body function and vatican shadow have combined forces on > games have rules< for hospital productions, simultaneously stripping back each producers more prevalent production elements - the dancefloor-focused techno structures of function, the experimental cassette-roots of vatican shadow - to create an album of dynamic electronic ambient music, equal parts rhythmic and atmospheric.

following the success of the digital release of sleazy mcqueens *you know how ep*, upstart label, cvmr were compelled to press the remixes to vinyl. the proceedings open in superb style thanks to the revenges live dub. a bass heavy tool with equal parts classic house and disco, with a touch of arthur baker-style drums. on a2, sleazy mcqueens space coast take things to the basement with the help of romano arcaini (latenight society), warm rhodes, live bass and an absolute drum-break-freakout add a decidedly different dub flavor to the package. b/w compost blacks main man kasper bjorke offers his acid tinged interpretation, driven by a gritty saw-wave bass hook, rolling snare hits, wanderings arps and crunchy drums, a simply stunning piece of music as expected from the undeniably talented copenhagen born producer. closing out the remix ep, cvmr in-house producer, century strips back the vibe to a dropped tempo, emotive workout fuelled be heavily reverberated piano chords, echoing vocal lines and a general chuggy, low-slung vibe throughout.

released in 1988, tougher than leather was the culmination of the rap/rock road that run-dmc travelled in since their earlier albums king of rock movlp675 and raising hell movlp633. its superb production, booming 808 beats combined with guitar samples, catchy choruses and smart rhymes made tougher than leather undoubtedly the best hip hop record that came out in 1988. great tracks include *mary, mary*, *runs house* and *i m not going out like that*. its equal appeal to hip hop as well as rock fans made the album a million seller, and underlined run-dmcs stature as living hip hop legends all over the world.
pressing on 180 gram audiophile vinyl.

this 5th release consists of three tracks made by the twin duo manic brothers, one edited by petter b. they have during their relativity short career proven themselves as worthy keepers of the swedish techno heritage with big releases on drumcode a.o. what they bring to bond on this release is their signature big room sound but with a much more simplified approach than previously heard. on the a-side there are two great tool tracks with lots of space for creative interpretation for a dj. on the flip there are a long and epic track with a massive vocal breakdown. groove based but yet with a big and strong hook.

well, well, well! our teutonic chums come through once again with the secret selections you vinyl-junkies love to love! house master boyz get ripped up, but this aint chicago and it aint 1986! that classic acid house refrain gets welded onto some distinctly brand new / retro sonics, an acid laced behemoth that is equal parts new beat and strobe-lit proto house. timeless & powerful floor food, and as such, equally at home in some erol alkan piloted stadium as it is in a stinky basement. a quick flip and the jj jam swaps the faithful homage we found next door for a futuristic steppers workout. roughly hewn stabs underpinned by some rib cage rattling low end registers
300 copies - vinyl only file under: weapons!

well cut records is the new label project from danny ward, known mainly for his releases and productions as moodymanc, dubble d and as part of 2020soundsystem. the label aims to be a showcase for various production projects and collaborations from danny and to live up to its moniker by releasing records that will appeal to the more discerning record buyer and dj by staying true to the roots and aesthetics of house music whilst exploring its many shades and colours! this debut release perfectly captures the well cut approach, pairing two moodymanc productions on the a side with an equal amount of collaborations between ward and newcomer lenny middles

hot on the heels of the last release from francisco in slow motionss new soundtrack series comes this stunning four track release from marco antonio spaventi. while recalling influences as diverse as jan hammer, john carpenter, goblin, giorgio moroder, daniele patucchi, the de angelis brothers and many other legendary (mainly italian) composers from the soundtrack side, these tracks are just as comfortable on the electronic dancefloor and provide a dancing experience every bit as engaging as a listening one. synth-heads, soundtrack afficonados, space-freaks and dance fiends are all set to enjoy this one in equal measure! move fast as copies are limited and demand is high.

renegade hardware present – chroma. formed back in 2011, the chroma crew crashed onto the scene right from the start, with essential tracks on hardware, program, commercial suicide, and their very own coded label. subsequent releases have blown speakers and minds in equal measure, and now the newcastle lads are back with the follow up to their hardware release: machine which featured on the heavyweight limber ep.

