to new levels of madness

a perfect ny disco affair from the elitechnique guys. nice late 70s percussion driven disco track played with real instruments. comes with a re-mix / edit of major swellings (aka prins thomas) who turned the track into a more club orientated affair with a slower pace and some added percussion to make it fit every summer party

wagon repair welcome a new artist to their ranks in the form of italian minimal master luca bacchetti. after a host of releases on italian label tenax, spawned from the cult club of the same name, this is a heavy dose of entrancing minimal - equally suited for the dancefloor or the late train ride home. a side >rolling brooklyn< pushes the envelope a bit further, a busy and investigatory track driven by sniffing snare sounds, moist synth balloons and screeching metallic accents. ascending from chaos to minimal bliss. distinctly urban, b side >what ever< progresses defiantly amidst reverb laden howls and sirens, throbbing to climax with stabbed bass and rolling percussion in an inpenetrable surge to the senses. final cut >flat mates< keeps up the pace. led by a dizzy synth haze and fueled by a tight house rhythm, luca adds acoustic metal drum sounds into the mix to broaden the tone.

in the early 20th century large parts of southeast japan were terrorised by mysterious gangs of highwaymen. these robbers called themselves the nagasaki nightriders and were the subject of many legends. at sunset rich industrials and landowners locked their doors and waited in fear. with an amazing speed the nightriders attacked and ransacked their targets. their incredible pace made people suspect they were in league with the devil. named after a medieval legend, the nightriders were supposed to fly through the sky on glowing he-goats

one sided release by one of the hottest names in techno at this moment. slower pace and slower beats with a nice old school-ish house feel. the real hook line is a slow raving sample that goes on and on

i cube is one of the most respected french producers of sophisticated electronic music and one half of chateau flight with his friend and versatile records owner gilb’r. karma shares the honour of being remixed by him with people like daft punk, leftfield, joakim and phonique just to name a few. i cube takes karma on a long distance run from paris to lazise, setting the pace in a hypnotic slow motion stomp. cosmic disco cubism at its best!on the b side awaits you another special titbit colognes jazz connaisseur and multi instrumentalist pascal schäfer is given a carte blanche to do a remix and karma wont have to regret this. best known for his output on the karaoke kalk, pascal manages it like only a few other producers to translate jazz aesthetics and structures into electronic grooves and patterns

cloudy bay his debut ep for poker flat. once more the new 3-tracker proves his enormous skills. cloudy bay is a catchy and simply beautiful track with exciting strings and a wicked break which bring up the right dose of ecstasy on the floor. massive tune! the b-side holds two more high-spirited tracks with >whats your name< being a bit more relaxed and deep, while >lazy bastard< edges upwards again to a good pace with a great arrangement and a 100% positive vibe. fantastic release by a great producer who is well known for his top collaborations with loco dice, timo maas ....

les bandits du temps who consists of underground solution first capo ollie grabowski and switzerland senior house don mirco esposito throw some weight around and hand out a righteous disco funk beating with some lovin dropping a beat heavier like an anvil, slightly smoothered with some love sounds is only a short foreplay before a hard slapping bassline, wild sweeping disco strings and piercing horn choruses chase you through a enduring pleasure session with numerous ups and downs testing your stamina to the max. if still got power reserves in your loins to go another round flip over for a deeper dub, stripped down and centered around the pounding bassline with more filtered strings in the background. studio 45 pick up the pace and intensity again to send you back to sweaty peaktime frenzy

nach >keep our pace< der naechste elektro techhouse burner von eyerer & namito. das original ueberzeugt nicht nur in den fruehen morgenstunden, der etwas zuegigere monoromm remix ist mit dezenten trance elementen mehr auf peaktime ausgelegt wohingegen der markus guenther remix mit extrem entspannten 120 bpm auf charmante art die after hours einleitet and damit diese scheibe zum multifunktionalen werkzeug komplettiert.. 20.09.2006

busted speaker brew is the second installation by the afternoon coffee boys on clink recordings. this new minimal rocker walks the fine line between minimal and techno with acb’s signature drum programming and short decay instrumentation. the afternoon coffee boys, aka tim xavier and tony rohr, released their debut collaborative release on clink001 last year with one of the bigger eps of 2005: dark blend. their follow-up ep on cocoon, >glitches brew<, was released at the beginning of this year and was a huge success. their music has been praised by top artists such as adam beyer, richie hawtin, sven väth and marco carola, and they show promise as one of the new leading duos of 2006. this ep is an excellent release as acb continues to push the minimal edge with their techno influences by keeping the tracks rhythmic and driving while maintaining the slow, deep and funky pace that djs are currently pursuing in their sets

debut release from australian breaks producer ph amyl bingo borrows a little from electro running at an easy pace for the floor and building atmospheres with those gigantic synth lines a proper head warp for a packed floor white mans triangle is a truly whacked out slice of hip hop styled dub fuelled breakfunk with some very cool vocal samples

ben gibson with the latest offering from axis sub-label, 6277. a pair of dark, intense minimal techno excursions from ben here, with both utilizing moody synths and bass, and layers of crisp techno beats, whilst keeping the pace of the track very brisk. a fine example of soundscape-styled detroit techno

extremly knorkig & raw styled minimal tech tracks, very groovy, tic tac toe - artist !!

