two brilliant new shackletons, with triumphant remixes by t++ and baron mordant.

this record is the result of a collaboration between roman ruins (graham hill) and the artist hunter mack. originally launched as a kickstarter project which financed this two-song 7 inch vinyl record along with a limited art print, it is now available to the general public.
comes on orange vinyl, including code for digital download.

as nang completes its first two years on the planet things are going pretty well. we are certainly not getting rich in financial terms but the love of the music and plaudits are warming our souls to the core. along the way we have also managed to work with some amazing artists and introduce some mighty-fine new ones to the world so it is with great pleasure that we bring you the 2nd installment of our >array< series. it is a stock-take of the best nang tunes from the past year, some previews on future hits and some tracks we just had to release!

a somewhat mysterious collaboration between three people from varying parts of the world is finally pieced together after being lost and found over the last two years. the final result being two stripped down and uncompromising tracks that go from chicago to detroit and beyond. also included is legowelts remix of comeback dust which takes the original and adds his signature chicago smudge sound to the mix.

following on from his last release on guinea pig, sfr steps up and delivers a game of two halves on his latest release. >dreaming in computers< is a progressive, techno influenced slice of real dubstep - definitely one for the head nodders, this one sucks you and doesnt let go. in contrast >alien idiot< is a dancefloor friendly bassline steppa, which twists and turns at every corner, keeping listeners on their toes!

nice price deal !!! amsterdam strikes again! with jamy wing piekup records announce their 4th vinyl release. jamy wing small but nice this young music acrobat flys through the jungle of the always growing vinylmountains. his two basic constituents are techno and strong sounds, full of harmony and down-to-earthness from the division of house. with this ep jamy brings you three house tracks with lots of unexpected melodies and grooves from a higher level. support by richie hawtin, dan drastic, anthony collins, onno, yakine, mirco violo, superlounge

the second release of till krüger contains two epic tracks. >the green< a classic dance floor track in the tradition of detroit techno yet fresh in the unique till krüger style. >last track< is composed as a typical last track on the floor - moody, melancholic and very long. cocoon recordings licensed till krügers first ep >wrong shirt< for sven väths compilation >sound of the eleventh season<, released in november 2010. we are excited to see, what will happen to his new tracks!

two disco funk classics roughed up by kenny dope with extra heavy beats and bass.

>3.652 tage< : the track a day originated after my 10-year-old djs jubilee. from the mood of the eve, there originated thus the acoustics-percussion beat with emitter surfaces. >zeitfenster< : this track with miguel aka electric gloss, to a friend from portugal produced. he has visited me for two days in frankfurt, meanwhile we were diligent in the studio. the sound capes remind me of a typical summer thunderstorm. >eureka< : this number has something incredible for me. a kind of space-electro with quite futuristic melody. if somewhat is inspired by the film barbarella. unambiguously one of my favourites on the album.

the two hamburg based acts me succeeds and arp aubert are responsible for the first part of a ki records split series. on the ep named after the city in the north of germany the two acts combine their friendship and musical preferences to remix each other and contribute one very own track on each side. me succeeds, with their members mona steinwidder, sebastian kokus and lorin strohm, is a part of hamburgs labelcollective i saw music and their songs combine indie pop with electronic beats and chords. arp aubert consists of the two founding members of mirau records: stephan lorenz and marco niemerski. niemerski is better known for his productions as tensnake, but keeps arp aubert running as a matter of heart. the ki-split 1/3 (hamburg) is truly a family matter. because of their close friendship, me succeeds and arp aubert have created a very intense and emotional record. by remixing each other and combining their musical background this release turns out to be a very special one for ki and the acts themselves. the cover was created by me succeeds in well known ki tradition to make this piece of music something special and memorable.

goose are back. four years after the release of their debut, bring it on, the belgian fourpiece return with a new sound on album two, synrise. on this ep, the first single from the album words is given the four to the floor remix treatment by boris dlugosch and mickael karkousses infectious baritone hook can be fully admired on the acapella. on the flip there are fantastic remixes from electro techno duo joe & will ask? and disco kings the living islands.
comes with code for free digital download.

impressive uk indy / alternative longplayer.