terence fixmer delivers the next offering on his planete rouge label with this triple tracker, -empire e.p- -empire- sees terence fixmer in full on techno mode, opening with the formidable bass tones of the title track, pounding straight into action. -descente- picks up the pace next, driving you on with its percussive layering. finally, the shimmering - origins- closes the ep with equal scorching intensity.-

eglo records are proud to present the debut release from melbourne based multi-instrumentalist/writer/painter/mastermind kirkis. deep fried and bursting full of colour, these two tracks act as a pre-curoser to the forthcoming full length lp *liverbleach*. an associate of the awesome hiatus kaiyote, kirkis is equal parts black hole and rainbow, like the spirt of frank zappa trapped in an answering machine.

professional dj bag carrying 75 of 12inch records. two equal subdivisions when opened. extra strong bel, cruchioned ground for easy record selecting. for a good party we recommend to carry 130 of you 12 inchen safely in two of there functional >> chateaux <<

professional dj bag carrying 75 of 12inch records. two equal subdivisions when opened. extra strong bel, cruchioned ground for easy record selecting. for a good party we recommend to carry 130 of you 12 inchen safely in two of there functional >> chateaux <<

sequencias number 10 should give anyone unfamiliar with the label a good idea of what we are about. three very different artists have given us three very different tracks—collectively forming a sort of manifesto. experimentation, rhythm and reflection are all given equal weight on this record. as with everything we present, it is all in the service of expressing the flawed and the human.

greek producers lee burton and mr. statik are already familiar to fans of groove-inducing, deep minimal house, creating intricately woven tracks that spark dancefloors and neurotransmitters in equal measure.

new jerseys finest returns to ovum alias free. having been contractually locked down in 2011 harry romeros previous philly outing came under his secretive vaggio pseudonym. the air of mystery surrounding the artist frustrated and excited in equal measure and yet refreshingly freed the ep of any preconceptions. this was after all a debut release, right? the response was overwhelming and lit the touch paper for what was soon to be harrys return to his beloved raw house beats.

this limited edition 7 vinyl from mcm, released in conjunction with headcount records is a little slice of history. the former lyricist and front-man of the pioneering uk hip hop crew, caveman delivers two solid joints. caveman was the first uk hip hop group to get signed to a major label and signed to profile records in 1990. the crew quickly established themselves as one of the uks most popular and versatile acts. over 20 years after the first caveman album, mcm is back. the a side cut, r.e.a.l (rhymes equal actual life) is featuring fellow high wycombe emcee c-lone and is produced by rinse dog with the cuts by mr brown. the b-side cut is through and through mcm.

limited to 500! the ninth release from the well-formed holic trax label comes from italian born hot property tuccillo, fresh off the back of his massive ep for 2020vision and recent work as doublet with holic boss tomoki tamura. this new ep will get released on a limited run of 500 coloured vinyl. tucillos sound is a cultured but club ready one with plenty of melodic intricacies and cues taken from chill out, disco, house and techno in equal measure. these four new tracks prove he is a master of his form very much still on the rise

returning to the fray for the second instalment in its deep house venture, the people are looking at you imprint sees a confident expansion on the sultry tones laid out on the first slab of wax, featuring a sturdy pair of cuts from london production duo jonno & tommo. taking charge with the a side, >a month of rain< is a multi-faceted mover loaded with suspense and surprise. in its opening strains the sharp beat ticks out across a sparse, dub-informed soundscape that slowly fills out via a captivating chord refrain, haunting and seductive in equal measure. without giving too much away ahead of experiencing the track for yourself, be prepared for a dazzling break in the clouds that lifts the summit of the track into an entirely different headspace...

equal parts elastic, ecstatic funk and sensitive, reverb drenched romance, on this first installment of endangered speciesremixes the crew love team turns no regular plays genre-defying album upside down. the unexpected results will ignite right-minded parties the world over.

