ltd edition, incl mp3

the music of tokyo-based englishman max essa is like a fine wine, it can be only stored in the finest oak barrels, it can only be aged correctly and it can only be drunk when completely ready. maxs approach is far from conventional, emotional content plays a major part in his works and now we find him on his third bearfunk long player won ton sunrise.

new ep after his smash vertical smile on cecille. andomat presents bernd krull - the even more freaky side of himself. early support from style of eye, super flu, gregor tresher, bukaddor & fishbekk, lexy, ken ishii, ramon tapia, max cooper, len faki, patrick lindsey, tim xavier, markus kavka, emerson, christian fischer, florian meindl, donk boys, lars sommerfeld, dave shokh, holgi star, blood and tears and many more.

yasha is 28 year old joe gillick, who grew up immersed in the sounds of ukg & grime on the streets of south london. he founded orphan. in 2015 with his friends sage redman and billy meddleton. the three began throwing bi-monthly parties in deptford, their aim was to feature the unsung heroes, the seminal artists that weren’t often regulars in the crowded london club circuit. cutting his chops djing alongside the likes of tim goldsworthy (dfa, mo’ wax, unkle), dave okumu (the invisible, jessie ware), the golden filter (optimo), mica levi (micachu) and more, joe fed his keen sensibility for club grooves. cut to 2018 and joe finds himself a seattleite.

sir joe born in 1987 in america latina, as teenager he moved with his family to london, during his studies (thanks to his crazy schoolmates) he felt in love with the illegal rave party and with the new school of electronic uks music. a quick step that turned him into a music producer. sir. joe shaped his sound mixing european and american styles. old school chicanos groove and samples were restyled in the direction of the english and dutch style. lod is glad to present sir. joes debut... again five tracks of pure energy and soul mixed with few drops of acid. welcome to the house of sir. jo

the newly born grand canal records and his owner max d. blas get back after the summer break with a stunning release signed by max himself and featuring remixes from cocoons heroes dorian paic and markus fix alongside italian rising talent autre. after the success of the first release >sounds of altavoz<, grand canal delivers a second release this time on vinyl format that you will look forward to play.

now we are proud to welcome the flash brothers with their debut on clubstar records. na na hey hey kiss him goodbye has originally been a number one pop single on the billboard hot 100 in late 1969, by a band called steam. the flash brothes take this evergreen into a crossover potential electro house track. slamming remixes come by abel riballo & dj kds and kid chris, who have proved their skills before on clubstar. for those who dont like the vocals there is also a pumping dub mix on the vinyl. support from some of the biggest names in the industry, like paul oakenfold, tiesto, sasha, john digweed, pete tong, judge jules, danny tenaglia, armin van buuren, paul van dyk, deep dish, dave seaman, seb fontaine, ferry corsten, steve lawler, satoshi tomiie, max graham, robbie rivera, sandra collins, nick warren, hernan cattaneo, james zabiela, tom stephan, junior vasquez, victor calderone and many, many others!

red & black swirl vinyl, reissue

the sound of heaven - selected by dj ravin. 18 tracks on transparent blue double vinyl, housed in a gatefold sleeve.

strong italo disco stuff

1987 mix of italo-disco classics on picture vinyl.

1986 mix of italo-disco, house & synth-pop classics on picture vinyl.

meditative instrumental music from jules maxwell on limited gold and blue coloured double vinyl, housed in a gatefold sleeve.

lid-off box, album 180g vinyl 2x12 inch lp in heavy gatefold sleeve, live lp heavy sleeve, 80-page fanzine, 60x90cm poster, liner notes, lyrics, stickers, 1 per customer

4th installment of soul jazz’ deutsche elektronische musik compilation on triple vinyl, housed in a gatefold sleeve with download code included.

martyn releases new album voids, his first for ostgut ton over the past year, dutch-born, washington d.c.-based producer martyn has undergone a metamorphosis – one that began with a medical emergency and has dovetailed into personal musical transformation. having narrowly avoided death after suffering a heart attack, martyn reentered his studio and began a process of reassessing the elements that drive him to make music: sampling, unpredictability, melancholy, sci-fi, polyrhythms, texture, ecstatic moments, detroit, interlocking percussion and bass. however, the initial spark to start producing again came through his experience listening to max roach’s 1979 ensemble percussion album m’boom.