original / sander kleinenberg / dj t mixes !! fresh tech house driven electro cuts !!! a must have

their first ep for fine is a good introduction to their sound, be warned though, this is only the beginning.i love your shoes.pirate incorporates ferocious pulsing bottom end, a spoken pan-european vocal and some spitefully tasteful synths green eggs feat. colin mcfarlane is a dream where someone breaks into your house batters your telly with a massive baseline and then reads you your favourite bedtime story.i gotta thang (uh huh) feat crazy girl moves away from the dancefloor, if only a pace or two. balearic electronic tectonic platonic. whatever! its fresh retro i love your shoes (dub) is the soundtrack to the best sci-fi b movie youve never seen, its rolling bass, changing shuffling rhythm and splashing cymbals is sure to blow torch many a late night floor

punky dark alien grooves with a touch of nina hagen incl shorter songs that got to the point and constantly keep the pace moving most of the music and vocals on this album are single takes most made within a few tries

4 great house/ disco mixes by rob mello and fred pace paying hommage to manu dibango, the original composer of the gbiggest african funk anthem of all time 'soul makossa'

new slammin g.wilson monster / incl tony rohr remix (aka side three)

more obscure disco edits with balls crafted by some talented folks that rather throw their floorbombs out of the shadow. keeping a sexy midtempo boogie pace this tracks takes no prisoners from the first second

the new solo album from last poets founding member abiodun oyewole.

incl feat. niino, graham candy, my parade and more

future sounds of jazz vol. 14 - compiled by permanent vacation benjamin fršhlich & tom bioly! 28 tracks by move d, roman flŸgel, slowdive, isolŽe, cobblestone jazz, luke abbott, remixes by avalon emerson, russ gabriel, kassem mosse, i:cube a.m.o. including 3 exclusive and previously unreleased tracks!

the shadows is the new album from leeds-based six-piece tomorrow we sail. building on their debut release for those who caught the sun in flight (gizeh, 2014) over the course of three years, this new work combines perfectly the soaring atmospherics, gorgeously intertwined vocal harmonies and dramatic shifts in tone and dynamics that have come to characterise tomorrow we sailÕs sound. yet, there is a new sense of urgency here. very much an album of its time, the shadows draws upon the same sense of connection to both past and present that defined its precursor but features storytelling thatÕs even more defiant and deeply personal.
like its predecessor, the record features seven songs but from the chiming guitars of opening track side by side it is clear that the stately pace of for those who caught the sun in flight has made way for a far more dynamic and driving energy, perhaps best captured in the righteous anger of the ghost of john maynard keynes. tomorrow we sail still invoke a keen sense of measured grace in their songwriting - from the sweeping, elegiac title track, through to the sparse, restrained, yet haunting beauty of winifred and to sleep. urgent, yet assured, the shadows demands your attention.

von den keller und fabrikparties der 90er Ÿber den legendŠren tresor bis hin zum berghain, in keiner anderen stadt hat sich Ÿber die letzten jahrzehnte so eine dichte von guten techno- und electroclubs etabliert. berlin ist die clubhauptstadt europas und steht fŸr partynŠchte von freitagabend bis montagfrŸh. techno in berlin 2018.1 incl.daniel stefanik, veerus, monika kruse, lars moston, juliet sikora, christian hornbostel

* back with the heat, chicago native dj jana rush kicks off objects limitedÕs 2017 with her debut album ÔpariahÕ. jana rush received attention for her mind-bending drum acrobatics on last year s Ômpc 7635Õ ep also released by objects ltd. jana started djing aged just 13, releasing her first record on dance mania back in 1996 but having a hiatus from music between 2000 to 2013. with ÔpariahÕ she has created an album rooted in chicago s footwork sound, but with a myriad of influences, such as jungle, acid, soul, jazz and house, developing her sound on from Ômpc 7635Õ. * we kick off with Ômidline shiftÕ whose breathy, clipped erotic vocals intertwine with a pulsing bass and dry 808 rims creating a shimmering robotic effect. moving on, the frantic Ôbeat mazeÕ confuses the mind with white noise rushes and interlocking snares. changing the scene, ÔdivineÕ is sweetly soporific and charming, a beautiful, almost eerie track. the pace picks right back up with Ô??? ??Õ, whose warbling jazz clarinets cut into a juke bounce. the stripped back beats of Ôbreak itÕ give one room to breathe before the croaking bass and distorted acid of Ôno fuks givenÕ. Ôold skoolÕ is exactly what you d expect, its sample syncopated around a feverish rhythm throughout. both Ôrapid fire and Ôacid tech 2Õ are bangers, hitting you deep in that sweet spot. jana brings it back down with ÕcpuÕ s computer noises and sub bass hits. Ôchill modeÕ gives time for reflection after all that fire, but its no ambient track, theres still that chi-town vibe. we finish with Ôfrenetic snareÕ whose amen breaks will have brits thinking of jungle, but it s a different beast altogether

