float away in deep space while you do your late night driving. harbour citys duplex is back on track with a serious 2 track release on the newly formed frustrated funk offshoot harbour city sorrow. a big change in studio set-up and in mindset after a period of keeping things low is clearly audible.. fresh production.. new ways of doing things.. but staying true to their own sound palette.

och pops up on baby fords pal sl imprint after a solid debut on autoreplys offshoot stuga musik. although the producer behind the och pseudonym remains mysterious for now, his early productions have garnered support from such esteemed figures as ame, norman nodge, gerd janson, dj sneak and anthony shake shakir, and this latest 12 inch is, in our humble opinions, ochs best yet. the standout track here hogs the entirety of the a side, with >bombay bedbath< characterised by some beefy drums and a drowning, late night soul vocal which complements the rolling groove. flip over for two wonderful b side obscurites, namely the rich ambient textures of >interlude intuitive< and twinkling piano lines and moody atmospherics of >out of key in<.

featuring: pounding grooves, dijj, kataconda, wraith. between the deep, hypnotic, percussive rhythms of londons legendary pounding grooves and the squishy, squelchy, bio-rhythmic beats of the asrx crew, this album is sure to keep things interesting on the late-night dance floor. lawrie immersions original version of >ice< is accompanied by 3 remixxes (plus a digi-release only bonus track) by the asrx crew: kataconda, wraith, and introducing asrxs newest addition, dijj.

deep in the night, 2000 and one and sandy huner met up in their amsterdam studio to record >baile bass groove<, reflecting their early hour mood, this tune is the perfect tool for the afterparty.
on the flipside we welcome robert babicz, a name which doesnt need introduction! the title >take it deep< says it all, deep chords and floating strings are the ingredients which penetrate and power this groove.
last but not least, diego moura & diogo accioly better know as talking props both resident at d-edge in sao paulo, bring you >walking on white sands<, funky stabs and catchy vocal snippets make this track rock the dancefloors.

motorcitysoul, mainstays of will saul’s simple records imprint, return with the ushuaia ep, an ode to the ibizian beach club of the same name. the ep utilizes the duo’s analogue programming experience and inherent knowledge of all things house to capture the spirit of day & night at the esteemed beach party.

mitzi are a 4 piece of awesomeness made up of dominiqe bird, jad lee, charlie murdoch and cale suesskow. they all hail from australias most laidback and sunny city brisbane. some people call it brisvegas because its sexy too. after playing in various killer bands such as bmx (2009 unearthed parklife winners), comic sans (2010 unearthed st jeromes laneway festival winners), charlie why! (recent bang gang 12 inches signing) and the gallery kiss all the dudes have united to create some genuinely exciting australian music. the three tunes on >all i heard< fuse the sounds of garage disco, nyc indie and the light heartedness of australian pop. jono ma (lost valentinos, tracy thorn, teenagers in tokyo) mixed the record at ewan pearsons studio in berlin and made all those trumpets, snares, keys, whispers and vocals sound ridiculously tight. future classics history has always been rooted in bands and were pretty stocked to be getting back into it. plus its our 50th release!

comedy of menace part 2 is the second vinyl single from the critically acclaimed artist album >comedy of menace< by terence fixmer. hypnotizing and mental in many ways, >comedy of menace part 2< reflects the character of his full length, and shows once more the versatility in terence fixmers productions. reworks by artists such as niederflur and brendon moeller pay tribute in an equally varied way. the vinyl includes the dubby and light original of >phantoms<, and the sensitive rework by niederflur on the a side, who transform the original into a more driven and dancefloor appealing techno track, without loosing the originals tender essence. the b side presents the hypnotic original >breathless< and brendon moellers remix of >things are over<. applying his very own dub techno fingerprint and creating a timeless soulful groove monster, its shifting the your reality from head to toe.