och pops up on baby fords pal sl imprint after a solid debut on autoreplys offshoot stuga musik. although the producer behind the och pseudonym remains mysterious for now, his early productions have garnered support from such esteemed figures as ame, norman nodge, gerd janson, dj sneak and anthony shake shakir, and this latest 12 inch is, in our humble opinions, ochs best yet. the standout track here hogs the entirety of the a side, with >bombay bedbath< characterised by some beefy drums and a drowning, late night soul vocal which complements the rolling groove. flip over for two wonderful b side obscurites, namely the rich ambient textures of >interlude intuitive< and twinkling piano lines and moody atmospherics of >out of key in<.

rockin two tracker by hoodlum and wickaman

7 oz is back with a long awaited various artists ep that follows the success of mathias mestenos alcatraz. two dancefloor-oriented tracks, that sound really hot despite the cold winter, ideal for any passage of your sets. barila&lodettis el jazz del barrio takes us back to the truest deep house sound, with a jazzy mood and an ear set clearly back to the old school. the young and talented fabio even, thanks to the remix made by manu-l and paul cart, goes techno with the sharp and piercing rhythms and sounds of the explosive track undershow.

support from oxia, rodriguez jr, radioslave, josh wink, dj koze, laurent garnier, seth troxler, joris vorn, jennifer cardini, dixon, claude vonstroke... two friends who have known each other for many years, who have often shared the same stage and recently enlightened our summer workshops at la carrière, who trade deeply-felt lyrics and singing for singular and refined productions and who delivered infinés finest electronic rhymes. after >silently<, clara called mimu again for >deer & fox<, the vocal pop wonder of >polyamour<. this fall infiné has invited forward-thinking remixers to work on clara s stems for four new opportunities to play the track. deep and introspective, the troublemakers of dop have kept the classy original textures, slowed down cleverly the bpm to carrying mimus voice into a bubble of euphoric bleeps. pampered by derrick may, juan atkins or kevin saunderson, stacey pullen offers the clubbers a one-way ticket into his time machine. right back at the heydays of the detroit second generation. terribly old school and consequently incredibly efficient on the floors. widely praised for their recent intrusions on the very respected karaoke kalk label, tolouse low trax on top having a profound liking puns, have turned >deer & fox< into a dizzying after party chorus, adding their own dark and hypnotic sound pallet. offered as digital extension but no less essential to the package, austrian producer ritornell aka richard eigner brings celestial violins and heavenly piano for a shining and delicate rework, which could almost let you forget the original.

>i keep asking myself where they take all that brilliant music from. its just as if somebody had poked a bees nest and then it all burst out. i feel deeply connected to the pampa style…< (terry hogann, the musical mistress, 10/2010). as was to be expected, pampa is steadily developing into a platform for cross-border electronic dance music. each pampa release sounds different from the previous and still pampa remains a conclusive musical planet. this is all the more surprising in the case of pampa005, which features two completely different artists: side a: nathan fake - xmas rush having reportedly recorded his track >xmas rush< in his london studio during a jam session, nathan fake (border community, traum, saw) has turned in a total brainfuck. its mercylessly exaggerated, psychedelic, inexorable, and at the same time sweet and heart-warming. a very rare mixture. unique in its consistency, we havent heard anything like it since the 90s. its so nice and overwhelming to have your ears exercised the right way again. evergreen… side aa: dj koze pays tribute to michael smith - >mi cyaan believe it< in the meantime, dj koze has moved on to completely different spheres. once again, he astonishes his public with an extremely danceable version of michael smiths >mi cyaan believe it<. having originally started off as a digital error, and recorded within a single night, this tune recalls the ruthlessness, rawness and revolutionary energy of public enemy

the third and final remix package for mathias kadens masterpiece album -studio 10- comes along with two reworks of mathias vakant label mates onur Özer and dewalta. onur Özers >hâre remix<, a massive, bass driven rework for kadens >chazz<, takes the track to a deeper, more jazzy level, until it fades out with a dreamy yet abstract melody after 11 minutes and counting. david koch aka dewalta takes on >ikenga< (an african god of time, success and achievement), which is surely kadens most played track of the album. david maintains the acidic vibe of the original, adds his very own funk and sends the track back to the dance floor.

darker and more sinister as all his releases before. beats getting tighter and rougher, theres no chance to escape. welcome to the world of delta funktionen. this 2nd part of his setup eps brings three times dark heavy soaking techno tracks, and with the otherworldy track >conflict data< closing the setup

from the cold and sublime northern european scenery back to mono records one of the leading figures of finnish electronic scene, rasmus hedlund, this time with an own ep composed by two amazing tracks, >arma< and >katkolla<. fresh techno with high impact energy, full of enveloping atmospheres ideal for long winter evenings.

