morphosis has been cooking. friends, nwaq & just for one day got on the re-whisk. these productions live up to all expectations from two of the most awe inspiring out there. turn them up. big tip! when this idea came about, there was some speculation here if it was a going to be plausible prospect. throughout all the deliberation one fact remained: re-workings from these artists would make the perfect precursor 12” to a full morphosis album, and it just had to happen. then it did. nwaq turns in one hell of a dub! an almost relentless 7.5 minute float, that’s underpinned with thriftily placed percussion, and a true beast of a kick drum. no build-ups. no break-downs. so, now… let’s all bow towards to the master. just for one day’s rudeboy drum palette is going to be familiar to more than a few people. let’s just say that this is the new guise of a veteran german producer who’s uncompromising music has graced some of the world’s most exciting record labels over the past 15 years. for this remix he hijacks the ‘android’s among us’ and throws them right into a sound system shootout somehow leaving the core elements from the original track in tact. seriously killer. for fans of 2 step, jungle & dr who(?). please note: this will be a vinyl only affair.

6th borough project make a welcome return to delusions of grandeur to deliver their debut lp entitled one night in the borough. as well as a cd the album is being released as 3 individual singles plus a limited edition triple coloured vinyl pack. here we have the first single in the series of 3 including four brand new full-length cuts from the album. find a way kicks things off and sees the guys deliver what we know as classic 6th borough material ie. precision cut, edity disco and soul but heavied up with a fat kick and an arrangement which screams out for peaktime plays. iznae hits next with a brilliant wobbling bassline that brings a warehouse feel to proceedings before the groove drops into an unexpected breakbeat section that harvey mason himself would be proud of. if its loopy downtempo house you re into then look no further than if the feelings right. layers of loops build and drop, filtering in and out whilst grooving steadily along at a sublime 88bpm. finally, changin goes on a classic deep house mission with soft stabs and synth riffs supplying the interest while a rolling beat propels things along in an understated yet powerful way.

the process of receiving and listening to demos is akin to the proverbial needle in a haystack - poorly labeled cd’s or mp3’s are handed out indiscriminately like flyers for strip clubs in times square (circa 1970). “i really think you are going to like this,” or “all nude girls,” and “dj ‘x’ played this at space,” or “24 hours live sex show…!!” but in the end, just like the harsh reality of a stripper in daylight, the demos fall well short of anything mildly interesting and certainly nothing you would bring home to mom… until madato… from the first group of tracks he sent it was clear that a nice guy from naples had sent us the needle we had been looking for. “naples may not be a place one would consider to be particularly inspiring, from its outside appearance, chaos, and plenty of junk on the streets - it takes a deeper gaze, beyond, and into madato’s dream world. madato is always looking at what’s beyond the waste. inside his dream box you might find laura palmer making out with ian curtis, charles bukowski writing a fairy tale, or perhaps john nash singing along to bauhaus songs…” file under: trippy disco inspired dance music, not defined by a genre but more of an attitude. post-punk undertones mixed with psychedelic sensibility

>daemon< is the third ep from kenton slash demons >the schwarzschild solution< trilogy and features remixes from axel boman<. tartelet records are proud to present this last ep from the momentous trilogy and feel confident that it will bum rush discerning dance floors with its unrelenting, seductive beats and yearning, melancholic bent. as you may already know, the name >the schwarzschild solution< is taken from karl schwarzschilds complex theory about gravitational pull and celestial bodies. this is heavy, elevated subject matter, which goes extremely well with the lofty artistic ambition and nuanced emotional disposition of the trilogy. and as you would expect it from the boys, >daemon< is a grand journey of larger-than-life proportions.

if the eyes would be the mirror of the soul we could easily know others. but that may be not true so this is the aim of giorgio gigli and obtanes >the incredible tale of secret journey through your eyes<: penetrate your eyes and reach your soul and subconsce until we know your truth. psychoanalytic claims this time for zooloft, opening with an upbuilding, dramatic techno anthem, telling us of a true love on the hills. on the other side, geophones master mike parker delivers a pulsating and acidic techno driver where heart impulses are generated by a disturbed soul, creating spasms and panic feelings. the ep get closed by a strongly romantic drone track that tells us love is still the only way-out.