m.in alias markus ferdinand has been busy releasing on various labels and he is still a unpredictable person. his release on desolat >sing and blow at the same time< as well as his release on robsoul have established him as a funky player in the field of minimal, who freshened up the genre with light hearted emotional tracks. trapez ltd has been in contact with him since the early days, so we are happy to welcome his debut 3 track on trapez ltd.

two years after their great received >under the bridge ep< gowentgone are back with their third full release on vidab records. the >walk with us ep< is another deep statement of gowentgones passion for housemusic and techno. >strange light< runs over eight minutes focusing on a central rim-theme that is embedded in a wall of layers. >move of the day< is a dynamic and simple mover that draws us deep into a tooly and mechanic sound. the ep s last track, >burning flowers< ist the pairs interpretation of house that morphs pleasingly into a spaced chillout zone. enjoy this one.

marco resmann has done it. the studio computer is purring again like a satisfied kitten and those dark technical storm clouds have passed by. to prove that a streak of technical bad luck which he has just gone through can sometimes enhance creativity he has come up with this little gem of a new single >drop outz<. on a1 we have >mal pas< (transl: difficult road) which is an ode to the suffering he went through with his computer. but dont worry, its just a name, the track itself is as light and sweet as the stuff that we love from marco. b1 is also little beauty, no dark clouds to be found here either, and b2, a cracker called >whats cracking< is the ultimate proof to anyone that the sun always shines at upon you. enjoy and always think happy thoughts friends

5 years mz recordz incl. tracks by dada life, lützenkirchen, mr. jay & t, style of eye, swen weber, torben boswich and more ...

>tried for your love< is the eagerly awaited debut solo ep from contemporary boogie producer krystal klear. this release gives light to the largest body of work to date from the hotly tipped artist, and does not disappoint! sample free, the ep is composed of completely original material, and is a modern take on the new jack swing / boogie.

nile delta is dancefloor wizard joel dickson, former member of riot in belgium and current member of cutters dynamic-duo, voltage. having spent the past year neck-deep in other peoples music – it was only a matter of time before this, nile deltas debut ep emerged, shimmering, from the water. channel sounds like a late 70s house party. except the house is actually a warehouse and the late 70s are actually the early 90s. an almost paradoxical blend of filtered piano stabs, party whistles, endless delays, a squelching acid lead, horns, bendy-breakdowns, you name it. channel sounds like moodymann at his rawkus best. no party will be complete without this house gem. all this on the flip, sees cut copy bassist ben browning provide an otherworldly vocal hook over nile deltas inescapable rhythm. and the crawling baseline will have your hips doing obscene things. guaranteed. remixes include longtime favourites chicken lips, who take their invincible track record on an italian holiday – and tornado wallace who takes us deep, deep into the night.

>kitsune maison compilation 10: the fireworks issue< delivers 20 (!) tracks from the ever-growing kitsune-cosmos on double 12 inch in gatefold cover.

>i keep asking myself where they take all that brilliant music from. its just as if somebody had poked a bees nest and then it all burst out. i feel deeply connected to the pampa style…< (terry hogann, the musical mistress, 10/2010). as was to be expected, pampa is steadily developing into a platform for cross-border electronic dance music. each pampa release sounds different from the previous and still pampa remains a conclusive musical planet. this is all the more surprising in the case of pampa005, which features two completely different artists: side a: nathan fake - xmas rush having reportedly recorded his track >xmas rush< in his london studio during a jam session, nathan fake (border community, traum, saw) has turned in a total brainfuck. its mercylessly exaggerated, psychedelic, inexorable, and at the same time sweet and heart-warming. a very rare mixture. unique in its consistency, we havent heard anything like it since the 90s. its so nice and overwhelming to have your ears exercised the right way again. evergreen… side aa: dj koze pays tribute to michael smith - >mi cyaan believe it< in the meantime, dj koze has moved on to completely different spheres. once again, he astonishes his public with an extremely danceable version of michael smiths >mi cyaan believe it<. having originally started off as a digital error, and recorded within a single night, this tune recalls the ruthlessness, rawness and revolutionary energy of public enemy

die große m.m.a.d party geht weiter! beatamines versorgt euch mit einem 3 - tracker der jeden club zum beben bringen wird.. lets --dance-- into --night--!

