esteemed conductor of the black science orchestra, dj supreme, top selector and all round legend ashley beedle delivers the third release on his warmly received and fast rising new house imprint back to the world teaming up with electronica artist earl zinger. earl zinger for those with a longer memory may better know him from his days fronting galliano, or his spoken word epic *escape from ibiza*.

munk is the project of gomma label founder mathias modica (germanys most interesting electronic music label the nme). munk is best known for his collaborations with rebolledo from pachanga boys (surf smurf), james murphy lcd soundsystem (kick out the chairs), asia argento (live fast die old) and club hits like down in l.a. and la musica. he co- produced the albums of gomma bands whomadewho and moullinex.

graphene is once again proud to announce another new artist to the roster. lee holman has been building a great reputation with a solid stream of consistant floorfillers. adding to his steadly growing catalogue of high quality deep ritualistic techno lee is fast becoming and international star. here we have 4 tracks which showcase the range of his work which is deep, atmospheric, solid & pumping.

glam was the name used by italian hits producers dfc team to present their cult record hells party. hells party also was more than just an inspiration for the international hit the key the secret composed by urban cookies collective and dfc team. for their second glams record dfc team wanted one of their favorite artist of all times: pete burns of dead or alive. pete was really excited by glams demo and wrote one of his best songs: this is the story of sex drive that fast become an hit in 1994. today, exactly 20 years later, dfc label re-releases sex drive with four wonderful new remixes, a real hot record that pete burns and glams old and new fans cannot miss.

a very warm welcome back to the marvellous creative use imprint. life in the balearic fast lane, may well be moving at a distinctly slower rate than fans of this cult label may like, but we like to think each carefully considered and crafted release is worth the wait ! kelvin andrews world famous stable for his own and likeminded producers (like mark e & mark seven to name but two) secret dj weapons is back to the fray with another 3 track salute to exceptional dancefloor moments a diverse trio of 45s provide the inspiration for their tenth excursion, as a lovingly amended funk beauty sits alongside indian infused mexican rock & jazz-fusion gems, which are all subjected to the highest quality creative use treatment!

time flies by and reality hits hard as we watch the sunset, realising that summer will be over soon and autumn is fast upon us. lay down on »dwig« aka »die wiese im garten« for a good cup of tea and some »big tales«.

next templar by the persuader! mr templar?? jesper dahlback?? we think this record dont need a lot of words. just be fast to get your hands on this amazing series!

after storming the gates with his warmly received tambacounda ep, clap! clap! returns to deliver his debut longplayer. tayi bebba is a conceptual work that manages to balance a highly cerebral concept with making some good old-fashioned bangers. tayi bebba is an album tour of an imagined island, each song representing a location, event or ritual. sonically, it is a fast moving charge across the soundscape, fusing field recordings and found sound with incredibly surgical drum programming. flavours of house, footwork and hip hop punctuate your migration with a very specific sound palate, giving this amazing work a cohesive feel.

with focus battling between murderous bass and bewildering soundscapes throughout the ep, the choice of three energies and tones makes kalawila s debut a surely applicable dance floor tool for techno and house devotees alike. stockholm/berlin-based kalawila debuts on his own imprint, mountain explosion device, with an ep made for warehouses. slagsmal utbröt pa mount everest ep’ is an ensemble of three dark house tracks on the verge of techno, each sonically similar and yet delicately versatile in function. slagsmål utbröt på mount everest is a forward-leaning and fast paced roller with long build-up. meanwhile khajuraho is steadily reclined on cooler percussion and kindred warehouse bass-sounds. pluto far sparken then shifts focus slightly to the peripheries in a deeper passage of harmonics and reverberations.

limited 99 cent deal - last copies left !! be fast !!
we are proud to present the next thrilling release by co-owner pherox on slash! tims second ep named dmf-9-electric is a mixture of deep soulful and floor shaking electronic music. we call it the gentle side of techno, no wonder that one of the hottest artists in this scene john daly delivers a cracking remix to this 4-track ep. lets start with the first track road days which is dominated by deep rolling basses and floating voices creating a hi-tech energy peak time track. once you get the sudden effect of it, its gonna reveal the true freak in you, give it a try! the other title on the a-side called rude vox is a dark dream of liberty and a long voyage into the night. its clothed in moonlight and restless in wanting where the voices of children paired with strings, a ghost precedes us, a shadow follows us - each time we stop – we fall. the b-side starts with john daly s rework on the track shelter. the remix is a dark miracle of shiny blackness which has his own magic, while the sun sinks low, an h-bomb in reverse. john takes the key parts from the original track and raises them into a new context. techno-soul in its purest form. we, for one, are in ecstasy enthralled. can we convince you to smile? the whole ep ends up with the original one from pherox. the circular beat of shelter with its loaded flashy effects will heat up any dance floor for sure. boys and girls, its getting hot in here so take off all your.. or just keep doing whatever you want!