2010 has seen some juicy, off-the-wall techno/electronic vinyl goodies from the head space of little nobody, including the acclaimed >metropolis how?< and >robota< records - with remixes by the likes of james ruskin, justin berkovi, inigo kennedy, dj hi-shock, si begg, patrick pulsinger and steve stoll. but its the originator of the tracks who continues to push the perimeters, recently leading hi-shock, the prolific innovator behind the essential elektrax empire, to suggest that honestly, i think you are at least a couple of years ahead in your musical vision compared to other producers. little nobodys alter ego andrez bergen has also had his head buried this year in the creation of a hardboiled/noir/sci-fi novel called >tobacco-stained mountain goat<, and it was in the midst of this project - with these heady influences - that the get away from it all 12-inch project came to light. thus we got on board bas mooy (planet rhythm/audio assault) and dave tarrida (tresor/musick) to do the two scintillating re-takes here, which are downright brilliant. meanwhile little nobodys troll, on the flip-side, lives up to its claim: its hardboiled and devastatingly dirty electronica. all up, think streetwise, smack-your-glitch-up techno - dark, uber-bassy, dirty and pulsating - just the way we like it, with sardonic samples and a freestyle, postmodern attitude thats invigorating. matched up with the cool artwork by marcin markowski, this is an essential slab of wax for 4:00 am head-caving techno!

first ep to deymare on trazable recordings, with this fantastic work. there are two original tracks and two remixes of losoul and rio padice. the original tracks are between deep house and disco funk. quality, pace, strength and a lot rythm, the public will enjoy! the remix of losoul, has an electronic base, with a repetitive groove, sounds and rhythms go and back with a unique atmosphere and with excellent sound. the remixe of rio padice, pure house, very sharp bases, and a lot bassline rhythm to the dance floor. indispensable in any case and for all public.

limited to 987 copies pressed on high quality virgin vinyl at rti and housed in an old-style tip-on gatefold jacket printed by stoughton. included is a coupon for drm-free mp3 download.
originally self-released as two cdrs in 2005. re-issued and re-mastered in 2008 by digitalis. this is the 2010 vinyl edition with full color artwork and brand new gatefold collage art created by ilyas ahmed.

les sins is the dance alter ego of toro y moi (a.k.a. chaz bundick). the two tracks on this twelve inch represent the four on the floor side of chazs sound. recorded in the spring of 2009 in chazs home studio in columbia, south carolina, >lina< and >youth gone< are sure to become worldwide club anthems in some totally cool alternate universe.
digital download-code included.

paul bowens north of england based imprint, luna records, follows up material from justin drake, matthias tanzmann, so inagawa and chris lattner with >supersoul ep< from santorini.
santorini, real name andrea santoro, has delivered material to the likes of upon you, district raw and little helpers in recent years and has won over many djs and floors with his intricately rhythmic house grooves. after remixing paul bowen for lr005, the 26 year old italian was invited to contribute his own single and the >supersoul ep<, comprising two original cuts and a lazy dub from bearweasel, is the result.