with the >debut remix album< alfred heinrichs scored on subdub in all charts through the ceiling. now he puts on mimique the >all about me e.p.< after 2 great songs in the distinctive style of heinrich. as known from alfred, fits his sound is not in a drawer. the galloping bass, the hot breaks and vocal snippets push the two songs at the heart of heinrichs night. rounding out the e.p. is the philip bader remix of >all about me<. this comes with a brash, cocky driving house beat around the corner.

signals is the label from the guys behind the newcastle based club night road to rimini in the uk and for their first pressing they present uk duo the one. the one are drummer joe ryan and vocalist emeson nwolie. for this, their debut 12inch, they offer two sublime cuts that give delicate nods to the vocal chicago house of fingers inc and the 80s soul of alexander o neal, jam & lewis and the s.o.s band. remix comes courtesy of den haags finest, legowelt (aka danny wolfers) who provides a deep chicago, smacked out version of the title track. an edition of 200 hand numbered, 12inch black vinyl with limited a3 artwork insert.

paris based paul ritch drops a double header for drumcode!!

just when you thought the heat of the summer had disappeared brett johnson and mike shannon team up to light the fire again with the bbq project. delivering some grooves inspired by the warmth of the summer the two legends come together to reflect in the studio and bring you the >my way home ep<.

12inch full of music with a definite sense of place. eerie synthesiser pulses, funk-infused drums and languid guitar-scapes have been part of the musical topology of düsseldorf since the early seventies: and this particular release pays full tribute to that legacy, with jagd auf den hirsch (hunt for the stag) comprising an eerie piece of swampy lazer-forest rock. this sound is also a modern day staple of düsseldorfs nightlife at the salon des amateurs, a small bar attached to the kunsthalle art gallery that is an oasis of hypnotic disco nightmares. the salon is where der räuber und der prinz made their first live appearance in 2008 (when the original composition for moogwalzer was debuted), and both members of the band frequently play there: ralf beck with his bodyrocking club act unit 4 and sebastian as half of art-rock duo noblesse oblige. meanwhile two of the guests on this release - detlef weinrich also known as toulouse lowtrax, contributing words about a ghostly maiden on moogwalzer, and thomas klein contributing drums to jagd auf den hirsch - are both original members of the quintessential düsseldorf act kreidler. salon dj resident vladimir ivkovic also had a hand in the creative clarion call for the jagd auf den hirsch (hunt for the stag). to complete the circle, düsseldorfs new resident and desolat mainstay guti wrote his remix in the middle of the night in buenos aires, as a kind of letter to his new home-to-be. there we have it: a true tribute to a city we love, with tracks for the dancefloor as well as moments of melancholic contemplation.

remixes von nicolas jaar und ed bangers boogie-revivalist breakbot! matthew dears black city is an opus of bacchanalian futurism, then second single >you put a smell on me< is its presumptive climax—an unblinking industrial march to the center of the brains most neglected corners. its drums are militant, its pace is unswerving, and the squarewave synths that start falling like mortar shells are searing and wide-eyed. then theres the marbled voice of dear himself, pent-up and sexually charged, beckoning you for a ride in his big black car. its the sound of staring down the part of yourself that you are most afraid of. if that seems too daunting, theres always the dub version. when mirrored through the eyes of others specifically wolf + lamb prodigy nicolas jaar and ed bangers resident boogie revivalist, breakbot — >you put a smell on me< starts to feel less lobotomizing. jaars version is a sullen, scratchy, headphone-ready beat trip—atmospheric vibraphone samples here, stilted kicks and snares there, all of it amorphously affecting together. and breakbot has no problem hamming it all up into the sort of blithe electro-funk every prom night deserves.