following a double headed debut on our recent nasty rips comp. – a crisp remix of hackmans ‘ always’ and a fizzing solo outing -‘not afraid’, montreal producer reagan grey makes her full shifting peaks debut with a high grade 3 track ep, alongside 3 useful remixes. opener ‘owl’ featuring sandy duperval on vocals, takes a neat song of love and life and rolls it over a punchy ukg/house groove, adding classic sounding organ stabs and swingy rhythms, with a tight arrangement keeping things moving along. ‘feel the pressure’ features christie nelson on vocals, with an equally strong , r n’ b inflected song woven in and out of a looser, spacier arrangement, rgs snappy drums again underpin proceedings. not afraid reappears, having made friends along the way via it s nasty rips inclusion thanks to driving detroit-influenced synths, a pulsing bassline and sweet builds and drops. on the remix front, lukas ( future boogie ) keeps things simple on owl, with a fat, kick-lead groove and sparing use of the vox before drifting into a crowd-pleasing breakdown halfway through. benway (aka fast rising muscovite nphonix) takes swathes of the feel the pressure vocal for a ride over broken beats and a bass heavy backing, with hints of techno torque setting his pressurize mix apart from the similar de pressurize version.

valcrond video, the label run by sound and image artist luke wyatt (torn hawk), apresents vv-013 russos *wild metals*. russo (ari russo) is an nyc based multi-artist whose engagement with abandoned media finds an outlet in the video bursts he culls as officefern. as a programmer, he has produced innovative music generation tools such as the diamond arpeggiator. he returns to his own music with this collection of challenging and transporting structures. wyatt and vv are eager to endorse russos latest report on crossmodal perception, a true exercise in synesthesia. *wild metals* sounds like ferns and orchids infiltrating a tableaux of black plastic electronics, the breed of black plastic that russo and wyatt both found sinisterly inserted into the grid of their childhood. it provided the skin for some of their favorite toys, and its general resonance was aligned with the fast cars, women, and architecture that dominated their imaginations.

fast tanzbar: 1992er-album der beiden elektronik-avantgardisten. das album wird nun mit linernotes von asmus tietchens auf lp (180-gramm-vinyl) wieder veröffentlicht.

here comes the sun (1971) is an album by jazz singer-pianist nina simone, consisting of cover versions of songs by pop and rock musicians. it features songs recorded in the rca studios with a full orchestra and backing vocals. although simone covers songs by bob dylan and the beatles, among others, most of the versions feature arrangements substantially different from the original recordings. this is most clearly in the final song *my way*, which with its fast pacing rhythm deviates significantly from the usual interpretations. pressing on audiophile 180 gram vinyl.

top-remixes des 1990 er bleep-techno-klassikers -aftermath- von einem der derzeit besten produzentenduos der szene: ricardo villalobos & max loderbauer. das berliner duo schüttelt ein fast 20-minütiges minimal-bass-monster aus dem Ärmel und setzt mit der electro jazz version experimentell dort an, wo sein dub mix aufhört. limitierte 12- zum best-of-album -n.o.w is the time-, dessen ebenfalls limitiertes lp-boxset weitere remixes von lfo, morgen geist, special request, loco dice, mr scruff, u.v.a. enthält.

subtle groovin snappy percussive tech tools - tip! >>> ltd 2014 repress, be fast….

in times where a rave feels pretty much like a funfair, the chairoplane is still the nicest ride. thinking of kettenkarussell some might remember one of those gathered moments in a low summer night under the clear sky when things made sense for a while. but those memories fade away quite fast or seem really strange a few years later on youtube. so what is it that is left behind? after 10 years of collaboration the couple decided to do an album that might challenge the comfort zone of those who try to keep up that easy living. its a record full of holes. and still this is what keeps them together. in pain we trust... and yes i believe you and me will make love forever...