it really is an unbelievable honour for us that we may release this fantastic track by von spar, a track that might as well be found on their outstanding album >foreigner< from 2010. maybe it is because we are such a big label and this crude, elegiac, and emotionally mighty sound of these guys fits just perfect for us. and whoever would like get out of this tunnel of infinite deepness should rely on the remix ada comes up with. trust is good-but no doubt, control is better.

poker flat continues to roar ahead into 2011 with a seriously jam-packed new compilation on cd and vinyl, featuring only brand new and exclusive tracks entitled >forward to the past<. according to label boss steve bug it renders homage to the period between >85 and 92<, traversing the heady sounds of chicago house, acid, new york house and early detroit techno. this exclusive 2 track single, taken from the compilation features steve bug and martin landskys supreme tracks in a celebration that >jack is back<! opening the selection steve bug puts on his jackin shoes in >jack is back< - a classic chicago jack-a-thon in the purest form. tight analog drums and synths work up a storm just like bug would have done back in the days. fellow front disc-jockey martin landsky provides a sumptuous deep house vision with >v2u<. the man is always on form and this doesnt disappoint, fusing old-school drums and basslines with a modern head for the floor

for is 3rd release on musique risquee, after the well acclaimed dirty lipreading single and is first full lenght foe destroyer, stephen beaupre is back with a really solid record. thats all there is to say. gl’amour as the distinctive signature of stephen beaupré, his subtle use of vocals, strings colored with warm echos layered on a big and chunky drum beat. you can easilly acknowledge is natural sens of storytelling unfold in a brillant way. on the flipside, when you have it, would be an excellent way to summarise stephen electrifying live sets: funky, melodic hypnotic and sexy. we are very proud of this last one, hope you enjoy as much as we do.

just over a year after it launched, jay shepeards retrofit presents its fifth release, with the label boss teaming up once again with matthew burton for a quartet of classy deepness you would expect from the imprint.

supported by: richie hawtin, luciano, sven väth, anja schneider, davide squillace, paco osuna, karotte, kaiserdisco, daniel sanchez, mendo, anthea, butane, ryan crosson, fabrizio maurizi, gel abril, uto karem, carlo lio, ramon tapia, chris tietjen, someone else, dan curtin, alland byallo, butch,.. timid boy first teamed up with amam last year to remix a track from tobia coffa, and it was clear since then (and from his impressive nonstop activity since then) that we would invite him back for more!

just a few minutes till impact. final approach, three, two, one… stephan bodzin and marc romboy aint no astronauts. they are first and foremost musicians, producers and long time friends. both would admit that arguing and talking music is as important as making it. together with their own long running imprints, systematic recordings and herzblut recordings, they have proven how to build up a distinct label sound. however, similar to some well-known astronauts, the word >luna< has a very special meaning to the musicians because its the name of marcs daughter and coincedently that of stephans wife as well. therefore it had been the obvious choice when they were looking for a fitting title name back in 2005. six years on, and the project nears its final touchdown and is honored with a an outstanding vinyl-set of six records!!! 16 different producers from all over the world take you to a musical orbit, starting in germany with moritz von oswald (basic channel, rhythm & sound), dominik eulberg, chris liebing, oliver huntemann, martin buttrich (desolat), roman flügel (dial) und robag wruhme (pampa records), continuing with speedy j (plus 8) from the netherlands, minilogue from sweden and even abe duque and brendon moeller from new york from the u.s.a.. an electronic transmission from the moon to the earth takes a little more than one second to cover the distance. but when listening to >luna<, you wont dare to think in minutes or seconds ignition sequence start, trois, deux, unité!

light sounds dark combine forces with fellow marshmallows psychemagik on a ride to the other side and as one would expect from these two a variable treasure trove of a selection plucked from all corners of the known galaxy and far beyond.