superb minimal tech trax incl pawas remix / new label from down under

believe it or not !! new hardfloor album ! with acid !! killer !! mastery is distinguished by the difference between being able to create something because you know about it, and creating something because you are it.hardfloor are the masters! masters of what? masters of the -sound of acid-, the style of techno they invented and infected the world with by unleashing the groundbreaking and infinitely imitated -hardtrance acperience ep- in 1992. that unmistakable groove, that pumping house bass, that swirling modulating melody, that throbbing acid house vibe and those climactic builds and breaks - a new sound for the dancefloors of the planet. yes, this is 2010 and that was 18 years ago. a lot has happened since then and music has changed

following on from last years impossibly good the love quadrant ep by space dimension controller, kinnego records return with two tracks from label owner boxcutter, his first new material since the arecibo message album on planet mu. >moon pupils< is a gentle, trippy bit of 2-step, full of tweaked analogue melodies and tape echoed flute. on the flip, boxcutter & kab driver take inspiration from vintage library music and dubbed out disco. >2time< is all handclaps and insistent synth chords, with two woozy string-led breakdowns. kab driver previously worked on kgo001 as part of kinnego flux.
available on 12 inch vinyl, mastered at the exchange. the first 300 vinyl copies are shipped in silk-screened sleeves.

after the success of the track naphtalina, the label offers a return on this release with the coming of a part 2. the duo danzca was again requested to provide a new vision of this title. this rework is accompanied by another choice remixer. after the talented joey beltram, it is up to peter van hoesen offers us a remix of this track.
these two new visions are sure to warm up the dancefloors with the arrival of the first wintery evenings. two approaches, two universes, two visions but the same guaranteed effect!

nice price deal !!! the latest release on sabina plamenovas opit label marks the next step in her creative path with two multi-faceted and intriguing tracks of her own, remixed by egyptrixx and ghosts on tape, producers who boast some of the most relevant and inventive ideas in contemporary bass-driven club music. still impossible to define, subeenas original tracks on the package are innovative even by her own standards, and for the first time plamenova combines her own voice with her sensitive, intelligent, and nuanced production, to powerful effect. support from untold, simbad, sinden, altered natives, appleblim, scratcha dva, modeselektor and more.

french house legend i:cube ( at peace ) and berlin based producer mark august ( the sandbox ), have created two, quite outrageously brilliant masterpieces.

big with marco carola, josh wink, onur ozer, ali schwarz, radio slave, slam, anton pieete! after the success of the first release from piemont and daniel dreier, the label return with round two, this time from jett stalwarts, lownza. the 22 year old parisian duo are looking to make their mark on the scene and having already remixed jett001. todays creme ep sees the pair drop two super dj tools in creme de chataigne and little garden, backed by a strong remix from denmarks martinez, who we know is currently rinsing it at the ibiza closing parties.

this latest 12inch sees jazzanovas alex barck giving two album tracks from christian prommers drumlesson zwei a fresh re-rub for the dancefloor. with support already lined up from bbc radio 1s gilles peterson, these stunning remixes of oxygene (part iv) and sleepy hollow are set to become weekend anthems.

huge club techno 4-tracker feat two of the best artists from spain & two from serbia all delivering superb tracks!

excellent two track deep house vinyl... raw, analogue sounding as well

legendary producer ian pooley has partnered up with up and coming producer spencer parker to create a very dynamic duo. we have been trying to work with spencer and ian for quite some time and now we get both of them on one. this release bring us a sound that touches on some of ians disco infused monsters from the past with an update. the a side >kinderteller< is a jacking piano driven monster that will rock any dance floor. on the b side >jolesch< is driven by a funky rhodes line with an infectious female vocal sample. two funky monsters that make for an incredible ovum debut. great house music in the fall that will bring back the memories of the ibiza sun

limited one sided promo run!!!

episode two on touched by records sees the introduction of yet another talented youngster understate with his track >technology< backed with a remix from d&bs top-boy zero tolerance! yet another great record from this up and coming drum & bass label.

brand new spanish techno release for the serious techno crowd. featuring two original tracks by: jose pouj and asagaoaudio and on top of that a wicked remix by superstar oscar mulero!

>bite sized beats vol. 1< has two smoking cuts from flapjack veteran wattie green. the first cut >flip mode< is a great throwback to the jack of i:cubes hit disco cubism. utilizing the same slammin key sample, wattie slices it up just right and puts in the smoker very early in the morning. after about 8 hours, it comes out and is seasoned to perfection with his solid beats and break wisdom resulting in one hell of a delicious dance floor bomb.

una mas trio are back with a killer 12featuring remixes two superb remixes of tracks from their previous album and a brand new exclusive track from the forthcoming longplayer. the ever reliable dusty (jazz & milk) gives mas y masthe dubwise dancefloor treatment, while solo moderna add a circus atmosphere to balkumbia. we love both and hope you do too! on the flip the umt take the 5/4 jazz train with minafeaturing outstanding saxophone player stephan abel from the mighty hidden jazz quartett

with >pergamon / 1979< blackisbeautiful is releasing their second single on 200 records. pergamon is a wonderful dreamy epic work with strings and a gorgeous piano. colognes new talent henson has done a great remixes of this track. 1979 is a funkier track, which reminds us on former metro area tracks. >vesica piscis< and >epiphanie< show two facets of the colourful blackisbeautiful sound spectrum.