villa Åbo in the alternative solo project of swedish musician and producer jan svensson, who has been making electronic music for the better part of 30 years as the artist behind such aliases as frak, studio ss and alvars orkestra. svensson also runs legendary swedish dance and experimental music label börft, the product of a mutual appreciation for severed heads and terse tapes. as villa Åbo he released two records in 1997 on börft and remained inactive for 17 years until the dutch label bio rhythm coaxed him into revisiting the project and released a double 12&#8243,, in 2014. jan has since followed with a steady stream of 12” singles for kontra-musik, noise in my head and radio lundberg.
“magnetic moves” is villa Åbo’s debut album, originally released in an limited edition of 65 hand-numbered cassettes by funeral fog in 2016.
clocking in at over 46 minutes, this first-ever vinyl edition spreads the 8 ragged techno tracks across four sides for maximum loudness. some songs are aggressively potent, with cyclical synth riffs and razor-sharp acid lines riding a heavy, funk-fuelled techno groove. others tracks are more fluid, vintage underground resistance or derrick may with killer drum machine workouts that come in handy as dj tools. all songs have been remastered by george horn at fantasy studios in berkeley. the record is housed in a custom made jacket designed by eloise leigh, featuring a photograph of jan’s mother’s house, the meaning behind “villa Åbo”. each copy includes a double-sided postcard with notes.

after studying dance, kirikoo des aka nsdos, felt the need to create his own sound in order to explore movement. this is how he started imagining a whole new sonic order, an alternative approach to music – through abstraction. nsdos can’t restrain himself to existing technological tools and softwares, he prefers creating his own mediums: futurist instruments made of old audio converters (carte son), gameboy emulators, pieces of metal dismantled and weld together giving form to surreal machines. surrounded by his hybrid tools, nsdos unravels the rectilinear anatomy of techno music. textures are exploded, sounds mutilated, and brought back to their essence. this sonic odyssey, nsdos initiated in his native town paris before exploring it deeper in berlin – a city that he sees as a giant laboratory in which he experimented the field of possibilities. a huge admirer of the dada and lettrism movements, nsdos can be considered as the offspring of a diy culture. he ranks among his icons artists such as christian marley, stelarc or donna haraway who gave him a desire to push the limits of the body, objects and sound. his alternative vision and the way he reinterprets technological tools have made him one of the most important techno hackers of his generation. nsdos doesn’t create, he regenerates and transmutes music. his creative path is empirical, sometimes organic as he puts sensors on insects, his public in trance, trees – everything that comes on his way – and transcribes their movement into sounds. after three maxis, lazer connect in 2013, female guest list in 2015 both signed on parisian music label clekcleckboom recordings and money exchange published in 2016 on his label standalone complex, his new album, intuition, intervenes as the completion of his organic vison of music. inspired by meteorological stations and according to a principle of « bio feedback », nsdos surveyed the movements of nature, turned into data before translating them into sounds, textures and rhythms. the album comes with a series of 5 videos detailing the creative process of the artist – from recording in the middle of nature to the studio. in intuition, nsdos splinters the boundaries between genres and places techno as a matrix. his album reveals his sense of discipline, one that he draws from his passion from japanese dance buto, as well as his interest for biology, his experimental aura through industrial, sometimes nearly metal sounds. all these elements form the essence of whole new movement, unclassifiable, of which he constantly pushes the frontiers.

originally released on the v.a. quintessentials 50 and making rather big waves, grooff machine from ponty mython gets the remix treatment for some more dope grooffs! chicago hotshot chrissy (the nite owl diner, classic, razor n tape) puts enough disco and acid in it and offers a great clubby alltime classic. ponty himself fuses lost of house, disco, funk and 808 busines so that you can grooff to the max. and our mexican buddy soul of hex (vicario ltd, freerange) keeps it dark and loopy before adding some splendid riffs. time for the grooff machine!

the trained pianist max loderbauer, together with ricardo villalobos, has just breezily launched the jazz sanctuary of the munich-based ecm records into the ether as re: ecm. on the new adventure he now logically again finds himself working with sanctuaries. for the tool he uses for creating worlds is the finest modular synthesizer in the world, the buchla 200

kangaroo skull is the solo project of rohan rebeiro - drummer of renowned australian trio my disco. heavily percussive and rhythmically complex, kangaroo skull meticulously pieces together soundscapes within max msp, with an end result that conceals in its raw simplicity the intensity of the process. with multiple tours outside australia already behind him, australian dancefloors have been keenly awaiting a first release. palace of nothing is his much-anticipated debut - four tracks that convey a sophistication far beyond what could be expected from such a new producer.