so what is the sound of progressive disco? well it captures the insane rhythm and the unforgiving driving beat that is instantly found in the funk of the early seventies but real disco music also had a formula that would guarantee the hottest djs success if played at the right time. that formula was a blend of up-tempo rhythm sections laden with south american percussion mixed with soulful vocals and orchestral strings - a symphony of sex, lust and love. we change the formula and focus on the rock, electronic and dub elements - slower, sleazy and fun.

to kick-start the fina campaign we literally hunted high and low to find an artist and sound that we felt would represent us and give a statement of intent. what we didnt expect was for this search to take us south of the equator and into to the deep southern hemisphere. this is not the first place that you would expect to hear warm, deep underground house but this is exactly what you get with the melbourne based mic newman. and thinking about it, it doesnt get warmer or deeper than melbourne does it? mic is a young producer who we believe is destined for greatness. at the age of 29, hes already had a string of underground smashes on labels such as murmur, tsuba, dirt crew, freerange, and now for fina records. the intriguingly named live east, die young ep (mic riffing on his time spent living in london) sees what mic doing what he does best and demonstrates why his future is so bright. on die young, the tougher a-side, mic keeps the beats solid, and the groove tight and hypnotic, while the smooth chord stabs get right under your skin. prolonged foot tapping ensues. on the flip side, live east, mic takes it a little deeper with ever so subtle disco touches. the vocal sample asks what your name is and to take off your jacket as if to welcome you to a very messy after hours on this mcde-esque low-slung house groove. on remix duty, the on-form jacques renault and marcos cabral aka runaway, lift the track out of the south hemisphere and take it in a north easterly direction all the way to the caribbean – adding plenty of steel drums and pads on their interpretation of live east

aardvarck comes with >gloom<, an offshoot of his highly successful >bloom< imprint. >gloom< is the second split effort between aardvarck and dutch beatmaster kubus (opgezwolle, top notch). it features aardvarck on an oldschool techno vibe with deep and greasy beats plus his signature style breaks. on the flipside kubus delivers three insanely loud and bass heavy bangers. limited white label!

one would be curious as to what a track such as this one would sound like. images and visuals floating through your head as you press play, the airy, angelic pad intro induces you into a trance-like state before soothing piano lines and a pitched-up vocal reminiscent of the early hardcore era takes you away. as the drums come in with a half-time feel, it is easy to imagine japanese taiko drummers playing their part. once the break takes hold, a short span of melodic heaven uplifts before the drums take control again.

shakarchi & straneus are faik and daniel, two bffs from gothenburg who are making some of the most catchy, emotional and well crafted dance music we have heard in a long time. both had been involved in music for a while when they started working together at their hometowns top tapas joint, manana. in between washing dishes and serving patatas bravas, the boys would burst out short tracks and sound experiments in the makeshift studio they had set up inside mananas cloakroom. this led to a debut 12 inch on malmo based geography recordings and now comes their five track ep >dodskallar och korallrev<: studio barnhus second release, the best swedish house record since jesper dahlbacks >what is the time mr. templar?<, something we are immensely proud of being able to release.

the power of lauer is indisputable. blessed with the uncanny ability to make hooks that would make bone thugs-n-harmony jealous in their heyday, phillip lauer is – pardon us – the melody man. his newest tour de force comes in two parts for our beloved live at robert johnson label. similar sounding to the legendary harmonizer (as if you would care), h.r. boss is new- romantic -italo -not -italowave that puts love on top of love (i.e. the aforementioned melodies). wouldnt sound out of place in sophie marceaus notorious la boum walkman. forbidden fruit is the sweetest. a little less full-bodied, yet as disarming, banned goes straight ahead with its ripply bass line, wheezing strings, a killer arrangement that completely deserves the tracks name plus a groove that wont stop. feels like delta nrgs filthy little brother. delectable! put on your red shoes

re-issue on heavyweight double vinyl of this 1991 compilation with eurythmics biggest hits.