unclosed starts a new project with analog series. 10 references in premium vinyl format with the best underground world techno producers. only 300 copies from a 180gr vinyl made hand one by one. eduardo de la calle sign the first reference with two techno tracks in side a. underground techno detroit to headphones and dancefloor. in the side b, one techno dub track from tecknoise and one techno track from martin emit. the final label art is manually sticked in the vinyl by unclosed team. also, the vinyl colour amount and opacity is diferent in each one, then don’t exist two equal vinyls.

r&s keep things in the family with mpia3s brother tessela dropping his debut ep for the label. since 2011, ed russell has been moulding a style of dance music as tessela that has evolved to become a distinctly futuristic animal that is equal parts rave, jungle and techno as it incorporates classic breaks into delirious new mutations. the three tracks on this ep all follow on from his superb *hackney parrot* track but evolve his sound even further. nancys pantry combines bruising kick drums and some slick editing of the think break, before plunging headlong into thundering techno. horizons percolating hi hats and rough-hewn percussion roll off repeating chords that recall the heady days of rave. gateways uncomplicated arrangement of high hats, sub bass, siren like synths and quaking kick drums rattle through the tracks chassis and club soundsystems. early supporters to the tracks include ben ufo, pariah, surgeon, pearson sound and paul woolford, testement to what might be tesselas most lethal offering yet.

french producer kool vibes returns with a third offering on his own self titled label, continuing to mine that sound classically rooted in the early 90s east coast swing of new york and new jersey. vibes abound on > u got me< with the titular vocal hook leading a orchestra of bouncing percussive rhythms, spritely neon dipped keys and an infectious bassline thump, whilst > house music< shows kool vibe dipping into the sounds of vintage murk productions with equal aplomb

our west coast brother from another mother marc barrite has been a vital part of the circus company troupe since the early days of the label, due in no small part to his combination of flamboyant style and hefty funk. for all the experimental qualities in marcs music as dave aju there is an equal amount of hip hop swagger and heartfelt soul, and when you filter those elements through a house music template you get close to a perfect definition of the tastes that drive our label.

lukas nystrand von unges music has been making the rounds on hissy cassettes, scratched up cdrs and chaotic soundcloud pages ever since he first started making music in 1987. utilising equal parts playfulness and rigid methodology, hes slowly but surely carved out a unique sound over the years - one which combines heavenly melodies with dubby lo-fi esthetics, white funk and black pop

its often said that sequels never live up to their originals but, in this case, wed like to take a slightly different stance. the ingredients might have changed however, the recipe is still the same as we introduce the sequel that is greater than equal - supplement deux. four more slices of organically grown, 100% authentic house music from the mind of ny house icon - the nathaniel x project.

the shifted flow 002 ep sees another diverse release from matthew burton & kate rathod. the five tracker also has a couple of collaborations. a2 sees matthew team up with friend, tattooist, and lover of all things analog, bangla design (george from the island of cyprus). while on the flip side b1 sees matthew & kate along side their favourite producer and old friend blm. the whole ep is packed full of moody atmospheric textures and vibes which can be enjoyed at home spaced out or on a dark sweaty dance floor in equal measure

the used experience ep marks the debut release from brooklyn-based producer divvorce and second release for the fifth wall imprint, which he helms with fellow brooklynite hound scales. a collection of four originals and two remixes, it is equal parts warehouse grit and colorful house and techno. remixes come courtesey of rush hour/skudge records-affiliated artist mrsk and tectonic-afilliated artist grenier.

the latest ep from chicagodamn. affirming once again why he’s at the very top of his game. 3 more unique, live take mpc jams that will destroy and delight in equal measure. from the dislocated funk of pleasurer, to the futuristic house sound of temporary transgression via the powerhouse slammer that is let your body rule. all killer.

chicagos kate simko is one of recent years usas most accomplished electronic music talents a genuine music love who commands equal respect behind the decks, the mixing desk and the keyboard.

hiem, who created the stunning *2.a.m* single with the human leagues phil oakey earlier this year on nang, returns with another collaboration of equal measure, this time with the uks one and only roots manuva.