!!! (chk chk chk) liessen Òshake the shudderÓ von den dance-koryphŠen phil moffa, joakim und matt wiggins produzieren, die 12 tracks featuren eine ganze reihe von vokalistinnen wie lea lea, meah pace, nicole fayu, cameron mesirow und molly schnick. wŠhrend die band, geprŠgt von ihrer post-punk-vergangenheit, immer auf der suche nach frischen sounds ist, bleibt ihr geschmack behaftet im funk und diversen elektronischen dance-styles. die idee zum neuen album entstand bei jam-sessions in barcelona, in den folgemonaten wurden die aufnahmen zu loops geschnitten, aus denen die neuen songs entstanden. zuhause in brooklyn ergoss leadsŠnger nic offer seine vocals Ÿber die disco-breaks seines zimmergenossen. ferner zeigte sich die band diesmal offener bei der verwendung von samples und keyboards.

ryan hunn, auch bekannt als dj und produzent illum sphere, kehrt mit seinem zweiten album glass zu ninja tune zurŸck. es ist passenderweise sein klarstes statement bisher: neun sowohl dynamische, als auch fokussierte tracks, die raum lassen, um sich in ein lebendiges, gro§es ganzes zu verwandeln. beim hšren fŠllt vor allem die klare abgrenzung von illum spheres bisher gewohnten sound auf. i wanted to make an album very different to the first, sagt der produzent, one with a different palette, pace and energy. eine verŠnderung in situation and style, wie ryan das beschreibt, ersetzt die scharfen wechsel und drastischen †bergŠnge seiner bisherigen veršffentlichungen und erinnert mehr an seine spectre vex und second sight 12inches oder seine mixe fŸr fabriclive und dekmantel. glass ist versunken in mechanischer tiefe und pulsierender festigkeit, erinnert an die zeitgenossinnen helena hauff und kassem mosse und wird illum sphere, dem bisher wohl bestgehŸtetsten geheimnis der szene, sehr wahrscheinlich zum durchbruch verhelfen

der detroiter techno- und minimal-innovator robert hood schaut zurŸck auf 20 jahre seines labels m-plant und prŠsentiert eine triple-cd mit prŠgenden klassikern (cd1), jŸngeren exkursionen in house-, funk-, soul- und disco-gefilde (cd2), sowie neuen, veršffentlichten re-edits und remixes (cd3). 33 erstklassige tracks, ungemixt. detroit techno for those who know!

das belgische techno-label token prŠsentiert mit aphelion eine brandneue compilation mit neuen, unveršffentlichten, exklusiven tracks derzeitiger techno-protagonisten wie surgeon, james ruskin, luke slater (planetary assault systems), rodhad oder lucy.

with the summer on the horizon everybody is yearning to achieve the ultimate beach body just in time for their holidays and as always ministry of sound are at hand to help you get fit fast. we return with a brand new edition of running trax that has over 3 hours of music on 3 stimulating mixes specially designed to motivate you while you run, featuring some of your our favourite club anthems and brand new exclusive remixes. this will include the first exclusive comp usage of the monster buzz track from dj fresh -louder- along with examples 1 smash hit -cytkm- as well as massive top 10 tunes from chris brown, katy b, dizzee rascal, alex gaudino ft. kelly rowland and many more to get your pulse racing. whether you re preparing for a marathon, on the 6am jog or listening whilst on the treadmill this is guaranteed to be your perfect fitness companion, keeping you company while you work your way to the perfect body. set the pace with running trax 3!

by the age of 15, david rodigan was djing at school dances and youth clubs. the infectious, crazy back beat of jamaican ska first captivated him as a teenager in the mid 60 s, it was a driving, energetic sound which he found impossible to resist. when the pace cooled down and condensed into rock steady david was equally enamoured because the sweet, aching vocal style of jamaica s young stars could be heard to full effect.

black hole prŠsentiert das debutalbum des hollŠndischen djs & produzenten alex o rion, ausgestattet mit 15 first-class-trance-tracks inklusive seiner remixversionen fŸr phunklife und tempo giusto, sowie einer kooperation mit top-trancer richard durand.

jeroen secret cinema verheij launched gem records in december of 2009. the label represents the versatile array of sounds that verheij himself plays in his dj sets. the first two releases came from dutch super talents and secret cinema protŽgŽs egbert and peter horrevorts. welcome to my club mixed by secret cinema explores the realms of verheijs club sound and his flavors for the coming season. the package includes the latest release on gem secret cinema glad chord (gem003) and an exclusive preview of two tracks from the forthcoming ep haasten by egbert (gem004). the cd kicks off with vintage synth chords from jamie lloyd but soon twists in another direction with the sexy g-funk electro beats of big bully. after that, the cd picks up pace and reveals the energy that drives secret cinemas sets. with 20 tracks on the cd, this is one of the most action packed compilations out at the moment and takes the listener on an audible trip beyond stylistic barriers in electronic music.