bjorn torske is a special artist with a special name. he was born in northern norway where fishing has been the main industry for hundreds of years and his name literally translates as >bear cod<. even making dinner is unique in norway: you put the potatoes on to boil, go out to sea and catch a fish, then return to prepare the meal…this process is known as >kokning<. to say that northern norwegians do things their own way would be putting it lightly … to say that bjorn torske is making music his own way would be exactly right.

created back in 1994 by secret cinema, no one could have predicted how timeless this track would turn out to be! if you are in to electronic music and live on this planet, theres a 75 percent chance youll recognise the weird reversed, reverbed piano riff! now, for the first time, the original is available digitally with remixes by slam, egbert and secret cinema himself that made their way to vinyl as well. the massive techno tune from 94 is ready for a little update! it can be a challenge to remix a track with so much history, but all three managed to complement the original while giving a unique spin to the track. the secret cinema 2011 remix is a peak time main room power tool that will turn a big crowd into a riot any day. slam take a deeper, more subtle approach that can hypnotize and rock a main room crowd without blowing their wigs off. finally egbert takes the track to a warmer funkier level, equipped with a funk-filled bass line and some warm pads over the top. a truly timeless package!!

oh cristo! label comes back with memoryman/ltj, heavy one.
memoryman - aint no big edit: great percussive elements bring this track to life! short stabs of echoey synth carefully placed throughout add to the atmosphere, the track builds and builds. there is a strong house/techno feel but the slow tempo ensures it grooves, a big track! and lovely vocals with the deep bass work really well!
side b: ltj - all night: hypnotic loop carries the track, slow bass grooves and the vocal is perfect! a dancefloor gem! would be a great secret for any djs bag!

>mr nice< features snippets of howard marks which are interlaced with clattering breakbeats and booming sub bass. while we are sure howard would approve of a late night after party session, for many this will be the soundtrack to what happens before they leave the club! label boss steppa and his co-producer kitcha provide an excellent aa side which harks back to the classic formation records era. splicing in cheeky samples lifted from anthems of old and twisting them into something brand new, this one is just as fearsome on the dancefloor.

including pier bucci remix! our seventh vinyl release features the long awaited debut ep of berlin based project house in a livingroom. clicking beats, lots of groove and mesmerizing vocals are the key ingredients for >jacked beat<, a reduced, funk loaded, jackin house track. house in a livingroom is formed by producer leo cubanero who has already delivered stunning releases on labels like textone and festplatten and vocalist rebecca metternich who adds her clear emotional voice to the ensemble. the flipside features a remix by chilean producer pier bucci who reduces the vocals and enhances the mix with fat analog drums as well as the track >push me< which actually would have been worth a release of its own.

derived from the french joujou, juju refers to the supernatural power ascribed to an object, or fetish. in black coffees >juju<, the woman is his muse, the driving force of his uncontrollable desire. having recently won the african music award for >best video<, the sama for best album of 2009, and the world record for longest dj set of all time, black coffee returns to present >juju< on citydeep music, with a fresh batch of international remixes by the likes of halo & atjazz, andre lodemann, marques wyatt, and even more. clearly set to take the world by storm, the >juju< remixes restate, reinterpret, and redefine. who would have imagined black coffee would become south africas most valuable export? support from : deetron, rocco, mr v, andre lodemann, manoo, alix alvarez, black coffee, ian friday, dj christos, franco de mulero....

deep house label ornate rounds off a fine year with a 12 inch from esteemed irish production duo fish go deep aka greg dowling and shane johnson. >deep, like< kicks off the a side, with the result bring to mind what would happen if jean michel jarre rolled a spliff and started making deep house, while the synth work on >model one< will please anyone who indulged in the recent recloose retrospective on rush hour. >dub model<, meanwhile, is drenched in positively luscious detroit chords and shares the b side with dylan debutts emotive >red light< remix of the eps eponymous track.