slag is a live techno band consisting of equal parts musicians and djs. the four experienced men draw on their experience from record shops dance floors and film-/ theater-music and have the common passion for techno in their neural pathways. with the passion for electronic music and classic synthesizers, they created a sound black as oil and white as freshly fallen snow. the band varies their performance with a large portion jam elements and makes their live shows tension filled in both club and concert performances. a concert by fire slag starts in the deepest dub and ends in a furious techno ballad.

dusty baron aka latecomer may be a recent arrival on the scene, but he plays like a true veteran. a mysterious export from the around same eastern latitudes as label boss vakula, his music, much like vs, sounds just as rooted in the post soviet russian landscape as it is in the post industrial north america which gave rise to all the soul and machine funk that is the driving inspiration for so many of todays roots conscious electronic artists. vakula takes the controls on side a with dubwise and exotic production skills whilst side b showcases the barons heavy heavy chops, with drum programming as deft as his keys work, and a sound which is equal parts earthly and heavenly. sides c & d (on bonus 7inch) see v step up to offer two takes on >follow shot<, continuing the theme of techno tinged jazz cosmism. a noble introduction, by way of collaboration, to the dusty baron and his sound, and yet another installment in lelekas continuing contribution to the musical space time continuum.

12 inch vinyl only. the first entry into the templar sound white label series comes via sydney savant dro carey. careys n.r. beat is the centrepiece of this vinyl-only release. the track is a menacing hybrid of rapid-fire martial 808s and uncompromising sub-low bass, indebted in equal parts to black ops and mobb deep.grime don j-sweet forges his own uncompromising version turning the instrumental into a brutal piece of 8-bar weaponry guaranteed to cause damage in the rave. the a-side of the record is reserved for a vocal of the n.r. beat by south londons merky ace with the mc riding the track with ease, his vicious flow effectively kept in check by carey’s brooding instrumental.

audiojacks last 2020 single the get serious ep was a seriously big release, and its taken them the best part of year to follow it up with another amazing set of three tracks.

so you didnt get that last firecracker that came in an incredible sleeve and was limited to 45 copies? well now you and the other 99% of humanity can at least own the music contained within it with this regular re-release, and to be honest although the sleeve isnt hand-weaved by a peruvian tribe centuries known for their mastery of textile craft, the one yer getting here is pretty goddamn sweet. bringing together calypso rhythms and bernie worrell-does-acid lines, fudge fingas >untytled< is an exemplary example of why everyone is in admiration of the geezer, and that is because he can actually make actual music, with compositions and melody and all that. excuse the lofty jargon. linkwood bring equal heat in the form of >secret value<, but guess what? fudge fingas has gone and blessed it with the refreshing audio equivalent of yer girlfriends mint & tea tree shower gel, adding liquid bass and lush keys. the fingas finishes off the e.p with one of his most interesting tracks to date >minus 616<, a dense, immersive piano piece that proves that getting this e.p out to a wider audience was just simply a righteous and necessary move. take that skinny tie off, wrap it round yer arm and mainline that uncut funk, baby.

the queen of england may have celebrated her diamond jubilee this year, but we feel that reaching our very own golden 50th release is almost of equal importance! who else to present this honour but the head brothers-in-arms, tiefschwarz with a stonking remix package of their smash hurricane.

bobby champs stormed in the scene with his debut moonlight earlier this year, universally praised by publications like ra (4/5), mixmagand dj mag. follow up ep drag queen shows a development, a more mature but still raw sound explores berlins midnight and londons 3am. title track drag queen is quite unlike anything else, a weird track, an enigma, a four four kick provides some sanctity to the listener whilst scratching synth work and unusual textures bemuse and delight in equal measure. latte brings us back to more familiar club territory, filtering works effortlessly behind the kicks, the synths reference piano house. charlie is a menacing beast with swagger, beautifully produced arrays of clicks massage the cerebellum whilst the pounding drums kick you in the chest.

next up in the delsin house series is a man whos been perfecting it for years – düsseldorfs andy vaz. the boss of yore and background records, vaz has released two full lengths and many eps to date, always exploring a heartfelt brand of electronica that draws on house, techno, detroit and chicago in equal measure.