claremont 56 seem to have a passion for the unnoticed and the unreleased, digging out gems from the past or oldies from the future. here we have four hands, a band from newcastle who laid this gem down in 1999. sounding distinctly like an adriatic sunset from 20 years previous. from subtle beginnings this track doesnt quite grow, it just drifts beautifully along, from warm pads to a deeper swelling bass, overlaid with delicate strings and languid orchestral touches. four hands deliver a modern day masterpiece, with a timeless woozy morning feeling. this is the warm embrace you need after a few too many the night before. limited edition!

nice price deal !!! hotel motel is the project of legendary dj and book author bill brewster (>last night a dj saved my life<) and alex tepper - who produced under various names like liquid syndicate and rhythm n vybe before settling on a long term relationship with phil dockerty under the name futureshock ( junior boys/parlophon).

huxley (tsuba, cecielle) teams up with jonny cade for this sublime 3 tracker of lo-slung, deep house grooves

2010 has seen some juicy, off-the-wall techno/electronic vinyl goodies from the head space of little nobody, including the acclaimed >metropolis how?< and >robota< records - with remixes by the likes of james ruskin, justin berkovi, inigo kennedy, dj hi-shock, si begg, patrick pulsinger and steve stoll. but its the originator of the tracks who continues to push the perimeters, recently leading hi-shock, the prolific innovator behind the essential elektrax empire, to suggest that honestly, i think you are at least a couple of years ahead in your musical vision compared to other producers. little nobodys alter ego andrez bergen has also had his head buried this year in the creation of a hardboiled/noir/sci-fi novel called >tobacco-stained mountain goat<, and it was in the midst of this project - with these heady influences - that the get away from it all 12-inch project came to light. thus we got on board bas mooy (planet rhythm/audio assault) and dave tarrida (tresor/musick) to do the two scintillating re-takes here, which are downright brilliant. meanwhile little nobodys troll, on the flip-side, lives up to its claim: its hardboiled and devastatingly dirty electronica. all up, think streetwise, smack-your-glitch-up techno - dark, uber-bassy, dirty and pulsating - just the way we like it, with sardonic samples and a freestyle, postmodern attitude thats invigorating. matched up with the cool artwork by marcin markowski, this is an essential slab of wax for 4:00 am head-caving techno!

for this tune hem and terrible shock take apart an 80s soul lp, add some sci-fi synths, lazy drums and a sprinkling of analogue fx. after many painstaking hours of recording the duo take a well earned coffee break, then return to the studio just in time to see the back of the light-footed blunted robots man shortstuff as he runs off chuckling >your vocals are mine now!<. revenge plans are made, vehicles are fuelled up in preparation ? but these activities are cut short by the arrival of an email from the culprit ? it seems that he took the files back to his hq for what he describes as a refix ? with the engines still running, hem and shox check out the file and find it to be a work of genius ? what they hear is an accelerated kaleidoscopic fusion of on-beat claps and snares in a peak-time northern soul style, super heavy subbass hits and hectic syncopated keyboard chops.

massive gregor tresher & karotte techno-monstertune!!! hammered by adam beyer, dubfire, laurent garnier, 2000 and one, joris voorn, romboy, bodzin, slam and many more.... break new soil is equally made for people who like techno without boundaries and of course djs who are willing to take people on an up-and-down journey through the night. enjyoy!

following on from their debut 12inch >i like triangles< on backyard records, italian beach babes are proud to announce hounds of hate second offering the 3 track 12 inch head anthem.
this london trio drop syrupy euphoria hits for the very late night. their heavy, low-tech sound evokes, in their words, >a synthetic weave stuffed in a floppy drive< or >vaseline smeared on a trax record<. hounds of hate have catalogued diverse movements from their tweens by recreating exact sounds and recording techniques from that era. the conflict is in the naivete of their candid homage opposed by their own pessimism and tendency towards irony.