manik makes his fourth release on culprit, making him (along with lee foss) the labels true resident producer. alongside him burnski makes his full debut for culprit, having been responsible for one of the label s most memorable songs of 2012 ­ his remix of subb­ans what i do.

this release kicks off hardrock strikers new label imprint supreme striker which will feature reworkings and re-imaginings from himself and others. part one brings 2 previously unreleased up - tempo jams to vinyl for a limited time. first up is cetu javu, amazing spanish band from the 80s close to depeche mode best 80s production with the seminal, anthemic & lost b side por favor (original goes for 500 euros!) reworked as mano a mano into a massive dance floor teaser that totally goes off when its dropped. while on the flip, ready for the worlds funk-fuelled classic sheila named ready 4 shyla is cut up and supercharged in true striker style into a deadly dj weapon. striker takes and rips it apart, turning their track into a massive chugger thats building up into one of the most anticipated vocal breakdowns. big is an understatement. both tracks are respectfully edited,lovingly re-mastered and cut loud at 45 rpm for maximum dance floor pleasure and djdelight. dont hold back!

repress 2019 - after a full year of dedicated work we are happy to announce that dominik eulbergs fourth album >diorma< will be released in may 2011 on traum. after the >heimische gefilde< album on traum, which won the german critic award, as the first techno album ever where comments by the artist himself appeared in spoken word, eulberg has this time aimed at an album which embodies various facets of electronic music. >diorama< therefore resembles something totally new and original and can be referred to as an affiliation towards the real authentic eulberg sound cosmos. he has accomplished this with the highest possible standard and contemporary sound aesthetic.
played by: monika kruse, sebastien leger, gregor tresher, dj sasha, mauro picotto, alexi delano, ryan davis, marc marzenit, max cooper, morris cowan, steve lawler, fra soler, mihalis safras, igor tchkotoua (pig and dan), paco osuna, sebbo suckfuell, ekkohaus, deepgroove, tom wax, alland byallo, grünbox, scott byrne, axel bartsch, sql, taster peter, goldfish & der dulz, intu:itiv, beatamines, freska, zidan, sebastian russell ...

das beste vom besten von max raabe und dem palastorchester auf schallplatte. auf 3, um genau zu sein.

ascetic limited is shifting gears, focusing on solo eps dedicated to the artists that form the collective. to kick it off they present an ep from renowned milanese techno producer wrong assessment, who throughout his career in techno has proven himself to be one of the most interesting producers coming out of italy. from his collaborative works with the late max_m as overall severity to his solo works as wrong assessment, his tracks are always unique. influences ranging from minimal to hard pounding techno bangers, through house grooves and ambient arrangements, he still is able to transmit his sound and vision with his music.

max loderbauer, who has so far made consistently engaging contributions to the arjunamusic family, is back to lend his unique interpretive skills to the master recordings for the brightbird album by joão paulo esteves da silva, mário franco and samuel rohrer. loderbauer has set himself up for a challenge, since the original album’s completely improvised flow of small-ensemble, conversational jazz feels complete enough without outside intervention. however, loderbauer’s role as electronics operator in the similarly attuned ambiq trio has already shown that, through his mastery of tone color, he has a talent for teasing out the additional hidden details within an apparently ‘complete’ sonic environment. it’s a task he manages to accomplish without ever overriding or contradicting the cohesive message provided by his collaborators.

lost lp from 1977, rebuilt from original tapes, by the creator of black devil disco club the french electronic music pioneer behind black devil disco club, released three seminal library albums in the seventies: suspense (1975), cosmos 2043 (1977) and the strange world of bernard fevre (1977). a fourth album called orbit ceremony, produced just a few months after remained in his home studio and never saw the light, sentenced to almost 40 years in the devil’s vault. by chance, while working on the re-issues, bernard fevre recently found the original lost tapes of orbit ceremony, including the multi-tracks which he remastered himself. spacy moogs, weird clavinet, and cosmic analog drum machines: it’s all here. the quirky, cosmic library music found on this long-deleted 70&#8242,,,,s science-fiction-themed album is full of burbling synths and off-kilter melodies. there’s only one man on this planet able to produce such a crazy sound. as soon as you press play you know you’ve embarked on a special and unique ‘back to the future’ trip. don’t worry, fasten your seat belt and relax. captain fevre is taking care of everything.