architeq – into the cosmosperf10.nettirk records recently released the new architeq‘s ep entitled “into the cosmos“, it’s gonna be the last of the ‘color’ series before the album. the whole ep connects lazy jazz/funk with future electronic vibes, definitely a great quality production bringing us warm and smooth feel. would like to emp

it would be a complete mistake for any house imprint not to include a us talent in his catalog, this wont be the case for apersonal music. on its third effort the label takes his first journey to the grounds of american house. from arizona, michael j collins with remix rework from bostons house-sons soul clap, plus the first collaboration for apersonal from maurice aymard. a side single nothing wrong with holding on show us the most eclectic side of the label so far. looped vocals, broken house with a saxo on top. michaels talent goes beyond genres mixing elements from different styles to create this great piece of music. soul clap delivers, as usual, top stuff! in their remix they speed up the bpm and add a hip-breaker bassline taking the original track to the dancefloor war zone. second remix from maurice aymard, himself at the controls plus venezuelan producer garnica hitting the drums, they take the track to a trippy slowmo version, what maurices catalogs as his best remix so far.

already supported by: richie hawtin, mauro picotto, laurent garnier, max cooper, paco osuna, dj misk, matthias springer and many more!! marc de bell delivers to us the suitable soundtrack with his fourth vinyl publication edelknarz on the berlin label keymono-music. marc is originally from germany and now lives in switzerland. particularly rough and technoide berlin is deeply in him. the sound of edelknarz is more fashionably of dark techno which on would not like to put really so surely in a drawer. one loses himself fast in the three-dimensional structures and the psychedelic sounds. the remix of the frankfurt lk-records of founder lars klein sounds extremely full and transports marcs psychodelic vein with a special push in grooving an energy

prompt has been producing electronic music since the mid 90s and during this time has made a string of outstanding eps, some of which have even won awards. but who exactly is this man from madrid: prompt? to stand on a stage and party for hours in his own world is not prompts style. he would rather sit in the background of his studio and create unforgettable and ever more fascinating tunes. his debut ep on highgrade set the tone for his convincing mix of sound design and subtle hooks. these are also the most important elements for his new highgrade release. in >sharing sounds< its all about deepness. expressed through dense loopy forests and deep broken valleys. you have to engage in the sound experience and see the world prompt has built for you. few other techno producers have such a distinctive style or unique voice. with this ep you could be blindfolded on the dance floor and you would still recognize the music. the sound will convince you once again, both in the club and on the turntables at home.

guy gerber teams up with an all-star lineup of fantastic friends to bring the labels 25th release to the dancefloor. a collaborative work featuring the likes of dop, ryan crosson, varoslav, guti & greg paulus - time for a change, marks a pivotal time & place for the label. the family-feel of this release is a vibe that transcends more than the music on the record…its the way that the team behind the label operates day to day as well. with creative input on the label coming from all corners of the globe, its only natural that the 25th release would bring this crew together. >time for a change< the ep title & leading track of supplement facts’ 25th release takes charge with an almost marching tone

it’s with a lot of excitement that archipel’s boss himself releases a vinyl extract of his album’s favorite tracks. while the album which consist of 2 cds, we thought some of the works would fit well in the hands of collectors who would push the tunes in their quirky sets. the opening track, titled “big trouble in little cave” is one that could haunt a techno party in berlin where in the breakdown, things just go out of control and while you think you can’t take anymore, the music takes you back to earth. tests have proven to be used with care, reports indicate some people reacted with a lot of noise. “dérape totale” is perhaps a cross of four tet releasing on raster noton. awkward combo indeed but the strange structure on top of weirdly arranged percussion is set to catch your attention and draw you into an inner journey. with the chance of having manchester’s dncn join him for vocals, pheek goes with his first interpretation of what a pheekie-pop tune could be: fun, intriguing and catchy! >follow the flow< is the closing track and is one build tension with surprising exploding percussion clashes on top of melodic waves.

if ever there could be a dream team collective of folks involved in just one single, this would be it. together, brit pop legend jarvis cocker has joined creative forces with two of the most exciting & innovative french producers — pentile and pilooski, both collectively known as discodeine — and created the much buzzed about dance track of 2010.