-could be- that you havent heard of andreas k. and sergej k. so far!?
actually the two bavarians are better known as drehwerk anyway and it
-would be- a shame, if you waste this perfect opportunity, to get to know these guys better!
with wo

big twelve from us label slant featuring glasgow s edit select and alex smoke. label owner let s go outside supplies the b-side.slant s fourth 12 yields two mighty pieces of techno. one side is let s go outside s epic valentino , the other is the absolutely wicked the retainer from edit select and alex smoke. all the criteria for a classic split are met and well exceeded here.the pairing of edit select and alex smoke is simply brilliant. the a side s the retainer is crowd control. alex s signature vocal cut ups and chugging percussion layered atop edit select s hypnotic, repetitive style make for a true techno masterpiece.on the aa side, let s go outside throws down a deep, seductive, tough cut with valentino . airy pads float atop pulsing bass and a subtle, driving orchestra of percussion and static. the entire piece slowly ebbs before crashing down, repeating, the pace deliberate and guided by soft words about first loves.

for deep house lovers and beyond laid presents the first release by lawrence on dials sublabel. the 12inch features tracks inspired by the magic experiences in two of lawrences favorite venues. precious hall probably is the best club in the world- a wooden shelter in sapporo on japans hokkaido island. a gorgeous deep sound, the sweetest crowd and a lot of ulong high at the bar are the namegiven substances of the a-side. >dwelling on the dunes< was firstly tested at uri lahavs cheap friday club tel aviv in 2009. when laid co-founder dor levi mentioned that night it was the track who could play forever laid number 09 was born

truth, undoubtedly new zealands greatest dubstep export, have been making a huge impact around the world with their heavy bassline riddims. truth have a style that defies categorization, encompassing an array of melodies, vocals and spacious beats that range from half-step stompers to the deeper profound realms of sound, all with one common element which underpins every track, a heavy bassline riddim that lays sheer force on any system heavy enough to handle it. the badboys of new zealand dubstep team up for their first single on argon records. bombay sapphire takes you on a trip through bass, while worlds apart flips the script for a jazzy dubstep experience. two incredible tunes, one essential argon single.

eglo records reaches its tenth release, with another acid dripping banger courtesy of west londons funkineven aka stevie j. taking things a little harder than on his previous two records, heart pound jacks its way across the dancefloor, in a collision of chi-town and ldn beat based funk. another space comes even harder, drawing on a touch of early rave and hardcore, its twenty tenà it just went on a journey before it got here. funkineven has been busy of late, remixing for hyperdub recording artist ikonika, darling farah and practicing as part of the fatima live band, who made their debut appearance for deviation at fabric on wednesday, supporting bilal

back on friday 17th september (2010)...second single for the hotly tipped london based producer pariah on the legendary r&s record label. parishs debut single detroit falls/ orpheus gained the young producer many high profile fans including rob da bank, mary ann hobbs, ramadanman, untold, len faki, appleblim, chris duckenfield and will saul amongst many others. the first ep also found its way onto high profile, and influential blogs and websites including pitchfork, fact, gorilla vs bear, no pain in pop and rcrd lbl, and was a recommended release at boomkat. the debut single contained the first two pariah tracks ever recorded and were instantly recognisable as referencing the hip hop beat collages of dilla and the moody atmospheric 2 step rhythms of burial. this doublepack sees pariah move further towards developing his own sound, and takes in slamming percussive club tracks, deeper 2 step excursions and downtempo and beatless highlights. early supporters of this release include mary ann hobbs, falty dl, ramadanman, ben ufo, untold and mosca.