top-sampler mit 21 soul/funk/disco-klassikern aus den 1970ern, die in der britischen rare groove- und modern soul-szene seit den 1980ern wieder für furore sorgten, darunter etliche cd-erstveröffentlichungen und vinyl-erstreissues. mit kostbaren raritäten von almeta lattimore, mary clark und tommy mcgee, 2-step-perlen von jocelyn brown und zulema, smoothen jazz-soul-floatern von margie joseph, aretha franklin und ihrer schwester carolyn, debbie taylors grandios orchestrierter ballade -i don t wanna leave you- sowie wundervollem harmony-soul von the ebonys, manhattans, natural high und the impressions.

the latest in vladislav delay’s new label series finds the man himself & max loderbauer (nsi, sun electric) on top, uncompromising form. operating somewhere between wolfgang voigt s pounding waltzes and the tunnelling techno of rrose, the a-side s #2 tucks up militant triplets and chaotic, streaming synthlines to febrile effect. over on the flip #6 involves a hyper-accelerated production sounding something like dj stingray and villalobos having it out at breakneck momentum with a gush of stepping drum percolations and bouncing micro-melodies peaking for a delirious climax. it’s properly maladjusted business, and all... more

arvid wretman once again dresses up as everyones favourite rave crooner your planet is next, delivering a stripped down, club-optimized follow-up to last years studio barnhus debut. focusing on minimal elements with maximal impact, the laid back ep ranges from rainy-day acid blues to bill hicks channeling breakbeat choons, all perfected for modern soundsystems by inhouse mixmaster pedrodollar and presented in a gorgeous full colour sleeve designed ypin himself.

long time is it balearic artist max essa returns with two warm weather bombs.
first up is mekko sekko an early evening shuffler full of all max’s trademark sounds subtly charming the most horizontal listener onto the dancefloor.
top post sunset shuffler. craig bratley pumps up the bass sounds and drops an lovely vocal accent. we love this remix at iib a real fav. reminiscent of an early doors flying track the b-side is the stand alone track aestival a beautifully evocative journey from chilled out bliss do chuggy dancefloor grooving done as only max can do. great to have him back.

originally founded by kisk back in 2009 apparel music set out to offer something truly singular in focusing their musical output predominately on jazz whilst venturing into its integration across the landscape of electronic music at the time.with a zealous release schedule, they racked up a healthy collection of eps between 2010-2015 from artists such as delano smith, scsi-9, sarp yilmaz and the label owner himself amongst many others. now after a year-long hiatus, the label makes a return with a slick 4-track va that fans both old and new will relish. strictly limited to a pressing of 200 on 180 grams of wax, their re-launch brings with it a jazz-suffused 4-track record featuring voyeur, ivano tetelepta & eugeÌne latumeten, kisk and kerem akdag. voyeurs swinging for theo kicks things off with organic, brushed drums and a walking bass line set off to a tight, swaying rhythm. glassy rhodes keys bleed into the mix ahead of piano stabs and 909 hats that propel progress when combined with a thickened low-end. ivano tetelepta & eugeine latumeten follow up with je suis reconnaissant a bass-heavy groove that lays soulful vocal samples over filtered piano chords and loose-limbed hat patterns. kisks just u then drives a crackly drum loop through distant, flexing synth tones. arresting vocal samples then take the foreground in a rich, smokey mix before istanbuls kerem akdags closes up the package. akin to the styles of producers such as henry wu and max graef, akdags friend melds playful drum patterns with thick chord stabs and smooth vocal lines that wrap up a stellar return for apparel music.

sdx is the producer alias of our resident dj beni, who delivered finest detroit techno for our catalogue number 008. catalogue number 009 comes with special remixes by legend rolando, known from labels like ostgut ton, underground resistance or deslin & max durante, known from sonig groove & diffuse reality. the original track the day she asks for forgiveness is a slowly building percussive 808 banger, built around a short vocal sample. rolando comes with a special minimalistic dj tool track. we are sure this remix will find place in lots of dj sets. max durante comes with a straight forward techno remix in his best own style. the third and last track of the record is a special bonus breakbeat track made by sdx himself. clitchy sounds and a special mood will bring you directly into another dimension. be prepared

undefined 005 is made by the legendary s-max. labelhead (together with fym) of the famous freaked and forward electronic musiclabel boogizm started back in 2000. we are more than honored to present him on undefined!
this ep will take you on a freakshow of yorkshire bleeps, wonky basslines and 4/4 approach on house/minimal/broken beats. the tracktitles are as ingenious as the tracks itself.
don’t sleep on this future classic!