the rebirth of cool m=minimal is pleased to release a masterpiece of the early 21st century on vinyl. till the old worlds blown up and a new one is created is an outstanding work of reductionism and minimalism. martin brandlmyar ( radian / trapist / kapitalband 1 ), werner dafeldecker ( polwechsel, david sylvian, autistic daughters) and christian fennesz ( touch / mego / thrill jockey ) on this record created a new kind of cool jazz coupled with a big portion of new york school ( cage, feldman, brown und wolff). its hard to describe the music with words. this work reveals his secrets only after listening to it a couple of times. it grows with each time you listen to it. in this work, silence and noise are never used as an end in itself. as equal parameters they stand in the composition that also has space for some tonal >flower<. our recommended listening time is – round about midnight.

what is techno is the first single to be taken from techlegend in the makin florian meindls long awaited debut album waves (1-12)inch, due for release soon on his very own flash recordings. what is it techno? what is house? good question and its the doubt that drives you on the dancefloor. florians original is perfectly crafted deep groovy tech. a delicate melody belies the raw power, generated here by the growling bass and drum line. ramping up the filth factor and still riding high from the release of their second city ep are boys noizes, shadow dancer. matching detroit synths with sinister bubbling acid the manchester duo create a beast of a mix that also displays an equal amount of beauty.

a couple of months after the release of sweet nothings, dapayk & padberg are once again treating the vinyl-heads amongst us to a 12? consisting of a sunny selection of the albums core material, just in time for spring. kicking off the a-side, berlin summer nights is nothing short of an anthem: classic rave sounds of epic proportions glide through an arrangement of bouncy beats, crisp percussive work and hopeful vocals until a powerful breakdown delivers the hands-in-the-air moment. this year, summer has come early. next up, the sun came up bedazzles with a pumping beat and robotic vocals, while a progressive synth lead helps along the track’s love lyrics, turning this into a truly stunning musical moment, which already proved its power at sweet nothings’ heart. on the flip, dapayk & padberg present the albums opener, the trippy too lazy. here, were dealing with a rather brooding afterhours number that is equal parts paranoid and mesmerising as a wonky bass vibrates under dubbed out pads, eerie synths and vocal whispers. the perfect antidote to the cheery a-side!

heres the final 2nd part of sascha dives restless nights album remixes. after frank roger and alix alvarez appeared with their own versions of sascha dives music on the first part of this remix series in 2011, the 2nd part will be acclaimed in equal measure. on side a1 chicago house legend halo feat. blakkat transform sascha dives original summer madness into a straight club track with a groove one just can not resist. on b1 willi graff and tuccilio deliver their interpretation of underground railroad - yet another dance floor bomb! a true shaker. were loving it!fred p. again keeps it dark with his interpretation of get out of the ghetto blues.deep,deeper,the deepest. check it out. hips dont lie!

record store day is synonymous with exclusive and limited releases and this year is no different. featuring a collaboration ep with adrianyounge from venice dawn and black dynamite fame and adrian quesada from the echocentrics, ocote soul sounds, brownout and grammy-winning grupo fantasma. a first name is not all adrian younge and adrian quesada share, they also both have an equal love of the psychedelic, the cinematic and at the root of it all, soul music. so it was inevitable that a collaboration would eventually come to fruition. mutual admirers of each others work, they first met at the sxsw music festival while on the same bill. both began their production careers on mpc and taught themselves various instruments to further capture the symphonies heard in their heads. fresh off his current solo project something about april under the moniker venice dawn, adrian younge found time to create all new tracks with adrian quesada who just released his echoland tribute to timbaland with the echocentrics. although both are distinct artists in their own right, they are cut from the same cloth with a signature sound thats equal parts morricone, early portishead, wu-tang and 60s psychedelic cinema soundtracks. their combined efforts on this ep guarantees a double dose of the sound we have come to expect from these talented individuals.

next seven music by volta cab incl. amazing mark e remix. ric mcclelland & sean grieves seven music imprint is back once again. hot on the heels of their last release with robotalco and cottam. this time seven music presents an all together different flavour courtesy of russias volta cab and englands mark e. with previous releases on labels such as solar disco, apersonal and serenades, volta cab is a new and exciting breed of >dance< music producer. pulling inspiration in equal amounts from the past aswell as the future he is one of the few producers now that effortlessly traverses the sub-genres of house, dubstep, disco and downtempo. on remix duties we are extremely proud to bring you merc main man, mark e! your continued love & support is always appreciated!