for our 3rd vinyl release the keyword to demonstrate is freedom. a word that today is always more and more eclipsed. starting with an original mix from our young french talent deam, with his solid and hypnotic basslines, -empie- is a well executed raw techno track. the release is completed by remixes from dubit, eomac and myler. the first remix from dubit, brings a unique groove absorbed in a network of industrial sonorities, aggressive and fraught, ready to kill any dance floor. on the b1 side, we have a killer remix from eomac with his poetic fast broken-beat grooves and frozen atmospheres. this is a mix between d&b, jungle and idm which makes it a perfect execution. myler demonstrates his full personality with his own interpretation bringing out a dark and mystical feeling through a static and engaging evolution

only 300 copies - no repress !! be fast ...
third points records release by dona, including remixes from vakula and patrice scott.

vibe008 open the way to the new techno flavour of the label with nikola gala (rekids) from salonicco, greece. raw sound and dub-techno influences on a1, the dark bassline with this fat kick it s simply killer... breaked by vocal-cut and deep-chord line. attemporal (att series) signed the first remix of the vinyl. the techno duo-project it s one of the new best talent comings out, growing up fast in the scene. with their elegant style the original-mix was been reworked in a conceptual-club version... stay tuned. marcos in dub (highgrade-lokal talk) on b1 pushed out a special remix, just to destroy the main room. love it. on b2 to close the release, kindimmer (lokal talk) that take back us to the detroit-house vibes,with a piano-chord line that floating till the end... feel it.

a electro classic, highly recommended for fans of new order, the human league, orchestral manoeuvres in the dark, yello, the art of noise.

fast-rising glaswegian producer boom merchant is a man whose sound is hard to pigeonhole, but is draped in rich and sinewed quality regardless. further indication of the glaswegian scenes propensity for churning out top-quality producers, he brings his stylish way of working to the fore once more here on his recent outing for his own label, the burgeoning tribal pulse - itself a medium for dizzyingly eclectic fare.

thats what we call a masterpiece! no more words here. just listen to it and be fast to get your hands on it!

- 180 gram
- vinyl only
- shrinked
- anti static sleeve

ole utters *odsbodkins!* while martin styles his hair. the two decided to work on their next monaberry releases five years ago and the result is monaberry 23. 23? this can only be a good sign, dont you think? *odsbdodkins* confirms its name without wasting a second and going directly for your finest dancemoves. a groovey guitar firework is ignited which illuminates the dark temple of dance. no other but the boys from hanne & lore have taken on the hard task to deliver a remix of the title track. they do not disappoint with their rework which makes you lose it on the dancefloor. *frdy* and *indimushy* come as desert. these two tracks get into your head fast and refuse to leave it ... *frdy* is the perfect dancefloortool, which leaves not a single wish unsatisfied, while *indimishy* keeps the whole ep together, not allowing for any sound to drift away.

its a great pleasure to announce the first release from mexican duo 4004 & sebastien vorhaus. they might not run as fast as speedy gonzales, but their music is super hot, deep and raw! yeah you know we like that at quintessentials…… 4004 & sebastien vorhaus work together as well as solo and their work has already been signed by the almighty faces records (pablo valentino and mcde). plus they also set up their own label, vicario musique, so these are definitely names to watch. viva mexico!

das zweite album von klinke auf cinch mit dem titel -highs & hills- erschien im november 2012. begleitet von der transparenz-offensive releasingarecord.de legte das kollektiv ein von presse und publikum gefeiertes meisterwerk vor. nun, fast zwei jahre später, erscheinen die -highs & hills remixes-. die langsamkeit ist konzept. hier wird nicht auf schnelle moden, hypes und kurzfristige aufmerksamkeit geschielt. es geht um organisches wachstum, um das vertrauen, dass umwerfende musik ihre hörer finden wird. und um das konzept familie bzw. kollektiv. die bearbeitungen kommen allesamt von namhaften künstlern aus dem umfeld von klinke auf cinch. zum teil verbinden jahrelange freundschaften und eine vielzahl gegenseitiger remixe und kollaborationen die musiker. die sechs mixe stammen von marbert rocel (compost), tillmann jarmer (zughafen), fdf (freund der familie), boytalk (freund der familie / ortloff), pentatones (lebensfreude / live electronica feuerwerk) und the micronaut (acker / 3000 grad).

in 1988 krs one made the poignant declaration of never trusting a big butt and a smile on boogie down productions song *jimmy*. truer words have never been spoken. fast forward 2 years later, bell biv devoe are smashing the charts (urban to pop) with their debut single *poison*, and in taking krss words of wisdom the exact phrase - never trusting a big butt and a smile has a major part of the chorus. the world over was singing it.