having repeatedly proven himself to be one of the uk s most innovative rising producers, impey returns with his debut ep, midnight in little havana , on the critically acclaimed astral black imprint. the release follows his bangclap single which comes off the back of two prolific years that have seen the 20 year old producer crafting soundscapes for viral campaigns for converse, securing a residency on nts, tearing up radio sets alongside the likes of faze miyake, and having the likes of skepta, trim, capo lee and rocks foe bless his instrumentals on sets from slimzee, dj maximum, kahn & neek, murlo and plastician. midnight in little havana sees impey serving up a diverse five track collection that showcase his versatile production skills drawing influence from grime, jersey club and vangelis-esque synthscapes. the ep is as much for the dance floor as it is the after hours bus home. at its centre is long time crowd favourite bleepz which finally sees its official release, having been a go-to track exclusively for djs such as boofy & hi5ghost and kromestar. the track is framed by 130bpm dance floor melters pep talk and pong song as well as showing impey s more intricate side through its title track and inner , both of which resemble astral black releases by the likes of drae da skimask and jaisu moreso than its club-focussed vinyl releases. midnight in little havana is presented visually with another stellar effort from astral black in-house designer oscar whale, the 12- being housed in a full colour sleeve depicting an illustration of miami s little havana strip, as detailed & nuanced as impey s productions. midnight in little havana is set for release on october 14th on 12- vinyl & digital via astral black.

synthesiser genius max loderbauer (nsi, sun electric, vilod, moritz von oswald trio) and techno experimentalist jacek sienkiewicz (recognition) combined for a stunning live show on the opening night of festival 2015. blending harmonic drones and almost unrecognizably distended vocal samples with adroitly weighted melodic passages, this collaboration was a masterclass in expertly crafted ambient music from two of the genres’ leading exponents. two passages from this set have been mastered and cut to vinyl in a special 12” with artwork by pedro maia based on his visuals for the show.

nice price deal !!! sandro perri released his album impossible spaces lp in 2011 on constellation records, earning him rave reviews worldwide, including an 8.3 pitchfork rating + a best new track, for the stunning single changes. this track, plus the album track love & light, have been remixed/reshaped by diverse talents zongamin, mickey moonlight, eluvium & max gross (glissandro 70). the remixers approach these 2 tracks quite differently – but all 4 versions have 1 fortunate thread – perris vocals – which are preserved, highlighted and reimagined in wonderful ways.sandro perri & dfa have long been seeking a project to create together, and this release seemed like as good a place to start as any.this is a great addition and continuation of the impossible shapes lp listening experience, and also a lovely way to revisit these remarkable tracks

ltd supply , max 1 per kunde (customer) .. back since we discovered him five years ago as one half of genius of time, alexander berg has been one of our favorite producers. under his dorisburg alias, hes built one of the most consistent discographies in contemporary club music. yet, his debut in hivern is one of his most captivating releases to date.

mad max: fury road’s epic score is written by tom holkenborg, aka junkie xl, a grammy nominated and multi-platinum producer, musician, and composer. junkie xls versatility puts him on the cutting edge of contemporary music, as well as in the vanguard of exciting new film composers.
the 180 gram audiophile double vinyl is housed in a gatefold sleeve and comes with a 4-page insert.

the faze action brothers released their fifth studio album entitled body of one last year and to continue the celebration they have recruited some heavy weight talents to give their spin on three tracks from that album. first, the brothers take on the remix duties of magic touch, giving it a dub house reboot that could be the sound track to countless sunsets this summer. next up is a deft dub mix of the same track by maxidiscs cohort and globe trotting dj, dicky trisco. on the flip side we have the balearic powerhouse that is phil mison, remixing echoes of your mind into an electronic, down tempo feast with additional bass, guitar and keyboard played by the man himself. the final mix on this 12inch is provided by emotional response curator and head honcho stuart leath under his chuggy guise, delivering an organic dub mix of faze actions floating world

the trained pianist max loderbauer, together with ricardo villalobos, has just breezily launched the jazz sanctuary of the munich-based ecm records into the ether as -re: ecm-. on the new adventure he now logically again finds himself working with sanctuaries. for the tool he uses for creating worlds is the finest modular synthesizer in the world, the buchla 200e

what we feel for max graef might just be our biggest man-crush ever. we came across his music through his own label box aus holz and were just as stoked as he is to have him as our second release.