based in buenos aires, toomy disco (real name mariano iliuta) represents another success story in the rise of bedroom electronica in recent years. the full album and the tracks here on age of the jaguar ep were recorded entirely at marianos home with relatively basic computer software and, while he is still only 22 years old, the resulting music is every bit as compelling as contemporaneous efforts from like-minded electronic artists daft punk, mylo, mstrkrft, alan braxe and tensnake. age of the jaguar helps to cement toomys status as a leading light in the next generation.

limited to 987 copies pressed on high quality virgin vinyl at rti and housed in an old-style tip-on gatefold jacket printed by stoughton. included is a coupon for drm-free mp3 download.
originally self-released as two cdrs in 2005. re-issued and re-mastered in 2008 by digitalis. this is the 2010 vinyl edition with full color artwork and brand new gatefold collage art created by ilyas ahmed.

break new soil is equally made for people who like techno without boundaries and of course djs who are willing to take people on an up-and-down journey through the night. enjyoy!

after a very brief lull in activity over the latter part of the summer, we re very excited to be back up and running and present a fantastic new collection of songs from one of our favorite producers, the esteemed russ gabriel. having long been a pioneering producer, dj and live act as well as a hugely respected studio producer, russ has returned to the dieb audio fold and graced us with 4 exceptional new works.
the >knossos< ep, as the collection is known, showcases a diverse palette on russ part, ranging from visceral, heads-down dancefloor material, to intelligent, emotive house productions, in a polished, thorough manner, that defines his work. fans of his sound will instantly grasp his simple, effortless style of fusing together elements and creating classy, functional arrangements. one thing is always guaranteed and delivered with russ: quality.

to open eyes, not ears to hear what there is to see -- just one of the many paradoxes mainz-based butch manages to merge with verve. to capture the duality of his sounds that oscillate between under and over, techno and house, spirituality and marketability, club and home stereo, to celebrate the everyday high and question it at the same time, is just one of the many talents and specialties of this particular dj and producer whose light shines from the orient and whose future lies in yonderland. this and much more is the starting point for a terrific second long player, released by proud and excited bülent gürler himself on his very own, newly founded imprint bouq. leaving the flattering protection of his mayor label behind to spread his creative wings and fly around the world as free as a bird, the multi-facetted, mainz-based producer, more selfconfident and independent than ever, is presenting himself in the best party light

hotel motel is the brand new dance music project from bill brewster of dj history/low life fame and alex tepper. heavily soaked in old school vibes, while plugged right into contemporary developments in the underground house music scene, hotel motel make excellent home tapers! for their first release on the imprint they work an absolutely killer house groove around a raw old school sample to produce the totally wicked >eye no<. this cut has classic grooves written all over it. simple, but 100% effective. it defines exactly what home taping is all about. on the flip, the burnt island casuals (aka the revenge and legendary sub club resident dj harri) throw all of their joint experience and love of house music at the original, bounce it off the studio walls and rework it into a warehouse bomb that will have you licking the walls for more. 100% house music with bits. play it all night long!!

after five years of experimenting with a string of different singers, chromatics introduced ruth radelet as the lead actress to star in their films in 2005. forever standing out from the crowd, chromatics imagined the soft rock focus of hall & oates stretched over a fleetwood mac beat. trading the dancefloor for gorgeous chords & melancholic strings. they lived where it was always late & neon lights glimmered across the wet streets. this record archives studio work between 2004 & 2006 leading up to the now infamous >night drive< album.

4 selected tracks have made it onto the black gold, even were loving each tune like a mother loves her umh.. eight children. mathias kaden presents a 2010 edit of his first ever solo release ‚circle pit (va004!), followed by dewaltas deep but yet bouncing stinger bell string experience. on the flip, this ep opens up with nico purmans ‚xpress yourself which lands somewhere between rick james and francois k, followed by alex smokes freaky ‚i-73 night which, to quote vakant pal tolga fidan, is a reminder of how dance music should have been if it hadnt gone generic…its punk.