nice price deal !!! hailing from perth, australia, this talented and prolific producer is no stranger to the music scene. following his first taste of an akai sampler to drop film samples on the intros of songs in his metal band, the dirty whittler, rregula eventually found himself drawn into the world of drum and bass and formed one half of bad robot in 2003, a monster collaboration with future technique and viper superstar, phetsta. with a number of releases on subsonik sound, black sun empire, and drumsound & bassline smiths popular technique recordings as bad robot, followed by solo projects on vampire records, dsci4, citrus recordings, icarus audio, climate recordings, and too many others to name, rregula has been scaling new heights with his output in the past year. having just released an album project in 2011 on trust in music entitled echoes from the future with dementia and collaborations from the likes of smooth, trei and optiv, one might think of calling it a year.. rregula is not one of those people. now set to unleash his highly anticipated debut lp on climate recordings, rregula presents: the barramundi experiment.an album extraordinaire, with over 30 tunes of deep and dirty rolling drum and bass, halftime and drumstep. the vinyl ep features 4 groundbreaking tracks of the album. the a-side holds 2 superb drum n bass tracks for the dancefloor, while on the flip you will find 2 massive bass tracks that will do equal damage on the dancefloor! the vinyl ep also includes the full doublepack cd in the sleeve!

next amazing thoughtless moover by stare5 aka bryan zentz with a huge remix of noah pred. known for his distinctive productions over the years as barada, cyan and under his own name on seminal techno labels such as primate, tronic, jericho, plus 8 and cmyk, bryan zentz reprises his stare5 role for thoughtless with three tracks of dub-fueled deepness. pushing ever outward on tides of subsonic bass, >the sprawl< emerges from cover of night, a vast expanse of sleepless chords illuminating the darkness as ripples of reverberant effects reach toward the stars. label boss noah pred adds another layer to the low end to imbue his remix with a swinging pulse, then intensifies the hypnosis with a sinuous synth that snakes its way through a winding labyrinth built from the materials of the original. >frozen fog< opens with cold yet insistent stabs that keep pace atop a bouncing dub bass line, responsive chords building pressure amidst gradually rising vapors. with equal nods to detroit and berlin, bryan zentz successfully presents his own unique vision of a classic form with >the sprawl< - solidifying his reputation as a master of the style in the process.

fine deep house pack w/ guest appearances by kai alce, lady blacktronika, anton zap a.o

when it comes to being a man of many talents, there are few to equal richard norris. dj, producer, musician, a&r man, author and journalist... his is a career of many twists and turns which have always seen him at the forefront of pushing new ideas forward and championing diversity and innovation, be it alongside erol alkan as part of the wizards sleeve, or gone solo as the acclaimed time and space machine.
tirk releases richards debut as the time and space machine in 2010. with the long awaited album imminent, we have decided to do a special single release of one of our favs to preceed, alongside a brace of tasty remixes. >pill party in india< is rich with the energetic twang of exotica carried down a highway of fast-paced bongos and live drums with interludes of blips, wiggles and ghostly soundtrails. absolutely stunning.

hybrid minds represent a new musical force, with their melodic, soulful drum and bass already making waves. a synergy between influences including trip-hip, acoustic, soul and rnb, hybrid minds, consisting of sensa, haste and grimm, draw on a myriad of influences to produce the smooth sound they are known for. quadrant is best known for the hardware release manipulated living on the carpe diem lp, a track that hasnt left many djs crates since. since then, their output has been slow but steady, and they have amassed a highly respected slew of appearances on triple vision labels citrus and fokuz, showcasing their equal proclivities for dancefloor impact and melodic beauty.2011 represented a remarkable push forward for quadrant, the volume of their output has greatly increased, but like a fine wine, the years have only sharpened their ear for quality and detail. several new solo tunes in the pipeline, and worldwide dj support spanning the gamut from goldie to state of mind, are serving to make this an exciting time for quadrant, their music, and their loyal fans.