dont be mistaken by our newest family members modest ways, his well-manneredaloofness, his unagitated presence. max buschfelds inner calm not only makes him glowfrom the outside, it all the more makes him bring out some very individual and imaginativesounds and melodies.

paul müller introduces himself with a record that sports class and mass alike. its mass is easily explained: it sports three superb remixer. what tells better than some good old namedropping ... jori hulkkonen, lauer and matt walsh. these guys and paul müller are the ones responsible for the releases class by delivering great tracks ranging from tech-house to disco - and whatever you may call joris sound.
early love by: chlo e, the hacker, justin robertson, brodinski, luciano, mandy, maceo plex, laurent garnier, tim sweeney, daniel avery, chaim, crowdpleaser, troy pierce, robert owens, x-press 2, james teej, headman, phonogenic, xenia beliayeva, remain, jeremy p. caulfield, bonar bradberry, wally lopez, alex niggemann, funk d void, mugwump, tim paris, clive henry, shir khan, bubba, bozzwell, tornado wallace, kid who, hannah holland, maxime iko, doomwork, disco bloodbath, silicon soul, slok, richy ahmed, luca c, dj three, justin sloe, the saint and many more ...

on brothers in loves first release, max k. gets right down to business introducing himself and this family project: booming kick drums, thumping toms side by side with sharp hi-hats and staccato claps. machine grooves with sounds as raw as the musical approach of the artist. >losing your cool< builds on a massive kick drum, with a tom groove shuffling the track. it develops into a late summer bloom, which is over as fast as this years berlin summer was – with piercing percussion to remind you that winter is already here! >overdrive<, the first track on the flip, starts as a heavy slow groover with thumping kick, crashing snare and acidic synth lines until a punishing hook enters knocking you upside the head. the second track on the b-side, >indulgence< comes disguised as a stepper with a raw, pulsating analog bass line, but reaches its apex with a whirling synth lead on top of a vocal that could never be classified as your ordinary preachapella.

the second serving from schmorgasbord brings together two relatively disparate and unrelated artists, but who both share a uniquely twisted approach to making music. s-max has been doing his thing for some time, running legendary home all things bizarre in house and techno, boogizm, and releasing a special kind of groove on labels such as telegraph, 7th city and karloff. his original track, >ms. rosen dub<, swaggers and sways with the spirit of classic yorkshire bleeps and bass. the groove is house, but the spirit of adventure is most definitely techno. his remix of spatials >corti< takes a very different approach, taking a rolling, jungle-like approach to dubstep and nailing it to the groove with stabbing bass notes. spatial leapt onto the bass music radar late 2008 with his shadowy infrasonics imprint, and quickly snapped heads with his crisp, refined approach to 2-step rhythms. since then he’s done things on his own terms, only releasing for himself and mutating his sound over a series of 10 inches. >corti< perfectly demonstrates spatials unconventional tendencies, lurching and buckling around a perfectly honed splatter of beats, off-centre synths and delirious vocal snippets. meanwhile on his remix of s-max, spatial flips the script once again with a stomping, swung techno angle that hammers the original into an uptempo, fist-pumping banger.

next up on deep vibes comes sascha dive with his killer remixes of matthew dears >little people (black city)<. originally released on spectral sound (spc 101) as a digital-only package a vinyl edition had to follow due to public demand. for maximum sound quality the 20 minute version got shortened to a 15 minute >vinyl cut< (a1), while the >dub remix< comes in its original form on the flip-side (b1). sascha dive and matthew dear met on the road a few years back. in 2008 matthew dear featured a remix by the deep vibes boss on his watergate mix-compliation. when they played together in munich in august 2010 dear asked dive, if he wanted to do a remix for his upcoming album. the only condition dear asked him for was that it had to be the wildest and most crazy remix that dive could possibly do. little people (black city) is the probably strongest song of matthew dears recently released album black city. sascha dives remixes are on heavy rotation and played by a wide range of djs. make sure you get this joint in the box!

over the years, jon has been responsible for techno releases on various labels including intec records, hardasfunk and trevor rockcliffes mentor records. it is jons clever, funk-laden techno that really caught the industries attention and established him as a true one to watch.as jon has matured as both a dj and artist,he has become very experimental in his sound and this has served him well - filthy basslines and wicked beats, rundells productions are carefully crafted to inflict maximum dance-floor damage.flavio diaz on the remix!