projections a.k.a. simon james and dan hastie have been getting busy in their la studio re-tweaking and redefining their future funk formula. the title track >southern girls< (a1) is a blinding distorted disco odyssey that comes off sounding like a righteous metro area remix of tom browns >funky for jamaica<! simon and dan keep the quality level at a premium on the b side selection >late nite< a slick, soul drenched electo boogie anthem that harks back to the classic 80s productions of artists like atlantic star or michael jackson circa >off the wall<. dynamic fender rhodes vibes, poppin percussion, and subsonic bass tones provide set the proper interplanetary funk agenda for new vocalists wades powerful falsetto soul stylings which are guaranteed to warm up any late night steppers set.

the dnp14 is the 4th vinyl of the phantasma compilation series on diamonds and pearls music from berlin. it is the final of 4 split eps sharing one idea and one artwork.
the a side featuring half hawaii with a really sexy, smooth flowing and trippy track called >emperors of venus<. sammy dee and bruno pronsato show us again that their joined forces are top-notch and that their work together originates one of the most energetic minimal styled music projects available today.
on the b side you will have the pleasure to listen to a excellent new eat masterpiece. the unique fat analog sound and the continuous rising movement of eats >crown of light< reveal that there are no borders in hyper modern electronic music.the dnp 14 is the wonderful completion of the phantasma series.

elliot and prins thomas met up for breakfast in new york and multiple late night calls and emails exchanged later we finally present these 2 special gems from elliots library of music.

around the start of 2010 mutated forms caught the attention of the legendary vocalist jenna g, whose previous anthem material with un-cut and chase and status make her one of d&b most loved female artists. their debut collaboration >last time< has all the makings of a future classic. a deep atmospheric introduction, along with jennas sublime vocal roll into a warm heartfelt track with light snappy drums and plenty of bass! plays on radio 1 and 1xtras d&b shows, a spin on the pete tongs essential mix and lots of love and singing in the clubs mean you wont be hearing the last of this one for some time to come!
mutated forms get deeper and darker on the atmospheric roller >with you<. precise hypnotic percussion and huge sweeping bass hits combine to craft a track which balances dancefloor destruction with comfortable home listening, and has found massive support from bailey & crissy criss on 1xtra and fabio & grooverider amongst others.

new chain is the debut long-player from new york s small black. richly coloured and thickly layered, it is an absorbing, eclectic and obsessive body of work. the brooklyn group have succeeded in melting together locked and popped drum-shudder, gauzy spirographic synths and subtly contagious, half-remembered melody into ebullient bursts of evocative, subliminal and thoroughly modern pop. the songs are equally informed by the rhythmic bounce and stylistic swagger of more left-leaning contemporary radio rap and r n b as it is the submerged kaleidoscopic swirl of the early 4ad dream factory.
digital download-code included.

public lover (ninca leece & bruno pronsato) return with another single aimed at bringing you into their humid world of dance music. naked figures is a bassline-driven story drunk on percussion and beauty. a track built on abstraction and elegance. a track quiet literally naked from its humble beginning to its anti-climactic ending. it’s an unassuming journey of class. it’s ninca & bruno uttering scenes of nakedness and dim lights… but is it a love song? we think not. it’s not about a one night stand either. it’s simple. it’s funk. it’s house. it’s techno. more importantly, it’s about making you dance. on the b-side, one half of the duo, bruno pronsato, steps up for remix duties.

following on from his studio 395 ep that heralded the support of zip, oliver deutschmann, baby ford, rolando & ben sims to name a few, ed returns with another satisfying 2 tracker. centrality is a strong, peak time techno track that features raw 909 percussion paired with an infectious synth riff & haunting house vocals finishing on a transmat style synth solo, the kind of track that stays in your head for hours if not days after you ve left the nightclub. b side spirits incorporates the same distinguished groove of centrality but opens the possibilities up tenfold inviting plays on both house & techno dance floors equally suited to night & day

jacques renault hits us up with two buttery smooth disco tracks. both tracks sound like a hot summer night in a nyc nightclub. guaranteed to get the freaks out at night!