anthem alert! uplifting breakbeat techno in golden 1990s leaning style... first edition was sold out in ultra fast time...

tip! the story continues! mr templar?? the persuader?? jesper dahlback?? we think this record dont need a lot of words. just be fast to get your hands on this amazing series!

glasgow/london label collective numbers announce their newest release and their second from the fast rising welsh beatmaker known as doc daneeka.

for the second instalment from quantum entanglement we delve into the misty past, a time when moving parts ruled the dance, when the power of the night rested on a needle and a bassline, and before cdjs calculated the bpm for you…you had to touch things, buy things, and the bassline ruled over all. acid thunder, a classic by fast eddie, was the first dance record i ever bought. it was important. the guy who sold it to me, at the time a spotty school kid in his school uniform, was called john stapleton, and the shop was sidetrax in bristol.

hot on the heels of the last release from francisco in slow motionss new soundtrack series comes this stunning four track release from marco antonio spaventi. while recalling influences as diverse as jan hammer, john carpenter, goblin, giorgio moroder, daniele patucchi, the de angelis brothers and many other legendary (mainly italian) composers from the soundtrack side, these tracks are just as comfortable on the electronic dancefloor and provide a dancing experience every bit as engaging as a listening one. synth-heads, soundtrack afficonados, space-freaks and dance fiends are all set to enjoy this one in equal measure! move fast as copies are limited and demand is high.

die Überhymne aus dem - berlin calling - film wurde nicht zuletzt durch die gänsehaut vocals von fritz kalkbrenner zum bisher größten erfolg in der karriere von paul kalkbrenner. der robag wruhme remix mit dem tollen namen - robags borsi alpakka rehand- transferiert den ausnahmetrack ins jahr 2014 und gibt dem bekannten thema ein komplett neues gewand. die neu produzierten vocals geben dem remix einen ganz eigenen neuen charme und machen den remix in kombination mit den fast schon legendären akkorden zu etwas ganz besonderem.

we are back for the first release of the year - a nice mixed bag as ever - featuring label partner prima s first solo effort - grooves effortlessly and into darkest africa , other half of lht alphonse brings the drama with - acid melody - youngest member jamie blanco makes a welcome return - with his trippy little black jack and finally newest recruit asok crunches out this classic sounding piece of 4 to the floor goodness. limited to 200 copies: act fast

• fourth installment from the artist and label.
• other titles have sold out fast - don t be left out...
• special hand stamped white label release a fast paced aggressive a1 made of fast 1/8 note kick drums spliced with distorted pad sounds and distinctive snare. the a2 is a broken beat affair with evolving percussion and a rave line that will cut through in any mix. b1 is papers signature acid jam, simple but effective. b2 is a unique beast, with locked rhythms and distinctive arp synth line...

gene siewing - the st louis dj and producer now making serious waves in berlin - keeps the momentum going for the second release on his new imprint. intent recordings looks set to be a buy-on-sight operation, prizing quality over quantity, and on a mission to provide music aimed firmly at the dance-floor, whatever the genre. as such, its the perfect outlet for gene s own productions - a conduit for the grooving, funk n disco infused house sound that he is fast becoming known for

nice price deal !!! xenogears is the name of the first studio project of marieu and lucretio, also known as the analogue cops. with this moniker they released a bunch of seminal techno cuts on the first chapters of their restoration imprint, back in 2007. tracks which were played by legends as anthony shakir, claude young and the suburban knight. now the xenogears are back with their first album *lost artemis*, showcasing their distinctive fast, detroit-inspired hardware techno. the album features a collaboration with their usual collaborator nomadronin (with whom they run the label bratha) and with the talented producer known as objekt. all the tracks are characterized by a strong fascination for hi-tech synthesizers and rusted vintage gears, a fast pace, and a minimal approach to live mixing. they have explored the subterranean territories between post-atomic noises and apocalyptic breakbeats, finding a way to equate machines with funkiness in an open battlefield.