mzo bullets track >casablanca< has become a sought after underground classic over the last 18 months, so when it landed here as part of our township funk compilation album we thought we would do it justice and give it a full vinyl release. as our friends hot city were jumping around to it when they heard it, we decided to let them loose on the remix. already picking up plays from benji b over at radio 1 plus dj support from the likes of diplo, kissy sellout, doorly and andy george.

we would like to say it was all part of a big bombastic plan… the biggest selling bearfunk artist, a top song, the prague philharmonic, 40 piece strings and some great remixes all to celebrate bearfunks 50th release, but alas, it was not! bfk050 is actually the 67th single release on bearfunk. the strings were done in the lunch-break downtime of a session in prague with strings-chappie, john bryan. make good music and occasionally, just occasionally, good things happen to you! so the knife-edge karma of indie record labels flows.

supported by deetron, rocco, mr v, andre lodemann, manoo, alix alvarez, black coffee, ian friday, dj christos, franco de mulero... derived from the french joujou, juju refers to the supernatural power ascribed to an object, or fetish. in black coffees juju, the woman is his muse, the driving force of his uncontrollable desire. having recently won the african music award for best video, the sama for best album of 2009, and the world record for longest dj set of all time, black coffee returns to present juju on citydeep music, with a fresh batch of international remixes by the likes of halo & atjazz, andre lodemann, marques wyatt, and even more. clearly set to take the world by storm, the juju remixes restate, reinterpret, and redefine. who would have imagined black coffee would become south africas most valuable export?

nice price deal !!! as 2010 draws to a close, low res records makes one last shot at the buzzer with a veritable milestone of mayhem - the 23rd enigma in the shape of a new and long overdue dj adjust record. >release the sharks< is four tracks of abusive speaker therapy constructed in the spirit of recreational headbanging most would call haptic technology for heshers. possessing the demonstrative power of potential that pokes at the ear pupils, the new adjust record is a leaning tower of rhythmic inconsequentials that cast a dark shadow over the deliberate composition of controlled chaos.

with friends and cohorts like these, you can’t be sad for long. after the longest and best-ever and final closing, the saddest, best-ever and most personal record on the bar25 label is here. as pure dumb numerical luck would have it, it is – naturally – the 25th release. and, we’re almost proud to say, it’s strictly family business. the closing record speaks more to the spirit of the bar than any words, spoken or written, ever could. every track unique yet well-rounded, somewhere between universal and personal. awash with emotion, as though the sound machines had begun to breathe.

the next release on important hardcore will be the second single of dutch artist the beat controller. this 3-track ep is named by the title track >droppin heat<, as massive mainstyle bomb!
the b-side includes the track >fiction failure<, a cooperation with masters of hardcore artist re-style, well known at the moment for his syndicate anthem. last but not least we have >keep on rocking<, a surprisingly hard and driving track. definitely not the usual main-style as we would expect from this geezer!

the owl wing 57 has entered hyperspace, captain.
what about the anomaly?
further approaching, captain.
we are all lost!
not necessarily, captain.
what do you mean?
no one really knows whats hiding in there.
we wont make it anyway. we could right as well land on any planet and watch it swallowing us.
would this one be ok for you?
why not. betaowl, get ready for landing. right over there, at the bridge of that river. probably a good place for it to snatch us.
crew, get ready for the impact!

dimitri kneppers (1967) music career reads like an encyclopedia. a house encyclopedia. after 23 years of spinning records you could call this dj a true veteran. known for his enormous sensitivity, true feeling and mixing skills he gives you the sense you are the voyeur of an intimate act between two lovers. the music and the man. but nobody ever felt and looked so comfortable behind the decks as dj dimitri, for he brings the crowd at ease like don juan would do with women. when ecstasy is no longer just a word, but a true magical moment as the crowd, the surroundings and the music all come together in one hypnotizing state of happiness. this man knows -or should we say feels- what he is doing, not only behind the decks but also when producing. in september 2007 dimitri said goodbye to his headphones to work on a farm with mentally handicapped people. fortunately for his fans the break wasnt premanent in the middle of last year he installed a studio in his home, then this past june he returned to the decks - now he makes his planet e debut with a stunning track already tearing up dancefloors. included is the first of two remixes by carl craig. a second ep with remixes by orlando voorn and carl craig will appear in early 2011