wenn wir etwas benennen müßten, das sich unsere fans immer wieder wünschen, dann wäre dies wohl eine vinyl-version von the fields legendärem ersten album from here we go sublime: ursprünglich 2007 veröffentlicht, war das gefeierte albumdebüt des projekts, welches alsbald zu den beliebtesten in unserem künstlerkatalog zählen würde, als reguläre cd-edition samt begleitendem 12 inch sampler erhältlich - doch noch nie als vollständiges vinyl-release. kameraschwenk zum record store day 2014 und der perfekten gelegenheit, dieses verblüffende meisterwerk endlich auf verdiente art und weise zu präsentieren. die doppel-lp erscheint im klappcover, inklusive cd-version des albums.

austrians florian fellier and felix brunhuber, better known as wild culture, have fast become two of kittballs most prized producers.

after a huge remix for psychemagik (black noir schwarz), crosstown rebels prepares to release the highly anticipated next full ep from tom dinsdales fast rising solo alias, mineo. already getting a monster reaction on dancefloors, as damian lazarus will attest, get out fight displays mineos distinctively uk sound and idiosyncratic, patchwork production style. a 4-tracker that ranges from the punky attitude, wonky percussion and deep, growling grooves and vocal licks of get out fight to the hints of ska in madness-sampled killer (rude boy) and the slinky garage, rnb-spliced edge of soaking wet and low-slung ride dont know my name - this is a killer package, and statement of very creative intent

rumpelmusig, das neue label von rumpelmeister kalabrese, geht in die nächste runde und macht da weiter, wo es mit dem kalabrese longplayer independent dancer aufgehört hat. hello asshole kommt mit knusprig-swingendem groove daher, der fast schon ein breakbeat ist und es rauscht vorzüglich im sounddesign. das kafi-lied auf der b-seite ist eine liebeserklärung an das kaffeetrinken, sich zeit nehmen am morgen und mit einer moody stimmung in den tag starten. sarah palin, die sängerin des rumpelorchesters, verleiht dem song mit ihrer stimme die kraft, um über allem zu strahlen und um sich gleich am morgen leidenschaftlich in den tag zu stürzen und zu verlieben. dance pop vom allerfeinsten!

6ys recordings is back with his new 12inch work. we are proud to count with two big monsters of banging techno: chris liberator and sterling moss, who bring us a hard and fast track, it wil rock sure. to complete the allways hard and groove ganez the terrible and dr chekill who is still in shorts.

a very welcome back to canadas common edits! on the a side, label head honcho dane, teams up with the newcomer khotin for *josephinas groove*. the bassline takes the lead on this spaced out slice of funk, spread thick with tight drums and keys.
on the flip khotin completes the package and serves up *prince video*, a fast paced cosmic thumper for the floor. prepare to launch friends, this ones going to the moon!
hand stamped, 300 released for distribution and copies given away at the release party in edmonton, canada at the common.

>a series of shocks< ist das zweite soloalbum des versierten produzenten, tobias freund. auf dem neuen album setzt tobias. seine erkundungen im >non-standard< elektronischer musik fort und erweitert die reichhaltige palette seines sounds vom ersten album >leaning over backwards< (2011, ostgut ton). das neue kapitel führt mit seinen vielseitigen tracks tiefer in die puristische und sich immer weiter entfaltende klangwelt von tobias.

200 copies only! for their latest installment, fast-rising ukrainian imprint artreform call on the inimitable strands of grzegorz ochman aka leão, a producer whose name you might well recognize thanks to his previous work on robot needs oil

tip! past, present and future! mr templar?? svek? the persuader?? jesper dahlback?? we think this record dont need a lot of words. just be fast to get your hands on this amazing series! shrinked.

techno!! 100% raw and dirty. no more words neccesary. be fast to get this limited edition on coloured 12inch incl. ixel, urbano, xhei and ad.lib

fast hätte es an dieser stelle keinen neuen release von ki records zu verkünden gegeben, denn die beiden jungs hinter colo, nick smith und ben corr, haben mal eben so in der hochphase der albumproduktion ihren laptop verschusselt. backups? fehlanzeige! da war der debütlangspieler schon fast fertig: zehn tracks mit 150 bis 200 audiospuren – viele stunden feinsten bastelns und schraubens, einfach weg. zum glück ist nicht die ganze welt schlecht und so manch ein finder ehrlich und das gerät gelangte unbeschädigt in die hände der besitzer zurück und das erstlingsalbum *ur* doch noch in die pressung und in den katalog von ki. der name des albums ist ein wortspiel und verweist nicht etwa auf undergroud resistance, sondern auf das englisch wort colo-ur.

willie burns delivers 4 amazing house jams for unknown to the unknown.