>dance to the music< recalls the vitalic spirit of yesteryear, laced with smoking disco loops, rubberband basslines and a cajoling vocal hook that sounds so bright you would swear it was crafted with pure sunshine. the dub reveals a sexy bassline and those signature soularis beats. on the flip the boys dish up a a slice of deep house pie with high noon, dedicated to that green, sticky substance. mellow chords and marijuana endorsing samples make this song the perfect way to start off your mix-tapes and live gigs. the chill-out mix is a beautiful 7 minute smokers delight, complete with spine-tingling strings and downtempo rhythms which will leave you more horizontal than a few perkies and some choice lager.

supported by: moodymann, benji b (radio 1), danny krivit, dj sneak, daz-i-kue, unabombers, crazy p, makossa (g-stone), simon harrison (basic soul radio), chris coco, jose padilla!!! finally, leeds born dj/ producer dan ward aka negghead presents the long awaited 2nd single from his blissfully souled out debut album >scrambled negg<. >shifting sands<, vocalized by former nightmares on wax chanteuse chyna b., is surely the key track on >scrambled negg<, oozing sheer class & bringing you xtra smooth r&b vibes of a special kind, nicely layed out over a wicked (and at the same time ultra slick) beat that many other producers of decent >now music< on a club tip would definitely kill for. and as if that wasnt nice enough, wax on records proudly presents their very own >flying dutchmen<: ridiculously talented the planty herbs from tilburg/the netherlands, on the remix!! special backstock !!!

this exquisite disco roughie, paying homage to that sleazy, backroom-disco sound of the boys town gang and skatt bros., is the latest addition to the history clock canon. and ill wager that this is going to be the post-summer smash of the undergrounds counter-cultural disco scene. >cruiser< is a simple, bass loop that grinds and growls like an early weatherall-style groove, beneath some of the most x-rated sociolinguistics that would make even a sailor blush! on the b-side, relaxer is a punchy, proto-house instrumental that sounds like something somewhere between the very early releases on trax and one of those obscure 12? killer dub versions from a mid-80s, uk pop tune

>france 2< deservedly takes the headline-grabbing attention-seeking lead track position: pure mediterranean melodrama with a bold approach to gut-wrenching operatic melody that vangelis himself would be proud of. on a further anthemic tip comes the atonal melancholic vocal symphony of >voci giaga<, whose delicately constructed layers of harmonic voices build up to form something very special indeed. >h2< meanwhile is an exuberant explosion of arpeggios underpinned by an insistent analogue club groove, whilst to finish, the heady, disorientating >oceano< promises to be a key component of many a dj journey over the coming months, leaving your faithful disciples just-the-right-kind-of-lost within the cosy dancefloor bubble. already homegrown heroes in the club scene of their native italy, with the >france 2 ep< the time has come for margots 21st century krautrock message to reach out across the rest of the world.

we would like to dedicate this release to our colleague and good friend aaron-carl who passed away on the 30th of september 2010. during the whole process of creating and thinking this record with ivel, aaron has been supportive from day one. he was a great musician and an amazing human being. his loss has affected all of us. it is very sad to think that this will probably be his last remix to come out, thus making this record and his remix even more meaningful. out of all the words aaron could have chosen out of martin luther kings speech for this remix, he chose the phrase >i just want to do gods will<. i think that god, if theres one, has called him by his side way too early. life will continue, aaron-carl and his music will stay in our hearts

killer doublepack of west coast house here from yoshi toshi, atwater syndicate aka tood resnick, jesse brookes, sen-sei, and david coleman, all getting their heads together on 4 tracks of funky house as you would expect from these guys.

the greek icon mihalis safras returns from his summer break with a powerful 4 track ep!&#8232,,,,,for all the die hard fans of mihalis >berliner< makes a strong move towards the deep and driving side of what we would call >detroit influenced< music.